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Pac-12 files federal lawsuit against Mountain West over $43 million in ‘poaching’ penalties

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Pac-12 files federal lawsuit against Mountain West over $43 million in 'poaching' penalties

The Pac-12 is suing the Mountain West over what it calls an unlawful and unenforceable “poaching penalty” that could cost the rebuilding conference more than $40 million for adding Boise State, Fresno State, Colorado State and San Diego State, according to a lawsuit filed Tuesday in federal court.

The antitrust complaint was filed in the U.S. District Court of the Northern District of California and is seeking a declaratory judgement by a judge.

“The action challenges an anticompetitive and unlawful ‘Poaching Penalty’ that the MWC imposed on the Pac-12 to inhibit competition for member schools in collegiate athletics,” the lawsuit said.

The Mountain West has exit fees of upwards of $17 million for departing schools. Those fees can increase depending on how much advanced notice a school provides. There are also poaching fees that were put in place in the Mountain West’s scheduling agreement with Oregon State and Washington State, the only current Pac-12 members this season.

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The fee starts at $10 million and increases by an increment of $500,000 for every additional school the Pac-12 adds from the Mountain West.

With four already on board, the total is $43 million.

The Pac-12 has also targeted Mountain West schools Utah State and UNLV. Adding them would cost another $24.5 million.

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The Rise of Pregnancy Criminalization Post-Dobbs

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The Rise of Pregnancy Criminalization Post-Dobbs

At least 210 pregnant people faced criminal charges for “conduct associated” with pregnancy in the first year after the U.S. Supreme Court overturned Roe v. Wade—the highest number documented in a single year, according to a new report by Pregnancy Justice, a nonprofit dedicated to protecting pregnant people’s rights.

The report, released on Tuesday, covered prosecutions initiated from June 24, 2022 to June 23, 2023, but researchers plan to document all charges of pregnancy criminalization in the country in the years since the decision in Dobbs v. Jackson Women’s Health Organization in June 2022. The report defines pregnancy criminalization as occurring “when the state wields a criminal law to render acts associated with a pregnancy, pregnancy loss, birth, and/or associated healthcare the subject of criminal prosecution.” Pregnancy criminalization can include abortion criminalization, but is not limited to it. The majority of the pregnancy-related charges documented in the report, for instance, alleged substance use during pregnancy.

Read More: Here’s What Harris and Trump Said About Abortion in the 2024 Presidential Debate

In the report, researchers called pregnancy criminalization “nothing new.” Pregnancy Justice and other groups have recorded more than 1,800 cases of pregnancy-related charges from 1973 to 2022, according to the report. But researchers attribute the acceleration in pregnancy criminalization in the first year after the Dobbs decision to the rise of “fetal personhood” laws, which grant legal rights to an embryo or fetus. The report found that pregnancy-related prosecutions were highest in Alabama, followed by Oklahoma and South Carolina—states that have abortion bans or restrictions.

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TIME discussed the report’s findings and what they mean with Pregnancy Justice President Lourdes Rivera.

This interview has been condensed and edited for clarity.

Can you talk about the types of pregnancy-related charges your team uncovered? The majority of the charges were alleged substance use—why is that significant?

That’s been an ongoing pattern since the war on drugs in the 80s and 90s—that’s been the entry point to help create this idea that there are mothers who are harming their babies. The way people get caught up is they go to their doctors to get access to care. So just imagine: someone has a substance use disorder, they become pregnant, they go to the doctor to get help, and instead  they get reported to the family policing system and to law enforcement.

Read More: How Ronald Reagan Helped Abortion Take Over the Republican Agenda

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Opioid disorder-related deaths have emerged as [a leading] contributor to maternal mortality, and you do not address that by driving people away from health care, which is what criminalization does. All the major medical associations and public-health associations oppose criminalizing pregnant people and criminalizing substance use during pregnancy because it drives people away from health care, which is exactly what they need.

What would you say is the most important takeaway from the report?

The overarching essential finding is the 210 cases that were uncovered, which is the highest number of criminal cases documented in any single year. The other key finding is that there were 22 cases of people being criminalized for pregnancy loss, a widely shared experience. Post-Dobbs, pregnancy loss is treated as a highly suspicious event.

We were expecting to find, given that it was post-Dobbs, that specific abortion criminalization laws would be used to prosecute people. And we actually, except for one, did not find any cases to date where a specific abortion law was being used to criminalize pregnant people. 

The report mentions that four cases included allegations concerning abortion, but that the individuals weren’t prosecuted on an abortion crime charge. Can you talk about the significance of that?

There’s been a lot of focus on the direct attacks on abortion, and we’ve seen backlash to that from the American public. What’s been happening is that pregnant women are being surveilled and investigated and prosecuted—not under specific abortion laws, because I think that would be politically unpopular, but rather, they’re using this mechanism and this architecture that has been built over time that’s been more under the radar.

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What’s driving this is this really extreme ideology [of fetal personhood] that used to be on the fringe of the anti-abortion movement, but has now occupied the center and has been embedded in state criminal and civil law—like, for example, in the Alabama IVF decision, where a frozen embryo is now considered a child for purposes of wrongful death.

This infrastructure and architecture is available for prosecutors and law enforcement to use and they don’t have to rely on a specific abortion criminal law. 

We have to understand that pregnant people are being criminalized already. And if you’re only looking for the abortion law, then you’re missing a really crucial piece of the big picture.

The report found that the majority of people who were facing pregnancy-related charges in the year post-Dobbs were white and low-income. Oftentimes experts point out that threats to reproductive health disproportionately impact people of color.

Both things continue to be true. If we look at how fetal personhood got a foothold—how it went from the fringey margins and became more like a central strategy—it was in the 80s and 90s, when we were in the midst of the war on drugs, where Black and brown communities were being targeted. And this gave abortion opponents an opportunity to create this whole myth of fetuses as separate victims of Black and brown women’s behavior around the use of substances.

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So that mechanism was built, and now as the drug crisis has shifted to opioids and methamphetamines—which is also a crisis that is disproportionately experienced by poor white communities and people in rural areas—you then see the same framework being applied over there.

We’re still seeing Black, brown, and Indigenous women being targeted. The other caveat is that our data relies on the court records, and court records are notoriously under-counting Black and brown and multi-ethnic people.

In 121 of the 210 cases, the information that led to charges was obtained or disclosed in a medical setting. Does that raise concerns for you that people may fear disclosing medical information to their doctors or seeking medical care at all?

Absolutely, this is a huge concern, and that it is really counterproductive. Anyone who goes to the doctor believes that if they share information with their doctor, it’s going to be to the benefit of their own health care. But if you’re a pregnant person, it’s like you have no confidentiality in your medical information. You get treated very differently because of your pregnancy status in health care settings, so this is a glaring gap in patient privacy protection laws.

Sometimes this reporting happens because of bias within those health care settings, and sometimes it is because [of] hospital policy, and sometimes it is because of state law. All of that is just really misdirected and contrary to the positions of major medical associations and public health associations.

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What can the government do to address the issues that the report uncovered?

A few things. It depends on the administration, but the Department of Justice and the Office [for] Civil Rights in the Department of Health and Human Services can investigate whether or not this is race and/or sex discrimination.

We also just have to strengthen HIPAA laws to protect patient confidentiality in these circumstances. And we also need to urge states to adopt laws that require patient-informed consent before they can be drug tested at all, or to have their newborns drug tested. They shouldn’t be punished if they refuse to give that consent. There’s so much overtesting that happens without any actual clinical need, and there are false positives—I mean, all kinds of things happen, right? And that just starts this whole cascade of state involvement in your life that could result in a family losing their children or having the pregnant person or the postpartum person be criminalized.

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FT Crossword: Number 17,851

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FT Crossword: Number 17,851

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Another big bank brings back £175 free cash offer just in time for Christmas – and £50 interest-free overdraft

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Another big bank brings back £175 free cash offer just in time for Christmas - and £50 interest-free overdraft

A MAJOR bank has announced it’s offering free cash for switching accounts just in time to give your balance a boost for Christmas.

It’s also giving account holders a £50 interest-free overdraft buffer to ease burden at what can be an expensive time.

Read on to find out how you can switch to a current account.

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Read on to find out how you can switch to a current account.

Nationwide Building Society has launched a new offer of £175 to switch to its FlexDirect, FlexPlus or FlexAccount current accounts.

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In order to get the free money, you must switch through the Current Account Switch Service (CASS).

Banks often offer incentives like free cash to attract new customers.

Until recently several bank switch bonuses were up for grabs, but were pulled in the past few weeks.

But that could be set to change as Nationwide is the second bank to bring one back.

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Rachel Springall, a finance expert at Moneyfacts Compare, said: “The £175 free-cash perk is a joint-market leading sum with First Direct, so it will be interesting to see if any other providers launch a switching incentive to compete for business in the weeks ahead.

“The FlexDirect (account) will pay up to £5 per month in cashback, but this is not diluted by any account management fee, which is a plus.”

The lender is also set to launch a £50 interest-free overdraft buffer in November, with the exact date to be confirmed closer to the time.

The buffer will apply to overdrafts on the lender’s three main current accounts, which are the FlexPlus, FlexDirect and the FlexAccount.

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It’s worth noting that the FlexPlus account does charge a monthly fee in return for benefits such as insurance and breakdown cover. 

Springall says Nationwide’s £50 interest-free buffer could also be useful to some people as the Christmas shopping season draws nearer.

What is the Bank of England base rate and how does it affect me?

She says: “This safety net can make a difference for those who might overspend by a small amount.”

Springall suggested that, in general, current account holders should weigh up the benefits they use as well as the charges for using their account “to see if it’s working hard enough”.

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The FlexDirect account gives the holder 5% credit interest on balances up to £1,500 for the first 12 months.

This account also offers an interest-free overdraft for the first 12 months.

Those who open a new FlexDirect account will still get the 5% credit interest rate, and will also receive 1% cashback for the first 12 months on debit card purchases, capped at £5 per month.

For new FlexDirect account openings, the previous interest-free overdraft offer will be withdrawn.

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But if you are an existing customer who is benefiting from an interest-free overdraft offer then don’t worry, this will continue until the end of their 12-month period.

We’ve asked Nationwide if there’s a minimum amount you need to pay in to the accounts to qualify for the bonus and will update when we hear back.

While the £175 might look enticing, it is important to consider all aspects of a bank account when planning to change.

So for starters, it is important to look at what  fees and charges are associated with an account.

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There is no account fee on the FlexDirect or FlexAccount current accounts. 

The FlexPlus account fee is currently £13, it will increase to £18 per month from December.

You should consider account opening fees, transaction fees, monthly maintenance fees, any overdraft changes and fees if you plan on spending abroad.

Account management, in terms of your preference for online or in a branch, and eligibility criteria, such as a good credit score, should also be looked at.

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Finally incentives and mobile banking are two more important considerations when choosing whether to change accounts. 

How to switch bank accounts?

Switching bank accounts in the UK, in the vast majority of cases, can be done using the CASS to move your money and close your old account.

The first step to setting up a new account is done by contacting your chosen bank or building society to open an account. 

This can be done by applying online, in branch, by phone, or via the lender’s app.

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Step two involves your chosen lender checking your eligibility for an account, and to switch using the CASS.

Following this, you need to select the date you want your old account to close and your new account to open.

You will be required to provide information about yourself and your finances, and present a form of photo ID.

The bank will check your credit report to verify your identity and assess the risk of lending money to you.

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Lastly, it is just a case of counting down the days until the switch is complete, with the minimum being seven working days.

What other banks are offering bonus switches?

Right now, options are quite limited with only one other major lender offering incentives to switch. 

But don’t fret, lenders often introduce these incentives from time to time, so simply stay on the lookout if you have a particular bank or building society you want to switch to.

FirstDirect are currently offering £175 to customers who choose to make the switch.

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To be eligible for the bonus you cannot have had any account with First Direct in the past, and you can’t have opened a current account with HSBC since January 2018.

If this is you, then all you need to do is open the account in app, and switch in an account from a different bank including two direct debits or standing orders within 45 days.

You will also need to pay in £1,000 and make five or more debit card payments within 45 days.

The £175 is paid by the 20th of the following month after you meet the switch bonus criteria.

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What is an overdraft and how does it work?

The ins and outs of an overdraft are simple enough to understand, for starters there are two types.

These are arranged and unarranged. An arranged overdraft is a pre-arranged limit that you agree with your bank, while an unarranged overdraft occurs when you go overdrawn without an arranged overdraft.

You will usually be charged interest for using an overdraft, but some providers offer an interest-free amount. This is common with student accounts.

If you manage an arranged overdraft well it is unlikely to have any impact on your credit score.

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But, if you do not pay it off regularly, have payments declined, or use the unarranged overdraft, it is likely to have a negative impact.

You should also know that if you do not pay your overdraft off in time, your bank may turn your account over to a collection agency.

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Entertainment Daily owner Digitalbox launches specialist sites after Google changes

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Entertainment Daily owner Digitalbox launches specialist sites after Google changes

Online entertainment publisher Digitalbox is launching a series of highly-targeted sites aiming to deliver the “super engagement which is increasingly favoured by the platforms”.

The new “verticals strategy” has begun with the launch of Emmerdale Insider, which includes existing staff moved over from Entertainment Daily as well as others.

Two more new sites are planned to go live before the end of 2024.

Referring to Google’s E-A-T (Expertise, Authoritativeness, Trustworthiness) criteria, Digitalbox chief executive James Carter said sites dedicated to specific football clubs were an example of the sort of content favoured nowadays by the search engine.

He said there is a “move away from sort of generalists towards specialists” and that it appeared that the “E-A-T algorithm would raise a very distinct, focused offering around one club ahead of the generalist view of football from writers that cover every club”.

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Digitalbox’s business model is largely based on driving high volumes of traffic on sites optimised for mobile, which it says allows it to achieve significantly higher revenues per session on advertising compared to other publishers.

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Digitalbox has reported revenues for the six months to 30 June up 32% to £1.6m with adjusted EBITDA (stated before depreciation, amortisation, impairment of goodwill and intangible assets and share based payment charges) up from a £100,000 loss in the same period in 2023 to a £300,000 surplus.

Entertainment Daily ‘blocked’ by Google

Digitalbox’s biggest brand by both revenue and audience is Entertainment Daily, which covers soaps as one of its main verticals.

At the start of 2023 Entertainment Daily was “blocked” by Google in search, news and Discover leading to an overall drop in visits of 27% for the year. It eventually regained visibility in November.

But the brand’s turbulent relationship with Google continued again this year.

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Digitalbox said that in January and February of this year Entertainment Daily saw “significant volumes” of traffic coming from Google but it was then hit badly by the March core update.

“While we anticipated broadly stable advertiser demand across the period, we did not anticipate Google’s algorithm blocking our biggest brand,” it said.

The team has been able to reinstate the site’s presence in Google search and News traffic but not in Discover.

“We remain focused on tactics to get the site reinstated across all three key channels after a further Google Core Update in August,” the accounts said.

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Carter said: “We’ve managed to regain traction around search in the middle of the H1 period, but I think we expect further challenges going forwards.”

Daily Mash tops 4,200 subscribers

Despite most of the business being based around advertising, satire website the Daily Mash has a subscription model that now has more than 4,200 subscribers.

The Mash Premium offering, which provides unlimited ad-free access to the site which contains some restricted stories, has increased in price from £20 per year to £30. This means that at the new higher price the paywall could bring in more than £126,000 annually. The Daily Mash made just under half this (£59,000) in the first half of the year.

However the brand, which is also publishing a book before the end of the year: The Daily Mash Class Wars – A Field Guide to Being British, was the only Digitalbox site to make a loss (of £56,000) in H1.

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Digitalbox has more acquisitions in the works

Student site The Tab, which was bought in 2020 and paid back the purchase price in 18 months, saw traffic up 3% and delivered a positive contribution every month since achieving its full repayment. Although its model is based around UK universities, the company said its central team’s entertainment output had increased traction in the US.

Satirical website The Poke was acquired in December 2022 and has now also fully repaid its acquisition costs after 18 months. The company said it had a “strong six months” with audiences up 21% and session values also seeing growth after Digitalbox’s Graphene ad stack had been integrated for a year.

Digitalbox’s most recent acquisition was TV Guide, with a £550,000 deal announced in May 2022.

It said the site repaid 31% of its acquisition cost in the first half of 2024 amid a series of technical improvements and a 30% uplift in traffic as well as an editorial expansion into content about streaming shows.

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Carter said more acquisitions are in the works, including potentially some sites that have been hit hard by Google changes.

Despite turbulence in search, Carter said Facebook has remained “relatively strong” for Digitalbox.

The publisher switched on Facebook’s invitation-only performance bonus programme in February which allows creators to earn money for engagement with photo, text and video posts.

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Carter said: “Effectively they’re rewarding content creators for engagement. So it’s a pivot away from their previous monetisation models, which were quite basic: if you publish a video on Facebook, it could be monetised by a mid-roll ad or a post-roll ad being delivered around your content, you’d get a direct share of that revenue.

“They’ve stepped away from that, and they’ve moved towards the longer you can keep people on the platform, the more engaged they are, the better… we’ve done quite well from that in the past six months.”

Carter said the UK digital ad market was “slightly down” in the first half of the year compared to H1 2023 but was “relatively stable… compared to the previous choppy years that we’ve had”.

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Email pged@pressgazette.co.uk to point out mistakes, provide story tips or send in a letter for publication on our “Letters Page” blog

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Silver service, roast dinners and breakfast in bed – what airline meals were really like in flying’s golden age

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In the 60s, whole roast joints were being served in the cabin

THE type of food we see on flights today has changed massively from the early days of aviation.

The first in-flight meal was served in 1919 on the Handley-Page London to Paris route, and consisted of just a sandwich and fruit.

In the 60s, whole roast joints were being served in the cabin

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In the 60s, whole roast joints were being served in the cabinCredit: British Airways
In the 50s, Flight attendants would prepare pre-cooked meals in the galley and heat them up in electric ovens

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In the 50s, Flight attendants would prepare pre-cooked meals in the galley and heat them up in electric ovensCredit: British Airways

But in the decades that followed, in flight meals became a luxury experience.

Some journeys offered seven course dinners and menus with luxury food items like fillet steak and cherry souffle served with fresh cream.

For some first class passengers, meals were served on beautiful china plates.

Former Chief Pilot and Director of British Airways, Al Bridger has shared how food on flights has changed through the years in his book Flavour of Flight: The Food and Drink of British Airways.

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His book includes a host of fascinating pictures of in flight meals from decades gone by, including recipes on how to make some of passengers’ favourite plane dishes.

He told Sun Travel: “British Airways and its predecessor airlines have always strived to give the best possible offering to their customers across all the cabins.

“From the very early days of introducing fine sandwiches to taking advantage of all the technological advances with onboard ovens and the highly innovative ‘height cuisine’ of the 2000s, designed with top chef Heston Blumenthal, by using flavours and the freshest ingredients to maximise taste at altitude.

“Flavour of Flight charts this journey of the airline’s drive to always improve and create better product, as we all know that food and drink play an important role in the overall customer experience when travelling.”

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In the very early era of flying, food service was limited. There was no galley or ovens on the aircraft, which meant the only hot items available were flasks of coffee, tea, Bovril and chocolate.

Fast forward to the 1930s, the air travel industry was growing, and there was a move towards a much more luxurious travel experience.

Flight attendant reveals the REAL reason they always greet you when you’re getting on the plane, and it’s got nothing to do with being polite

Al writes in the book that the purpose-built aircraft had two toilets, and, importantly, a bar and a kitchen in the centre section.

This space allowed for exceptional table service to happen, in the form of five-course lunches and seven-course dinners.

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And the quality of food onboard had dramatically improved from just sandwiches in the previous decade.

Typical menus from the time included roast chicken with green salad and peaches with Melba sauce for dessert, along with cheese and a wine list.

Flying was considered a luxury experience in the early days of aviation

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Flying was considered a luxury experience in the early days of aviationCredit: British Airways
The De Havilland Comet was the world's first commercial jet airliner, and in the 50s included gourmet meals and cocktail lounges

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The De Havilland Comet was the world’s first commercial jet airliner, and in the 50s included gourmet meals and cocktail loungesCredit: British Airways
In the 1950s, luxury services like BOAC's Monarch service offered bunks for passengers, with breakfast served in bed from silver tea sets

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In the 1950s, luxury services like BOAC’s Monarch service offered bunks for passengers, with breakfast served in bed from silver tea setsCredit: British Airways
Menus often included five to six courses, similar to a luxury dining experience on the ground

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Menus often included five to six courses, similar to a luxury dining experience on the groundCredit: British Airways
First class service on the plane was top restaurant quality

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First class service on the plane was top restaurant qualityCredit: British Airways
Food on planes became more refined as the years went on

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Food on planes became more refined as the years went onCredit: British Airways
Passengers were given menus, often hand typed with lots of choice

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Passengers were given menus, often hand typed with lots of choiceCredit: British Airways

Fast forward again to the 50s, culinary progress was made with more complex dishes – the likes cream of pea soup, seafood cocktail, fillet of sole, and soufflé Montmorency appeared on menus.

In the 60s, whole roast joints were being served in the cabin.

Al writes: “These were presented on a trolley and carved individually to the customer’s taste, making this a moment of inflight theatre.”

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While this was popular, Al can’t see this making a return.

In recent years, budget cuts have led to plane food and the way it’s served on many airlines being more basic.

However some of the food from the early days of flying, such as lamb cutlets and the great British pie, are still around today, but with a modern twist.

Al has been privileged to have eaten many meals across his time flying with British Airways, but one of his favourite meals has to be roasted cauliflower risotto.

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He told Sun Online Travel: “I love the roasted cauliflower risotto from the current Club World menu. It is my go-to meal, and the recipe is in the final chapter of Flavour of Flight.

“Simple and quick to make, it blends the flavour of cauliflower with Parmesan cheese so its filling and very tasty.”

Airlines that have reduced or eliminated free meals on flights

Many airlines have cut back on free meals to save on operational costs…

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Ryanair – one of the first airlines to eliminate free meals on short-haul flights, claiming it could offer lower fairs and better services.

British Airways – eliminated free meals on short-haul flights in 2017, but later reintroduced some perks like a complimentary bottle of water and snack.

Continental Airlines – stopped offering free meals on domestic flights in economy class in 2010, making it the last major airline to do so. The airline announced the change in March 2010, and began selling buy-on-board meals on domestic flights under six hours starting October 12th, 2010.

Air France – currently trialing a buy-on-board system for food and drinks on some of its short and medium-haul flights from 2025. Business class passengers will not be affected by the change and will continue to receive a complimentary meal. 

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Five last-minute tickets for the London Film Festival

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Stay informed with free updates

This year’s BFI London Film Festival begins on October 9 and is selling out fast. Only £200 fundraising tickets remain for the world premiere of Steve McQueen’s wartime drama Blitz, starring Saoirse Ronan, and there’s not a seat to be had for Sean Baker’s Cannes Palme d’Or winner Anora. There were still tickets — at press time — for the following, but there is no time to waste.

One to One: John & Yoko

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“There’s nothing you can know that isn’t known, nothing you can see that isn’t shown,” sang John Lennon. You might think this true of his own life story after the surfeit of Beatles documentaries in recent years. But Kevin Macdonald and Sam Rice-Edwards’ One to One: John & Yoko finds something fresh. It picks up in 1972, three years after and 3,000 miles away from the London of Get Back, Lennon and Ono now residing in Greenwich Village and joining the anti-establishment Rock Liberation Front in an effort to reverse rising youth apathy. But it’s not all peace and love: they face threats of deportation and FBI surveillance, ironically inspiring them to tape their own phone calls and thus providing much of the material here. Another trove is footage from two One to One benefit concerts, the only full-length ones Lennon ever gave post Beatles. Ono is no longer the silent partner of Get Back, here railing against the misogyny and sexism she faced in Britain. But there is much levity too: Yoko and her assistants sourcing live flies for her installation art becomes a running gag, as does Lennon trying to lure a piqued Bob Dylan into performing. The directors find a winning tone that is not overly reverent, dispensing with the greying talking heads and letting youthful optimism course through the film. More than 50 years later, it still has the power to inspire. RA

A transitioning person with long hair stands holding the straps of a shoulder bag
Oscar-tipped: Karla Sofía Gascón in ‘Emilia Pérez’ © Shanna Besson/Pathé

Emilia Pérez

Emilia Pérez is a soft-spoken mother of two living peacefully in a plush Mexican suburb. She doesn’t start that way: at the outset she is Juan “Manitas” Del Monte, a feared kingpin who kidnaps a defence lawyer (Zoe Saldaña) and employs her to help him transition. Yes, this is a hard-boiled cartel thriller with a transgender twist — and a musical to boot, weaving in rap and reggaeton numbers in Lin-Manuel Miranda fashion. Some rhythms arise organically from the cadence of conversation; others begin with the percussive click-clack of assault rifles. Saldaña does much of the hoofing and lends burning intensity to the role of Manitas’s fixer and confidante. Less in the know is his wife, Only Murders in Building star Selena Gomez stretching her range while working mostly in Spanish. Meanwhile, the Oscar-tipped Karla Sofía Gascón ranges from quiet menace to tenderness in the tricky dual role of Manitas/Emilia, who finds it is easier to change gender than change the past. Writer/director Jacques Audiard (A Prophet, Dheepan) balances narrative audacity with emotional authenticity, proving again his ability to turn his hand to seemingly any genre. RA

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Bizarre: Leos Carax’s ‘It’s Not Me’

It’s Not Me

When the director of Lovers on the Bridge and Holy Motors sets his mind to reflecting on his life, cinema, and the world, what you get is the blithely bizarre and wildly creative It’s Not Me. Leos Carax’s voiceover mimics raspy late-period Jean-Luc Godard, but any pretensions vanish as he hopscotches among his family history and his 20th-century heroes and villains, pausing to portray himself (in infrared) dreaming up his work in a bedroom crawling with cats. This 41-minute dervish of ideas, images, and goofs shares the joyous velocity and unbound cinephilia of Carax’s other films, which pop up in vibrant clips (with a surprise or two). Amid the flood are moments of sudden poignancy, such as a ghostly-looking girl playing piano, and barbed insights on the absurdities and outrages of the past century. Despite the title, it’s a movie that feels utterly personal in its total idiosyncrasy. NR

A man in military uniform stands in a room cradling a baby while a woman standing opposite him reaches out to the child
‘The Invasion’ shows life on the home front following Russia’s invasion of Ukraine

The Invasion

It’s hard to surpass Sergei Loznitsa as chronicler of Ukraine’s struggle to wrest itself free from Russia, having served up films on Maidan, Donbas, and now, his entire country under Vladimir Putin’s full-scale invasion. Filmed over two years, The Invasion pointedly sticks to the home front to show Ukrainians carrying on with daily business as best as possible despite the demands and death toll of war. It’s a living mosaic of moments — families getting food, children at school, even a wedding and impromptu dance — that radiates an inspiring sense of life force and steely determination. But even if we’re not brought to the battlefield, the tentacles of war reach every other scene in some way, whether it’s a woman re-bricking her bombed house, amputees undergoing physiotherapy, or a bookstore binning Russian-language novels. There’s a palpable patriotic pride here, yet shadowed by the hard work of simply surviving. NR

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Victoria Mapplebeck captured 20 years of life with her son Jim in ‘Motherboard’

Motherboard

Like a do-it-yourself version of Michael Apted’s Up series or Richard Linklater’s Boyhood, Motherboard captures 20 years in the lives of a filmmaker and the son she is raising alone. Victoria Mapplebeck fashions a bustling close-up portrait of motherhood and growing pains that chronicles young Jim from his toddler days up through angsty adolescence. What shines through the ups and downs is the love between the two and their jokey rapport, as Jim displays a touching sensitivity to his mother even as he carves out his independence. Hanging over the years is the question of whether to reconnect with Jim’s birth father, who is a source of insecurity and lingering hurt for each of them. Woven together from digital camera and smartphone footage, it’s also a portrait of an artist who is pushing through frustrations and finally making the most of the subject who is living and breathing right in front of her. NR

October 9-20, bfi.org.uk/lff

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