Travel
How two stunning train stations will be transformed into ‘cultural islands’ by 2026
TWO train stations in Istanbul will become ‘cultural islands’ by 2026, featuring museums, galleries and public gardens.
Authorities in the Turkish city are working to transform Sirkeci and Haydarpaşa train stations into cultural venues.
The Culture and Tourism Minister, Mehmet Nuri Ersoy, detailed restoration plans for Haydarpaşa Train Station, which closed in 2010 following a fire.
According to the local newspaper, Hurriyet Daily News, he said: “Both Haydarpaşa and Sirkeci will feature public gardens as well as art and culture [buildings and events] and railway transportation activities will continue in both of the stations.
“However, these stations will not feature shopping malls or hotels.”
Haydarpaşa Train Station, which was a former calling point of the Orient Express, will become Istanbul‘s first “art and culture island” once the renovation project is completed.
The grand building will feature exhibition spaces, a performing arts centre, a library, two museums and art and design studios.
Further details will be revealed in the near future, according to the Turkish minister.
Built by German architects Otto Ritter and Helmuth Cuno in the early 20th century, high-speed train services will operate again after renovation work is complete.
Art galleries and themed museums will also open at Sirkeci Railway Station in the coming years.
The former Orient Express terminus will house a museum dedicated to migration.
This is because Sirkeci Railway Station is where Turkish nationals used to migrate to Europe.
The minister added: “Traces of the area’s heritage on Istanbul’s European side will be preserved for future generations after the project concludes at the Sirkeci station.”
An advisory board of curators, archaeologists and engineers has been formed to oversee the project.
Because of its ties to the Orient Express, Sirkeci Railway Station is already a popular spot with rail enthusiasts.
The building has been given a 4/5 star rating on TripAdvisor from hundreds of reviews.
One person wrote: “Amazing place and this was our third visit. We love it there and fantastic place of Ottoman architecture.”
Another added: “If you’ve been a fan of Agatha Christie and her Murder on the Orient Express, then this is the place to surely visit as the real train used to come here.
“We only saw the exterior, and did not have the time to go in, but it was still a lovely moment to be there.”
Sirkeci Railway Station is within walking distance of the Sultanahmet, Hagia Sophia, Blue Mosque, Grand Bazaar and Spice Bazaar.
Suburban trains still call at the railway stations, with no plans to end services when the cultural attractions open in 2026.
Sun Travel’s favourite train journeys in the world
Sun Travel’s journalists have taken their fare share of train journeys on their travels and here they share their most memorable rail experiences.
Davos to Geneva, Switzerland
“After a ski holiday in Davos, I took the scenic train back to Geneva Airport. The snow-covered mountains and tiny alpine villages that we passed were so beautiful that it felt like a moving picture was playing beyond the glass.” – Caroline McGuire
Tokyo to Kyoto by Shinkansen
“Nothing quite beats the Shinkansen bullet train, one of the fastest in the world. It hardly feels like you’re whizzing along at speed until you look outside and see the trees a green blur. Make sure to book seat D or E too – as you’ll have the best view of Mount Fuji along the way.” Kara Godfrey
London to Paris by Eurostar
“Those who have never travelled on the Eurostar may wonder what’s so special about a seemingly ordinary train that takes you across the channel. You won’t have to waste a moment and can tick off all the top attractions from the Louvre to the Champs-Élysées which are both less than five kilometres from the Gare du Nord.” – Sophie Swietochowski
Glasgow to Fort William by Scotrail
“From mountain landscapes and serene lochs to the wistful moors, I spent my three-hour journey from Glasgow to Fort William gazing out the window. Sit on the left-hand side of the train for the best views overlooking Loch Lomond.” – Hope Brotherton
Beijing to Ulaanbatar
“The Trans-Mongolian Express is truly a train journey like no other. It starts amid the chaos of central Beijing before the city’s high-rises give way to crumbling ancient villages and eventually the vast vacant plains of Mongolia, via the Gobi desert. The deep orange sunset seen in the middle of the desert is among the best I’ve witnessed anywhere.” – Ryan Gray
Earlier this year, a new sleeper train launched from the Turkish capital of Ankara.
Another new train service is set to launch in the UK next year, and it will travel to some of the country’s prettiest towns.
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Film Lab Africa Showcase at Film Africa 2024: “Unleashing the Potential of the African Cinema Value Chain through Development Programs
London, UK – Film Africa 2024– Film Lab Africa took center stage at this year’s FilmAfrica festival with a groundbreaking panel, “Unleashing the Potential of the African Cinema Value Chain through Development Programs.” This session explored pivotal challenges and transformative opportunities within African cinema, emphasizing sustainable growth and the sector’s impact on Africa’s creative economy. This event, held at the annual Film Africa festival, spotlighted a unique blend of education, mentorship, and creative expression, uniting top African filmmaking talent with influential industry leaders. Through engaging panel discussions moderated by Gbolahan Peter Macjob, screenings, and impactful networking sessions, the event underscored Film Lab Africa’s mission to develop and amplify African voices on a global stage.
Morning Panels and Insights
The day opened with an insightful panel featuring esteemed speakers, including Julian Alcantara, Colette Otusheso, Don Omope, Sukanmi Adebayo, and Nigerian government representatives. Project delivery partner Olasunkanmi Adebayo of Afrowren Productions and UK support partner Yemi Daramola of Darimedia led sessions covering topics from distribution strategies to leveraging cultural diplomacy for the African film sector.
Industry veteran Don Omope, a mentor to this year’s participants, emphasized the importance of storytelling rooted in authenticity, stating, “African filmmakers have the power to reframe global narratives about our continent. Programs like Film Lab Africa are crucial in providing the platform and support needed to achieve this.” Julian Alcantara echoed this sentiment, sharing, “It’s time for African cinema to own its space on the world stage. With the right infrastructure and policies in place, African cinema can not only thrive domestically but also establish a significant presence internationally.”
The panel opened with impactful speeches by program leaders and stakeholders, each underscoring the critical need for international support and structured growth in African cinema.
The Honourable Minister of Arts, Culture, Tourism, and Creative Economy, Nigeria, Barr. Hannatu Musa Musawa, represented by Mr. Kingsley Bash, reiterated the Nigerian government’s commitment to the film industry. He underscored the importance of public-private partnerships, saying, “Our government recognizes the vast potential of the creative industry, and we are dedicated to fostering an environment that supports filmmakers. We call upon the private sector to join us in this mission to elevate African cinema.”
Colette Otusheso, who is the CEO of Accelerate TV, highlighted the broader impact of such initiatives on Africa’s creative landscape: “Empowering young filmmakers and storytellers is essential to building a thriving creative economy across the continent. Programs like this one provide a platform for African talent to shine, transforming passion into impactful careers that resonate globally.”
Evening Showcase and Audience Reactions
As the evening transitioned to the screenings of Film Lab Africa participant films, the British Council’s Director of Cultural Engagement for Sub-Saharan Africa, Sally Robinson, spoke on behalf of the British Council. She applauded the filmmakers’ accomplishments and celebrated the program’s role in bringing African stories to an international audience. Robinson expressed, “These filmmakers are not only talented; they are changemakers whose work contributes to the global cultural landscape. The pride and passion they bring are palpable, and we are honored to support their journey.”
Audience reactions were overwhelmingly positive, with viewers lauding the films for their depth, innovation, and cultural richness. The showcase highlighted Film Lab Africa’s essential role in fostering talent and establishing a foundation for the sustainable growth of African cinema. The evening concluded with a round of applause and a commitment to continue this journey of cultural exchange, innovation, and cinematic excellence.
The Journey to Film Africa
The success of the Film Lab Africa program began earlier this year with a cohort of 60 emerging filmmakers from diverse African countries. Since January, these filmmakers have received rigorous training in both the creative and business aspects of the film industry, mastering skills in screenwriting, production, and financial planning. Following the training, each filmmaker applied for grants that required the practical application of their newfound expertise, resulting in 20 films that were funded and produced. Among these, 10 short films received grants of £5,000 each, while 10 microfilms shot on smartphones were funded with £500 each. These 20 films were initially showcased in Lagos over the summer with the 10 short film recipients invited to London for the FilmAfrica 2024 to showcase their skills at London’s own biennial film festival for black filmmakers in the United Kingdom.
Featured Films
The evening session captivated audiences with a screening of the 10 short films selected from the cohort, each representing a unique and authentic African narrative. Featured films included:
These films, created by a new generation of African storytellers, showcased diverse themes ranging from resilience and hope to cultural identity and social change. Salamatu’s Rhapsody, directed by Shimataver Igbawua, emerged as a crowd favorite for its poignant narrative and compelling visuals. Shimataver shared her enthusiasm for the journey, stating, “Film Lab Africa gave me the tools and confidence to tell stories that are personal yet resonate universally. Seeing the audience’s reaction to Salamatu’s story was incredibly rewarding.” Sandra Adaora Anyanwu, producer of Nepa, added, “This platform brings our stories to a global audience, and I am thrilled to be part of a movement that amplifies African cinema.” Meanwhile, Temi Ami-Williams, the producer of Ireti, reflected on the evening, saying, “FilmLab Africa empowered me to create with vision and purpose, and to see that resonate with audiences here in London is a dream come true.”
Program Outline
Since its inception, Film Lab Africa has been committed to fostering talent and strengthening the infrastructure of African cinema. Supported by the British Council, the program has been instrumental in equipping young African creatives with resources, training, and international visibility. By bringing diverse African narratives to global platforms, Film Lab Africa aims to cultivate a thriving ecosystem where African cinema can flourish on the world stage.
Industry Impact
The response from the audience was overwhelmingly positive, as emerging filmmakers brought fresh perspectives and rich African stories to the screen. Sukanmi Adebayo of Afrowren Productions, the programme’s Nigerian partner, expressed pride in the filmmakers’ achievements. “This initiative empowers young Nigerian filmmakers to tell authentic stories that resonate both locally and globally,” he remarked, capturing the event’s supportive and celebratory atmosphere. This level of investment in African cinema not only elevates individual careers but also strengthens the industry’s infrastructure and economic footprint over time. By empowering new talent with resources and platforms, initiatives like Film Lab Africa contribute to the long-term growth of a global-ready Nollywood, currently estimated to generate around $7 billion annually, with a projected growth rate of 15% year-on-year. The industry produces over 2,500 films annually, and support like this ensures continuous innovation, skill development, and international reach, vital for Nollywood’s rise as a cultural powerhouse on par with Hollywood and Bollywood.
Future FLA Short Film Screenings in 2024
Following its London premiere, the films will continue to reach wider audiences with upcoming screenings at the Lagos Fringe Festival and the Barbados Film Festival. These screenings are facilitated by the British Council, alongside other catalytic support to support these filmmakers.
Contact for Press Inquiries
For more information, on this story, please contact:
African Pictures International
- Email: info@africanpicturesinternational.com
- Phone: (+234) 704 928 0787
British Council Press Office
- Email: press@britishcouncil.org
- Phone: +44 (0)20 7389 4889
Royal African Society – Film Africa
- Email: filmafrica@royalafricansociety.org
- Phone: +44 (0)20 3073 8330
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