Living in London, apps like Citymapper, Google Maps and, of course, TFL Go are essential for getting around the vast, winding public transport network to get from A to B. The problem? They’re not always the most reliable.
Since I relocated to a new area of London a few months ago, I’ve been getting myself acquainted with the local bus timings using the TFL Go app. It’s how I’ve been organising my morning commute since moving, and during that time, one thing is clear: the TFL app doesn’t do a great job of actually displaying when buses are going to arrive.
I’ve now lost count of the number of times when a regularly scheduled bus hasn’t appeared in the TFL app, or conversely, claimed a bus was arriving when, in reality, it wasn’t. That uncertainty has led me to try out apps like Citymapper – the problem is that they all use TFL’s data and, as such, suffer from the same flaws.
Then, one night while scrolling on Threads, I stumbled upon a post (a Thread? What do you call those things?) about a new non-profit, student-led public transport app called Catenary Maps, with a big difference. It can track specific buses, trains, and other forms of public transport in real time and display them on an interactive map.
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Of course, I downloaded it immediately.
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Catenary scratches an itch I didn’t know I had
Reader, Catenary Maps has been a game-changer for me these past few weeks, and I’ve told practically everybody in my personal life about it. I lead a thrilling life, I know.
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The main sell is, as mentioned, the ability to track buses and trains in real-time – well, near-real-time anyway. It’s usually about 30 seconds behind in my experience, but that’s better than no information at all.
In fact, one morning when TFL Go claimed I’d missed my bus, I opened the Catenary Maps app and saw that the bus was actually running late, and was still around the corner.
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It sounds like such a small thing, and for some people it might be, but for those who use buses regularly, it’s a massive help. You no longer need to rely on TFL’s hit-and-miss timetable; you can check where they are in real time and plan accordingly.
It has meant I can keep the Catenary Maps app open on my phone in the morning and leave when the bus reaches a certain area on its route, rather than relying on (sometimes inaccurate) timings.
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That’s just the surface of what Catenary Maps offers too – it just so happens to be the feature I’ve used most these past few weeks. Combining data from a bunch of different official resources, Catenary Maps can help navigate hugely busy train stations like London Liverpool Street by showing which platform the train will arrive at, sometimes well before the station’s official announcement.
You can also track train journeys more accurately, ideal if you’re, say, picking up a friend or a loved one from the train station. Find their exact train (along with information like the train number!) and you’ll be able to follow them along their route – especially handy when there are delays mid-journey.
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It’s not limited to TFL either; the app pulls in open-source data from transport providers around the world, meaning it not only works throughout the UK, but Europe and even the US, with more regions planned for inclusion soon.
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It’s not perfect, but it’ll get there
Now don’t get me wrong, it’s not going to knock Citymapper or Google Maps off their high perches just yet – but there’s a lot of potential here.
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The amount of data is impressive and great for nerds like me, but it does also make for a pretty busy, hard-to-navigate interface at times. Even after using it for over two weeks, there are still times when I get downright confused about what I’m looking at or tap on the wrong thing. But given the choice, I’d prefer data accessibility over a more polished interface any day.
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It also doesn’t do actual route mapping from A to B using this wealth of data – something that could potentially deliver faster, more accurate routes than TFL’s official alternative with true real-time data – but that is on the roadmap, and should be available soon.
But if you’re like me and love delving deep into real-time data and use public transport often, you’ll enjoy what Catenary Maps is offering – and all for free, with no ads or subscriptions necessary.
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The app is available to download on Android now, and it’s also available on the web. An iOS app is also planned for the near future, but it’s not available just yet.
My favorite thing about the Arctis Nova 3 is their fit, which I think are the most comfortable of any gaming headset I’ve tested so far. They’re super lightweight, which makes them great for long gaming sessions and larger heads like mine, and the earcups are a light, squishy mesh that’s breathable without sacrificing too much in sound isolation. Despite the super lightweight build, the battery life doesn’t disappoint, with these cans lasting around 30 hours on a single charge.
They sound excellent for both gaming and mixed media usage, largely thanks to the SteelSeries app, which has a huge library of game-specific equalizer presets ready to go for any situation. That more than makes up for the lack of Dolby Atmos, and the spatial audio implementation is still great even without the official stamp of approval from Dolby. On the input side, the microphone does a surprisingly good job of filtering out unwanted noise, like a surprise sneeze or my dog barking at the mail carrier. I wouldn’t use it for any professional recording sessions, but it sounds clearer than most other gaming headsets at the price.
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While the Arctis Nova 3 have great compatibility with all of your modern major gaming consoles, including PC and Switch 2, there are two different versions to choose from, so you’ll want to make sure you grab the right one for you. The Nova 3X supports all systems, including Xbox and PlayStation consoles, while the 3P lacks Xbox support. Unless you’ve committed to never buying Sony for some reason, I’d recommend going for the 3X, which are currently marked down to $90 in white. If you’re a dedicated PlayStation gamer, or want a splash of color, the Aqua Nova 3P are also available for a slightly higher $97 in Aqua or $100 in Lavender.
Lamborghini is done with the Lanzador. The all-electric supercar the Italian automaker showed off back in 2023 — the one that was supposed to drag the brand, kicking and screaming, into the EV era — was quietly axed late last year (via The Times).
CEO Stephan Winkelmann confirmed it this week, and frankly, he didn’t sound too broken up about it. The reason? Winkelmann put it bluntly: EV development was becoming “an expensive hobby.”
Lamborghini
EV dream runs out of charge
And when your hobby involves billion-dollar research and development budgets, along with a customer base that basically doesn’t want the thing you’re spending the money on, it’s time to put down the soldering iron.
Instead of going all-electric, Lamborghini will pivot to plug-in hybrids (PHEVs) across its entire lineup by 2030. The Lanzador itself will reportedly be reborn as a PHEV — which, to be fair, might actually be a better fit for a brand whose identity is wrapped up in the sound and fury of a roaring V10 or V12.
EVs, Winkelmann admitted, “struggle to deliver this specific emotional connection.” Translation: a silent Lamborghini is basically just an expensive golf cart.
The numbers back him up. The “acceptance curve” for battery-powered cars among Lamborghini’s wealthy clientele is, in his words, “close to zero.” Meanwhile, the company just had its best year ever — delivering a record 10,747 cars in 2025, with its PHEV lineup of the Urus, Temerario, and Revuelto doing all the heavy lifting.
Lamborghini isn’t alone in this rethink.
Stellantis just ate a $26 billion charge to ditch some EV models, and Ford wrote down nearly $20 billion on its EV plans. The electric gold rush, at least in the luxury supercar space, appears to be on pause.
Never say never on a Lamborghini EV, though — Winkelmann himself used that exact phrase. But for now, if you’re hoping to buy a silent raging bull, you’ll have to wait.
For the better part of a decade, conservative politicians—and Texas politicians in particular—have been absolutely apoplectic about the state of free speech on college campuses. You’ve heard the greatest hits: students are coddled snowflakes who can’t handle the real world, trigger warnings are destroying intellectual rigor, safe spaces are turning universities into daycare centers, and the real threat to America is that professors might have opinions that lean left.
Texas Governor Greg Abbott was so concerned about this supposed crisis that he signed a campus free speech bill in 2019. The whole thing was framed as a brave stand for open inquiry and the marketplace of ideas. As state Senator Joan Huffman said at the time:
“Our college students, our future leaders, they should be exposed to all ideas, I don’t care how liberal they are or how conservative they are.”
What a beautiful sentiment. Truly inspiring stuff.
The University of Texas System’s Board of Regents unanimously approved Thursday a rule requiring its universities to ensure students can graduate without studying “unnecessary controversial subjects,” despite warnings it could leave them less prepared for the real world.
The rulealso requires faculty to disclose in their syllabi the topics they plan to cover and adhere to the plan, and says that when courses include controversial issues, instructors must ensure a “broad and balanced approach” to the discussion.
If you had described this policy to any Texas Republican in 2018 and told them a bunch of liberal professors had come up with it, they would have been on Fox News within the hour screaming about the death of Western civilization. The words “trigger warnings,” “safe spaces,” and “cancel culture” would have been deployed at machine-gun pace all surrounded with high-minded claims about “free speech” and “academic freedom.”
But when it’s governor-appointed regents doing it? When the people being “protected” from uncomfortable ideas are conservative students and donors rather than marginalized communities? Well, then it’s just good governance.
The truly revealing moment came from Board Chair Kevin Eltife, who was asked about the fact that the policy doesn’t bother to define what “controversial” means or what a “broad and balanced approach” actually looks like. His response should be printed on a plaque and hung in the Museum of Political Cowardice:
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“We are in difficult times,” he said. “Vagueness can be our friend.”
Ah yes. Vagueness. The chairman of a board governing one of the nation’s largest public university systems—more than 260,000 students across nine campuses—is openly admitting that the entire point of the policy is that nobody knows what it means. He’s saying the quiet part loud: the vagueness is a feature, not a bug.
And of course it is. Because when you leave “controversial” undefined, you don’t need to go through the messy business of actually banning specific topics, which might allow everyone to call you out on your hypocrisy and highlight the subjects you hope to censor.
You just create a system where every professor has to wonder, before every lecture, whether today’s lesson is the one that gets them hauled before an administrator. The chilling effect does all the work for you.
As UT-Austin physics professor Peter Onyisi pointed out during public testimony:
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“Will they (administrators) be experts in the relevant disciplines or will they just seek to avoid unpleasant publicity?”
We all know the answer to that question. When a policy gives administrators the power to decide what counts as “unnecessarily controversial” without any definition whatsoever, administrators are going to do what administrators always do: minimize risk. That means the most easily-offended person in the room—or more precisely, the most politically connected complainant—effectively gets a veto over what gets taught. It’s a heckler’s veto laundered through bureaucratic process.
There are legitimate debates about how universities should approach controversial material in the classroom. But any time anyone has brought any of those up for serious debate over the last few decades, they were mocked as “woke snowflakes” who need their “safe spaces” and “trigger warnings.”
This is the exact dynamic that conservatives spent years claiming to oppose. The whole argument against “political correctness” and “cancel culture” was supposedly that small groups of oversensitive people shouldn’t be able to dictate what ideas are permissible in public discourse. The argument against trigger warnings was that adults should be able to encounter difficult material without having their hands held. The argument against safe spaces was that the university should be a place of intellectual challenge, not comfort.
Now Texas has built a taxpayer-funded safe space spanning nine campuses and four medical centers, complete with government-mandated trigger warnings (the syllabus disclosure requirement) and an institutionalized process for anyone who finds course material too upsetting to lodge a complaint. How very snowflake of Texas. The only difference here is who gets to be upset.
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And then there’s the “broad and balanced approach” requirement, which sounds perfectly reasonable until you think about it for more than three seconds. What does “balance” look like when you’re teaching about the Holocaust? About slavery? The “germ theory” of disease? If a history professor is covering Jim Crow, are they now required to present the segregationist perspective with equal weight in the name of “balance”?
That sounds absurd, and it is. When you refuse to define “controversial” and then mandate “balance” for anything that falls under that undefined umbrella, you’ve created a system where any topic with a political dimension—which is basically every topic in the humanities, social sciences, and increasingly the natural sciences—becomes a minefield.
Allen Liu, policy counsel for the NAACP Legal Defense Fund, said it could lead to “viewpoint discrimination” and disproportionately affect Black students and faculty by discouraging teaching about slavery, segregation and other subjects central to Black history.
To which, I would imagine, many of the UT Board of Regents would quietly admit among friends “well, yeah, that’s the fucking point.”
It’s also worth noting the broader context in which this is happening:
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The vote comes a week after UT-Austin announced it willconsolidateits African and African Diaspora Studies, Mexican American and Latino Studies, American Studies, and Women’s, Gender and Sexuality Studies departments into a new Social and Cultural Analysis department. More than 800 students are pursuing majors, minors and graduate degrees in the affected programs.
Ah yes. Basically anything that is not white European heterosexual male focused, all gets shoved into one “those other people over there” department.
Meanwhile, the school is absolutely expanding programs that align with a very particular set of priorities. See if you can figure out which ones:
Last year, UT-Austin was also one of nine universities offered preferential access to federal funding in exchange for agreeing to ensure departments reflect a mix of perspectives andpromote civic values and Western civilization, among other requirements.
Some students argue that evenwithout formally signingthe agreement, UT-Austin is already moving in that direction. Alfonso Ayala III, a doctoral student in Mexican American and Latina/o Studies at UT-Austin, pointed to the university expanding the conservative-backed School of Civic Leadership as his department loses autonomy.
“It’s hard to understand this as anything other than ideological and political,” Ayala said.
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No shit.
And this is just the latest chapter in what has become a remarkable saga of Texas Republicans dismantling the very speech protections they once championed. As we wrote about last year, that 2019 campus free speech law—the one that was supposed to ensure all viewpoints could be heard—suddenly became a problem when pro-Palestinian protesters started using it.
Texas Republicans couldn’t have that.
The original 2019 law was passed specifically because Texas A&M had canceled a white nationalist rally and Texas Southern University had scrapped a conservative speaker’s appearance. The legislature was furious. Free speech must be protected!
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But when the same protections enabled pro-Palestinian encampments, suddenly the legislature couldn’t pass restrictions fast enough. New rules on where you can protest, bans on amplification devices during class hours, prohibitions on overnight encampments, restrictions on wearing masks. All the things that were never a problem in the five years between the law’s passage and the moment students started saying things Texas Republicans didn’t want to hear.
So let’s trace the arc here. In 2019, the Texas legislature mandated that universities must allow protests and controversial speakers because free speech is sacred. In 2025, the Texas legislature rolled that back because the wrong people were speaking. And now in 2026, the UT Board of Regents is mandating that professors can’t even teach “unnecessarily controversial” material in their own classrooms—a phrase so deliberately vague that the board chair openly celebrates its ambiguity.
Senator Huffman, who authored the 2019 free speech law and proclaimed that students “should be exposed to all ideas,” voted in favor of restricting protest rights last year and appears to have raised no objection to the new UT policy. Let’s go out on a limb here and say it: the 2019 law was never about ensuring exposure to all ideas. It was about ensuring that a specific set of speakers (white nationalists) saying a specific set of things (racist shit) would have access to university campuses. Once the same mechanism started working for the “wrong” people, it became disposable.
The UT regents will tell you this policy is about “balance.” That it’s about making sure professors stick to their areas of expertise and don’t wander off into political editorializing. But if that were the actual concern, you’d write a clear, specific policy. You’d define your terms. You’d create transparent standards that professors could understand and follow. You would absolutely not describe your own vagueness as a strategic asset.
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“Vagueness can be our friend” is what you say when the goal is discretionary power—the ability to punish the speech you don’t like while leaving the speech you do like untouched.
For all the years of rhetoric about snowflakes and safe spaces and the coddled minds of American youth, the actual policy goal was never intellectual rigor. It was control. Control over which ideas get aired, which histories get taught, which perspectives get treated as legitimate, and which get quietly filed under “unnecessarily controversial” and removed from the curriculum.
The people who spent a decade mocking trigger warnings just voted unanimously to impose the biggest trigger warning in the history of American higher education: Warning: This university has been certified free of unnecessary controversy by the State of Texas.
I guess everything really is bigger in Texas. Including the censorship.
We’re less than a month from the availability of Death Stranding 2: On the Beach on PC, and today Sony released the required specs. Despite designer Hideo Kojima being known for spectacle in his projects, the minimum specs are quite reasonable.
The low graphics preset runs on an NVIDIA GeForce GTX 1660 or AMD Radeon RX 5500 XT 8GB, and that will give players average performance of 1080p at 30 frames per second, which is rough but at least makes the game available for players who haven’t upgraded in awhile. Intel Core i3-10100 or AMD Ryzen 3 3100 are the recommended GPUs for that graphics tier. As is typical for PC gaming, though, the higher end performance options will require beefier internals.
This port of Death Stranding 2 will also boast a few firsts. The title will mark the debut of Pico as an upscaling option on PC. This upscaler was made by Guerilla Games and was also used for the Death Stranding sequel on the PlayStation 5. The game will also be adding support for ultrawide views. The cutscenes can be viewed in a 21:9 aspect ration and gameplay can be displayed at 32:9. This option will be available for both PC and the PS5 versions of the game, and an ultrawide monitor won’t be required to enable this view option.
‘If organizations focus only on short-term efficiency… they risk hollowing out the next generation of technical leaders’: Microsoft execs say senior workers must mentor juniors to fix AI mistakes
Companies risk future skills shortages if they stop hiring junior developers today, Microsoft execs say
AI promises productivity boosts, but we need humans to manage agents
Human-AI collaboration is more important than volume of code
Microsoft Azure CTO Mark Russinovich and Developer Community VP Scott Hanselman have argued senior engineers must actively mentor junior workers to avoid future skills shortages, suggesting AI coding agents are affecting younger and newer workers disproportionately.
In a research paper, the two executives outline how AI coding assistants can boost senior engineer productivity.
However for early-in-career workers, AI actually slows them down, causing them to guide, check and carefully integrate AI-generated code with their own work.
AI helps coding now, but it could wipe away future skills
In the paper, the two authors present some common issues with AI coding assistants, including the introduction of bugs, duplicating code or writing code which passes certain tests but fails more generally.
Though these are totally legitimate issues that are mirrored across multiple studies and in practice, it’s the effects on human workers (and particularly younger generations) that the Microsoft execs worry most about.
At the moment, companies are hiring fewer developers in response to a rise in AI usage. But this means future generations will not be so well-equipped with coding and AI management skills.
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“f organizations focus only on short-term efficiency – hiring those who can already direct AI – they risk hollowing out the next generation of technical leaders,” the conclude.
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Although smaller companies with limited resources might struggle not to fall into the pitfalls of AI’s short-term promises, the two researchers and Microsoft execs urge larger organizations to continue hiring early-in-career developers.
“The future of software engineering will be defined not by the volume of code AI can generate but by how effectively humans learn, reason, and mature alongside these systems,” they add, indicating that while AI isn’t going anywhere, neither are human workers.
We’re still six months out from the possible reveal of the iPhone 18 lineup, but the hype train is already leaving the station. While Apple’s upcoming March 4 event will likely keep details hidden, tech insider Mark Gurman at Bloomberg is teasing a bold new signature shade for the iPhone 18 Pro: a deep red color. We might even see a fresh palette designed specifically for Apple’s long-awaited foldable phone.
“Given the success of orange, I wouldn’t be surprised if the company keeps that option around and just adds the red as an additional choice. But red and orange might be a little too close on the color wheel to have both,” Gurman reported. “As of now, red is the new flagship color in testing for the next iPhone Pros.”
CNET’s mobile director of content, Patrick Holland, is here for it.
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“I would be thrilled for a deep red iPhone 18 Pro. I imagine strong Frank Lloyd Wright Taliesin West vibes, which would not only add color to the iPhone but also give it an earthy feel. And that’s the opposite vibe that I get from the bold, in-your-face cosmic orange iPhone 17 Pro, which looks like the color of Sunkist soda,” Holland says.
Gurman says there have been rumors that Apple is considering purple and brown for this year’s iPhone, too, but pointed out that those could be variants of the red being tested.
Apple didn’t immediately respond to a request for comment.
There’s a lot of chatter around what’s to come of Apple’s first foldable phone, including possible colors. Gurman shared in an article last summer that he expects Apple to stick to “more utilitarian hues” like dark gray, black, white or light silver.
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We’ve seen red in an iPhone lineup before
Red may seem familiar if you remember the “Product Red” hue for the iPhone 14 and iPhone 14 Plus. But it’s been some time since Apple has toyed with any shade of the color.
Take the iPhone 17 lineup, for example. The iPhone 17 and iPhone Air came in lavender, mist blue, sage, white and black.
The closest it has come to red since the iPhone 14 in 2022 was the cosmic orange shade released last year for the iPhone 17 Pro and Pro Max, which also came in deep blue and silver.
Historically, Apple has announced its new flagship iPhones during its September event. Even though there’s no confirmation of an iPhone 18 or release date yet, we’re assuming it’ll be launched in the fall this year.
Everybody’s ears are different, of course, and what may be best for me may not be best for you. It’s something I try to account for in all of my reviews, though, so I do have some thoughts on the strengths — and a few weaknesses — of each model to hopefully steer you in the right direction. Here’s a quick rundown of the three buds, all of which earned CNET Editors’ Choice awards.
Since they didn’t get a new H3 chip, some folks felt that the upgrades to the AirPods Pro 3 seemed pretty incremental and didn’t necessarily think they sounded better than the AirPods Pro 2. However, in my view, all the key elements, such as fit, sound quality and noise cancellation, were noticeably leveled up along with a single-charge battery.
The AirPods Pro 3 are about as close as earbuds get to being complete: excellent noise cancellation, strong voice-calling performance and sound quality that rivals the very best. As I said in my review, few buds excel in all three areas — and the Pro 3s manage to do that while packing in plenty of extra features, including personalized spatial audio with head-tracking, a Hearing Aid mode and new heart-rate monitoring and Live Translation features. Price: $249 list ($229 street). Read my review.
Bose QuietComfort Ultra Earbuds (2nd gen)
As far as the hardware goes, the QC Ultra Earbuds (2nd gen) look exactly the same as the original QC Ultra Earbuds, although Bose has added new deep plum and desert gold colors to the line. There are two small changes, though: the 2nd-gen Ultra Earbuds now support wireless charging (which, frankly, should’ve been available with the originals), and the included eartips now have wax guards, a fancy way of saying there’s a silicone mesh that covers the holes in the tips. That helps prevent dust and wax from clogging up the buds and degrading sound quality and noise-canceling performance.
The reality is they’re not a true 2.0 product. But they do offer improved adaptive noise canceling that’s truly impressive, along with some sound quality enhancements, including a new spatialized immersive audio Cinema mode that widens the soundstage and makes “video content more lifelike,” with clearer dialog. The mode also helps with spoken-word audio content such as podcasts and audiobooks. Price: $299 ($269 street).
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New features available in both the original QC Ultra Earbuds and 2nd-gen model include:
Bose SpeechClarity
Spotify Tap
Turn capacitive controls on/off
General connectivity and stability improvements
Feature upgrades available exclusively to the 2nd-gen model include:
Enhanced adaptive noise cancellation
Reduced noise floor (the faint hiss in noise-canceling mode)
Case battery reporting
Cinema Mode
Sony WF-1000XM6
At $330, Sony’s flagship WF-1000XM6 earbuds list for $30 more than their predecessor. However, they’re a noticeable upgrade and offer great sound and excellent noise canceling along with top-notch voice-calling performance. Aside from an external makeover, the XM6s are upgraded on the inside with new drivers, a 3x more powerful QN3e chip with improved analog conversion technology, eight microphones — up from six — and an improved bone-conduction sensor that helps with voice-calling performance. The “HD Noise Canceling” QN3e processor is paired with Sony’s Integrated Processor V2, which now supports 32-bit processing, up from 24-bit. Price: $330 ($330 street). Read my review.
Watch this: Sony WF-1000XM6 Earbuds Review: Supreme Performance, Subdued Design
Design
Apple AirPods Pro 3: The lightest of the three buds, they also have the smallest case. The AirPods Pro 2 already fit a lot of ears comfortably and securely (though not all), and Apple not only refined the Pro 3’s design, tweaking their geometry, but redesigned the buds’ eartips, infusing a bit of foam on top of the tips. I liked what Apple did, and the AirPods Pro 3 fit my ears slightly more securely than the AirPods Pro 2 and got me a tighter seal, but some people prefer the AirPods Pro 2’s fit (it’s hard to please everybody). They’re IP57 water-resistant (can be submerged in 3 feet of water for 30 minutes) and dust-resistant.
Bose QC Ultra Earbuds (2nd gen): They fit my ears really well and include a stabilizing fin, which can help people get a more secure fit. The buds really lock nicely in my ears with a tight seal (I use the large tips with the default medium fin). The main design drawback of the Bose is that they’re a little chunky, and so is their case, compared to the AirPods Pro 3’s case. They’re IPX4 splashproof.
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Sony WF-1000XM6: I like the new design of Sony’s XM6 buds, though the buds and the case are a little plain-looking (the case is not as big as it looks in certain photos, and it’s pretty compact). More intricately molded than your typical stemless buds, Sony says the new shape (11% slimmer overall than the XM5s and more aerodynamic to reduce wind noise) conforms better to the natural curves of your ears, and I agree with that.
I also appreciated the little ridge along the top side of each bud that allows you to grip each bud better, so they’re less likely to slip from your fingers when putting them in or taking them out. Some people really like Sony’s included eartips, which are the same firm foam tips that were included with the XM5s. But I had to swap in a pair of large-size silicone tips from another set of buds I’d tested (I prefer tips from Sennheiser and Bowers & Wilkins, which are wider and more rounded) to get a tight seal. They’re IPX4 splashproof.
Winner: AirPods Pro 3. While the Bose and Sony buds fit my ears comfortably and securely (once I changed the XM6 tips), I have to give the nod to the AirPods Pro 3 in the design department. They’re a little more compact and lightweight than the other two models and fit a wide range of ears well, with five sizes of eartips (XXS, XS, S, M, L) included. They also have a higher water-resistance rating.
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I spent a few hours comparing the Sony WF-1000XM6 buds (left) to the Bose QuietComfort Ultra Earbuds (2nd gen).
David Carnoy/CNET
Sound quality
Apple AirPods Pro 3: Some people complained that the AirPods Pro 3’s sound was a little too aggressive (not enough warmth) compared to the AirPods Pro 2’s, with more dynamic bass and treble and slightly recessed mids. I preferred the AirPods Pro 3’s sound; to my ears, it has a little more clarity and definition, and I was OK with the more energetic bass. But everybody has their own sound preferences, and you can experience some listening fatigue if you feel the treble has too much sizzle or the bass kicks too hard in the wrong way.
Bose QC Ultra Earbuds (gen 2): The Bose QC Ultra deliver strong sound quality, offering smooth, agreeable sound across a variety of music genres. They’re pretty well-balanced but have a slightly V-shaped sound profile and a touch of bass and treble push with slightly recessed mids at their default setting. There’s an Immersive mode that opens up the soundstage a bit, but it does impact battery life.
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Sony WF-1000XM6: The XM6’s sound is better and more special than both the AirPods Pro 3’s and QC Ultra’s sound. Music sounds more accurate and natural with better bass extension, overall clarity and refinement, along with a wide soundstage where all the instruments seem well-placed. Additionally, I found the XM6s came across slightly more dynamic and bold-sounding than the Bowers & Wilkins Pi8 buds, which also offer accurate, natural sound for Bluetooth earbuds.
Winner: Sony WF-1000XM6. All three models sound impressive, but the tonal quality varies a bit. While companies often talk about how their buds and headphones deliver audio the way artists intended you to hear it, some do it better than others, living up to audiophile standards — or close to them anyway. Such is the case for the XM6 buds.
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The AirPodsPro 3 (right) look similar to the AirPods Pro 2 (left) on the surface, but have a slightly different shape and new eartips along with a heart-rate sensor in each bud.
David Carnoy/CNET
Noise-canceling performance
Apple AirPods Pro 3: One of the biggest improvements with the AirPods Pro 3 is their noise canceling. Apple says it’s twice as good as the Pro 2’s. I tested their noise-cancellation capabilities on a plane against the AirPods Pro 2 and could definitely tell a difference. The AirPods Pro 2 did a good job, but the Pro 3s took the noise level down even further. When they were released, Apple said the AirPods Pro 3 offered the “world’s best in-ear active noise cancellation,” but it was unclear whether it tested the AirPods Pro 3 against the Bose QC Ultra Earbuds (2nd gen), which were released on June 28 internationally and on Sept. 10 in the US. In the fine print, Apple says that testing was conducted in July 2025 and comparisons were “made against the best-selling wireless in-ear headphones commercially available at the time of testing.” Meanwhile, Sony’s XM6 earbuds were released in February 2026.
Bose QC Ultra Earbuds (2nd gen): When they were released in June of 2025, a lot of reviewers felt that the QC Ultra Earbuds (2nd Gen) had the best noise canceling, and I was certainly impressed by how much sound they muffled while using the buds in the streets of New York. Bose didn’t stake a claim to its noise canceling being the world’s best, opting instead to call it world-class, which it is.
Sony WF-1000XM6: Sony says the XM6 offers 25% “further reduction in noise” than the XM5, with gains made in the mid- to high-frequency range. Based on international testing standards, Sony touts the XM6 as having the best noise canceling for earbuds right now. The buds are equipped with eight microphones and an upgraded “HD Noise Canceling” QN3e processor that Sony says is three times more powerful than the QN2e chip in the XM5.
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It’s possible the Sony XM6s are able to muffle a wider range of frequencies with slightly more vigor than the AirPods Pro 3 and Bose QC Ultra Earbuds (2nd gen), but it’s hard to sense that in real-world testing. Note that they still can’t muffle higher frequencies as well as lower frequencies. That means you can still hear people’s voices and higher-pitched noises, albeit at significantly reduced volume levels (the same goes for the AirPods Pro 3 and Bose QC Ultras as well).
Winner: No clear no. 1. All three of these earbuds include superb noise canceling. All three are very close, and your experience will vary with the quality of the seal you get from the eartips. I do feel that Apple’s and Bose’s eartips have an edge over Sony’s, which could lead to some people being less impressed with Sony’s noise canceling.
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Sony eartip on the left, my own eartip on the right. Sound quality and noise-canceling performance improved when I swapped in my own tips and got a tight seal.
David Carnoy/CNET
Voice-calling performance
Apple AirPods Pro 3: AirPods have long stood out for voice-calling performance compared to other true-wireless earbuds. The thing that struck me in my tests with the AirPods Pro 3 was just how much background noise they eliminated. I made calls in the streets of New York City with a lot of ambient noise around me, including traffic and ambulance sirens, and callers told me they couldn’t hear any of it. In loud environments, my voice would sometimes warble or sound a bit digitized to callers, but when I shared a recording of what I was actually hearing, they were surprised — even stunned — by how much background noise was removed.
Bose QC Ultra Earbuds (2nd gen): In July of 2025, a firmware update helped improve the buds’ voice-calling performance. Bose introduced something it called “speech clarity voice enhancement,” which is a more marketing-friendly way of saying it upgraded its algorithms to filter out background noise while maintaining the clarity of your voice during calls. The update helped push the voice-calling grade for the Ultra Earbuds from a B into B+/A- territory.
Sony WF-1000XM6: Equipped with the aforementioned more powerful QN3e chip, eight microphones — up from six — and an improved bone-conduction sensor, the XM6’s voice-calling performance has improved from the XM5’s, earning an A grade. Callers said my voice sounded mostly natural and clear, and they didn’t really hear any background noise when I wasn’t speaking (and only a little when I did speak). It’s also worth noting that the buds have a side-tone feature, so you can hear your voice in the buds when you’re talking.
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Winner: Tie between AirPods Pro 3 and Sony XM6. Both give you top-tier voice-calling performance. The Bose Ultra has improved with firmware upgrades, but is still a step behind in this department.
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Testing the AirPods Pro 3 in the streets of New York.
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David Carnoy/CNET
Transparency mode
While Sony and Bose’s transparency modes sound pretty natural and are quite respectable, Apple’s transparency mode is still the gold standard.
Winner: Apple AirPods Pro 3.
Features
Apple AirPods Pro 3: The AirPods Pro 3 have a wealth of features for Apple users, including heart-rate monitoring, personalized spatial audio, Hearing Aid mode, Live Translation, automatic pairing with devices logged into your iCloud account, Conversation Awareness, Adaptive Audio, Hearing Protection, hands-free Siri, head gestures to interact with Siri or manage calls, a Camera Remote feature and Precision Finding. The buds can even detect when you’ve fallen asleep. However, they don’t have any equalizer settings to customize the sound.
Bose QC Ultra Earbuds (2nd gen): The Ultras have a few notable extra features, including Immersive Audio with head-tracking, a new Cinema spatial audio mode, support for Qualcomm’s AptX Lossless, with “special optimization” for Snapdragon Sound (for devices that support it) and a smoother adaptive Aware mode (similar to Apple’s Adaptive Audio mode). The sound can also be tweaked with the three-band equalizer in the Bose companion app for iOS and Android.
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Sony WF-1000XM6: Like previous 1000X models, these have Sony’s speak-to-chat feature, which lowers the volume of your audio and goes into ambient mode when you start to have a conversation with someone. As far as audio codecs go, the buds support AAC, SBC and LDAC as well as multipoint Bluetooth pairing, which allows pairing to two devices to the buds simultaneously. Sony says the buds are “ready for LE Audio,” which means they support the LC3 audio codec and Auracast broadcast audio (I haven’t tried testing these features yet). You also get both preset and customizable equalizer settings to tweak the sound, along with a scene-based settings option. The XM6s do feature a spatial audio with head-tracking option, but for Android users only.
Winner: AirPods Pro 3 (for Apple users), with Sony XM6s having a slight edge over Bose QC Ultras for Android users.
Battery life
Apple AirPods Pro 3: Up to 8 hours with noise canceling on.
Bose QC Ultra Earbuds (2nd gen): Up to 6 hours of battery life with noise canceling on.
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Sony WF-1000XM6: Up to 8 hours with noise canceling.
Winner: Tie between Sony XM6s and AirPods Pro 3.
So, which are the best?
If someone were to come to me and lay all three models on a table (sealed in their boxes) and tell me I could take one of them as a free gift, I’d take the Sony WF-1000XM6. While I had an issue with their included eartips, once I added a set of tips that fit my ears properly, the buds felt comfortable and delivered great all-around performance with slightly better sound than the AirPods Pro 3 and Bose QC Ultra Earbuds (2nd gen).
It would get more complicated if I had to pay for them. The street price for both the AirPods Pro 3 and QC Ultra Earbuds (2nd gen) fluctuates, with the AirPods Pro 3 sometimes discounted to as low as $200 and the QC Ultras dipping to $250 or so. The fact is, for Apple users, the AirPods Pro 3 are hard to beat, especially when they’re on sale. They’re a safer bet from a fit standpoint (as are the QC Ultras) compared to the Sony XM6s, and they, too, offer all-around excellent performance with a wealth of features for Apple users.
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Although I was a little disappointed that the QC Ultra Earbuds (2nd gen) don’t seem like much of an upgrade over the original QC Ultra Earbuds (I’m still not sure what Bose updated from a hardware standpoint), they’re excellent earbuds and the only model with stabilizing fins, making them a good pick for someone looking for buds that offer a very secure fit.
The 2026 Apple shareholders meeting has again predictably gone the board’s way, with shareholders agreeing to re-elect the existing board, pay them well, and ignore a proposal about China.
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The 2026 Apple Annual Meeting of Shareholders occurred on Tuesday, giving stock owners the opportunity to have their say on corporate matters. As usual, the shareholders are allowing Apple to continue operating how it wants, with no unexpected decisions being made. Announced in early January, the February 24 meeting dealt with a total of five proposals for voting. Four are typical corporate governance topics, including elections and compensation matters, while the fifth was about China. Continue Reading on AppleInsider | Discuss on our Forums
YouTube is aiming to sweeten the package for its Premium Lite plan by adding two features that are already included in the ad-free Premium subscription. Background Play and Downloads are rolling out to YouTube Premium Lite, the company announced in a blog post on Tuesday. The subscription tier was introduced in the US in March 2025 at $8 a month, offering “most videos” ad-free — with music videos excluded from being free of commercials.
Premium Lite lets you stream YouTube Kids and YouTube videos for gaming, beauty, podcasts and other non-music content without ads. YouTube Shorts and music content are among the videos where you will still see ad breaks. Upgrading to the Premium subscription brings you everything on YouTube ad-free, with access to YouTube Music Premium included at no extra cost.
Beginning today and extending into the coming weeks, Lite subscribers around the world can watch videos offline or let them play in the background. The Google-owned media giant said it listened to user feedback on these two features and granted the popular request.
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If you’d been using a workaround to play YouTube in the background while doing other tasks or with your screen locked, but your usual methods have stopped working, it’s because Google recently cracked down on workarounds, such as ad blocking and playing YouTube videos on other browsers. As the feature is available only to YouTube Premium members, it no longer works in some browsers or on Android and iOS devices. Adding Background Play to Premium Lite may tempt some people to sign up for a paid subscription.
The “Block AI Enhancements” toggle was originally introduced in Firefox 148 Nightly in January following significant community backlash after Mozilla’s new CEO, Anthony Enzor-DeMeo, announced plans to add AI features to Firefox. With Firefox 148 now rolling out to the stable channel, the feature is available to users across all release channels. Read Entire Article Source link