Astell&Kern doesn’t dabble at the shallow end of the pool. The Korean brand has spent years defining the upper tier of the digital audio player market, pushing prices into territory where performance, build quality, and long-term relevance actually matter. The PD10 lands squarely in the upper tier at $2,749 with the dock ($2,410 without it), placing it in direct competition with the most serious portable players available. At nearly three grand, sound quality and prestige are no longer enough. At this level, Astell&Kern isn’t competing on specs alone—it’s competing on purpose.
The high-end DAP market is brutally competitive right now, and Astell&Kern is leading the charge; but leadership alone isn’t enough when buyers have real alternatives and very high expectations. The real question isn’t whether the PD10 sounds good; that’s table stakes at this level. The question is whether this is just another ultra-luxury portable player for headphones and IEMs, or whether Astell&Kern has built something with a broader mission in mind—something that makes sense not only on the move, but also alongside a serious home two-channel system.
PD10 Technical Overview: Power, Connectivity, and Storage
The PD10’s specifications aren’t about box-checking or bragging rights. They exist to solve real-world use cases—driving sensitive IEMs, powering full-size headphones, and functioning as a legitimate digital source beyond portable duty.
The 6-inch 1080×2160 IPS display gives the PD10 a modern, smartphone-like interface that’s responsive and easy to navigate, which matters when you’re dealing with large libraries and multiple playback modes. Output power is substantial: in low gain, the PD10 delivers 2.6Vrms from the unbalanced output and 5.6Vrms balanced, keeping noise under control for high-efficiency IEMs. Switch to high gain and those numbers jump to 4Vrms unbalanced and a very serious 8.3Vrms balanced—enough voltage to comfortably drive high-impedance and current-hungry headphones without external amplification.
Output impedance stays sensibly low at 1 ohm from the 3.5mm jack and 1.6 ohms from the 4.4mm balanced output, which means stable frequency response and predictable behavior with multi-driver IEMs. At the heart of the PD10 is a no-nonsense AKM DAC implementation, pairing dual AKM4191EQ modulators with four AKM4498EX DACs. This multi-chip approach isn’t about marketing—it allows Astell&Kern to separate digital and analog stages more effectively, reducing noise and preserving dynamic range in both portable and docked use.
Advertisement
Astell&Kern’s Advanced DAR (Digital Audio Remaster) is an optional two-stage processing system that upsamples audio before it reaches the DAC. It can be enabled or disabled at will, and whether it’s useful depends on the source material and listener preference.
The first stage uses A&K’s VSE (Virtual Sound Extender) processing to reconstruct missing harmonic information before upsampling. The second stage performs the actual conversion. PCM files in the 44.1kHz family are upsampled to 352.8kHz, while 48kHz-based files are converted to 384kHz. DSD files are left untouched in PCM mode.
When DSD conversion is selected, PCM files below 96kHz are converted to DSD128, higher-rate PCM files are converted to DSD256, and native DSD below DSD256 is also converted to DSD256. DAR never exceeds the PD10’s supported playback limits and avoids unnecessary processing.
DAR is strictly optional. Leave it off for native playback, or use it selectively if you prefer the presentation it brings to certain recordings.
Advertisement
Connectivity is current, but not exhaustive. Dual-band Wi-Fi (2.4 and 5GHz) ensures reliable high-resolution streaming, and Bluetooth 5.3 support includes aptX HD, LDAC, LHDC, AAC, and SBC. What’s notably absent, however, is aptX Lossless, a codec that’s starting to appear on competing high-end portable devices. For wired listeners, this omission won’t matter. For those expecting the latest Bluetooth standards at this price, it’s worth flagging.
Storage is generous out of the box at 256GB and expandable up to 1.5TB via microSD, which is essential for anyone sitting on a large hi-res or DSD library. Physically, the PD10 is unapologetically substantial. At just under 6 inches tall, nearly 3 inches wide, and weighing roughly 15.3 ounces, it’s clearly built for stability and performance rather than pocket-friendly minimalism. Powering all of this is a 5,770mAh battery, sized to support long listening sessions despite the high output stages and large display.
Advertisement. Scroll to continue reading.
Taken together, these specs point to a player that’s designed to do more than just sound good on the go. The PD10 has the power, connectivity, and architectural headroom to operate as a serious digital front end—whether it’s feeding headphones, IEMs, or a larger system through its dock.
Advertisement
File Support, Bit-Perfect Playback, and Output Choices
The PD10’s file support makes it clear who this player is designed for. It handles every major lossless and lossy format that actually matters—WAV, FLAC, AIFF, ALAC, APE, and AAC—alongside legacy formats like MP3 and WMA for anyone with older libraries. More importantly, native DSD support extends all the way up to DSD512, covering DSD64, 128, and 256 without conversion. That puts the PD10 squarely in “bring your entire archive” territory, not just high-res streaming playlists.
On the PCM side, support runs from 8kHz to a frankly excessive 768kHz at up to 32-bit depth. While very few real-world recordings exist at the top end of that range, the takeaway isn’t bragging rights—it’s headroom. The PD10 is capable of bit-perfect playback without resampling or truncation, which matters if you’re particular about preserving the integrity of your files from storage to output.
USB-C serves double duty here, handling charging as well as data for PC and Mac connections. Used this way, the PD10 can function as an external DAC, extending its usefulness well beyond portable playback and reinforcing its role as a flexible digital source.
Output options are practical and well chosen. The 3.5mm jack covers both unbalanced headphone output and optical digital output, allowing the PD10 to feed an external DAC or integrated amplifier in a home system. Balanced output is handled via a 4.4mm five-pole connection, which has become the de facto standard at this level and avoids the fragility and channel-matching issues of older balanced formats.
Advertisement
Taken together, the PD10’s format support and output flexibility point to a player that isn’t just designed to sound good on headphones. It’s meant to sit comfortably at the center of a serious digital library and transition easily between portable listening and fixed-system use—without forcing compromises or workarounds.
Build Quality That Matches the Asking Price?
Astell&Kern’s biggest selling point has always been its command of industrial design and materials. One look at their players tells you they aren’t inexpensive—and the PD10 continues that tradition, even as it makes a few deliberate departures from past models. Longtime owners will immediately notice the absence of the scroll wheel found on many earlier A&K designs. It’s a controversial move for some, but in day-to-day use it doesn’t meaningfully impact usability. In its place is a set of stainless-steel buttons mounted along the right side of the chassis.
Visually, those polished buttons look the part. Tactilely, they fall just short. They have a slight amount of play and can rattle faintly, which is noticeable and disappointing on a device at this price. Small details matter when you’re spending several thousand dollars. Thankfully, that’s the extent of my criticism. The USB-C port is solid and secure, the microSD card slot inspires confidence, and the chassis itself feels dense and well assembled.
If the looseness of the side buttons bothers you, the included leather case effectively masks the issue. It’s precisely cut, comfortable in hand, and finished to a level that feels appropriate for the PD10. Astell&Kern even varies the texture around the button area, making it easy to locate controls by touch alone—an appreciated detail that shows the company is still thinking about real-world use, not just shelf appeal.
Advertisement
The PD10’s status-light power button is a thoughtful touch. It remains off when playback is stopped and changes color to reflect different operating states. In practice, however, the implementation could use refinement. There’s no quick way to dim or disable the light, which becomes an issue in low-light environments. As shipped, the LEDs are bright enough to be distracting—and in a dark room, potentially disruptive to anyone trying to sleep.
The Price Is Fixed. The Features Aren’t.
Digital audio sources hit the point of diminishing returns well before $2,700. In 2026, portable audio makes that especially clear, with capable DACs and premium dongles pushing that threshold closer to $200. The PD10 only makes sense if it goes beyond raw specifications—and that’s where Astell&Kern makes its case.
Rather than chasing numbers, the PD10 layers a broad feature set onto a solid technical foundation. Alongside its integrated 256GB of storage, it supports Roon, Qobuz Connect, LDAC, and aptX HD, with access to a wide range of streaming services via the Google Play Store. Wireless playback can be handled through AirPlay, while local file management is simplified through AK File Drop, allowing FTP transfers across a home network without plugging anything in.
Advertisement. Scroll to continue reading.
At this price, you’re not paying for incremental sonic gains alone. You’re paying for integration, flexibility, and the kind of polish that turns a capable digital player into a genuinely high-end experience—one that feels considered rather than cobbled together.
Advertisement
The Full-ish Android Experience
One of the PD10’s more compelling features is its access to the Google Play Store. Few high-end audio players offer this level of openness, and those that do often burden third-party apps with restrictions that make everyday use frustrating. On the PD10, Play Store access is handled cleanly and without ceremony. Sign in to a Google account, tap the shortcut, and you’re in—no workarounds required.
From there, installing a familiar set of Android apps is straightforward. I used Microsoft Word for note-taking and set up Syncthing to automate real-time synchronization of my music library with a home media server. Even with relatively heavy background processes running, the PD10 remained responsive and stable, with no audible impact on playback. It behaves like a mature Android device first—and a high-end audio player that just happens to run Android second, which is exactly how it should be.
The Death of a Streamer
You can opt to purchase the PD10 with its all-metal cradle, and this is where the product stops behaving like a conventional DAP. The cradle allows the PD10 to dock much like a Nintendo Switch, routing audio directly to a speaker system or receiver. In practice, it turns the PD10 into a steel-clad, Android-enabled streamer—one that happens to detach and leave the room with you.
Docking is seamless and largely foolproof, provided you’re not using the leather case, and the PD10 automatically switches to XLR output mode without drama. Output from the dock measures a healthy 5.6Vrms, which is sufficient to drive most power amplifiers directly, eliminating the need for a separate preamp. That level of integration isn’t a gimmick—it’s the PD10’s strongest differentiator and a compelling reason to choose it over both cheaper and more expensive Astell&Kern alternatives.
By allowing the PD10 to function either as a premium handheld player or a fixed streamer in a speaker-based system, Astell&Kern has addressed a real-world use case. Audiophiles who split their time between headphones, speakers, and long car rides can maintain a consistent interface and sound signature across all of it without duplicating hardware or compromising convenience.
Advertisement
Listening
Docking and streaming aside, the core job of any DAP is straightforward: play locally stored audio files through IEMs and headphones without getting in the way. Most of my time with the PD10 was spent focused on exactly that. In practice, it powered nearly everything I threw at it without complaint. I took it to CES 2026, where it had no trouble with sensitive IEMs and handled planar headphones with ease. More demanding full-size models; particularly some from Dan Clark Audio, do ask for more current than the PD10 can comfortably deliver, which is worth noting if those are your daily drivers.
The PD10’s low and predictable output impedance makes it especially well suited to IEM use, including models with complex passive crossovers. Higher output impedances can interact with those crossovers and subtly alter frequency response. With the PD10, that simply didn’t happen. My most sensitive multi-driver IEM, the Campfire Audio Andromeda, sounded dynamic, smooth, and warm—exactly as intended. The player imposed no audible character of its own, which is precisely what you want from a high-end source.
I also stress-tested the PD10’s file handling by aggressively scrubbing through large local AIFF and WAV files. Skipping to random points in massive files was instant, with no buffering or hesitation. That kind of responsiveness suggests Astell&Kern didn’t cut corners on internal storage quality—a detail that matters more than it gets credit for in real-time playback scenarios. Cheap or slow storage has a way of revealing itself quickly here, and the PD10 never gave me a reason to question it.
This Is Not a Flagship Smartphone
Despite costing more than most flagship smartphones, the Astell&Kern PD10 is not built on cutting-edge mobile hardware. That distinction matters. While Astell&Kern clearly prioritizes audio components and does so successfully, the company relies on lower-tier system-on-chip and compute hardware to get there. The result is a device that sounds exceptional but behaves very differently from a modern phone.
Discerning mobile users will notice it immediately. The PD10’s display is sharp and vibrant, but touch responsiveness lags behind even relatively affordable smartphones. Compared to devices like the Asus Zenfone 9 or Google Pixel 10 Pro, the PD10 feels slower and less fluid. Part of that comes down to modern phones running 120Hz displays, but it’s also a consequence of conservative hardware choices under the hood.
Advertisement
None of this makes the PD10 unusable—far from it. Its interface is perfectly adequate for its primary job: selecting music and playing it reliably. But for users accustomed to high-end smartphones, the difference in responsiveness is noticeable and occasionally frustrating, especially when navigating with more complex touch gestures. It’s a reminder that the PD10 is an audio-first device that happens to run Android, not a luxury smartphone replacement—and expectations should be set accordingly.
Advertisement. Scroll to continue reading.
The Bottom Line
The PD10 isn’t perfect, and it isn’t priced to be forgiven for much. What it delivers—long battery life, a vanishingly low noise floor, and enough output power for the vast majority of real-world headphones and IEMs—it delivers with confidence. But the real differentiator isn’t sound quality alone. It’s the dock.
With its all-metal cradle, the PD10 stops being just another high-end DAP and becomes something closer to a modular digital source. Docked, it operates as a capable, Android-based streamer with XLR output and enough voltage to drive most power amplifiers directly, sidelining traditional streamers in the process. That single feature fundamentally separates it from alternatives in Astell&Kern’s own lineup and from competitors alike.
For buyers focused strictly on portable performance, there are clear options. Astell&Kern’s own SP4000 offers higher outright output and refinement as a pure DAP, while players like the iBasso DX340 deliver strong performance at a lower cost. Likewise, anyone already invested in a dedicated streamer may find little justification for replacing it.
Advertisement
Sound wise, the PD10 belongs exactly where Astell&Kern priced it. It delivers the refined, low noise, high resolution presentation expected from top tier DAPs, and in several cases it equals or exceeds the sound quality of dedicated streamers I have tested. That matters, because without that level of performance the rest of the PD10’s argument falls apart. It does not.
The PD10 only makes sense for a very specific audiophile, and Astell&Kern is not pretending otherwise. $2,750 is serious money, but Astell&Kern buyers already understand that reality. If you are strictly a portable listener or strictly a two channel listener, there are cheaper and in some cases better options available. But for listeners who genuinely split time between headphones on the move and a serious speaker system at home, the PD10 does something few products attempt. It replaces multiple components without compromising sound quality, usability, or overall polish. That combination of performance, Android flexibility, and cradle based system integration is what gives the PD10 its value and why for the right listener it stands alone.
Pros:
Excellent sound quality with an imperceptible noise floor
Plenty of output power for most IEMs and full-size headphones
Low, stable output impedance makes it ideal for sensitive multi-driver IEMs
Extensive format support, including native DSD up to DSD512 and high-rate PCM
Unrestricted Google Play Store access with stable performance
Smooth handling of large local files and high-quality internal storage
Roon Ready, Qobuz Connect, AirPlay, LDAC, aptX HD
Optional cradle transforms the PD10 into home hi-fi streamer
Can drive power amplifiers directly when docked, eliminating the need for a preamp
Premium materials and overall build quality appropriate for the price
Well-executed leather case included
Cons:
Very expensive, with limited value for price-to-performance focused buyers
Does not support aptX Lossless, Spotify Connect, TIDAL Connect
Android performance lags behind modern flagship smartphones
Touchscreen latency can be noticeable to experienced smartphone users
Side buttons exhibit slight looseness and rattle
Status-light power button is too bright with no easy way to dim or disable it
BrianFagioli writes: Google has quietly retired the ZetaSQL name and rebranded its open source SQL analysis and parsing project as GoogleSQL. This is not a technical change but a naming cleanup meant to align the open source code with the SQL dialect already used across Google products like BigQuery and Spanner. Internally, Google has long called the dialect GoogleSQL, even while the open source project lived under a different name.
By unifying everything under GoogleSQL, Google says it wants to reduce confusion and make it clearer that the same SQL foundation is shared across its cloud services and open source tooling. The code, features, and team remain unchanged. Only the name is different. GoogleSQL is now the single label Google wants developers to recognize and use going forward.
The world generates tons of electronic waste every year, leaving a profound impact on the environment. For tech enthusiasts, unused or broken electronics might be piling up in your garage or storage, but there’s hope.
Transforming old electronic projects into green solutions is good for the planet and offers an opportunity for you to get creative and make the most out of the technology you love. Here are some clever ways to reduce your e-waste and put those old devices to use.
1. Donate Working Electronics
If you have working electronics that you no longer need or use, donating them makes a world of difference to the right organization. Schools, low-income households, and community centers often lack functioning devices, such as laptops, tablets, or cameras, to support education and digital literacy. Research local nonprofits or charities in your area that directly benefit people with your items.
However, before donating, wipe any personal data from the devices and test them to confirm they function properly. Your donation extends the life of electronics and provides others with opportunities they might not otherwise have.
Advertisement
2. Repurpose Components
Have you considered disassembling old electronics and using their components for new DIY projects? Motors, capacitors, resistors, and LED lights from old devices are useful components for other creative or functional builds. For instance, taking apart an outdated remote-control toy car provides working motors for a robotics project.
If you’re hesitant about where to start your deconstruction project, look for online tutorials or communities that specialize in DIY electronics and tinkering. This approach fosters innovation while preventing usable materials from going to waste.
3. Recycle Responsibly
Recycling outdated or broken electronics responsibly is essential for reducing the environmental impact. Look for certified e-waste recycling centers in your area, as they have the expertise to safely extract valuable materials, such as metals, plastics, and glass.
These professionals also understand more niche topics like the packaging requirements for battery disposal and its importance. Many of these centers ensure proper disposal of harmful components, such as lithium-ion batteries or toxic chemicals.
Advertisement
Some tech companies, like Apple or Best Buy, run recycling programs that collect used electronics at no charge to make the process easier. Always check that the battery compartment is empty before recycling and look for separate battery drop-off locations nearby.
4. Sell Usable Parts
Old tech often holds more value than you think, especially when you break it down into parts. Sell components like graphics cards, memory sticks, and processors individually via online marketplaces to other people who are working on repairs or upgrades.
Selling these usable pieces allows other tech enthusiasts to extend the lifespan of their devices with affordable options. Before listing anything for sale, test component functionality and provide detailed descriptions for potential buyers.
5. Upcycle Into Art
Turn outdated circuit boards, wires, and other electronic components into unique art pieces that add character to your home or office. Circuit boards, with their intricate designs, look great as the foundation for creative sculptures. You might also fashion jewelry, such as earrings or pendants, from compact mechanical parts.
Advertisement
Upcycling is an excellent way to showcase your love for technology while turning old electronics into greener solutions. Online platforms like Pinterest or Etsy have a wealth of inspiration for creating tech-inspired art.
6. Refurbish and Reuse
Refurbishing old devices gives them a second life and keeps them out of landfills. Whether it’s a forgotten smartphone or a dusty tablet, replacing damaged screens, upgrading components, or repairing ports makes them useful again. Many online repair guides and tools are available to help you get started. You can also consult local repair services if you’re not confident handling electronics yourself.
7. Compost Bio-Plastics
Certain biodegradable electronics are now available on the market, and if you’ve been a part of such innovative projects, consider composting them correctly. Bio-plastics offer an environmentally-friendly alternative to traditional, toxic materials used in items like device casings.
After removing and recycling the electronic components, check the manufacturer’s guidance on how to safely compost the biodegradable parts. Composting allows these materials to break down naturally, which reduces their impact on the environment and enriches the soil.
Advertisement
8. Convert to Smart Devices
When you’re not ready to let go of your older tech, repurpose and upgrade it to serve modern smart functions. For example, an old Android phone can become a home security camera using apps specialized for that purpose. Similarly, you could repurpose a tablet as a digital cookbook or an extra monitor for your workstation.
Many tutorials are available online to guide you through these transformations, which require minimal hassle and tools. This approach creates value without needing to purchase an entirely new device.
9. Create Educational Displays
Old electronic devices teach others about technology, especially young learners who are curious about how things work. Carefully dismantling items like computers or gaming consoles provides the components to create displays showcasing their inner workings.
Label each part to explain its role in the device to provide a hands-on learning experience. Through education, older electronics continue to serve a vital purpose. Set up these displays in classrooms, community libraries, or science fairs to spark curiosity and inspire creativity in future tech enthusiasts.
Advertisement
10. Transform Into Furniture
For larger pieces of electronics, such as CRT TVs or bulky desktop computers, consider turning them into one-of-a-kind furniture. Hollow out an old TV and convert it into a fish tank or shelf. Similarly, a CPU tower might make a great base for a table or storage unit.
These projects require minimal additional materials but do call for a touch of creativity and craftsmanship. By upcycling into tech furniture, you keep larger items from becoming waste while adding quirky, functional pieces to your space.
Technology evolves quickly, and it’s easy for electronic projects to fall by the wayside. By thinking creatively and sustainably, old devices find new life, reduce waste, and even educate or inspire other learners and enthusiasts. Begin giving a second life to your retired projects today and make a meaningful difference.
To work around those rules, the Humanizer skill tells Claude to replace inflated language with plain facts and offers this example transformation:
Before: “The Statistical Institute of Catalonia was officially established in 1989, marking a pivotal moment in the evolution of regional statistics in Spain.”
After: “The Statistical Institute of Catalonia was established in 1989 to collect and publish regional statistics.”
Claude will read that and do its best as a pattern-matching machine to create an output that matches the context of the conversation or task at hand.
Advertisement
An example of why AI writing detection fails
Even with such a confident set of rules crafted by Wikipedia editors, we’ve previously written about why AI writing detectors don’t work reliably: There is nothing inherently unique about human writing that reliably differentiates it from LLM writing.
One reason is that even though most AI language models tend toward certain types of language, they can also be prompted to avoid them, as with the Humanizer skill. (Although sometimes it’s very difficult, as OpenAI found in its yearslong struggle against the em dash.)
Also, humans can write in chatbot-like ways. For example, this article likely contains some “AI-written traits” that trigger AI detectors even though it was written by a professional writer—especially if we use even a single em dash—because most LLMs picked up writing techniques from examples of professional writing scraped from the web.
Along those lines, the Wikipedia guide has a caveat worth noting: While the list points out some obvious tells of, say, unaltered ChatGPT usage, it’s still composed of observations, not ironclad rules. A 2025 preprint cited on the page found that heavy users of large language models correctly spot AI-generated articles about 90 percent of the time. That sounds great until you realize that 10 percent are false positives, which is enough to potentially throw out some quality writing in pursuit of detecting AI slop.
Advertisement
Taking a step back, that probably means AI detection work might need to go deeper than flagging particular phrasing and delve (see what I did there?) more into the substantive factual content of the work itself.
Kash Patel, FBI Director, is not very good at his job. There are plenty of examples to demonstrate that notion, from him apparently completely misunderstanding the purpose and protections of the 2nd Amendment and Minnesota gun laws (whatever your thoughts on gun rights might generally be), to his gathering of barely trained castoffs to serve in the FBI, to the absolute wild waste of resources he spent last summer trying to root out independent thought within his agency. None of this is justice. None of it is good policing. All of it is the result of putting a podcast host shitposter in charge of America’s federal police force. Ol’ Crazy-Eyes just might not be the right person for the role.
And if you’re going to be the leader of a federal police force, one of the skills you probably want to have is the capability of shutting the fuck up. Kash can’t do this. Rather than simply not answering, it appears Patel may have lied to Congress about the Epstein files (remember those?). In the immediate aftermath of the Charlie Kirk assassination, Patel blabbed about suspects all over social media and elsewhere, leading to wasted time and attention on completely innocent parties.
And, now, in the wake of an operation by the FBI that would appear to violate Mexican law, Patel decided to gush about the whole thing on the internet. What other option did he have, I wonder?
Ryan Wedding is a former Olympian who, by all accounts, turned himself into a violent cocaine drug kingpin working with a Mexican cartel. He was charged in Canada in 2015 for cocaine trafficking and in America in 2025 for that and for murder. Recently, Wedding found himself in American custody to face those charges. How that happened wasn’t initially disclosed in coverage of the arrest. But then Kash Patel got out his phone and decided to gush about the whole thing on internet.
Advertisement
On Friday, however, FBI Director Kash Patel announced the joint operation publicly on X. “Our FBI HRT teams executed with precision, discipline, and total professionalism alongside our Mexican partners to bring Ryan James Wedding back to face justice,” he wrote, sending shock waves through Mexico.
Except there’s a problem with that statement. A pretty big one, actually. Mexican law is very clear that foreign LEOs are not to operate on Mexican soil. That would make the FBI’s participation as outlined by Patel illegal. And that might create problems for his eventual prosecution and a really big headache for the Mexican government.
Mexican President Claudia Sheinbaum scrambled to perform damage control, as foreign intervention in Mexico is politically toxic. She said that there was no U.S. involvement in the operation and that U.S. agents in Mexico are limited by law.
“I’m not going to get into a debate with the FBI director, nor do I want there to be a conflict,” Sheinbaum said at a press conference Tuesday. “What they, the U.S. authorities, told the Mexican authorities is that it was a voluntary surrender.” She pointed to a picture Wedding posted to his Instagram account at the U.S. Embassy in Mexico announcing that he was turning himself in.
Wedding’s lawyer disputes that account, because of course he did. Whether Wedding actually surrendered or not is unknown to me, of course, but I’ve been well-trained the past 13 months not to believe a single thing my government says, so who the fuck knows. Wedding’s lawyer claims he was handcuffed and transported to California and that this runs contrary to any claim any of this was voluntary. And because of all of this, the Mexican government now has both an internal problem and has to deal with an unreliable shitposting partner in the American government.
Patel’s rash decision to post about Wedding’s arrest online doesn’t help the situation right now. It opens Sheinbaum up to political attacks in Mexico and makes the U.S.-Mexico relationship even shakier. Under Trump, though, American law enforcement is playing fast and loose with not just the law but diplomatic relations.
I’m not exactly advocating that the American government carryout these illegal extraditions violating our allies’ own laws and then hiding it through silence. That would be crazy.
Advertisement
Instead, the point is that this administration’s goons, such as Kash Patel, are so shitty that they can’t even carry out such nefarious actions in silence because they can’t shut the fuck up about them.
NASA’s first crewed lunar mission in more than 50 years won’t be getting underway this month after all.
It had been targeting February 6 for the launch of the much-anticipated Artemis II mission that will take four astronauts on a flight around the moon, but after issues surfaced during a critical preflight test on Tuesday, NASA decided that it won’t launch the SLS rocket until March at the earliest.
During the so-called “wet dress rehearsal” in which engineers fuel the rocket and go through the entire launch procedure without actually igniting the engines, a hydrogen leak was detected at the base of the SLS rocket.
The upcoming launch window runs from February 6 through 11, but NASA has decided it needs more time to review the situation, with a second rehearsal also likely. That’s meant pushing the launch date to March 6 at the earliest.
Advertisement
“With more than three years between SLS launches, we fully anticipated encountering challenges,” NASA chief Jared Isaacman wrote in a post on X on Tuesday. “That is precisely why we conduct a wet dress rehearsal. These tests are designed to surface issues before flight and set up launch day with the highest probability of success.”
The schedule update means that the Artemis II astronauts — NASA’s Victor Glover, Reid Wiseman, and Christina Koch, together with the Canadian Space Agency’s Jeremy Hansen — will have a bit of extra time on terra firma before they blast to space.
It also means that another set of astronauts should be heading to orbit ahead of their lunar-bound colleagues. SpaceX’s Crew-12 — comprising NASA astronauts Jessica Meir and Jack Hathaway, along with the European Space Agency’s Sophie Adenot and Roscosmos cosmonaut Andrey Fedyaev — could be heading to the International Space Station as early as February 11.
At least, that had been the plan until Monday, when SpaceX said it was grounding its workhorse Falcon 9 rocket — the same vehicle type that will be carrying Crew-12 to orbit — after an issue occurred during a launch earlier that day when its upper stage failed to perform a deorbit burn as expected.
Advertisement
“Teams are reviewing data to determine root cause and corrective actions before returning to flight,” the company said in a post on X.
It’s unusual for the Falcon 9 to experience anomalies these days, so hopefully SpaceX can sort it out soon, paving the way for Crew-12’s ride to orbit next week as originally planned.
Fake SSDs used to be easy to catch. Operating systems or common diagnostic tools would quickly expose them as something other than what the sticker claimed. Today’s counterfeits, however, are far more convincing, often looking legitimate until buyers start noticing performance that feels way off. Read Entire Article Source link
Tesla has officially released a fresh new All-Wheel Drive version of the Model Y, with prices starting at $41,990 in the US. This new variant adds not just dual-motor traction, but also a significant boost in acceleration to the more affordable end of the lineup, without breaking the bank.
Buyers in the United States now have five Model Y options to choose from, beginning with the Rear-Wheel Drive version for $39,990, followed by this shiny new All-Wheel Drive model for $41,990, the Premium Rear-Wheel Drive model for $44,990, the Premium All-Wheel Drive model for $48,990, and finally the Performance trim for $57,490.
2.4 GHz Remote Control Car – 1:18 scale cool design, waterproof RC truck toys made of premium material and sturdy, with LED lights, waterproof remote,…
High Quality & DIY Removable Toys RC Cars – This remote control monster truck structure design quality, flexibility and strength in one. The rc truck…
All Terrain Amphibious Monster Truck – 4-wheel drive off-road design rc trucks for kids, with high-quality tires (shock absorption, strong grip,…
The new Standard All-Wheel Drive model follows the more stripped-down approach of the base Rear-Wheel Drive model. Inside, you’ll find black fabric seats with few outside color possibilities. The higher-end Premium trims include features such as a panoramic glass roof, greater premium audio, and ambient lighting. The standard issue is a set of 18-inch wheels, which are factory installed.
Performance-wise, the inclusion of a second motor up front makes a noticeable difference; 0 to 60 mph takes 4.6 seconds, which is significantly faster than the 6.8 seconds of the Rear-Wheel Drive. The top speed is a decent 125 mph. Let’s not forget about when all-wheel drive’s extra traction comes in handy: in the rain, snow, or on uneven surfaces, where rear-wheel drive alone can struggle to get a strong grip.
Advertisement
Range remains a big factor, and as expected, it settles at an EPA-estimated 294 miles per full charge. This is down from the Rear-Wheel Drive’s mileage of 321 miles, owing to the increased weight and power drain from the dual motors. Supercharger sessions still provide a nice boost, roughly 152 miles in 15 minutes, compared to the single-motor vehicle, which manages a little higher 160 miles.
Tesla knew precisely what they were doing when they introduced this new trim. Previously, if you wanted all-wheel drive, you had to upgrade to a far more expensive choice. So, for $2,000 more than the base model, you get a slew of significant improvements in terms of launch sensation and grip, as well as a minor drop in range that won’t affect most people’s daily trips.
The Beyerdynamic Aventho 100 headphones offer a stylish, compact design, superb battery life and all the features you’re likely to want. Unfortunately, I just found them quite uncomfortable to wear, and the default tuning required some EQ to sound its best. They’re a decent set of headphones, but they’re not my favourite
Stylish design
Compact and lightweight
aptX Lossless support
Excellent battery life
Uncomfortable (for me)
Narrow sound stage
Wind noise with ANC/Transparency mode
Key Features
Premium retro styling
The Beyerdynamic Aventho 100 headphones feel as good as they look, with cool metallic accents and plush leatherette trimmings
Compact folding design
Advertisement
The small earcups, folding hinges and lightweight build of the Aventho 100 make them excellent for travel; you’ll barely notice them in your bag
Amazing battery life
With up to 60 hours of battery life per charge (40 hours with ANC active), the Aventho 100 will last you all week long – and they charge very quickly, too
Introduction
Beyerdynamic’s latest headphones look like they’ve time-travelled straight from the 1970s, but there’s a twist. The Aventho 100 headphones come with all the modern conveniences that you’d expect from a set of commuter cans, like high-quality wireless audio and active noise cancellation.
Advertisement
They’re compact and foldable, perfect for tossing in your bag, and considering Beyerdynamic’s heritage, they should sound fantastic, too.
These headphones come in at £169, straddling the line between affordable and premium. I wanted to find out what they’re like to live with, and after about a week of listening, here’s what I think.
Advertisement
Design
Retro 70’s-style design
Foldable and lightweight
Up to 60 hours of battery life
The Aventho 100 headphones make an immediate positive impression with their 70s-style retro looks, and I think that’s especially true for the Brown version that I have for testing.
This version features contrasting black earcups, with grey aluminium banding, and chocolate-brown leatherette padding throughout. There’s something a little aeronautical about the aesthetics, and I’m very fond of them.
Advertisement
Image Credit (Trusted Reviews)
The headphones are also available in a lighter Cream option or a more subtle Black variant, but all feature the same contrasting aluminium hinges. They all look fetching in their own right. I especially like the Cream version, but I think the Brown model is most likely to turn heads.
Advertisement
The Aventho 100 is an on-ear design, rather than over-ear, which makes the overall package more compact. The earcups can also fold inwards so they take up less space in your bag, and you get a basic drawstring cloth bag in the box to keep them scratch-free.
I found them very easy to travel with. They’re both lightweight and compact, the polar opposite of over-ear headphones like the AirPods Max.
Image Credit (Trusted Reviews)
This on-ear design is also, for me at least, one of the biggest downsides. I’ve never been a huge fan of on-ear headphones; they tend to be either uncomfortable to wear for long periods or so loose that they might fall off. These headphones, unfortunately, fall into the former category.
I’ve tried adjusting them in all kinds of ways, and they just create so much pressure on my ears that they feel sore after a couple of hours. Of course, everyone’s ears are different, and you may find them comfortable, but my head just isn’t very compatible. My only hope is that they loosen up over time (and not too much).
Advertisement
There’s also a 3.5mm socket, so you can listen to wired sources, and you get both a USB-A to USB-C cable and a 3.5mm aux cable included in the box.
Advertisement
Image Credit (Trusted Reviews)
In terms of physical controls, there’s a power button, volume up and down, and a multi-purpose button that can be configured using the Beyerdynamic app. By default, it’ll play/pause your music, and a double press will skip to the next track.
I’m a fan of physical buttons over touch controls, as I feel they’re much more reliable. These buttons have a decent click to them, but they’re made of plastic and aren’t going to impress with their tactility. It’s the surrounding material that made a bigger impression. The bare aluminium frame surrounding each earcup is cold to the touch and feels unmistakably premium, with a grippy, grooved texture the whole way round.
The headphones are IP53 rated, which means they’ll handle a touch of dust and some light sprays of water, but you’ll still need to remain somewhat careful if the weather gets too wild.
Advertisement
Image Credit (Trusted Reviews)
Features
Beyerdynamic companion app
Bluetooth Multipoint
Advertisement
To get the most from these headphones, you’ll want to pair them up with the Beyerdynamic app, which is available for both Android and iOS. This allows you to update the firmware, customise what the buttons do, access EQ settings and even disable the Bluetooth LED, if you want.
It’s a fairly simple app, but it does what it needs to, and setup is a breeze. These headphones benefit from Google Fast Pair, so they’ll pop up automatically on most Android devices, and you can simply tap “Pair” or bind them to your Google account for easy pairing with your other devices. As someone who reviews phones, I find that incredibly handy.
Image Credit (Trusted Reviews)
I also love that these headphones support Bluetooth Multipoint, which means I can keep them connected to both my phone and my MacBook, and seamlessly switch between the two without needing to unpair and reconnect.
The headphones charge up via USB-C, and it only takes an hour and a half to go from fully drained to fully charged. Beyerdynamic reckons just 15 minutes on the charger is good enough for 15 hours of music playback, impressive stuff.
The brand claims the Aventho 100 can last up to 60 hours on a charge, or up to 40 hours with ANC turned on. I’ve been listening to them at every opportunity for the past week, and I still have around 40% battery left, so these claims seem pretty accurate to me. If you take them with you on a week-long trip, it’s very unlikely that you’ll need to charge them.
Advertisement
Advertisement
Image Credit (Trusted Reviews)
Noise Cancellation
Active Noise Cancellation and Transparency mode
The Aventho 100 have a great passive seal, so even without ANC turned on, you can block out most of your surroundings. Thankfully, there’s also a transparency mode available, which I find essential in the office.
The transparency mode is decent indoors, but I noticed a lot of wind sounds when I enabled it outdoors. Sadly, wind noise is also audible when ANC is active. Of course, indoors, this is no issue, and I usually only activate ANC on aeroplanes, trains and the like – but it’s worth noting.
Image Credit (Trusted Reviews)
As for the noise cancellation, it’s quite good. It’s especially adept at removing consistent background sounds like the hum of an engine or the whirring of PC fans, but it dulls sudden noises well, too. It’s just a shame that wind noise is so prevalent.
Advertisement
I was concerned that this would translate to poor call quality outdoors, but it turns out that’s not the case. I called my girlfriend from outside while it was particularly gusty, and while I could hear the wind interference, she said I sounded crystal clear.
Advertisement
Sound Quality
45mm dynamic drivers
AAC, SBC, aptX Lossless, aptX Adaptive support
Wired and wireless connectivity
When I first listened to the Beyerdynamic Aventho 100 headphones, I must admit, I was a little disappointed. With Beyerdynamic’s pedigree in the high-end audio space, I was expecting something quite neutral and detailed, but that’s not what these cans deliver.
The default sound is quite bass-heavy, and the treble is a little dull. It’s not unpleasant, but I was craving more detail. I played with the preset EQ options in the app, and none quite hit the spot. Thankfully, there’s a custom 5-band EQ, and I found that a fairly significant boost to the upper frequencies brought these headphones to life.
Image Credit (Trusted Reviews)
Of course, everyone has different preferences and hearing capabilities, so your mileage may vary. What’s important is that you can dramatically change the way these headphones sound by playing with the custom EQ, and with enough tinkering, you can probably get the sound you desire.
Advertisement
I was very impressed with the sub-bass extension; the Aventho 100 can really capture that low-end rumble. Vocals are well presented, too, and (once I had played with the EQ) I was pleasantly surprised by the sound quality across all genres.
Image Credit (Trusted Reviews)
What’s less impressive is the soundstage. These headphones have a very closed and narrow staging, and as someone who tends to prefer using open-back headphones at home, this was quite jarring.
They support aptX Lossless playback, and they sounded superb paired with Spotify’s new lossless capabilities. I also tried them plugged in with the included 3.5mm cable, and while there was an audible improvement, it’s not as big a gap as you might expect.
Advertisement
Should you buy it?
You want a stylish pair of on-ear headphones with great battery life
These headphones look gorgeous, and the battery lasts for ages. There are plenty of over-ear styles out there, but compact premium on-ears are somewhat of a rarity
Advertisement
You like a wide soundstage
There’s no way around it, the Aventho 100 just has a pretty narrow staging. If you’re looking for spacious sound, you should look elsewhere
Advertisement
Advertisement
Final Thoughts
I love the styling of the Aventho 100, and that made me want to love the headphones, too. Unfortunately, they just don’t fit my head well, and they’re too uncomfortable for me to wear for long periods.
However, that might just be a me problem. I have never got on well with on-ear styles, usually preferring over-ear equivalents, and that hasn’t changed with this model. If you already know that you like on-ear headphones, then you might have a much better time.
As for the features and the build quality, I have no major complaints. These headphones feel very premium, and they do everything you’d ever need them to. The sound quality is very good, too, once you have the EQ dialled in.
At a price of £169, there’s no shortage of competing options, but with great battery life, unique, compact styling and a fairly robust feature set, the Aventho 100 might be perfect for you. Unfortunately, they’re not the ones for me.
Advertisement
How We Test
We test every pair of headphones we review thoroughly over an extended period of time. We use industry-standard tests to compare features properly. We’ll always tell you what we find.
We never, ever, accept money to review a product.
Find out more about how we test in our ethics policy.
Tested for a week
Tested with real world use
FAQs
Do the Aventho 100 support multipoint connection?
Yes, you can pair the Aventho 100 to two sources at once and seamlessly switch between them.
Advertisement
Are the Aventho 100 waterproof?
The Aventho 100 are IP53 rated. So, while they’re not fully waterproof, a few splashes will do not harm.
It seems like just yesterday that I was shopping for Christmas gifts and now I’m scrambling to find the perfect Valentine’s Day present for a special someone. How time flies – so get a wriggle on, folks, as February 14 is just days away! If you’re still scratching your head as to what to get your other (better?) half or anyone you want to treat this February (even yourself), I’ve got a few Valentine’s Day gift ideas to share with you.
Personally, I love the Philips Hue Iris 2.0 smart lamp, particularly the Copper variant, as it looks gorgeous and supports both white and coloured light, while the Breville InFizz Fusion makes excellent carbonated beverages – I should know, I have one at home and make cocktails. Does your loved one prefer coffee over cocktails? The Wacaco Nanopresso is the perfect portable espresso maker – and you can get it in red to keep with the Valentine’s Day theme!
Are they an avid reader? An ereader like the Kindle Paperwhite (2024) is a great option, and throw in some additional love by bundling it with a case. A Bluetooth tracker might scream ‘stalker’ rather than ‘love you’, but if your boo keeps misplacing things, it will actually say the latter. And the recently released 2nd-generation Apple AirTags are fantastic… as long as you’re buying for an iPhone user. There are lots of other options too, including the viral Kodak Charmera keychain camera.
Advertisement
And guess what? All my picks are relatively affordable – many of them are under AU$100 – with the most expensive option below being a smartwatch. But it’s a smartwatch that looks like an analogue wristwatch. So scroll down and take a look – I’d be delighted to be gifted any of them myself this Valentine’s Day (if I didn’t already own some).
Picked by
Picked by
Sharmishta Sarkar
I’ve been reviewing tech for nearly a decade and I’m a firm believer in gifting items that are actually useful. I also think you don’t have to spend hundreds on a meaningful gift, but I’ll be the first to acknowledge some expensive tech is well worth the splurge. So allow me to help you find a fantastic Valentine’s Day gift this year.
Advertisement
Sign up for breaking news, reviews, opinion, top tech deals, and more.
In contemporary kitchens, where style meets functionality and smart technology reigns supreme, Siemens appliances stand out as essential companions. Drawing from the latest lines available on Kitchen Brand Store and Siemens’ home branding, here are five must-have Siemens essentials that elevate any modern cooking space.
1. StudioLine blackSteel Oven (iQ700 Series)
The StudioLine blackSteel design delivers an elegant, minimalist look—its glass handle blends seamlessly into the door, creating a sleek visual statement. More than just appearance, the iQ700 range from Siemens packs advanced culinary features. With coolStart to eliminate pre-heating, ActiveClean pyrolytic cleaning, and even steam injection for perfectly moist baking, this oven simplifies cooking while saving time. Its intuitive smart programming and premium design make it an indispensable piece for modern kitchens.
2. Built-in Refrigerator with hyperFresh & LED lighting
Siemens refrigeration offers sublime interior visibility thanks to energy-efficient LEDs and thoughtful lighting design—including spotlighting hyperFresh drawers for produce storage. Their modularFit built-in models integrate seamlessly into cabinetry, supporting flexible layouts and clean lines. Freshness, style, and integration: a trifecta every modern kitchen demands.
3. iQDrive Dishwasher with VarioSpeed & AquaStop
A modern kitchen isn’t complete without smart, quiet dishwashing. The Siemens iQDrive motor offers powerful yet whisper-quiet operation, while AquaStop delivers flood protection around the clock. With VarioSpeed Plus, you can cut cleaning time by up to 66% when you’re short on time. Flexible loading via varioFlex Pro baskets and varioDrawer Pro ensures even large utensils fit comfortably.
Advertisement
4. InductionAir Plus Hob + Integrated Extraction
Siemens’ inductionAir Plus cleverly integrates hob and extractor into one sleek module, blending into your countertop for a minimalist, uncluttered look. This all-in-one solution delivers power and ventilation in a compact package—ideal for those who favor clean surfaces and maximum efficiency without compromising performance or design.
5. EQ Series Fully-Automatic Coffee Machine (e.g., iQ700 Coffee Center)
For coffee lovers, the Siemens built-in EQ series brings café-quality beverages to your home at the touch of a button. The iQ700 Coffee Center offers a full range of drink options—espresso, cappuccino, latte—all from one intuitive interface. Convenient, stylish, and high-performing, it’s the perfect finish to a modern kitchen setup.
Why These Five?
Synergy of style and performance: Each of these models combines refined aesthetics with cutting-edge innovation—from blackSteel finishes to integrated appliances.
Smart convenience and energy savings: Whether it’s oven steam functionality, water-saving dishwash cycles, or well-lit refrigeration, these appliances are designed for efficiency and ease.
Advertisement
Seamless integration: Built-in refrigerators, induction hobs, and ovens with minimal protrusion reinforce a clean, contemporary layout.
Culinary versatility and lifestyle appeal: From gourmet cooking within the blackSteel oven to designer integrated ventilation, these select devices cater to both daily practicality and elevated living.
If you’re designing or upgrading a modern kitchen, these five Siemens appliances—blackSteel oven (iQ700), built-in refrigerator, smart dishwasher (iQDrive), inductionAir Plus hob-extractor, and EQ coffee machine—are top-tier choices. Together, they offer the perfect blend of sleek design, smart technology, and luxurious convenience that today’s modern households crave.