On today’s episode of You Asked: Is it still worth buying an Apple TV 4K in 2026? Is the LG C5 the better choice over a Sony OLED? And in a bright room, are you going with the Bravia 9, or letting Samsung’s S95F OLED take on that glare instead?
Is it still worth buying an Apple TV 4K in 2026?
Digital Trends
@lukehill1030 asks: Is it still worth getting the Apple TV 4K in 2026. Currently don’t have any sort of stream stick or box
Luke… I would say yes it’s definitely still worth it. I know we all love to torture ourselves with the thought of a newer version coming out right after we’ve bought the previous model, but we’ve been hearing reports and rumors about a new Apple TV 4K coming for so long that I refuse to believe anything until I see it.
So… there. Now I’ve almost guaranteed a new one will come soon.
Seriously though… I think the current model will still have plenty of life and quality of life features that you’ll enjoy for years to come. Plus, they did update the operating system just last year with the new Liquid Glass look and feature set, including the ability to save logins with your Apple account. So I don’t think Apple is ditching it anytime soon.
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I’d also say that the Apple TV 4K is probably best thought of as a vehicle to get you where you wanna go. It’s a nice vehicle. It’s snappy and responsive. It looks good and has everything you need. But what matters is still gonna be the content you play on it. So if that’s what you’re yearning for, go for it. It’s one of the best, especially if you don’t want a bunch of ads thrown in your face within the operating system.
Bravia 8 vs. LG C5 for movies and TV shows
Sony Bravia 8 OLEDZeke Jones / Digital Trends
@fennec7906 asks: How’s the Bravia 8 vs the LG C5? Mostly watching movies and TV Shows?
As long as you’re referring to the original Bravia 8, to quote Dwayne Carter… I’d go with the LG C5 all day and tomorrow.
It’s the brighter of the two OLED TVs, which matters a lot for movies and TV shows where you may run into dark scenes. It’s also gonna help quite a bit if your room gets any daylight. And since both TVs also have Dolby Vision, there’s really not much of an advantage for Sony in the movies department with that TV.
Refresh rate and the number of HDMI 2.1 ports may not matter to you as much if you’re not gaming, but LG’s better in both of those departments as well with more options.
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Now, if it’s the Bravia 8 II that you’re referring to, that’s a different story. That one would be a significant step up from the C5 in terms of color and processing, but it would also be a big step up in budget.
Either way, the LG C5 is one of the best all-round models when it comes to picture quality AND pricing. You really can’t go wrong with it.
Bright room TV choice: Sony Bravia 9 vs. Samsung S95F OLED
Sony Bravia 9Zeke Jones / Digital Trends
Vasilis asks: Hello! I would like your help with a purchase I’m about to make. We recently moved into a new apartment and my living room is larger than the previous one. In the previous place, I had a 55‑inch TV and it was fine because the distance between the couch and the TV was less than 3 meters. In the new apartment, the distance is almost 4 meters and the 55 inches now feels small. The living room gets quite bright during the daytime. I watch a lot of movies, series, and sports, and I also have a PS5. I’m thinking of going all the way up to 75 inches. I’m deciding between a Sony Bravia 9 or a good, high‑end OLED. I’ve seen many of your reviews and I would really appreciate your help to finally make a decision. Thank you, and I hope I didn’t take too much of your time!
Hey! Happy to help, and congrats on the upgrade! I think you’ve nailed it in terms of size. My own living room couch is about three meters away from the TV, and 65 inches feels right, but if I were any further like you are, I’d definitely go bigger as well.
So to that end, especially considering brightness, go with the Bravia 9. It’s such a great TV. So bright and capable while still maintaining excellent contrast. It was literally made to shine in bright rooms where it can overpower that ambient light and punch through it with peak brightness in HDR.
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And as a sports viewer as well, yeah, you’ll appreciate its SDR brightness as well.
Doug Murray / Digital Trends
The only OLED TV I think I’d throw into the debate would be the Samsung S95F. And there are pros and cons that you’ll have to weigh against each other.
The pros… OLED picture quality means deeper blacks… kinda… we’ll come back to that.
In terms of connectivity, since you’ll have your PS5 plugged in as well, taking up an HDMI 2.1 port to get the fastest refresh rate, and the other 2.1 port being the eARC potentially being used for a soundbar, if you did need to connect something else that could take advantage of HDMI 2.1, you wouldn’t be able to on the Sony with just two of those available. Samsung, on the other hand, has four.
As for the cons… You won’t have Dolby Vision with Samsung… AND… let’s talk about those deeper OLED blacks. Samsung does have its anti-glare screen, which does great against reflections, but in a bright room, depending on how the light hits the TV, sometimes those inky OLED blacks appear a little lighter.
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The Sony, on the other hand, MIGHT show direct reflections if it’s really bright light hitting the TV, but I think the Bravia 9 brightness can overpower quite a bit AND have the glossy screen that many desire.
It could be splitting hairs depending on the exact conditions, but to be safe, I’d still probably go Bravia 9. Sony’s processing and the brightness that can stand up to just about anything PLUS being able to have Dolby Vision is too good to pass up, especially at 75-inches. Also… it looks like it’s about a thousand dollars LESS than a 77-inch S95F right now. So there’s that.
Nothing ever made is truly perfect and indeed, CPU architectures like x86, RISC-V, ARM, and PowerPC all have their own upsides and downsides. Today, I aim to make an architecture that learns from all these mistakes and improves architecture design for everyone.
I’ve consulted with many people opinionated on the matter, both from a software perspective, and from a hardware perspective. I have taken all their feedback in mind while creating this initial draft of the WheatForce architecture (PDF). It is inspired by pieces from many architectures: segmentation inspired by x86, hash table-like paging from PowerPC, dynamic endianness control from RISC-V and PowerPC, and more. Let’s look into each feature in a little bit more detail.
Segmentation is a powerful virtual-memory feature that is tragically underused today. I believe this is due to limited flexibility, so I have added an improvement above the model that x86 had used: every single register can now use its own segment selector. With this added flexibility, one can surely make better use of the address translation powers of segmentation with minimal extra overhead.
Hash Table-Like Paging
PowerPC’s hash table-like paging makes its paging vastly superior to the likes of x86, RISC-V and ARM by decreasing the number of required cache line fetches drastically. Much like a true hash table, the keys (or input addresses) are hashed and then used as an index into the table. From there, that row of the table is searched for a cell with a matching virtual address, which can be accelerated greatly due to superior cache locality of the entries in this row.
Dynamic Endianness Control
A diagram of PowerPC’s paging structures from the PowerPC manual
RISC-V and PowerPC both have some real potential for better compatibility with their dynamic endianness control. However, both these architectures can only change the endiannes from a privileged context. To make this more flexible, WheatForce can change the data endianness at any time with a simple instruction. Now, user software can directly interoperate between big-endian and little-endian data structures, eliminating the need for a costly byte-swap sequence that would need many instructions. Finally, you can have your cake and eat it to!
Conclusion
WheatForce has observed the mistakes of all architectures before it, and integrates parts of all its predecessors. You can read the full specification on GitHub. After you’ve read it, do let me know what you think of it.
In a new interview, Apple CEO Tim Cook talks about how the company’s 50th anniversary is making him remember Steve Jobs, and insists that working with Trump doesn’t mean its values are changing.
Tim Cook (left) with Steve Jobs — image credit: Apple
Before Apple’s birthday celebrations began, and even before Tim Cook wrote an open letter about the anniversary, he spoke to Esquire magazine about planning for the 50th — and thinking back to Steve Jobs. “I think about him often — and in the last few months, thinking about the fiftieth anniversary, even more so, honestly,” said Cook. “You think about the things he believed in.” Continue Reading on AppleInsider | Discuss on our Forums
The 400 new jobs are understood to break down as 300 in Ireland and 100 in the US, bringing total headcount to more than 570.
Dublin’s Manna Air Delivery, Bobby Healy’s drone delivery company, has officially confirmed a $50m Series B funding round and announced plans to create 400 new jobs across Ireland and the US.
The round, which brings total investment in the company to $110m, sees funding from ARK Invest -the fund known for backing OpenAI, Anthropic, Tesla and SpaceX – Boston-based Schooner Capital and the Ireland Strategic Investment Fund (ISIF), alongside existing investors Enterprise Ireland, Coca-Cola HBC and Molten Ventures.
Today’s (1 April) announcement confirms details first reported last week by Sky News City editor Mark Kleinman, who said that Manna was close to finalising the round, with ISIF, ARK Invest and Schooner Capital among the backers.
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The 400 new roles will span robotics, software engineering, mechanical engineering, aviation operations, ground operations and regulatory functions, with a strong focus on STEM disciplines. The positions will be spread across Manna’s Irish operational hubs and its expanding US operations, bringing the company’s total headcount from 170 to more than 570.
The Irish roles are understood to number some 300, with 100 in the US. In Ireland, roles are expected to be split between those working on manufacturing and developing drones, and aviation personnel at operational bases.
“Ireland is the foundation of everything we do. We design and build our drones here, develop our software here, and have spent seven years refining our operations in communities across the country,” said Bobby Healy, CEO and founder of Manna. “These 400 new roles are high-quality STEM positions and we’re competing with some of the largest companies in the world and winning.”
Manna, which was founded in 2019, designs, builds and operates its drones and software in Ireland. The company says it has completed more than 250,000 regulated drone flights, including 60,000 in Blanchardstown.
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It currently operates in Dublin (Blanchardstown), Balbriggan, Moneygall, Oranmore and Cork, as well as internationally in Texas and Finland. The company delivers food, clothing, books and over-the-counter pharmaceuticals, and recently simulated hospital sample transport with The Rotunda Hospital. Its principal competitors include Wing and Zipline.
Visiting Manna’s Dublin headquarters today, where the company designs, builds and flies its drones, Minister for Enterprise, Trade and Employment Peter Burke, TD welcomed the announcement saying it represented “a powerful endorsement of Ireland’s standing as a global centre for innovation and advanced manufacturing”.
“The creation of so many highly-skilled positions across robotics, software engineering, aviation and regulatory disciplines underscores the depth and quality of Ireland’s STEM talent base.”
Rebekah Brady, interim director at ISIF, said the fund is “committed to supporting Manna as part of our mandate to invest commercially in ways that deliver long-term economic impact for Ireland”.
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Kevin Sherry, executive director at Enterprise Ireland, described Manna as “a standout example of an Irish company with clear global growth opportunities driven from an Irish headquarters”.
One investor source cited in Kleinman’s original Sky News report suggested that the successful conclusion of this round could herald a further, larger capital injection, so Manna certainly continues to be one to watch.
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Anthropic has accidentally revealed a huge chunk of how its AI coding tool actually works.
A debug file bundled into version 2.1.88 of its Claude Code package briefly exposed a 500,000+ line codebase (via VentureBeat). This gave developers an unusually detailed look at the system behind one of the fastest-growing AI tools right now.
The file was pulled quickly, and Anthropic says no customer data or credentials were exposed. However, the damage, at least from a competitive standpoint, is already done. The code has been widely mirrored and picked apart online.
At a glance, the leak confirms that Claude Code is far more than just a chatbot wrapper. In fact, it’s effectively a multi-layered system for managing long-running AI tasks. There is also a heavy focus on memory, specifically solving the problem of AI “forgetting” or getting confused over time.
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Developers analysing the code pointed to a “self-healing memory” system that avoids storing everything at once. Instead, it keeps a lightweight index (called MEMORY.md) and pulls in relevant information only when needed. The idea is simple: less clutter, fewer hallucinations.
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Another standout is something called KAIROS, which hints at a shift towards more autonomous AI. Rather than waiting for prompts, Claude Code can run background processes. This includes a feature dubbed autoDream that tidies up its own memory while idle. Consequently, it’s a more proactive approach than most current AI tools.
The leak also reveals internal model codenames and performance struggles. Notably, one newer model variant reportedly shows a higher false-claim rate than earlier versions. This suggests Anthropic is still ironing out reliability issues even as it scales.
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There are also signs of more experimental features, including an “undercover” mode designed to let the AI contribute to public codebases without revealing it’s AI-generated.
For users, Anthropic says there’s no immediate risk. However, the company has warned developers to update away from the affected version and avoid npm installs from a specific window tied to a separate supply-chain attack.
For everyone else, this is a rare glimpse behind the curtain, and a reminder that the race to build smarter, more autonomous AI is still very much in progress.
The company declined to comment on the total scope of the layoffs, though some estimates suggest they could affect as many as 20,000 to 30,000 workers. Oracle employed about 162,000 people worldwide as of the end of May. Read Entire Article Source link
S’pore employers are moving towards skills-based hiring
The Ministry of Manpower released its 2025 jobs report on Mar 20, and the numbers tell a story that would have seemed improbable just a decade ago.
Academic qualifications were not the main determinant in hiring for 79.6% of job vacancies last year, up from 78.8% in 2024 and 74.9% in 2023. The movement is slow enough to miss if you’re not looking, but steady enough to reshape who gets hired in Singapore.
Employers who have made the shift to skills-based hiring report faster recruitment, access to a broader talent pool, and improved employee performance.
Specifically, the change is taking hold in software development, data analytics, and AI-enabled roles across technology, finance, and engineering—the very positions where Singapore is concentrating its growth, and can see some of the highest pay.
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A shift driven by tech giants
Image Credit: Framalicious via Shutterstock
This movement did not begin with Singaporean startups going out of the ordinary to see beyond academic qualifications. It actually started with multinational corporations that had the data and scale to test what actually predicted job performance.
Between 2017 and 2022, the share of Google job postings requiring a college degree dropped from 93% to 77%, according to analysis by the Burning Glass Institute.
Today, IBM’s share of United States hires without degrees approaches 20%. The company has proven that capability can precede credentials—and that the door opens wider when employers look at what candidates can do, not where they studied.
Firms in S’pore are starting to follow, particularly in the age of AI
Image Credit: Freepik
Now, firms in Singapore across finance, logistics, and retail are starting to follow.
Beyond academic degrees, companies now look for curiosity, problem-solving, and the ability to learn. This is skills-based hiring—and it’s becoming the default, particularly in the age of artificial intelligence.
More companies are adopting AI into digital workflows, and the tech is rewriting what “entry-level” and “job-ready” mean.
A Sept 2025 report from Morgan Stanley predicts that AI could impact 90% of occupations to some extent. This shift means hiring teams must focus on candidates whose skills align with long-term company goals, many of which will increasingly involve AI.
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Thus, what matters is not what someone learned five years ago, but their capacity to learn what is needed five years from now.
Singaporeans are increasingly embracing this mindset, with growing numbers tapping into lifelong learning initiatives like SkillsFuture to stay relevant in a rapidly changing job market.
Over 606,000 Singaporeans tapped into SkillsFuture-supported training in 2025, up from 555,000 in 2024. Of these, 458,000 used their SkillsFuture Credits—a sharp increase from 260,000 the year before.
Nearly 123,000 mid-career individuals specifically chose courses designed to boost employability, up from 112,000 in 2024. These are not hobbyists killing time, but workers betting that skills, not credentials, will be the currency of the next decade.
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The results suggest they are not wrong. 73% of respondents to SkillsFuture surveys reported that training improved their work performance, up from 69% in 2024. Moreover, two in three respondents attributed career advancements directly to their courses.
The door is still there, but it is no longer the only way in
It’s no longer about where you went to school. The pathway to hiring has become more flexible, as seen from how a portfolio can open doors that a transcript cannot.
2p2play via Shutterstock
But here comes the uncomfortable reality: Singapore’s education system and its labour market are running on slightly different timelines.
The system still sorts students by qualifications. The market increasingly sorts them by capabilities. The firms now following, in finance, logistics, and retail, are playing catch-up in a game where the rules are still being written.
But that doesn’t mean your degree is useless—it’s just insufficient, as nearly 80% of job vacancies don’t consider your educational qualification when hiring.
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What you can do is starting to matter more than what you studied. The workers who understand this distinction—and who invest accordingly in skills that demonstrably transfer to the work itself—are the ones who will define the next decade of Singapore’s economy.
The door is still there, but it is no longer the only way in.
Read other articles we’ve written on Singaporean businesses here.
The revelation comes from a March 26 response to Markey’s investigation into how autonomous vehicle companies use remote assistance operators. Read Entire Article Source link
To close out its 100th anniversary in appropriately over-the-top fashion, Bang & Olufsen has introduced the final two models in its five-part Beolab 90 Special Edition series: the Zenith and Monarch. They join the previously released Phantom, Mirage, and Titan variants, all built around the company’s flagship Beolab 90 loudspeaker, which remains in regular production. These aren’t incremental updates or lightly tweaked finishes.
They are ultra-limited, design-forward statements aimed at buyers who treat six-figure audio purchases the way most people treat a weekend Costco run. If you’re weighing one of these against a Bentley SUV and Porsche 911 Turbo on a random Monday and still have enough left over to feed an entire girls soccer team Chick-fil- A and imported herring, Bang & Olufsen knows exactly who you are and would like to have a word.
Peter Bang and Svend Olufsen, Founders
Founded in 1925 by Peter Bang and Svend Olufsen, the company didn’t just shape the look of modern audio gear—it built its reputation on turning serious engineering into functional art. A century later, Bang & Olufsen is marking the milestone the only way it knows how: by leaning harder into statement products that remind everyone why the brand still commands attention 100 years on.
The Original Beolab 90
Bang & Olufsen Beolab 90 (original)
The original Beolab 90 landed in 2015 as Bang & Olufsen’s 90th anniversary statement, and it wasn’t subtle. It hit like a controlled detonation. I was there for the debut, and the reaction hasn’t changed since: this thing is a brute, but a smart one. The engineering is serious, the power is borderline absurd, and the design doesn’t ask for your attention—it takes it. You don’t forget hearing a Beolab 90. Not the first time, not the tenth.
Each speaker packs 8,200 watts of built-in amplification driving 18 Scan-Speak drivers, powered by 14 ICEpower amps and four additional Class D units. It’s a ridiculous amount of hardware, housed inside an angular, multi-faceted enclosure that sits on a curved wooden base. The whole thing looks less like a loudspeaker and more like something pulled from a modern architecture exhibit.
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And it’s not just brute force. The Beolab 90 backs it up with real flexibility: extensive wired and wireless connectivity, including WiSA, plus a deep toolkit of calibration and room optimization technologies to shape how it performs in your space. This isn’t a flagship that leans on looks alone. It earns it.
Active Room Compensation: Adjusts for room acoustics, furniture placement, and speaker positioning to deliver a more precise soundstage with clearer spatial cues.
Beam Width Control: Lets you dial in how focused or wide the sound dispersion is, shifting from a tight sweet spot to broader room coverage for more relaxed listening.
Beam Direction Control: Enables selection of one of five acoustic “front” positions, allowing the system to redirect the primary listening focus based on your room layout.
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Active Bass Linearization (ABL): Dynamically manages bass output relative to volume and available power, enhancing low-end presence at lower levels while protecting the drivers from overload.
Now that the fundamentals of the Beolab 90 are clear, Bang & Olufsen is marking both its 100th anniversary and the speaker’s 10-year milestone with five limited releases: the Beolab 90 Titan Edition, Phantom (Shadow), Mirage, and the new Monarch and Zenith editions, all developed through B&O’s Atelier program.
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Beolab 90 Monarch Edition
The Beolab 90 Monarch Edition leans into textural sophistication and Danish furniture design heritage, but compared to its sibling, this is the “restrained” one—if anything in this price range can be called that. It’s still sculptural, still a little intimidating, but at least it doesn’t look like it’s about to wake up in the middle of the night and make a decision about your family or dog.
Wood in Motion: Angled and curved rosewood lamellas follow the contours of the aluminium cabinet, creating a 360-degree visual rhythm that nods to classic fabric covers while adding real texture and tactility.
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Dynamic Knots: Six wooden knots connect the lamellas, with the front knot incorporating a subtle light-through-wood stripe that adds depth without screaming for attention.
Architectural Flow: A rosewood top ring frames the speaker, while the lower base panels continue the lamella pattern, tying the entire structure together in a cohesive, sculptural form.
Material Dialogue: The interplay between rosewood and ochre-coloured aluminium feels deliberate and balanced, blending natural warmth with precision engineering.
Textured Acoustics: Semi-transparent fabric sections reveal glimpses of the drivers beneath, reinforcing that this is still a serious piece of audio equipment—just dressed like high-end furniture instead of a sci-fi prop.
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Beolab 90 Zenith Edition
The Beolab 90 Zenith Edition takes a very different path with less restraint, and more spectacle. It’s a study in textural precision and sculptural excess, the kind of design that makes you stop and wonder if it’s genius, madness, or both. We’re honestly torn. Is this Rick James with metal cornrows, or something a high priest would wear in Dune? Either way, subtlety didn’t get an invite.
Pearl Architecture: Six panels feature 289 anodized aluminium spheres each, arranged in seven pearl-inspired finishes that shimmer and shift with the light. It’s mesmerizing—and just a little confrontational.
Facemask Precision: The machined aluminium facemask is pearl blasted and anodized in dark grey, giving it an oyster shell vibe that feels both organic and slightly armored.
Top Lid Inlay: A circular mother-of-pearl inlay crowns the speaker, matching the sphere dimensions and adding a luminous focal point that draws your eye whether you want it to or not.
Sculptural Flow: Curved panels follow the cabinet’s contours, integrating the layered textures into the overall architectural form without completely taming the visual chaos.
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Material Harmony: Polished aluminium elements and semi-transparent fabric attempt to balance the design, blending acoustic function with a tactile, almost ceremonial aesthetic that you’re either going to admire—or quietly question.
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Specifications
Pro Tip: As of now, all Beolab 90 variants; including the Monarch, Zenith, Titan, Phantom (Shadow), and Mirage Editions, share the same internal architecture and specifications. If Bang & Olufsen indicates otherwise, we’ll update the chart accordingly.
Bang & Olufsen Model
Beolab 90
Product Type
Wireless Powered Speaker
Price (pair)
From $211,800 (base model) Special Editions priced higher – refer to Availability and Price section
Designer
Noto GmbH
Construction Materials
Aluminium Fabric Wood
Recommended Room Size
30-200 m² 300-2000 ft²
Driver Configuration (per speaker)
7 x 1″ Scan-Speak Illuminator tweeter 7 x 4 ½” Scan-Speak Illuminator mid-range 3 x 10″ Scan-Speak Discovery woofer 1 x 13″ Scan-Speak Revelator front woofer
Amplification (per speaker)
7 x Bang & Olufsen ICEpower AM300-X for tweeter 7 x Bang & Olufsen ICEpower AM300-X for mid-range 3 x Heliox AM1000-1 for woofer 1 x Heliox AM1000-1 for front woofer
Frequency Range
<12 – >43,000 Hz
Maximum Sound Pressure Level (SPL) @1m
126 dB SPL
Bass Capability (per pair)
118 dB SPL
Advanced Sound Features
Adaptive Bass Linearization Advanced Active Room Compensation Beam Direction Control (5 sides) Beam Width Control
Thermal Protection
Yes
Wireless Connections
Wireless Power Link (24-bit/48kHz) WiSA (24-bit/96kHz)
Physical Connections (Primary Speaker)
1 x RCA (L/R) 1 x MIC / IR 1 x Power Link (RJ45) 1 x S/P DIF (24 bit / 192 kHz) 1 x XLR (L/R) (fully balanced) 1 x Optical (24 bit / 96 kHz) 1 x USB-B (Audio) (24 bit / 192 kHz) 1 x USB-A 2 x Digital Power Link 1 x Digital Power Link / Ethernet 1 x Power
Physical Connections (Secondary Speaker)
1 x USB-B (Audio) 1 x USB-A 3 x Digital Power Link 1 x Power
Dimensions per speaker (WxHxD)
73.5 x 125.3 x 74.7 cm (28.94 x 49.33 x 29.41 inches)
Weight (per speaker)
137 kg / 302 lbs
The Bottom Line
Bang & Olufsen is not chasing volume here. The Monarch and Zenith editions exist to reinforce a point. The Beolab 90 remains one of the most technically ambitious loudspeakers ever built, and B&O can still wrap that engineering in designs that feel closer to gallery pieces than traditional hi-fi.
What is unique? The performance has not changed, and that is intentional. You still get the full Beolab 90 platform with 8,200 watts of amplification, beamforming, room compensation, and one of the most adaptable active speaker systems available. The premium is in the materials, finish, and exclusivity.
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What is great is that B&O left the core alone. The Beolab 90 remains a reference level system that can adapt to real rooms in ways most speakers at this level cannot. What is not so great is the price and the design risk. These sit in the middle of the six figure range, and the Zenith in particular will divide opinion and raise some questions from your therapist.
Who are these for? Not anyone chasing value. These are for buyers who want top tier performance and a visual statement that makes everything else in the room feel ordinary. In the context of ultra high-end Danish audio, that price almost feels reasonable when you look at what Børresen is asking for its top models.
Beolab 90 Zenith Edition (left) | Monarch Edition (right)
Pricing & Availability
Following the debut of the Phantom (Shadow) and Mirage Editions at Bang & Olufsen’s San Francisco Culture Store in December 2025, the Beolab 90 Monarch and Zenith Editions are set to make their first public appearance at the same location before heading out on a global tour. Prospective buyers will have a chance to see them up close and hear them in a more controlled setting than the usual trade show chaos. Only 10 pairs of each edition will be produced, which tells you everything you need to know about who these are really for.
Each pair includes a certificate of authenticity, and buyers will also receive a miniature aluminum Beolab 90 sculpture in the matching finish, packaged in a custom aluminum case. It’s equal parts accessory and reminder that you didn’t just buy speakers, you bought into the mythology.
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U.S. pricing has not been officially confirmed, but estimates put both the Monarch and Zenith at around $520,000 per pair. In the UK, pricing is reported at £410,000, with EU pricing at €480,000 per pair. For context, the original Beolab 90 launched in 2015 at roughly $78,000, climbed to $135,000 in 2023, and now sits at $211,800 per pair in 2025. Inflation is one thing. This is something else entirely.
KitchenAid is giving its classic stand mixer a thoughtful refresh, as the new Artisan Plus adds three practical upgrades aimed at making everyday baking a little smoother.
At the top of the list is a built-in LED bowl light, which automatically switches on when the tilt-head is lowered. It’s a small but useful addition, as it allows you to keep an eye on texture or consistency without stopping mid-mix.
In addition, KitchenAid has introduced precision speed control and a soft-start function. The latter gradually ramps up mixing speed to avoid the all-too-familiar flour explosion. At the same time, the refined controls give you a bit more accuracy when working with delicate ingredients.
Those changes build on what’s already a well-established formula. The Artisan Plus keeps the familiar tilt-head design but adds a double-flex edge beater that scrapes the bowl as it mixes. It also comes with a secure-fit pouring shield and stainless steel accessories, although existing attachments still work here too. As a result, long-time KitchenAid users won’t need to start from scratch.
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There’s also a bit more flexibility in how you use it day to day. The mixer offers 11 speeds, including a new half-fold setting designed for gently combining lighter mixtures, preventing you from knocking the air out of them.
Design-wise, KitchenAid hasn’t strayed far from what made the mixer iconic in the first place. You’ll still get that classic silhouette, now paired with 15 colour options including exclusive finishes like a fetching Sun Dried Tomato, Wild Blueberry and Feather Pink.
It’s a relatively modest update on paper, but that’s arguably the point. Rather than reinventing the mixer, KitchenAid is refining it, adding small, genuinely useful features while keeping the core experience intact.
The Artisan Plus Stand Mixer is available now for $600. This positions it as the brand’s most premium take on a design that’s already stood the test of time.
Google is finally doing the thing Gmail users have been begging for years, which is letting them change the actual username in their Gmail address. This is no longer just an early rollout, as Google says the feature is now available for all Google Account users in the US. So it’s still a limited release, […]
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