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Crypto.com places $70M bet on AI.com domain ahead of Super Bowl

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Just in time to create a new Super Bowl ad, Crypto.com founder Kris Marszalek has made the priciest domain purchase in history, buying AI.com for $70 million, according to the Financial Times. The deal, paid entirely in cryptocurrency to an unknown seller, shatters previous records. (Broker Larry Fischer, who facilitated the sale, is presumably celebrating his good fortune.)

Marszalek plans to debut the site during Sunday’s big game, offering consumers a personal AI agent for messaging, app usage, and stock trading. “If you take a long-term view — 10 to 20 years – [AI] is going to be one of the greatest technological waves of our lifetime,” he told the FT.

The purchase rewrites the domain record books — not that crypto industry itself is known for its restraint when it comes to spending. Previously, CarInsurance.com held the crown at $49.7 million (2010), followed by VacationRentals.com ($35 million in 2007) and Voice.com ($30 million in 2019). Other eye-popping sales include PrivateJet.com ($30 million), 360.com ($17 million), and Sex.com, which has sold twice for over $13 million each time, though its second owner went bankrupt trying to monetize it.

“With assets like AI.com, there are no substitutes,” Fischer told the FT. “When one becomes available, the opportunity may never present itself again.”

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Whether these mega-dollar domains actually deliver returns remains an open question. But for Marszalek, who already owns Crypto.com and dropped $700 million on stadium naming rights, owning two category-defining domains is apparently worth the outlay.

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A Resident Evil Requiem story expansion is in the works

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It takes around 30 hours to experience everything Resident Evil Requiem has to offer. If you’ve already enjoyed all the thrills and spills and you’re itching for more, there’s some positive news. Capcom has some updates on the way. The biggest of those is a story expansion, which is now in development. Just don’t expect it to arrive imminently.

“In this story, we will delve deeper into the world of Requiem,” game director Koshi Nakanishi said in a short video message. “We’re hard at work on it now. It will take some time, so we ask for your patience and hope you’ll look forward to it.”

Nakanishi noted that on top of the story expansion and fixing bugs and performance issues, the development team is cooking up some other features. A photo mode is on the way to help you capture all the horrors that Grace and Leon encounter. There’s also a “surprise coming around May,” Nakanishi said. “We’re planning to add a mini-game.”

Resident Evil Requiem sold more than 5 million copies within its first week of release. Reviews have been generally positive, though we can safely discount the one that was likely AI generated and briefly featured on Metacritic.

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DJI’s Mini 4K is almost 30% cheaper in the latest deal

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With DJI’s Mini 4K now nearly 30% cheaper, it’s suddenly a perfect time to level up your travel shots and weekend adventures.

The DJI Mini 4K drops from £268 to £189 in the Amazon sale, a saving of £79 on a drone that weighs less than a tin of beans but shoots stabilised 4K footage from a three-axis gimbal.

Deal DJI Mini 3 (DJI RC)Deal DJI Mini 3 (DJI RC)

DJI’s Mini 4K is almost 30% cheaper in the latest deal

A fresh deal has made DJI’s Mini 4K almost 30% cheaper, offering a standout saving on a beginner‑friendly drone.

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The DJI Mini 4K sits among the most capable lightweight options in a category where the best drones of 2025 have raised the bar considerably for sub-250g flight.

That three-axis gimbal actively compensates for wind and movement to keep footage smooth in conditions where a fixed-mount camera would produce shaky, unusable clips, regardless of how carefully you fly.

The DJI Mini 4K is rated to hold stable flight in Level 5 winds of up to 38kph, with brushless motors maintaining control at altitudes up to 4,000 metres without struggling.

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Its video transmission reaches up to 10km, which is far enough that the limiting factor on any flight will be battery life or local regulations rather than signal quality, and the anti-interference capabilities keep the connection clean even in areas with competing wireless signals nearby.

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Intelligent QuickShots handle the complex flight paths that produce cinematic results automatically, with Helix, Dronie, Rocket, Circle, and Boomerang modes each executing a pre-programmed sequence at the tap of a button, so the DJI Mini 4K does the flying while you focus on framing.

Anther good feature is the GPS Return to Home, which brings the drone back to its takeoff point automatically if the signal drops or the battery runs low, and one-tap takeoff and landing removes the manual coordination that puts beginners off their first few flights entirely.

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The single-battery configuration included in this version of the DJI Mini 4K gives a maximum flight time of 31 minutes, and upgrading to the two or three-battery sets extends that to 62 or 93 minutes, respectively.

And If you plan longer sessions, this £189 entry point is a sensible starting place before committing to additional accessories.

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The “Tin Blimp” Was A Neither Tin Nor A Blimp: The Detroit ZMC-2 Story

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That fireball was LZ37. Nobody wanted to see repeats post-war.
Image: “The great exploit of lieutenant Warnefort 1916 England” by Gordon Crosby, public domain.

After all the crashing and burning of Imperial Germany’s Zeppelins in the later part of WWI – once the Brits managed to build interceptors that could hit their lofty altitude, and figured out the trick of using incendiary rounds to set off the hydrogen lift gas – there was a certain desire in airship circles to avoid fires. In the USA, that mostly took the form of substituting hydrogen for helium. Sure, it didn’t lift quite as well, but it also didn’t explode.

Still, supplies of helium were– and are– very much limited, and at least on a rigid Zeppelin, the hydrogen wasn’t even the most flammable part. As has become widely known, thanks in large part to the Mythbusters episode about the Hindenburg disaster, the doped cotton skin in use in those days was more flammable than some firestarters you can buy these days.

That’s a problem, because, as came up in the comments of our last airship article, rigid airships beat blimps largely on Rule of Cool. Who invented the blimp? Well, arguably it was Henri Griffard with his steam-driven balloon in 1857, but not many people have ever heard his name. Who invented the rigid airship? You know his name: Ferdinand Adolf Heinrich August Graf von Zeppelin. No relation. Probably. Well, admittedly most people don’t know the full name, but Count Zeppelin is still practically a household name over a century after his death. His invention was just that much cooler.

That unavoidable draw of coolness led to the Detroit Airship Company and their amazing tin blimp. The idea was the brainchild of a man named Ralph Upton, and is startling in its simplicity: why not take the all-metal, monocoque design that was just then being so successfully applied to heavier-than-air flight, and use it to build an airship?

Of course everyone’s initial reaction to the idea is that it’s absurd: metal is too heavy to fly! They said that about airplanes once, too, but airships are surely a different matter. Airships must be lighter than air. Could a skin of aluminum really hold enough lift gas to keep itself in the air? Upton convinced no lesser lights than Henry Ford to back him, and the Detroit Aircraft Company ultimately found a customer for the design in the US Navy.

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Schwartz’s unsuccessful airship, shortly before its crash.
Image credit: unknown, public domain.

It helped that Upton wasn’t exactly the first to come up with this idea: David Schwarz had tried to build a metal airship at the end of the 19th century. Arguably it is he who invented the rigid airship, not my aura farming not-ancestor. His design had metal skin over an internal framework, rather than the lighter monocoque construction Upton was exploring. While it was by no means a success, being destroyed on its maiden flight, the fact that it had a maiden flight at all at least proved that metal structures could be made light enough to get off the ground.

The Detroit Airship Company’s first– and only, as it turned out– prototype was much more successful, as we will see. It was immediately nicknamed the “tin blimp” by the press after it was unveiled in 1929, that name was incorrect in every particular. It wasn’t tin, and it wasn’t a blimp. Well, not exactly, anyway. More on that later.

How To Make a Metal Balloon

Compared to the various frames, longitudinal girders, bracing wires and fabric-backed gas bags of a Zeppelin-type airship, the ZMC-2’s balloon was simplicity itself. The balloon–if you can call it that–was a hollow spheroid built up of strips of 0.0095” (0.24 mm) Alclad sheeting. Alclad is a sort of metallic composite material: a sheet of duraluminum coated with a very thin protective layer of pure aluminum to provide corrosion resistance. The ZMC-2 was actually the first major use of Alclad, but hardly the last. At least for skins, most aircraft aluminum is actually alclad, as alloys with the desired strength-to-weight ratio are generally too vulnerable to corrosion to be exposed to the elements.

The cavernous interior of the ZPG-2’s gas ‘bag’, looking forwards. The ballonets have not yet been installed. Image credit unknown, via Aviation Rapture

So, contrary to popular belief, no tin was involved. And the sturdy aluminum spheroid was not at all flexible, so the ZMC-2 was not really any kind of blimp. It also was not, technically, a Zeppelin. It was a whole new beast: a metalclad airship.

There is a film of the ship being built, and it’s rather fascinating. The strips of alclad are rolled into conical sections and riveted together, with a bituminous material serving as sealant. Even today, you would not want to weld this material, so instead three and a half million 0.035” (0.89 mm) rivets hold the plates together. A special automated riveting machine was invented for the construction of the metalclad airship, which “sewed” three rows simultaneously at a rate of five thousand rivets per hour.

Just like most monocoque airplanes, then and now, the skin doesn’t hold the entire load: there were five circular frames, flanged and full of lightening holes just like the ribs of an aeroplane fuselage, of various diameters to help the ‘gas bag’ hold shape. The gondola would attach to two of these.

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Amazingly, with all of those rivets and the low-tech sealant, the metalclad held helium much better than its rivals. Yes, helium. While more expensive than hydrogen, the US Navy had already transitioned away from that more volatile gas and had no interest in going back. All of their groundside infrastructure was centered around helium. If that meant that the fireproof metalclad would not be able to lift quite so much as it otherwise might, well, too bad.

By the time the ZMC-2 got to Lakehurst as pictured here, only helium was on tap.
Image: Navy History and Heritage Command

OK, It’s a Bit Like a Blimp

Aside from outward appearance, the metalclad airship is similar to a blimp in some respects. For one, like the blimps that would go on to serve into and well past WWII, and unlike every Zeppelin ever built, the metalclad design had no internal subdivisions. The great metal balloon, 52 ‘8 ” in diameter (16 m) and 149’ 5” (45.5m) long, held two air bladders, one fore, and one aft, but was otherwise cavernously empty.

Just like the blimps, those air bladders were used for trim: by pressurizing the fore bladder, the nose becomes heavy and trims the blimp down; likewise pressurizing the rear bladder trims the nose upwards. With both under pressure, the overall excess lift of the gasbag is reduced slightly, though the hull was not designed to withstand enough pressure for that to be notably useful at affecting overall buoyancy. The maximum the ZMC-2’s hull could take was said to be about two inches of water, or 0.07 PSIg (0.5 kPa).

Also like a blimp, that pressure was required to resist the force of aerodynamic drag, at least at high speeds. The aluminum skin could hold its own shape, obviously, and even at low speeds it was safe to fly at atmospheric pressure, but at speeds above about half velocity never exceed (VNE) there was a risk of buckling the nose. So, like a blimp–or the balloon tanks on the much later Atlas rockets–gas pressure was used as reinforcement. For that reason, there was much consternation at the time–and since–whether to count the metalclad as a rigid or non-rigid airship. Ultimately the US Navy, whose code was “Z” for airship and “R” for rigid or “S” for non-rigid, called it ZMC– z-airship, metal clad. That dodged the issue well enough.

A larger ship might have been able to afford the weight of stronger aluminum to take the buffeting of high-speed flight, thanks to the square-cube law, but the comparatively tiny ZMC-2 lacked that lift capacity. Even larger ships were always intended to use pressure-reinforcement; it’s a key part of the metalclad concept. Why waste lift capacity on metal when the gas can do it for you? As it was, the useful load of the prototype ZMC-2 was only 750 lbs (340 kg). The ZMC-2 wasn’t designed for useful load, though; it was only ever meant as a testbed.

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Flying the Tin Blimp

As a testbed, the ZMC-2 was reasonably successful, and also a complete failure. It was reasonably successful in that its logbooks recorded 2,265 incident-free hours over 725 flights between its debut in August 1929 and its grounding in August 1939. In those ten years, it was found to fly well, in spite of its oddities.

The control car, with its crew of two or three–plus four passengers–and a pair of 220 HP Wright Whirlwind engines, would not have looked out of place on a blimp of similar size. Its overall size was not unlike blimps Goodyear was flying. Nor was the ZMC-2 particularly speedy, or unusually slow with a top speed of 70 mph (113 km/h). Aside from the metal-clad construction, two things made the ZMC-2 stand out amongst its contemporaries. The empennage — the “tail” — was perhaps unique in airship history– as near as I can tell, the Detroit Airship Company was the only one to ever fit eight equally-spaced fins to the rear of an airship. All had control surfaces, and in practice, there was no control mixing: four acted as elevators, and four as rudders. It worked well enough, as the ship was apparently quite maneuverable.

The only thing normal in this photo is the gondola. Note the four visible tail surfaces– there are four more on the other side. Image: Screenshot from “Tin Balloon” (Silent) by zrsmovie.com

The other oddity helped with this maneuverability: the airship’s fineness ratio. It was oddly squat, at only 2.83. Like much in the world of airships, the concept of a fineness ratio is borrowed from the naval world– there, it is the ratio between a ship’s length and its beam, or width. For a flying ship, it’s the length to diameter of the gas bag, but the effect is the same. Picture a racing skiff vs a coracle, or a whitewater kayak. The racing skiff has a very high fineness ratio, which gives it high speed and low maneuverability as it cuts through the water. A coracle or whitewater kayak, on the other hand, has a low fineness ratio, often less than two, so that they can turn on a dime. They’re also incredibly difficult to keep going in a straight line. The ZMC-2 wasn’t quite that squat, but from the boating analogy I can only imagine it was a handful to keep on a straight course at times.

ZMC-2 looks positively squat at top-right, compared to ZR-3 Los Angeles at center and the J-2 blimp on the left. That has pros and cons but was not an inherent characteristic of the metalclad concept.
Image: Naval History and Heritage Command

The only reason I dare call the fabulous tin blimp a failure is because there was no ZMC-3, or -4, or N≠2. It was indeed the only metalclad to ever fly.

One of a Kind

It wasn’t the cute little prototype’s fault; it was the timing. The Detroit Aircraft Company launched the ZMC-2 with big plans– Upton’s first design was for a larger express passenger/cargo airship of 1,600,000 cu.ft. (45,307 m³) gas volume, compared to the meager 200,000 cu.ft. (5,663 m³) of the prototype. There was interest in the bigger designs, but the ZMC-2 would need to prove the concept– which it did, in August 1929. Then in October, the stock market crashed, the Great Depression hit, and there was a lot less money available for pie-in-the-sky ideas like metalclad airships.

The interest was there, mind you. The U.S. Army liked what they saw, and went hat-in-hand in 1931 to Congress asking for 4.5 million to buy a 20-ton-lift model that would have been larger than the Graf Zeppelin. At that point, Congress felt there were other priorities. Later on, Detroit’s metalclad design was The Navy’s preferred choice to replace the ill-fated Akron and Macon, but there were problems with funding and the Detroit Aircraft Company didn’t have a hangar big enough to build the thing in anyway.

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The Army’s large metalclad might have looked like this, according to Popular Mechanics
Image: Popular Mechanics April 1931, via lynceans.org

That was the end of it. Though there was no notable metal fatigue or corrosion, the ZMC-2 flew less and less as the odds of a successor dropped. Some accounts claim it was grounded completely in 1939; others imply a handful of flights until US entry into WWII. With the war on, aluminum was in short supply and the ZMC-2 was broken up for scrap in 1941. It was simply too small for the antisubmarine duty the Navy’s blimps were being put to, and too weird to use as a training ship. Though the gondola was kept for a time as a learning aide for ground school, it was not preserved. It is likely that no physical trace of the fabulous tin blimp remains.

Legacy

Ultimately, the ZMC-2 was successful in proving that a metalclad airship could fly. During the various aborted attempts at an ‘airship renaissance’, various proposals for metalclads or similarly-built composite ships have been put forth, but as with Ralph Upton’s larger designs, no capital sufficient for construction ever materialized.

In spite of my praise of the non-rigid airship’s ability to shift with the winds– going so far as to say “Blimps win” in my last article, based on the historical record, I for one would love to see a metalclad fly again. Maybe it’s just the Rule of Cool– rigids are cooler, and metalclads are cooler yet. Maybe the image of the doughty ZMC-2 buzzing about like a giant, clumsy bumble bee has made me sentimental for the design. Maybe it’s just that there’s potential there. Thanks to the great Nan ships, we’ve got a pretty idea of what non-rigid airships are capable of. ZMC-2 only scratches the surface of what a metalclad could do; perhaps someday we’ll find out. With modern lithium-aluminum alloys being that much lighter, or the ‘black’ aluminum of carbon composites, we could probably build something exceeding Ralph Upton’s wildest dreams… if there was money to pay for it.

12 years was a good run for a prototype. So long, and thanks for all the AvGas.
Image: Naval History and Heritage Command

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How Does Increasing Engine Compression Ratio Affect Performance & Efficiency?

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When comparing engine specs for nearly any combustion engine automobile, we see a number of variations available with differing outputs of horsepower and torque. We often have a choice of gasoline or diesel engines with a range of cylinder counts, arranged in inline or V formations.

If we really dig into the minutia of engine specifications, we’ll find a figure for compression ratio that looks something like 9.5:1. The compression ratio relates to the engine cylinder’s maximum volume with the piston at the bottom of its stroke compared to the volume at the top of the stroke where the combustion chamber is at its smallest.

Increasing the gasoline engine’s compression ratio, say from 9.5:1 to 10.5:1 means that the air-fuel mixture inside the cylinder gets compacted into a tighter package at the top of the stroke before ignition. For example, a 5.0-liter V8 engine contains about 0.625 liters per cylinder. At a 9.5:1 compression ratio, the cylinder’s 625 cc volume is squished into a 65.8 cc space, while at 10.5:1 that space shrinks to 59.5 cc.

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YouTuber Engineering Explained tells us that increasing an engine’s compression ratio increases its thermal efficiency. Their calculations show the mathematical differences between 9.2:1 and 14.0:1 compression ratios give the higher compression engine a 6% power advantage. Hot Rod doesn’t share the math, but claims, in simple terms, that increasing the ratio by 1.0 within the range of common automotive compression ratios could deliver power gains between 2% and 4%. The magazine also points out that the published compression ratios relay theoretical static compression values, while dynamic compression ratios found in the real world are affected by factors such as valve timing.

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Higher compression diesel engines are more efficient than gas

Diesel engines are more efficient than gas engines, thanks, in part, to their relatively high compression ratio. It also helps that diesel contains 15% more energy density than gasoline, but that’s a story for another time. 

Diesel engines typically operate with compression ratios ranging from 14:1, which is the upper end of high performance gasoline engines, all the way up to 25:1. One way that diesel engines benefit from higher compression ratios is the heat generated by compressing air beyond 16:1. While a gasoline engine uses a spark to ignite the compressed gasoline mixture, a diesel engine relies on glow plugs for cold starts and high compression ratios to create temperatures up to 1,000 degrees Fahrenheit, more than enough to trigger combustion of its precisely-timed diesel fuel injections.

Generating such high compression ratios takes away some internal combustion engine efficiency. However, the increased cylinder pressure at the time of combustion translates into more power, primarily the torque for which diesel engines are known. In addition, the smaller combustion area of high compression engines (up to 16:1) allows the fuel load to burn quicker and more thoroughly, reducing ignition delay, reducing emissions, and increasing fuel economy.

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Why don’t all engines use higher compression ratios?

If diesel engine efficiency and performance benefit from increasing compression ratios, why not use the same formula for gas engines? While it’s true that diesel engines exhibit greater efficiency and better performance with higher compression ratios than those typically found in gas engines, there is a point of diminishing returns, and like most mechanical things, there are tradeoffs.

Among the leading factors limiting compression ratios in gasoline engines are detonation and pre-ignition of the fuel load inside the cylinder. While internal combustion engines rely on the combustion of the fuel load during the engine’s power stroke to drive rotation of the crankshaft, the process must be controlled and precisely timed for optimum efficiency.

In a gasoline engine, combustion timing is ultimately controlled by the spark plug. If a gas engine develops excessive dynamic compression, whether from designed static compression ratios, forced air induction, or valve timing, higher internal cylinder temperatures could cause the air-fuel mixture to spontaneously combust sooner than designed, resulting in pre-ignition.

Detonation inside the cylinders is also caused by excessive heat and pressure. However, it occurs after the spark. Instead of a controlled fuel burn radiating through the combustion chamber from the spark plug located near the center, the fuel explodes, or detonates, violently.

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AI fake news detectors are not as good as you think

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Tech giants like Meta, Google, and X are investing heavily in AI tools designed to detect fake news. It sounds reassuring, but according to a new study from the Université de Montréal, these tools have some serious drawbacks hiding behind impressive-sounding accuracy numbers.

Doctoral researcher Dorsaf Sallami examined AI fake news detection systems and found that they don’t actually fact-check anything. They calculate probabilities based on their training data. Think of it less like a journalist verifying a story and more like a mirror reflecting whatever it is shown, including the same biases and blind spots.

According to Dorsaf Sallami, a system that scores 95% accuracy in a lab setting can still fail in the real world, and that gap is a serious problem.

The bias problem nobody is talking about

Beyond accuracy, Sallami found that many of these systems carry embedded biases that largely go unnoticed. Some models are more likely to flag women as sources of misinformation. Others are biased against non-Western sources or reproduce political prejudices.

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There’s also a deeper issue with how these systems are trained. They rely on labels from fact-checking organizations, many of which lack transparency and some of which are for-profit businesses. The entire system is built on a shaky foundation.

Add to that the rise of tools like ChatGPT that make fake content easier to produce than ever, and detection systems trained even a few months ago can quickly become obsolete.

A better approach

Sallami’s solution is Aletheia, a browser extension that explains why content might be suspect rather than just saying whether it is true or false. In tests, it achieved 85% reliability, outperforming many existing tools. What makes it different is its philosophy. Instead of handing you a verdict and expecting you to trust it, Aletheia shows its work. 

It pulls evidence from available online sources, presents it in plain language, and lets users make the final decision. It even includes a live feed of recent fact checks and a community forum where users can share and discuss findings. The takeaway is simple: AI should assist your judgment, not replace it.

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Contractors sue Modern Hydrogen, alleging the Bill Gates-backed startup left their final invoices unpaid

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Bill Gates gets hands on with Modern Hydrogen’s solid carbon product during an April 2024 visit to the company. (Gates Ventures Photo)

John Hinkey knew there was a risk to doing contract work for startups — sometimes their finances go south and his mechanical design firm might go unpaid. But Modern Hydrogen felt like a safe bet. The company had public support from Bill Gates, raised $125 million from investors, and was on the cusp of shipping a commercial device to produce hydrogen fuel.

Then, at the end of October, Hinkey — owner of Geminus Technology Development — and other contractors received notifications from Modern Hydrogen abruptly terminating their contracts, citing “general policy and economic conditions.”

Now four contractors have filed a joint lawsuit, while another has filed separately, claiming the Seattle-area clean energy company hasn’t paid their final invoices. The suits allege Modern Hydrogen owes a combined $363,458 plus interest and attorneys’ fees.

“I would warn all other small entities,” said Hinkey, that just because someone like Bill Gates is backing a company, if the project stops “that doesn’t mean that they’re going to pay their bills.”

Modern Hydrogen’s downturn coincided with Gates pulling back from his climate efforts — paring down his Breakthrough Energy initiative and posting a memo just days before the contracts were terminated in which he further signaled a shift in priorities. “Although climate change will have serious consequences… it will not lead to humanity’s demise,” Gates wrote.

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Steven Brncic, a plaintiff in the joint suit, took note of Gates’ shift on climate at the time.

“I remember thinking, ‘oh, you know what we’re doing is basically alternative energy,’” Brncic recalled. When the cancellation notifications came, he wondered about the connection.

Neither Modern Hydrogen co-founder and CEO Tony Pan nor Gates responded to GeekWire’s requests for comment.

It’s unclear what role if any Gates may have played in Modern Hydrogen’s sudden slowdown. The company launched in 2015 at Intellectual Ventures, an innovation hub created by former Microsoft CTO Nathan Myhrvold with Gates’ backing. The Microsoft co-founder backed the startup through Gates Frontier, his private investment arm, but was not a board member or advisor with the company.

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A promising pivot, then silence

The startup initially focused on generating electricity from heat recovered from appliances. It pivoted three years ago to splitting natural gas to produce hydrogen fuel and solid carbon, which has industrial uses including as an asphalt additive.

Gates visited the company’s Woodinville, Wash., facility in 2024, grabbing a wheelbarrow and shovel to fill a parking lot pothole with carbon-infused asphalt.

When Modern Hydrogen halted its normal operations last year, it was nearing completion of its first commercial unit for a Texas customer, having already finished pilot projects with utilities in Portland and Miami.

Hours before learning his contract was canceled, Brncic had been assigned more work on the project. The change “was very, very abrupt,” he said.

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Modern Hydrogen has not said if it is permanently closing. It laid off most of its employees by early December.

Small firms, big exposure

John Hinkey, founder and owner of Geminus Technology Development, a company that claims it’s owned nearly $82,000 from Modern Hydrogen for unpaid work. (Photo courtesy of Hinkey)

Hinkey founded his Seattle firm more than two decades ago and worked on Modern Hydrogen projects over the course of a year. One of his three employees had been assisting with the mechanical design and thermal analysis of the company’s reactor vessel, collaborating closely with their team several times a week.

Geminus is part of the joint lawsuit filed in King County Superior Court, with a claim of $81,500.

“That’s potentially a going-out-of-business deal,” Hinkey said. “That’s how bad that hurts.”

Brncic Engineering says it is owed $18,000 — the largest sum the Missouri-based firm has lost in 15 years of operations. Two additional contractors in the joint suit claim smaller losses. A separate suit was filed by D&D Welding of Mukilteo, Wash., which claims it’s owed $244,992 for building structural metal frames.

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Hinkey sometimes requires new or early-stage clients to pay 50% upfront — but Modern Hydrogen, with its significant funding and roughly 80 employees, could dictate its own terms, he said.

“If you get too pushy on these contracts, they don’t hire you,” Brncic added. “They go to the next guy.”

A thank-you note, then a legal fight

On Oct. 30, one of Hinkey’s employees received an email from Amir Moftakhar, Modern Hydrogen’s chief financial officer, saying the contract was over.

“This decision is part of a broader restructuring effort which is being developed and does not reflect on your work,” Moftakhar said. “We want to sincerely thank you for the professionalism, dedication, and quality you’ve shown throughout our collaboration and for your understanding.”

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Modern Hydrogen’s attorneys struck a different tone in an initial response to the joint lawsuit. “Plaintiffs failed to perform and complete all work and services contemplated under the Agreements to Defendant’s satisfaction,” said the court document. A trial is set for February 2027.

Hinkey dismisses the idea his firm didn’t finish its work.

“We absolutely did,” he said, “up until you told us to stop.”

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M5 Pro 14-inch MacBook Pro vs. M4 Pro 14-inch MacBook Pro: Compared

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Apple has updated the 14-inch MacBook Pro with the M5 Pro chip. Here’s how it compares to the preceding model with the M4 Pro.

Two open laptops side by side on a blue to purple gradient background, each screen displaying a dark abstract maze-like pattern with smooth, rounded rectangular paths
M5 Pro MacBook Pro vs. M4 Pro MacBook Pro: Specs, performance, cost

Following the debut of the standard M5 chip in October 2025, the more powerful M5 Pro has made its way to the MacBook Pro. The early 2026 launch of the M5 Pro chip was to be expected, as product identifiers provided to AppleInsider back in July 2025 indicated the hardware was in the works.
Though Apple’s latest high-end laptops look identical to their M4-based counterparts, there’s more to it than meets the eye. Per Apple’s website, the M5 Pro delivers significant performance improvements, making it an even better option for users who need plenty of processing power.
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Google Pixel Watch 3 Brings Smarter Fitness Tracking and Brighter Display to Your Wrist for the Lowest Price Yet

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Google Pixel Watch 3 (41mm) Smartwatch
Google’s Pixel Watch 3 (41mm) is the best non-flagship smartwatch you can buy right now, especially for $169.99. That’s a significant drop from the original $249.99 MSRP, and surprisingly, it packs more punch than you’d expect for the price.



Google has finally nailed the display, and the 41mm version now has 10% more screen space thanks to those sleek new bezels, and the brightness is sufficient to see everything clearly, even on a bright day. Swiping through notifications or looking at a map is effortless. The always-on display does not deplete the battery rapidly, and the curved glass gives it a smooth, premium appearance that fits under a cuff or shines out on its own.

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Google Pixel Watch 3 (41mm) 2024 Model – Android Smartwatch, Heart Rate Tracking, Fitbit Advanced…
  • The Google Pixel Watch 3 is designed for performance, with advanced fitness from Fitbit[1,2]; the 41mm screen is twice as bright and 10% larger than…
  • Maximize your performance with advanced running features; build custom run workouts and get real-time guidance and advanced form tracking[3]
  • Enhance your run routine with Fitbit Premium; Google AI uses your goals, past runs, and readiness to power personalized run recommendations[3]


The battery life is rather realistic, so you can expect to get a whole day out of it with the always-on display and even 36 hours in the saver mode. Charging is extremely fast, reaching up to 50% in only 24 minutes, so a quick top-up during a shower or coffee break will cover the remainder; no more worrying about finding an outlet in the midst of the day.

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Google Pixel Watch 3 (41mm) Smartwatch
Fitness tracking incorporates some of Fitbit’s best features, and heart rate monitoring is incredibly precise whether you’re jogging, swimming, or hitting the gym. New tools can assess workout intensity and cardiac load, providing a much more accurate picture of how you’re performing. Runners, in particular, will appreciate the flexibility to create custom routes and even receive suggested plans based on how you’re performing. Furthermore, sleep data is quite detailed, providing you with all of the information you need to begin improving your sleep habits.

Google Pixel Watch 3 (41mm) Smartwatch
Compared to the competition, this is where the Pixel Watch 3 truly shines, as it provides all of the everyday smarts and great health tools without being too large or expensive. The final touch is comfort, as it weighs 31 grams without the strap and is virtually undetectable on your wrist, even when sleeping or wearing it all day. The adjustable straps suit most users, and the dome design eliminates sharp edges that could grab on anything.

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Audeze CRBN2 Electrostatic Headphone at CanJam NYC 2026: Is This the Best Headphone in the World?

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Back in 2021, Audeze invited members of the eCoustics team to a private demonstration of something very different. The company’s engineers had been quietly working on a new electrostatic technology called CRBN, a carbon nanotube based driver design that would ultimately become the foundation for a breakthrough medical imaging headphone system. It was ambitious, complicated, and unlike anything the brand had attempted before.

While COVID sent demand for headphones through the roof as millions of people suddenly found themselves working and listening at home, Audeze kept its focus on the bigger picture. The CRBN technology would eventually lead to two of the most ambitious headphones the company has ever produced, including the Audeze CRBN2 electrostatic headphone.

Audeze CRBN2 Electrostatic Headphones Earcup
Audeze CRBN2

More than a year ago, I asked eCoustics Headphone Editor Will Jennings a simple question: what is the best headphone in the world? Jennings has listened to more headphones and IEMs than anyone in the industry that I’ve met over the past 28 years. The only people who might rival him are Jude Mansilla and Ethan Opolion from Head‑Fi and CanJam. What separates Will from most enthusiasts is that he truly understands the engineering behind these products. Not just the sound, but the science.

He also knows I have a weakness for electrostatic designs. I’ve owned five pairs of MartinLogan electrostatic loudspeakers going back to 1989.

So when I asked the question, he didn’t hesitate.

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“Have you read my review?”

Of course I had. I spent the better part of a morning editing it.

“You already have your answer.”

Big City Lights and the CRBN2

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New York City and I have a complicated relationship. The good. The bad. And more than a little ugly. Some of my best moments happened here. Some of the worst too. Most of those were self-inflicted. On myself and others. There isn’t enough biltong in the world for me to flog myself with to make the punishment fit the crime.

Living almost 60 miles away now along the Jersey Shore, I don’t come into Manhattan very often anymore. These days I’m more likely to drive down to Philadelphia, stay local by the ocean, or catch a flight to my place in Florida. New York used to be a regular stop. Now it’s more of an occasional reminder.

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But the city has a way of changing your perspective when you look at it from the right angle. Forty five floors above the street, the noise fades and the chaos turns into something else. Lights everywhere. Windows glowing. Traffic moving like veins of electricity through the grid. From up there, the city looks almost calm. Order hiding inside the madness.

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Listening to the Audeze CRBN2 at CanJam NYC felt a little like that. The glare disappears. The edges sharpen. Details that were buried down at street level suddenly come into focus. A different kind of illumination. Not brighter. Just clearer. And once you see it that way, it’s hard to go back to the street.

The Audeze booth is always packed. Think Penn Station on St. Patrick’s Day, which I’ve survived once and highly recommend avoiding if you value your sanity. So Chris Boylan and I had to circle back more than once to get time with the new Audeze Maxwell 2 gaming headset and the Audeze CRBN2.

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Editor-at-Large, Chris Boylan listening to Audeze Maxwell 2 wireless headphones at CanJam NYC 2026.

I’ve seen the CRBN and CRBN2 paired with the Linear Tube Audio electrostatic headphone amplifier at other shows, but patience has never been one of my defining character traits. Waiting more than five minutes in a drive thru is already pushing it. I’m probably on a few watch lists at Starbucks, Dunkin, and my local deli.

But then something unexpected happened.

The Simpsons comic book store guy who had been glued to the listening spot like a barnacle on a boat suddenly got up and moved. No warning. No explanation. Maybe he spotted another forum user he wanted to antagonize. Or hug.

Same energy, really.

Lost in the Light

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Audeze CRBN2 at CanJam NYC 2026

For those familiar with the original Audeze CRBN, the Audeze CRBN2 won’t look radically different at first glance. You still get the aluminum travel case and a pair of white gloves, which feels appropriate for a $5,995 electrostatic headphone. Inside the box are the headphones with the attached cable and a desiccant pack. The headband, suspension system, gimbals, and overall cup shape remain largely the same, although the CRBN2 does show off a bit more gold trim around the cups and hardware.

The first real sign that something has changed is the size of the earcups. They’re larger and deeper than the first model, which contributes to a slight increase in weight. The CRBN2 comes in at 480 grams compared to 470 grams for the original. Not a huge jump, but noticeable on paper. The attached cable is also thicker and retains the same 5 pin DIN connector used with electrostatic energizers.

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The driver technology remains the core of what makes these headphones unique. Audeze’s carbon nanotube impregnated diaphragm places the current carrying elements directly inside the membrane itself. Unlike electrostatic designs that rely on coatings that can eventually delaminate, this approach embeds the conductive structure into the diaphragm. The company’s research also suggests that this produces a more uniform diaphragm thickness and therefore more consistent movement across the surface.

The big engineering change is something Audeze calls the Symmetric Linear Acoustic Modulator, or SLAM. It’s a passive acoustic structure designed to improve low frequency performance, specifically in the 10Hz to 50Hz region where electrostatic headphones traditionally struggle. According to Audeze, the system delivers roughly a 6dB increase in output between 20Hz and 30Hz compared to the original CRBN.

And that matters because bass has always been the Achilles’ heel of electrostatic designs. Since their inception, electrostatic headphones and loudspeakers have excelled at transparency, speed, detail, and a massive sense of space. The presentation can feel almost supernatural. But critics have long argued that something is missing. Call it weight. Call it soul.

The sound is often described as ethereal. Beautiful. Haunting even.

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But sometimes it feels like there’s no flesh on the bones. Nothing that grabs you by the collar and forces you to feel something. Angst. Joy. Ecstasy. Anger. Fear.

Just light.

The system was not the one I had seen paired with the Audeze CRBN2 at other shows. In previous demos, Audeze often relied on amplification from Linear Tube Audio and a rather serious digital front end from dCS. Neither was in use this time.

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Eksonic Aeras (silver) atop Imersiv D1 DAC (black)

Instead, the headphones were driven by the Eksonic Aeras Electrostatic Headphone Amplifier ($7,000). The amplifier is the result of a collaboration between engineers in the United States and Greece, with the company headquartered and manufacturing its products in Athens. It’s a compact but very serious electrostatic energizer designed specifically for demanding headphones like the CRBN2.

The Aeras accepts balanced XLR inputs with an input impedance of 50K x2 and delivers a gain of 1000x. Frequency response is specified from 10Hz to 30kHz with a maximum peak to peak voltage of 1600VAC and a maximum RMS voltage of 1100VAC. Output is handled through a single Stax Pro Bias connector. The amplifier uses four 6S4A vacuum tubes and consumes roughly 100W of power.

Physically, it measures 19 cm x 34.3 cm x 14.2 cm (7.5 x 13.5 x 5.6 inches) and weighs approximately 5.5 kg (12 pounds), making it relatively compact for a tube based electrostatic design.

The digital front end was also different from the typical multi box stacks seen at many CanJam demos. The source was a laptop feeding the $12,000 Imersiv D1 DAC from Millennia Media, which then passed signal to the Eksonic amplifier. Millennia Media, based in California, is best known in the professional recording world for its ultra transparent microphone preamps and mastering grade audio equipment.

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Light, Finally With Blood in It

Chris from Audeze left me alone with the rig and I did the only sensible thing. I hit play. First Tool. Then Deadmau5. Closed my eyes.

The first thing that hit me was the bass. Real bass. Through electrostatic headphones. Sub bass information was absolutely there. No, it wasn’t the kind of blunt force slam some dynamic or planar designs deliver, but the mid and upper bass had weight, speed, and definition that made it impossible to ignore. Impactful. Transparent. Lightning fast. Defined. Juicy. Like smoked wings that have been on the grill just long enough to make you forget every other meal you’ve ever had.

Everything I’ve always loved about electrostatics was there. The transparency. The speed. The sense that every tiny detail is floating in its own pocket of air. But now there was texture too. Depth. Emotion. Presence. The kind that makes the music feel alive instead of just technically impressive.

I found myself tapping my fingers on the table while staring straight through the crowd of attendees moving around the room. Hundreds of people. Noise everywhere.

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Didn’t matter.

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For those few minutes, I was alone with the music.

Switching to vocals changed everything. I could feel Amy in the room. Close enough that it almost felt like her hand was resting against my face. I could practically smell the cheap cigarettes and bad decisions. I probably would have let her kiss me. After she had her shots.

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That sense of presence carried through with almost every vocalist I threw at the system. Male. Female. Didn’t matter. They were just there. Standing in front of me like the band had wandered into the room and decided to stay a while. I half expected Elvis Presley to pull up a chair and start talking about Cadillacs and the cost of fame.

And then my mind drifted somewhere else entirely. Upstate New York. Cold air. Used bookstores that smelled like dust and forgotten paperbacks. I remember the way she gripped my fingers as we drove away. My heart was racing so hard I thought the steering wheel might start shaking.

That’s what listening to the Audeze CRBN2 felt like.

Utterly there.

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The kind of presence that digs under the ribs and reminds you that some memories never really leave. No matter how painful.

Where to buy: $5,995 at Audeze

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MacBook Neo vs MacBook M4 Air: Key Differences You Should Know

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Apple’s MacBook lineup now includes devices designed for both premium users and budget buyers. The new MacBook M4 Air has a lot to offer with its Apple M-series chip, while the new MacBook Neo has focused on usability. Although they belong to the same family, they have been designed for very different users. Let’s compare them.

Design and Display

The MacBook M4 Air retains its signature design profile: a slim, light aluminum unibody that is just as portable as ever. The 13.6-inch display features a bright, colorful Liquid Retina display, perfect for work, play, and all forms of creativity.

The MacBook Neo, meanwhile, takes a more conservative approach with design. Its 13-inch LCD display is not a Retina display, and while it is perfectly suited for everyday use, it is not quite as bright or colorful as the M4 Air.

In simple terms, the MacBook M4 Air focuses on a premium display experience, while the MacBook Neo prioritizes affordability.

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Performance and Processor

MacBook M4 Air

The major difference between the MacBook M4 Air and the MacBook Neo is the processor. The MacBook M4 Air is powered by the M4 chip, which has a 10-core CPU and a 10-core GPU.

Meanwhile, the MacBook Neo is powered by the A18 Pro chip, which has a 6-core CPU and a 5-core GPU. The MacBook Neo supports everyday activities like web browsing, streaming media, document creation, and online meetings. Therefore, the MacBook M4 Air is suitable for professionals, while the MacBook Neo is suitable for students.

When it comes to memory and storage, the MacBook M4 Air provides more flexibility. The laptop starts with 16GB of unified memory and can be expanded up to 32GB. Storage options range from 256GB to 2TB, which is useful for professionals who need extra space for files and applications.

The MacBook Neo keeps its configuration simpler. It comes with 8GB of memory and storage options of 256GB or 512GB. These specifications help students and casual users manage documents, applications, and media comfortably.

Overall, the MacBook M4 Air handles heavier loads better than the MacBook Neo.

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Connectivity and Battery Life

image for MacBook Neo

The MacBook M4 Air takes the game to the next level in terms of connectivity. It has two Thunderbolt ports and Apple’s MagSafe charger. The MacBook M4 Air’s Wi-Fi 6E connectivity delivers fast internet speeds.

The MacBook Neo takes a simpler approach. It mainly includes standard USB-C ports and basic wireless connectivity. Some premium connectivity features available on the MacBook Air are not included in this model.

In terms of battery life, both laptops perform well. The MacBook M4 Air can last up to 18 hours on a single charge. The MacBook Neo is designed to last an entire day, though it does not match the MacBook Air’s battery life.

Price Comparison

In terms of price, there is a significant difference between the MacBook Neo and the MacBook M4 Air. While the MacBook M4 Air is priced at approximately Rs 90,068, the MacBook Neo is priced at Rs 69,990. This is the reason why the MacBook Neo is a good option for anyone looking for a budget-friendly computer.

To summarize, the best MacBook for you will depend on your intended use. The MacBook Neo is good for students and new users, while the MacBook M4 Air is good for professionals.

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