Ray J shared a cryptic message about his health on Instagram on Thursday, July 2, and he also asked for prayers for himself and his family. The ‘One Wish’ artist was hospitalized back in January with a severe case of pneumonia, per TMZ. Ray J later claimed on Instagram that he “Just almost died!!” He also claimed he was told by his doctors that he only had months to live, and fans have been questioning his every move. 

RELATED: Prayers Up! Ray J Speaks Out After Viral Boxing Knockout Lands Him In Hospital (EXCLUSIVE VIDEO)

Ray J Asks For Prayers Amid Health Update

During the BET Awards on June 28, host Druski joked about the recording artist’s health scare.

“Why’d you lie to us, man? I thought you was gonna be dead.”

The ‘Wait a Minute’ singer seemed to take the joke in stride, but he later clarified his health issues in the Instagram video. The video was seemingly made in the dark, and his face can barely be seen in the footage. The post was captioned, “Pray 4 me.”

“Yeah, like, n***as is, is actually tryin’ to like, take what n***as is sayin’ and flip it,” he said. “If I don’t take care of myself, I’m dead. I said that but if I do take care of myself it’s all good, and that’s what I’m doin’. N***as is clownin’ like I’m saying I’m gonna die. I said I’ma die if I don’t do the right thing just like everybody would.”

The 45-year-old artist also referenced his upcoming celebrity boxing match with comedian Orlando Brown in August.

“Right now, I’m with my kids,” he added. “I’m with Princess and I’m taking care of myself. I’m gonna get in this ring and I’ma fight and give it all I got — a 100,000 percent. I’m gonna knock Orlando Brown out. He knows that. I’m just doin’ the right thing and tryin’ to get my life back together.”

Ray J also asked for prayers and noted he loves his wife and kids.

“Be patient with me.,” he added. “Please send a prayer out for me and root for me a little bit…. I love my family…pray for my family.”

Fans Reacted To Ray J’s Video in TSR’s Comments Section

After the video was shared on TSR‘s Instagram page, several people prayed for Ray J. However, folks also went in on the ‘Last Wish’ singer.

User @moneybaggkenn wrote, “Nah this was what @druski just was talking ’bout not again Mr.postman 😂😭😭😂😭.”

The Singer Is Fighting Orlando Brown In August

According to Entertainment Weekly, the singer will fight Brown in a celebrity boxing match in Atlanta on August 15.  The fight is being promoted by the Zeus Network, and during a recent event publicizing the match, things got spicy. After Brown jokingly slapped Ray J in the face with a stack of cash, 

“This n***a just slapped me with money,” said the artist. “That’s not cool, bro. You’re lucky I let that slide, bro.”

RELATED: In His Words! Ray J Addresses Concerns Over His Mental Health In Social Media Rant (VIDEOS)

The early 2000s were a gold mine for historical dramas, and Starz seemed to excel at creating them. Whether it’s the decades-spanning romance of Outlander or the bold look at the age of piracy with Black Sails, Starz managed to stand shoulder to shoulder with other major cable channels. 15 years ago, Starz delivered what’s arguably its best historical drama with Spartacus. True to its name, Spartacus follows the exploits of the titular gladiator, portrayed by Andy Whitfield and later Liam McIntyre, as he becomes one of the greatest gladiators in the Roman Republic.

As expected of a series set in Ancient Rome, Spartacus was immensely bloody and featured plenty of sex scenes. However, unlike other shows of its ilk, it was actually rooted in history. Most shows often use a historical setting as a mere backdrop, but Spartacus made sure that everything, from the way it depicted gladiatorial combat to the power structures of the time, was as accurate as possible. Series creator Steven S. DeKnight said that he and producer Robert Tapert (Xena: Warrior Princess) came up with this approach thanks to doing extensive research on the real-life Spartacus:

“Once we started digging into it, the big surprise for me was how little is known about Spartacus. Especially his history before he broke out and started making trouble for the Romans. There’s literally a page and a half of stuff you can read, and it’s just scraps. It’s fragments from different historians. Most of them are 100 years old to 200 years old. His true history is just a complete mystery to everybody. It really gave a chance to dig into that storyline.”

That approach proved to be the right one, since it turned Spartacus into one of Starz’s biggest television franchises​​​​​​. It’s also engrossing beyond the violence and nudity, as watching Spartacus’ rise to power and the effects it has on everyone connected to him makes for a compelling chronicle that rivals Game of Thrones.

‘Spartacus’ Launched An Entire Franchise

Image via Starz/ Courtesy: Everett Collection

As an early sign of Spartacus‘ success, it was renewed for a second season before the first even premiered. Before that, its first season Blood and Sand was followed by the prequel series Spartacus: Gods of the Arena, which delved into the early lives of Spartacus’ owner, Quintus Lentulus Batiatus (John Hannah), and the gladiator Crixus (Manu Bennett), further adding depth to their characters’ lives before they met Spartacus. Season 2 also came with its own shake-up, as Whitfield was undergoing cancer treatment; he gave Starz his blessing to recast the role, leading to McIntyre taking over as Spartacus. McIntyre manages to both build on Whitfield’s performance and give Spartacus his own flavor.

Perhaps the wildest swing that Spartacus took was with its most recent entry, Spartacus: House of Ashur. House of Ashur focuses on Nick E. Tarabay‘s titular gladiator, who died in Season 2, and pulls him into an alternate universe where he takes control of the gladiator school where he was trained. Despite its bonkers premise, House of Ashur still managed to keep the same mix of blood, grit, and historical accuracy that made the original Spartacus a must watch series. Its recent cancelation marks the end of an era, both for the Spartacus franchise and for Starz as the channel recently underwent a split with Lionsgate.

The Cast of ‘Spartacus’ Found Success With Another Genre

It wouldn’t be long before the cast of Spartacus became closely connected with another long-running television franchise, as most of them traded their swords and sandals for capes and cowls when joining the CW’s interconnected slate of DC Comics-based shows. On Arrow, Manu Bennett would portray Slade Wilson, aka Deathstroke, while Nick E. Tarabay played Captain Boomerang and Katrina Law made recurring appearances as Nyssa al Ghul, one of Ra’s al Ghul’s daughters. As for Liam McIntyre, he briefly appeared on The Flash as the Weather Wizard, but is set to portray another iconic comic book character as he’s taking the title role in the upcoming Marvel’s Wolverine video game.

Spartacus is proof that you can make a historical drama that’s actually true to history while still appealing to an adult crowd. While Starz is still making television, it’s yet to make a series that could match this one.

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2010 – 2013-00-00

Directors

Jesse Warn, Michael Hurst, Rick Jacobson, Mark Beesley, T.J. Scott, Chris Martin-Jones, Brendan Maher, Glenn Standring, Grady Hall, John Fawcett

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Science fiction books have existed for at least a couple of centuries, or possibly longer, depending on what you want to define as science fiction. Mary Shelley‘s Frankenstein probably counts, and that was originally published in 1818, but it’s a little more horror-focused and maybe not “hard” science fiction. H.G. Wells also wrote the likes of The Time Machine and The War of the Worlds in the late 1800s, and then sci-fi, as it’s now understood, really took off in the 20th century.

Some sci-fi books are kind of fun, while others have a mix of heavy-going/thought-provoking elements alongside some possible sense of escapism… and then there are the following books that take one or more steps further away from escapism. These ones are all among the heaviest sci-fi books of all time, and most of them are great, so long as you don’t mind reading something a little bleak (and they might be best read during the day, too, rather than right before you turn off the light at night).

10

‘Brave New World’ (1932)

Image via Horizon Ridge Publishing

The setting of Brave New World is a little removed from the sort of dystopias that are right on the line of becoming post-apocalyptic hellscapes, or at least it seems that way, at first. The whole book is about a society that’s said to be utopian, though there are countless ways that people have certain liberties restricted or crushed, and then there’s also a certain emptiness to the kind of pleasure that seems constant.

It’s an undeniably interesting angle for a dystopian novel to take, and maybe it adds some nuance, even if ultimately, the message of Brave New World proves hard to miss. Brave New World, therefore, isn’t entirely subtle or anything, but it does stand apart from other books about dystopias, and there is a definite uneasy kind of heaviness to the whole thing, with much of that being why it’s considered such an essential and enduring book.

9

‘Lucifer’s Hammer’ (1977)

Image via Del Rey Books

There’s no real sense of a dystopia to be found in Lucifer’s Hammer, because it’s about the lead-up to the world becoming a post-apocalyptic wasteland, and then a good chunk of it’s about the people still around surviving that whole mess. The world-ending event here is a comet that gets dubbed “The Hammer,” and yeah, Earth gets hammered by it. Chaos ensues.

It gets quite technical about the comet and its force, with quite a bit of hard science fiction informing what might happen to the Earth after such a drastic collision. There’s also some more visceral and outwardly horrific stuff in Lucifer’s Hammer, what with it being a post-apocalyptic story and all, with everything being very compelling. Like, it is a fairly underrated book, even if it’s not wholly overlooked (a Hugo Award nomination is something, after all), but it still feels like a few more people ought to read it.

8

‘A Clockwork Orange’ (1962)

Image via Penguin Books

A Clockwork Orange is one of its decade’s best books, and very much worth reading, even if you’ve already seen the movie of the same name. Stanley Kubrick could just about always be relied upon to do interesting things with the source material his movies adapted, as Lolita and The Shining also showed, with A Clockwork Orange joining that camp. The movie definitely gets what the book was going for, albeit with one major difference near the end.

To focus just on the book, though, this one’s about a dystopian society where crime is extra violent and widespread, and measures taken to combat said crime are also heightened in intensity. There’s an experimental procedure developed to make violent thoughts cause nausea, and the narrator goes through that “treatment,” with the consequences explored after. Like a lot of good science fiction, difficult questions about technology and human nature are asked here, and A Clockwork Orange ultimately proves undeniably thought-provoking because of all that it goes for thematically.

7

‘Gravity’s Rainbow’ (1973)

Image via Viking Press

There’s a real mix of genres found in Gravity’s Rainbow, but a little by way of science fiction, so it’s still going to be counted here. It takes place mostly during the closing stages of the Second World War, and there are a whole heap of characters spread out across Europe (for the most part), with many of them trying to find a particular V-2 rocket that is important for, like, reasons, or something.

With Gravity’s Rainbow, answers of a conventional kind are hard to come by, though might be there if you read the book like, a few dozen times, and then consult with the three other people in the world who’ve also found time to get through its almost 800 pages a few dozen times. There’s some absurdity and dark humor in it, with it getting a little sci-fi and metaphysical/postmodern in nature beyond being a book about World War II, and then much of Gravity’s Rainbow also proves to be confronting, profane, and sometimes even weird in a way that puts other so-called “weird” books to shame.

6

‘Slaughterhouse-Five’ (1969)

Image via Dell Publishing

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Slaughterhouse-Five is, like Gravity’s Rainbow, worth considering as an all-timer as far as ambitious books go, and it does all the stuff it does within a relatively lean number of pages, too. Much of the narrative here, like with Gravity’s Rainbow, takes place during World War II, but Slaughterhouse-Five does have more by way of conventional sci-fi elements, since its protagonist is someone grappling with becoming apparently “unstuck in time.”

This makes Slaughterhouse-Five something of a time travel-related book, but if it’s time travel, then it’s the extra chaotic and nightmarish kind, and then part of the horror of it all also relates to how it’s a traumatic time in history (generally and for the protagonist) to keep jumping around in, with him struggling to process his wartime experiences that aren’t, strictly speaking, all in the past. So, yes, it’s a nightmare, but a very compelling and honestly quite readable one, all things considered.

5

‘Hard to Be a God’ (1964)

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It might feel like an obscure pick, but Hard to Be a God has had a decent amount of exposure for a Soviet novel from the 1960s (being adapted into two different movies kind of helps). It’s got an undeniably intriguing premise, for a work of science fiction, being about a man from the future who goes to a planet that’s currently slogging it out through their equivalent of the Middle Ages.

He observes more than he interferes, at least at first, but there is a tension there, and that’s where the title kind of comes in. Hard to Be a God is a pretty bleak look at human nature (of sorts) on an alien planet, with the way it goes back to a certain kind of Middle Ages ensuring that the setting definitely feels distinct. It’s all pretty brutal and bleak, but kind of has to be, to really dig into the things it tackles.

4

‘The Forever War’ (1974)

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The titular war in The Forever War really does last an incredibly long time, and because of technology in the future, the protagonist is around – and part of it in some sort of way – for a very long time, too. There is so much more to the book than just the way it rushes through time, but that is one of the more exciting and surprising parts (surprising in the sense that you don’t know how long “Forever” is going to be, when you and the protagonist are sort of just trapped in it).

So, it’s not subtle about being an anti-war book, and there are definite parallels to be drawn between the war in this novel and wars that have happened in real life, which is, yes, something certain works of science fiction do well. The Forever War is sometimes thrilling and surprising, but it’s also pretty soul-crushing, and it does a remarkably effective job at being anti-war while not “technically” or “explicitly” being about an “actual” war humanity has fought. Implicitly, or being reminiscent of, on the other hand…

3

‘Under the Dome’ (2009)

Image via Charles Scribner’s Sons

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There aren’t nearly as many sci-fi books Stephen King’s written as horror or thriller ones, but of them, Under the Dome is probably the bleakest. And it might well be one of the best, even if the sci-fi elements here are quite controversial, to say the least. Putting them aside, though, Under the Dome does have a bit of a dystopian/post-apocalyptic thing going for it, so even before you get “answers” to what’s behind the situation all the characters are in, it kind of fits into those particular kinds of science fiction sub-genres.

Basically, the members of a small town are trapped in that town because of an invisible and impenetrable dome that confines them all, with pre-existing problems in the town getting much worse, since no one can leave. Under the Dome just has more and more things fall apart, pretty much chapter by chapter, and there are so many chapters, so things go from bad, to worse, and then get even worse somehow, and on and on, for about 1000 pages. It’s equal parts compelling and anxiety-inducing, really.

2

‘Nineteen Eighty-Four’ (1949)

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Mentioning Nineteen Eighty-Four is obligatory, for present purposes, which is quite the understatement, honestly. This is probably the quintessential dystopian story, and a good companion piece to Brave New World. That 1932 novel is also dystopian, yet in a way that makes the world look – or seem to be – utopian at first, even if it’s pretty dire once you dig into things. The world of Nineteen Eighty-Four is dystopian in a more in-your-face way.

The only light, so to speak, comes from a protagonist who, alongside some side characters, think they might be able to rebel against the dystopia they’re in, in one way or another, but no, Big Brother gets them, gets them, gets them, gets them. That’s all a simplistic way to break Nineteen Eighty-Four down, but that is the gist of it. Great novel and an essential read, of course, but there’s a definite heaviness to it throughout that you have to be (and probably will be, given the novel’s reputation) prepared for.

1

‘Watchmen’ (1986–1987)

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If you’re talking Alan Moore graphic novels, Watchmen isn’t even the heaviest, as the existence of From Hell makes pretty plain to see. There’s an almost sci-fi element to part of that graphic novel, but it’s not as heavy on sci-fi qualities as either V for Vendetta or Watchmen, and of the two, Watchmen is perhaps darker and more subversive… though honorable mention to V for Vendetta, since it’s still very effective as a work of dystopian fiction.

With Watchmen, it just balances the dystopian elements and some post-apocalyptic elements in a more startling way, and elaborating on all that too much might be spoiling things, and yeah, it’s still worth staying away from discussing the ending in too great detail, even if the graphic novel’s about four decades old. And yeah, it’s a graphic novel, and it’s ranking ahead of a bunch of “normal” novels, but it feels like a suitable #1 pick. It’s got the sci-fi side of things represented, with the stakes and it being set in an alternative history, and then it’s extremely heavy – and groundbreaking – as a deconstruction of superhero stories and the conventions you can (or could) often find in them.

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Watchmen

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Release Date

March 6, 2009

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Runtime

163 minutes

Director

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Zack Synder

Writers

Alex Tse, David Hayter, Alan Moore, Dave Gibbons

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By TeeJay Small
| Published 16 seconds ago

A few months back, I found myself trawling Netflix for a good movie to put on for a group of friends. After sifting through a digital bargain bin of poorly-promoted original content, I eventually landed on a modern classic: American Hustle. I had distinct memories of catching this one in the theater back in 2013, but it hits even harder today, since political corruption seems to be a 24/7 news story in the year of our lord 2026. Unfortunately, when I went to search it back up last night for a home movie viewing, I was dismayed to see that American Hustle is no longer on Netflix at all. In fact, it’s been shelved from all streaming libraries, relegating its availability to on-demand rentals and purchases.

For those not in the know, American Hustle is a true story crime comedy written and directed by controversial filmmaker David O. Russell. The film adapts the story of an FBI sting operation that took place in New Jersey circa 1978. In bringing this bizarre investigation to life, we’re treated to an A-list cast including Bradley Cooper, Christian Bale, Amy Adams, Robert De Niro, Jeremy Renner, and Jennifer Lawrence, in possibly her best role.

A Classic Caper Stacked With An A-List Cast

The narrative of American Hustle kicks off by introducing us to con artist Irving Rosenfeld (Christian Bale). Irving is a sleazy scam artist with a quick mouth and a hairline that’s hanging on for dear life. He works alongside a scammer named Sydney Prosser (Amy Adams), to swindle art collectors and other debutants out of their inheritance money. The two are also engaged in a tawdry love affair, while Irving’s unstable wife spends her days neglected and slowly losing her marbles back home.

Right at the start of the film, FBI rising star Richie DiMaso (Bradley Cooper) catches the dynamic duo in the midst of a rug pull, and offers them immunity in exchange for a larger arrest. Irving and Sydney agree, and begin working with Richie to entrap American politicians in a foreign investment gambit. From there, things spiral out of control, leading to a fake Arab sheikh, a chilling mafia investment, and a sting operation that lands multiple elected officials in the slammer. The whole thing is extremely baroque, even by FBI standards, especially when you know that it all really happened.

A Modern Classic That’s Been Snubbed

I won’t spoil the ending here, but suffice is to say, American Hustle is a straight up classic for a reason. The film was an instant success with critics and audiences alike, taking in $251 million at the worldwide box office on an estimated production budget of just $40 million. That’s why it’s so confusing that the film is currently unavailable to stream on any of the major outlets. You’d think HBO Max, Disney+, or Netflix would be chomping at the bit to get their hands on this thing.

American Hustle also received nearly a dozen Academy Awards, though it was ultimately snubbed in every category, so maybe this lack of streaming access is just the next logical step for an overlooked classic. In any case, you should be sure to seek this one out if you haven’t already seen it. For the time being, that means renting it on digital retailers like YouTube, Apple TV+, Amazon Prime Video, or heading to your local brick and mortar to find a Blu-ray. Just be prepared to laugh, shed a few tears, and shake your fists in fury at the capitalist machine.

Prime Video might be the most underrated streaming service on the market and rarely gets the same attention as Netflix or HBO in mainstream conversations. However, it has quietly built a catalog filled with some of the most unique and rewarding shows of the last decade. In fact, many of the streamer’s best originals are the kinds of shows people only discover years later, only to realize how much they have been missing out on.

That’s because Prime Video has been taking chances on stories that other platforms probably wouldn’t touch because they feel too niche or experimental. If you’ve spent years scrolling past Prime Video originals without giving them a chance, here are the great shows on the streamer that you’ll wish you watched sooner.

‘Daisy Jones & The Six’ (2023)

Daisy Jones & The Six looks like a straightforward music drama about the rise and fall of a fictional rock band in the 1970s. However, the series is so much more than that. The story, based on Taylor Jenkins Reid‘s novel, unfolds in the style of a retrospective documentary, and that storytelling technique gives it a realism that the plot really needs. The series follows aspiring singer Daisy Jones (Riley Keough) and The Six, a struggling rock band led by Billy Dunne (Sam Claflin). The group is on the verge of superstardom thanks to Billy and Daisy’s creative partnership. However, their growing feelings for each other seriously complicate the situation. Daisy Jones & The Six is an interesting look at the music industry, but it also focuses on the people behind the music. Billy tries to stay committed to his wife Camila (Camila Morrone) while navigating his chemistry with Daisy.

At the same time, the rest of the band is forced to live in the shadow of that dynamic, which slowly creates fractures that become impossible to ignore. The brilliance of the series is that there isn’t one defining moment that destroys the group. Instead, the breakup feels like the inevitable result of years of unresolved emotions. The show also does an incredible job of capturing the music scene of the 1970s. Even the soundtrack feels authentic to the time and is woven directly into the plot, to the point where it’s easy to forget that these aren’t actually rock records from back in the day. Daisy Jones & The Six‘s greatest strength is that it doesn’t feel like a series about a fictional band. It genuinely feels like a real piece of music history.

‘Patriot’ (2015–2018)

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Patriot is one of the most unique spy shows ever made, which is probably why so many people completely missed it when it first aired. The series follows intelligence officer John Tavner (Michael Dorman), who is tasked with preventing Iran from developing nuclear weapons. To do so, he takes on the identity of a mid-level employee at an industrial piping company and travels across Europe to carry out a covert operation. However, no part of that plan is simple. One mistake leads to another, and John finds himself in increasingly absurd situations that threaten the entire operation. Patriot approaches espionage from a different, completely unglamorous angle.

John isn’t the perfect super-agent who effortlessly completes impossible missions. Instead, he is exhausted, emotionally drained, and constantly dealing with one curveball after the other. Watching him desperately improvise his way through these situations is where much of the show’s tension comes from. Despite its heavy subject material, Patriot never feels bleak. The brilliance of the show is that every obstacle feels both completely ridiculous and entirely believable within the world it creates, while John’s deteriorating mental state keeps it all emotionally grounded. Patriot is a great spy show with high stakes and suspense, and at the same time, one of the most original stories on Prime Video.

‘Mr. & Mrs. Smith’ (2024–Present)

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Mr. & Mrs. Smith takes the basic premise of the iconic 2005 film and runs wild with it. The series follows two strangers, John Smith (Donald Glover) and Jane Smith (Maya Erskine), who agree to work for a mysterious espionage organization that assigns them dangerous missions around the world. The catch is that they must pose as a married couple while doing it. At first, their arrangement is purely professional. They barely know each other and spend much of the early episodes trying to figure out who their partner really is. However, as the missions become more dangerous, their fake marriage gradually evolves into something far more complicated. What makes the show so engaging is that every mission doubles as a new stage in their relationship.

Underneath all the assassinations and undercover operations, the series explores the trust and intimacy that eventually develops between the couple. Over time, it becomes difficult for them to separate their professional partnership from their personal feelings. By the second half of Mr. & Mrs. Smith Season 1, the emotional stakes become just as important as the espionage itself. Glover and Erskine share an effortlessly natural dynamic, which is integral to the narrative. However, what ultimately makes the spy series such a fascinating watch is that it doesn’t just recreate the movie but does something genuinely fresh with its beloved premise.

‘The English’ (2022)

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The English is the perfect intimate Western for today’s age. The miniseries follows English aristocrat Lady Cornelia Locke (Emily Blunt), who travels to the American West in 1890 to seek revenge against the man she believes is responsible for her son’s death. Along the way, she crosses paths with former cavalry scout and member of the Pawnee Nation Eli Whipp (Chaske Spencer), who is traveling to Nebraska to claim land he was promised for his military service. The chance encounter gradually evolves into a meaningful partnership as the two realize their histories may be connected in unexpected ways. The English starts as a revenge story, but it keeps revealing new layers beneath that narrative.

Cornelia and Eli become entangled in a web of old massacres, stolen land, generational trauma, and the lingering consequences of violence committed years earlier. Nearly every person they encounter seems connected to a different piece of that puzzle, and the series gradually weaves those threads together until the audience understands how deeply everything is intertwined. Now, the show takes its sweet time to unravel this mystery, but that’s what keeps the audience hooked till the very end. Blunt and Chaske’s on-screen chemistry is easily the best part of The English. It’s what turns the show into a Western that feels epic in scope but deeply personal too. The series is one of Prime Video’s most overlooked gems, and deserves way more recognition than it gets.

‘Goliath’ (2016–2021)

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Goliath is a compelling legal drama that everyone can enjoy. The series follows Billy McBride (Billy Bob Thornton), a once-brilliant lawyer who helped build one of Los Angeles’ most powerful law firms before his life completely fell apart. When the story begins, Billy is living out of a motel, struggling with alcoholism, and taking whatever work he can find. However, everything changes when he takes on what appears to be a straightforward wrongful death case involving a major corporation. However, as Billy digs deeper, he uncovers a conspiracy that reaches all the way back to his former law firm and some of the most powerful people in the city. The single lawsuit turns into a full-blown battle between ordinary people and institutions that believe they can get away with anything. None of that ever feels jarring, though, since Goliath steadily expands the scope of each case without losing sight of the personal stakes involved.

Billy is constantly forced to outmaneuver corrupt officials who have far more resources than he does. At the same time, he’s also fighting his own demons, which makes every victory feel truly earned. The supporting cast, particularly Patty Solis-Papagian (Nina Arianda), adds even more personality to the story, and her dynamic with Billy becomes one of the most interesting parts of the show. The series does an excellent job of blending courtroom drama, investigative work, and neo-noir storytelling to create a legal thriller that feels far more unpredictable than the average procedural.

‘Fleabag’ (2016–2019)

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Fleabag is easily one of the most original shows on Prime Video. The series, created by and starring Phoebe Waller-Bridge, follows a young woman known only as Fleabag as she attempts to navigate grief, family dysfunction, failed relationships, and the general chaos of her life in London. The premise seems simple initially. Fleabag runs a struggling café, constantly sabotages her own happiness, and uses humor as a defense mechanism whenever life becomes uncomfortable. However, it quickly becomes clear that she is carrying far more emotional baggage than she is willing to admit. The story gradually peels back the layers of Fleabag’s life to reveal why she is the way she is. She actually spends much of the series breaking the fourth wall and speaking directly to the audience, which initially creates the impression that viewers understand her completely.

However, the entire point is that she is hiding from herself just as much as she is from everyone around her. Her complicated relationships with her sister Claire (Sian Clifford), her father (Bill Paterson), and her godmother (Olivia Colman) provide some of the show’s funniest and most devastating moments, and that duality is truly where Fleabag shines. The highlight of the show, though, is Fleabag’s magnetic romance with the Hot Priest (Andrew Scott), which is genuine, hilarious, and heartbreaking at the same time. Fleabag is one of the most human shows ever made, and whoever hasn’t watched it is seriously missing out on some great TV.

‘The Marvelous Mrs. Maisel’ (2017–2023)

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The Marvelous Mrs. Maisel is proof that a great character can carry a show for years. The series follows Miriam “Midge” Maisel (Rachel Brosnahan), a perfect 1950s housewife whose life comes crashing down when her husband Joel (Michael Zegen) suddenly leaves her. While dealing with the heartbreak, Midge accidentally discovers a talent for stand-up comedy and decides to pursue a career in an industry that wasn’t really welcoming to women at the time. Initially, the whole thing feels like Midge’s attempt to regain control of her life, but it eventually leads her on an ambitious journey through New York City’s comedy scene and beyond. Midge begins performing in smoky clubs, opening for bigger acts, going on tour, while constantly butting heads with industry insiders who underestimate her. As opposed to her career that keeps gaining momentum, her personal life remains as chaotic as ever.

Joel never fully disappears from the story; her parents, Abe (Tony Shalhoub) and Rose (Marin Hinkle), struggle to understand her choices, and her fiercely loyal manager, Susie Myerson (Alex Borstein), becomes one of the most important people in her life. The show constantly balances these competing storylines without losing sight of Midge’s growth as both a performer and a person, and that becomes the heart of the narrative. The Marvelous Mrs. Maisel is technically a period drama, but the show’s fast pace and witty humor make it as relatable as ever. It’s charming, funny, and a surprisingly emotional exploration of what happens when a woman refuses to settle, and that makes it one of the most rewarding watches on Prime Video.

We are halfway through 2026, and many of the biggest titles — including Christopher Nolan‘s most ambitious film yet, The Odyssey, and Dune: Part Three — are yet to arrive. However, that doesn’t mean we haven’t found the defining film of 2026 yet, with one release perfectly capturing the insatiable hunger from audiences for new stories, the current peak of a beloved theatrical genre, and the breakout moment for a sure-fire Hollywood superstar.

Of course, we’re talking about Focus Features’ Obsession, directed by YouTuber-turned-filmmaker Curry Barker, and starring the Oscars-bound Inde Navarrette. Not only has the film been heralded as one of the best of its kind this decade, but it has also broken numerous records in its unstoppable box office run, including becoming the highest-grossing movie with a sub-$1 million budget of all time. But all good things deserve a partner, and some of the very best films are enjoyed alongside a second feature. So, with that in mind, here are seven perfect double features to watch with Obsession.

1

‘Backrooms’ (2026)

Image via A24

There is literally no better double-feature option for Obsession than the other horror film that has gone viral at the very same time. Directed by 20-year-old Kane Parsons, who himself broke a record by becoming the youngest person ever to open at #1 at the North American box office, Backrooms follows the discovery of a labyrinthine other-world inside a furniture store, and the many evil secrets it hides.

Led by Renate Reinsve and Chiwetel Ejiofor, this creepy horror is based on a viral internet story, as the online world continues to seep into our theaters with wonderful success. Both a terrifically chilling example of jaw-dropping set design and a neat exploration of accountability and self-reflection, Backrooms is the perfect double feature option for Obsession, and not just because they are both in theaters at the same time.

2

‘It Follows’ (2014)

Image via RADiUS-TWC

Key to the success of Obsession is its detailed examination of the world’s current relationship with relationships, specifically how consent is understood. For another horror film that captures the sexual zeitgeist and battles with consent in its own intelligent way, look no further than David Robert Mitchell’s It Follows.

Boasting a central performance that cemented Maika Monroe as a modern-day scream queen, It Follows is, at its heart, a truly terrifying film, featuring one of the most frightening jump scares of the 21st century. But its less-than-subtle metaphor for sexually transmitted disease is what helped it stand out among the horror crowd in 2014, and it is superbly relevant 12 years later.

3

‘Companion’ (2025)

Image via Warner Bros. 

Relationships are the hot topic of horror films this decade, and that is indicative of a world currently fearing codependency and constantly exposed to terrifying examples of romance-gone-wrong. One of the gems of this niche sub-genre of horror arrived last year in the form of Drew Hancock‘s Companion, the tale of a sentient android (Sophie Thatcher) who becomes wrapped up in her owner’s (Jack Quaid) murderous plot to secure a fortune.

A domestic horror of the highest order, this clever, biting film boasts a pair of terrific lead performances and a twisting plot that isn’t satisfied with just dropping jaws. “It’s a genuinely funny comedy, a suspenseful thriller, and has some pretty gnarly gore scenes to boot,” wrote Emma Kiely in Collider’s review, with this just one of gushing critical responses to a true 2025 gem.

4

‘Possession’ (1981)

Image via Gaumont

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The spiritual predecessor to Obsession, Possession, the 1981 horror favorite by Andrzej Żuławski, explores the downfall of a marriage, as a woman spirals out of control following her husband’s request for divorce. However, when infidelity is uncovered, a hunt for the truth soon exposes something much more sinister, ripped straight from the most gruesome of sci-fi horror stories.

One of the most viscerally captivating horror experiences of all time, Possession might not have literally inspired Obsession, but its tone is felt throughout. Director Żuławski had been through a bitter, upsetting divorce of his own, and used the film as a cathartic expression of his pain, with the raw, unfiltered mind of the man exploding into horror gold.

5

‘Black Swan’ (2010)

Image via Fox Searchlight Pictures

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Who knew ballet could be so scary? Well, clearly, Darren Aronofsky did when he crafted one of the most intense movies of the century so far in Black Swan. Led by Natalie Portman, the film follows a ballerina’s pursuit of perfection in her craft, as her position as the prima ballerina in Swan Lake is threatened by the arrival ofa newcomer, Lily (Mila Kunis)​​​​​.

The desperate hunt for perfection can quickly turn into an obsession, with Nina becoming detached from reality and engaging in self-abusive behavior as a result. This should sound like a familiar concept to Obsession fans, with Nikki and Nina oddly similar. Black Swan was nominated for an impressive five Academy Awards in early 2011, with Portman swanning away with the prize for Best Actress in one of the most well-earned wins of the decade.

6

‘Pearl’ (2022)

Image via A24

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Just the above image alone is reminiscent of Navarrette’s already iconic grin, pained by the reality that hides behind it. The smile is that of Pearl (Mia Goth), who beams from ear to ear as her husband returns home to a gory crime scene, much like Bear’s arrival from work to see that Nikki has quite literally waited in situ for him in Obsession.

The second installment in Ti West‘s X film series, Pearl is one of the shining lights of 2020s horror. Goth’s performance as the titular serial killer is perfectly unhinged, but, like Navarrette, she doesn’t simply rely on the chaos of her actions to be watchable. Instead, Goth imbues the character with deeply tragic emotion, with her and Navarratte delivering two of the defining female horror performances this decade so far.

7

‘Misery’ (1990)

Image via Columbia Pictures

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When it comes to the cinematic depiction of obsession, have any ever been better than Annie Wilkes in Misery, the adaptation of Stephen King‘s 1987 novel? Kathy Bates‘ performance is pitch-perfect, walking the tightrope between disturbing and darkly humorous. For her trouble, she became the first woman ever to win the Best Actress Oscar for a performance in a horror movie, something that Navarrette herself might just replicate next year.

Bates’ Annie is seemingly harmless and almost mouse-like when we first meet her. However, behind the quiet smile is the terrifying mind of an obsessed fan, who transforms from the rescuer of James Caan‘s Paul Sheldon into his, well, biggest fan. A masterful adaptation that has since defined the horror genre, Misery is a must-watch and a perfect double feature with Obsession.

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Release Date

November 30, 1990

Runtime

107 minutes

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Producers

Andrew Scheinman

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By Chris Snellgrove
| Published 13 seconds ago

The greatest strength of the 2004 Battlestar Galactica reboot is that it’s the opposite of Star Trek in tone, theme, and execution. This helped the show establish its own identity: not only was it drastically different than the original show from 1979, but it was the polar opposite of Star Trek, the most enduring sci-fi franchise in geek history. When this reboot came out, Trek was in the twilight years of its so-called Golden Age. Ironically enough, that Golden Age might never have happened without Ronald D. Moore, the BSG reboot showrunner who got his start writing for Star Trek: The Next Generation. 

Despite being the anti-Trek show, Moore had to borrow from his old franchise in one way: having a relatively small number of space fights. Those were very expensive to film, so Moore filled most scripts with Trek-adjacent elements like interstellar politics and moral dilemmas galore. Every now and then, though, this newer show had to give the fans what they want in the form of a ball-to-the-wall space battle. The first real example of this was the Season 1 episode “The Hand of God.” This story looks and feels nothing like Star Trek, which is only fitting; after all, its most climactic moment was based on Star Wars!

Stay On Target

The plot of “The Hand of God” is that the Battlestar Galactica crew discovers an asteroid filled with tylium, which helps them “jump” throughout space. But the asteroid is currently being mined by the Cylons, whom our heroes have always had trouble defeating. Deciding to risk it for the biscuit, Commander Adama orders a bold attack on the enemy. That attack is a success, primarily because of two Viper pilots: the injured Starbuck, who comes up with the plan of attack, and 2) Apollo, who succeeds in his bombing run by successfully maneuvering through Cylon mine shafts on the Asteroid. 

After “The Hand of God” premiered, Ronald D. Moore released commentary for this episode via podcast. The Battlestar Galactica showrunner confirmed that Apollo’s attack run on the asteroid was inspired by the Rebels’ Death Star attacks in Star Wars Episode IV: A New Hope and Star Wars Episode VI: The Return of the Jedi. As heroes Luke Skywalker and Wedge Antilles did in those films. Apollo dodges anti-aircraft weaponry and maneuvers down a tight space before hitting a small target with his explosives. Arguably, this scene also critiques ROTJ by showing Apollo slowing, stopping, and using other tactics the Rebels just never thought of.  

Great Shot, Kid! That Was One In A Million

Ronald D. Moore was the first to admit that the space battle in “The Hand of God” is a fairly blatant homage to Star Wars, but that’s okay. Creatively speaking, if you’re going to steal an idea, why not steal the very best? The two Death Star attacks remain among the coolest onscreen battles in the entire 20th-century, and Moore referencing them both helped put Battlestar Galactica on the map. Ironically enough, this episode premiered just a few months before George Lucas’ hated prequels came to an end. In a perfect world, the success of this episode’s space battle should have been a warning to Star Wars fans.

What’s that warning? Simple: when the Star Trek guy is doing Star Wars better than George freakin’ Lucas, you just know your franchise is washed!

By Chris Snellgrove
| Published 2 seconds ago

If you’re a fan of HBO’s House of the Dragon, you sometimes have to defend yourself to your more skeptical friends. If yours are anything like mine, they’ll start asking you some hard questions, like, “After Game of Thrones got so bad, why the heck would you come back for another show?” I give them all kinds of answers, of course. Sometimes, I tell them that this show is like GoT before it fell off; other times, I tell them that I’m just invested in the mythology of Westeros. While these are both true to some extent, the main reason I watch is much simpler: hot ladies in fantasy clothing!

One great example of this is Olivia Cooke. In House of the Dragon, she plays an important character: Alicent Hightower, a queen whose crumbling relationship with Rhaenyra Targaryen leads to civil war. Cooke is absolutely mesmerizing in the role, imbuing charisma and pathos to a character who makes one bad decision after another. Beneath her character’s regal bearing, she wears the effervescent beauty of the girl next door. However, we came very close to never having Cooke appear in House of the Dragon at all. In a recent interview, she admitted how close she came to getting a very different role: Rey in The Force Awakens!

From Sci-Fi To Fantasy

Recently, Olivia Cooke offered an interview to Josh Horowitz on his Happy Sad Confused podcast. There, she spoke about a wide range of topics before her host brought up something very specific. Horowitz asked her if there was any truth to the rumor that she had auditioned for a role in The Last Jedi, the controversial Star Wars film. Cooke busted this “weird rumor” before dropping some truly shocking news. While she didn’t audition for TLJ, she did audition for The Force Awakens. And not just for any role: she auditioned for Rey, the main character of the entire Sequel trilogy!

The House of the Dragon star was very self-deprecating during the interview. She confirmed that “I did audition a few times for the other one, where Daisy Ridley got [it]” before downplaying the significance of her audition. “But you know, everyone and their dog auditioned for that,” she said. She then got very candid about how she did when auditioning for the most popular sci-fi franchise in the world. “I think I auditioned once in L.A., and then once with J.J. [Abrams]. And I was sh*t. I was really bad,” she said.

Everything’s Coming Up Olivia

Does Olivia Cooke have any sour grapes over not getting the highly coveted role? Not really. During the interview, she drove home both how bad her audition performance was and how good Ridley’s was. “You know when you go into an audition, and you’re just not bringing it, and you’ve let yourself down, you’ve let everyone down in the room?” she asked rhetorically. “Daisy did such an amazing job, I just wasn’t that kind of an actor at that time. It just wasn’t a fit.” Fortunately, things worked out: she landed parts in other high-profile films like Ready Player One, eventually getting the part of Alicent Hightower in House of the Dragon.

In retrospect, things really worked out for this talented actor. As it is, she’s a major player in one of the biggest and most popular shows ever made. Had she won the part of Rey in the Star Wars Sequel Trilogy, her career might very well have suffered the same way that Daisy Ridley’s has: starring in one forgettable film after another, just waiting for Lucasfilm to give her a call back. But Olivia Cooke is absolutely thriving in a career-defining role that gives “fantasy girl” a new meaning. Will of the Force or will of the Seven? Either way, Cooke was clearly destined for greatness!

By Chris Snellgrove
| Published 16 seconds ago

Don’t call it a comeback; they’ve been here for years! Marvel Studios is on the cusp of a kind of renaissance. Spider-Man: Brand New Day is currently on track to earn at least $1.5 billion at the box office, a number that could go even higher with positive word-of-mouth. Meanwhile, Avengers: Doomsday is releasing near the end of the year, and that movie will be bringing in cameo characters like the X-Men while reuniting the MCU’s biggest actors: Chris Evans and Robert Downey Jr. That’s a recipe for another monster hit that may cause fans to forget how ho-hum last year was.

What happened last year? Marvel released two blockbuster summer movies: The Thunderbolts and The Fantastic Four: First Steps, each of which earned less than Superman (2025), the inaugural film of the DCU. That failure stung, and most fans assumed that we wouldn’t be getting more films in either of these Marvel franchises. However, it sounds like one of these films is going to get a sequel, and it’s not the one you suspect. According to industry scooper Alex Perez, Marvel Studios is currently working on a sequel to The Thunderbolts.

Look Who’s Back

Every month, insider Alex Perez catches fans up on the latest Marvel scoops via a Q&A session on The Cosmic Circus. One fan asked if there was any news about Doctor Strange 3, and the scooper claimed that Marvel had that film on the creative backburner. According to Perez, the studio is currently prioritizing the following projects instead: “Black Panther 3, Shang-Chi 2, Spider-Man 5, The X-Men, Thunderbolts* sequel, Blade, Midnight Sons, and the next Avengers title.” Some of these are no-brainers (like Shang-Chi 2, Spider-Man 5, and the X-Men), but others are surprising. In particular, fans were shocked to discover that a Thunderbolts sequel was in development.

Why is it so shocking that Marvel is reportedly working on a Thunderbolts sequel? It all comes down to money, of course. The first film earned $382.4 million against a budget of $180 million. That looks profitable on paper, but Variety previously reported that the movie would need to earn at least $425 million just to break even. The fact that it fell so far short of that goal means that Marvel might have actually lost over $43 million on this movie. Why, then, would the studio work on another film that is likely to lose money? 

The Gang’s All Here (For Now)

This could, effectively, be an investment in Disney+. While the first Thunderbolts was a dud at the box office, it became a massive streaming hit. In its first five days on Disney+, it got a whopping 702 million minutes viewed, making it the number one hit in 40 countries. If plenty of new fans checked out the first movie once it hit streaming, Disney may be gambling that a theatrical sequel will make more money. Alternatively, they might use the Thunderbolts sequel the way that Prime Video is reportedly using Masters of the Universe: as a way to recruit new streaming subscribers and retain old ones.

Alternatively, Marvel could (like the kids say) do it for the lore. The Thunderbolts sets up many of the big plot developments that will be unpacked by Avengers: Doomsday. One year after that film premieres, the MCU will get a reset via Avengers: Secret Wars. It’s possible that the Thunderbolts sequel will be used to set up other major events or to simply help audiences explore this brave new world. Finally, if Thunderbolts director Jake Schreier really wants to do the sequel, Marvel may just do him a favor; after all, they already have plenty of confidence in the man, having hired him to direct the MCU’s first X-Men movie. 

So far, we don’t know who will direct or even who will star in the Thunderbolts sequel, which is significant because some characters are likely to die in Doomsday and/or Secret Wars. However, it’s definitely good news that this beloved movie (it has an 88 percent critical rating on Rotten Tomatoes and a 93 percent audience rating) is getting a follow-up film. One of the most common complaints about superhero movies is that they typically follow a cookie-cutter formula. Love it or hate it, The Thunderbolts was fiercely original, and the studio could clearly use more of that pioneering spirit as they do the unthinkable and finally reboot the MCU.