With the uncontrollable growth of the streaming era, there are so many subscriptions that people often lose track of what they’re paying for. But if there’s one streamer worth investing in, it’s definitely Apple TV, which is more of a curated boutique than a fast-paced content factory. They don’t produce the most shows, but their hit rate is truly humbling.

With near-religious consistency, they’ve delivered a library of shows so meticulously crafted they often give off a masterclass vibe rather than just pure television. These are the shows you would wholeheartedly recommend to anyone, without disclaimers or promises that they get better in Season 2—these are the ten Apple TV shows that are 10/10, no notes.

10

‘Margo’s Got Money Troubles’ (2026–Present)

Image via Apple TV

Margo’s Got Money Troubles is the most charming and unconventional dramedy you’ll find on the tech giant’s streaming service. Based on the novel by Rufi Thorpe, the series stars Elle Fanning as Margo, a college freshman who, after an affair with her professor, leaves her pregnant and broke, turns to creating adult content on OnlyFans to make ends meet. The show feels gimmicky to only seem like it doesn’t take itself too seriously, but beneath the absurdity lies a surprisingly tender and honest exploration of sex work, financial stress, addiction, and toxic family dynamics.

The show is anchored by a fantastic cast that, besides the stunning Elle Fanning, includes Michelle Pfeiffer, Nick Offerman, Greg Kinnear, and a revelation in Thaddea Graham. The show has been praised for its sharp writing and Fanning’s fearless performance. Margo’s Got Money Troubles treats its characters with genuine humanity, finding the humor and heart in their struggles without ever flattening their choices into a simple moral lesson. It’s a rare, modern masterpiece that is as smart as it is sweet and a perfect addition to Apple’s growing library of character-driven dramedies that refuse to play by the rules.

9

‘Ted Lasso’ (2020–Present)

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Ted Lasso is unquestionably a show that conveys a simple but often underrated message: kindness is not a weakness. While the premise—an American football coach taking over a Premier League soccer team—seems great for a one-time joke (as it was for Jason Sudeikis), Ted Lasso became a global phenomenon by using relentless optimism without ever feeling like a cliché. Throughout its first three seasons, the show was a masterclass in navigating themes of mental health, toxic masculinity, and grief while remaining one of television’s funniest and most feel-good shows.

Ted Lasso has won 13 Emmy Awards, including Outstanding Comedy Series for its first season, and holds a 90% Rotten Tomatoes score across all seasons. Ted Lasso Season 4, coming in late summer 2026, follows Ted as he coaches a women’s team, asking whether lightning can strike twice; if the past is any indication, it absolutely can. This is the show that proved a feel-good comedy could also have teeth, tackling depression and anxiety with the same deft touch it brings to its beloved one-liners. Its reputation as a cultural touchstone is undeniably pristine.

8

‘Silo’ (2023–Present)

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Silo is the kind of sci-fi thriller that will keep you captivated from start to finish. The dystopian story takes place in an underground silo that was built to house humanity’s last remaining survivors after a mysterious event rendered the Earth’s surface uninhabitable. The show is a master class in world-building, depicting a claustrophobic and oppressive society in which the truth is the most dangerous commodity. Rebecca Ferguson is phenomenal as Juliette, an engineer who begins to question the rigid rules of her world, setting her on a dangerous collision course with the powerful people who control it.

With a 90% Rotten Tomatoes rating, Silo has received accolades for its beautiful production design and complex storyline. With each episode, the show gradually reveals the answers while increasing suspense and mystery; the stakes are always personal, and the world seems real and lived in. Silo is often considered the pinnacle of contemporary dystopian science fiction, and it’s carried out flawlessly, finding a spot on many lists of sci-fi masterpieces.

7

‘Shrinking’ (2023–Present)

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Shrinking is one of the most feel-good shows about feeling bad you will ever see. Created by Bill Lawrence, Brett Goldstein, and Jason Segel, the series follows a grieving therapist (Segel) who starts breaking the rules and telling his patients exactly what he thinks. Shrinking is a show built on the idea that radical honesty, while frequently messy and inappropriate, can be the first step toward real healing.

Segel delivers a career-best performance, but the true revelation is Harrison Ford, who plays his cynical mentor. Ford is hilarious, cranky, and profoundly vulnerable in a role that feels like a second act for his entire career. The show has a 93% Rotten Tomatoes rating and has received praise for its emotional depth and sharp comedic writing. It’s a series that understands the fine line between laughter and tears, often delivering both in the same scene. Every episode is a beautifully acted mini-masterpiece with a massive heart, demonstrating that you can laugh and cry in the same breath.

6

‘For All Mankind’ (2019–Present)

Image via Apple TV

What if the Space Race never ended? That’s the fascinating premise behind For All Mankind, which imagines an alternate history where the Soviet Union beats the United States to the Moon, forcing NASA to accelerate its ambitions far beyond what happened in reality. Spanning decades, the series follows astronauts, engineers, and their families as each new achievement pushes humanity deeper into space.

While spectacular missions and technological breakthroughs are central to the story, For All Mankind‘s greatest strength lies in the people behind them and the sacrifices they make in pursuit of progress. Created by Ronald D. Moore, the show earned widespread acclaim for combining hard science fiction with compelling human drama. Every season raises the stakes while delivering stunning visual effects and an optimistic vision of humanity’s future. For All Mankind stands as one of the finest science-fiction dramas of the streaming era and one of Apple TV’s defining original series.

5

‘Pachinko’ (2022–2024)

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Pachinko is the kind of show that makes you feel like you’re watching art unfold before your eyes. Based on the acclaimed novel of the same name by Min Jin Lee, it’s an epic, multi-generational saga that follows a Korean family’s struggle for survival and identity across four generations, spanning from occupied Korea in the early 1900s to the bustling streets of 1980s Japan. The show is a breathtaking achievement in storytelling, weaving together timelines and languages with masterful grace.

Pachinko is a story of love, loss, and the relentless pursuit of a better life, anchored by a stunning performance from Youn Yuh-jung as the older version of the protagonist and Kim Min-ha as the younger version. It has a 97% Rotten Tomatoes score and was named one of the best shows of the year by many critics and fans. The emotional weight of every scene is immense, yet the show is balanced, never feeling heavy-handed; it’s a rare and perfect piece of television that feels deeply personal and universally resonant all at once, a testament to the power of storytelling itself.

4

‘Pluribus’ (2025–Present)

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From Vince Gilligan, the creator of Breaking Bad and Better Call Saul, comes Apple TV’s biggest drama launch ever. Pluribus is a sci-fi thriller starring Rhea Seehorn as Carol Sturka, a woman described as “the most miserable person on Earth.” Her mission is to save the world from happiness—better said, an alien virus that has merged all of humanity into a single, shared consciousness, now existing as a collective consumed by absolute serenity. Carol, together with twelve other people across the globe, is immune to the virus and doesn’t believe that the “happiness” is earned; she tries to reverse the contagion but seems to be the only one who believes it to be wrong.

Pluribus was the most anticipated show of 2025; as soon as it was announced, the hype became too strong to ignore, and the premiere of the show earned a perfect 100% on Rotten Tomatoes. Now, it holds a near-perfect 99% score and rave reviews from both critics and audiences. Already renewed for a second season ahead of its premiere, Pluribus is a dense, intellectually ambitious thriller that cements Gilligan’s legacy as one of television’s greatest storytellers. It’s the kind of show that demands your full attention and rewards it handsomely.

3

‘Severance’ (2022–Present)

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There hasn’t been a weak episode among the bunch through Severance‘s two seasons to date. The only flaw is waiting so long between seasons, which then pass so quickly that there’s nothing else to truly fill the Severance-shaped hole in our minds and hearts. If a workplace comedy and a metaphysical horror film had a baby, Severance would be its name. The show follows Mark Scout (Adam Scott), an employee of Lumon Industries who undergoes an original procedure they invented, which severs his memories, literally splitting his work self (“innie”) from his home self (“outie”). It’s a cerebral dive into the complex topic of dealing with problems by literally forcing yourself to forget about them.

Severance has two seasons, and both are among some of the greatest television programs to ever grace the small screen, building intensity while making viewers feel for the characters and awakening empathy for the powerlessness of the victims of corporate life. With 68 Emmy nominations and a 95% Rotten Tomatoes score, it’s not just one of the most perfect shows on Apple TV but one of the best shows on television, period.

2

‘Widow’s Bay’ (2026–Present)

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If you’re looking for the perfect surprise hit of 2026, look no further than Widow’s Bay. This brand-new Apple TV show is a horror-comedy that has critics (and audiences) absolutely losing their minds. The series stars Matthew Rhys as the mayor of the island community of Widow’s Bay, who is trying to turn his cursed island home into the next Martha’s Vineyard. The problem is, the island’s curse turns out to be very, very real, and it’s waking up just as tourists begin flooding into Widow’s Bay.

Widow’s Bay walks a tightrope that is hard to survive: it is both properly scary and properly funny, often in the same scene. With a near-perfect 98% Rotten Tomatoes score, it’s being hailed as the best show of the year and an expert-level balance of genres that go together like peanut butter and jelly. The sharp writing and elevated dialogue by Katie Dippold are elevated by the keen eye of producer/director Hiro Murai. The chemistry between Rhys and his eccentric supporting cast makes every scene stand out, though scenes without him are often just as electrifying. Keep your eyes open for the curse of Widow’s Bay.

1

‘Slow Horses’ (2022–Present)

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Slow Horses is the surest bet on the streamer; it’s the anti-James Bond spy show based on a series of novels by Mick Herron. There are no gadgets or glamour, just a team of disgraced MI5 spies (“slow horses,” a derogatory term) rotting in a department called Slough House, which was specifically designed to make them quit. At the center of it all is Gary Oldman, doing the best work of his career as Jackson Lamb, the unkempt genius who leads Slough House.

Across five seasons, the show has never dropped below a 95% audience score, with Seasons 2 and 4 earning a perfect 100% critic score on Rotten Tomatoes. Delivering six tight episodes per season with no filler whatsoever, Slow Horses is the definition of a perfect, lean thriller, a must-watch for anyone who loves smart, character-driven spycraft. Oldman’s performance alone is worth taking a look at, but the ensemble cast, including Kristin Scott Thomas and Jack Lowden, is uniformly excellent, with a stunning, electric chemistry. Slow Horses is the most consistently brilliant show on television, full stop.

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Slow Horses

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Release Date

April 1, 2022

Network

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Apple TV+

Showrunner

Douglas Urbanski

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Directors

Adam Randall, James Hawes, Jeremy Lovering, Saul Metzstein

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Editor’s note: The below recap contains spoilers for House of the Dragon Season 3 Episode 3.There are a lot of things to hate about the way Game of Thrones ended, but none are more apparent than the flagrant character assassination of Daenerys Targaryen (Emilia Clarke). Even seven years later, it’s truly baffling that the team behind one of the biggest fantasy shows ever made thought it would be a good idea for a benevolent ruler to become a genocidal maniac with zero development to back up such a change. It’s a conclusion that’s so bad it really should have killed the entire franchise for good, but then, along came House of the Dragon.

While reactions to Season 2 of the Game of Thrones prequel may have been more mixed, Season 1 brought the franchise back to the series’ forte of political intrigue and well-written characters. One of those characters and arguably the protagonist of the entire series is Rhaenyra Targaryen, played by Supergirl star Milly Alcock in the future queen’s younger years before passing the torch to Truth Seekers alum Emma D’Arcy. D’Arcy brought down the house in Season 3’s previous episode as a mother in the throes of grief, but the focus on their character in the show’s newest chapter brings forth one of the best episodes in the entire Game of Thrones universe.

‘House of the Dragon’ Season 3’s Third Episode Puts the Spotlight on Rhaenyra

This week’s House of the Dragon appears to be the “experimental episode” that creator Ryan Condal was referring to ahead of the season’s release, but it starts as any other typical episode would. Daemon Targaryen (Matt Smith), flanked by Ulf (Tom Bennett) and Hugh (Kieran Bew), goes to confront Lord Ormund Hightower (James Norton) and his army to inform them that the war between the Blacks and the Greens is over and that Rhaenyra has taken control as the rightful Queen of Westeros. Ormund, very reluctantly, bends the knee, even handing over the former queen Alicent’s (Olivia Cooke) youngest son, Daeron, as a gesture of goodwill.

After that, though, the perspective switches to Rhaenyra and stays with her for the entirety of the episode, making for a singularly character-motivated hour that hasn’t been seen since Jon Snow (Kit Harington) in the flagship series. It’s effectively a showcase of Rhaenyra’s first proper day as Westeros’ queen, where she inherits all sorts of issues. All of this occurs while Ramin Djawadi‘s score really gets to shine, with the string-heavy orchestra coming to a terrifying screech every time Rhaenyra’s resolve is shaken, even though she has vowed to be a peaceful ruler like her father, Viserys (Paddy Considine).

Last week’s episode ended on a seemingly triumphant note, with Rhaenyra taking control of King’s Landing, but this week’s hour really hones in on the tumult that follows. First of the many problems in the realm: the royal treasury has been drained of its funds, and not even the imprisoned Alicent or Helaena (Phia Saban) knows what’s become of it. Secondly, the remains of the Triarchy, now scattered after the death of Admiral Lohar (Abigail Thorn) following the Battle of the Gullet, are ransacking villages across the kingdom. Last, but certainly not least, both Aemond (Ewan Mitchell) and Aegon (Tom Glynn-Carney) are nowhere to be found, despite being the two largest threats to Rhaenyra’s reign. With Aegon’s whereabouts specifically unknown, Rhaenyra orders that the usurper be declared dead.

Rhaenyra’s Descent Officially Begins in ‘House of the Dragon’s New Episode

A depleted treasury, brigands terrorizing the realm, and two vengeful opponents to the throne missing in action are more than enough to drive anyone mad, but Rhaenyra’s problems are only just beginning. Shortly after ordering that her third son, Joffrey, be brought back to King’s Landing so that he can begin preparations to become her heir, Rhaenyra begins having visions of the recently deceased Jacaerys (Harry Collett). Later, she attempts to speak with the High Septon of King’s Landing (Simon Chandler) about officially anointing her as queen despite foregoing a formal coronation, but this leads to a surprisingly tense conversation where the supreme leader of the Faith of the Seven practically calls Rhaenyra a liar to her face, questioning her false narrative of Aegon’s death.

Another potentially bigger problem arises when Corlys (Steve Toussaint) tells Rhaenyra that he would like his two bastard sons, Alyn (Abubakar Salim) and Addam of Hull (Clinton Liberty), officially acknowledged as Velaryons by the crown. While Rhaenyra does eventually knight Addam along with his fellow dragonseeds, she refuses to give him the Velaryon title, citing the “rumors” her own children faced many years ago. Corlys is not pleased, later confronting Rhaenyra and even referring to her three eldest sons as bastards in front of several bystanders.

One place where Rhaenyra does start to make some progress, though, is with the people. While hearing testimonies from her subjects, it becomes apparent that King’s Landing’s least fortunate are starving, both from Rhaenyra’s blockade during the war and from the rich and powerful of the city hoarding food. The queen confronts this head-on by luring the city’s wealthiest families to the castle while the Goldcloaks seize control of their reserves. Despite a testy exchange with one Torrhen Manderly (played by Fantastic Beasts trilogy star Dan Fogler), the move pays off.

‘House of the Dragon’s Greater Conflict Isn’t Over After Episode 3

Image via HBO

This small victory in hand, Rhaenyra tries to make some sort of amends with Alicent in the aftermath of Otto Hightower’s (Rhys Ifans) execution. As a gesture of goodwill, Rhaenyra brings Alicent to see Daeron, but there’s just one problem: the boy Ormund gave Daemon is not Daeron, but a lowborn imposter handed over as a ruse. Rhaenyra vows that this transgression will not go unpunished as she orders the Greens’ tapestries that formerly decorated the halls of the Red Keep to be burned.

The reason why Daenerys’ turn to the dark side didn’t work in Game of Thrones is that it was a huge swing with little development. In just a single episode, let alone her brilliant scenes with Alicent, Rhaenyra is already far more dynamic, more understandable, and more eerily terrifying as she begins to devolve after becoming queen of the realm. It’s a masterful character study that definitively cements Emma D’Arcy as one of the franchise’s best performers and Rhaenyra Targaryen as one of the franchise’s best characters.

House of the Dragon Season 3 is streaming now on HBO Max.

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Release Date

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August 21, 2022

Network

HBO

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Showrunner

George R.R. Martin

Directors

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Clare Kilner, Geeta Patel

Writers

Gabe Fonseca

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• 
• 

  Fabien Frankel

  Ser Criston Cole

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Pros & Cons

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• Another powerhouse performance from Emma D’Arcy.
• Rhaenyra’s management of King’s Landing feels realistic and narratively compelling.
• Rhaenyra’s new rivalry with Corlys will shake things up.
• Ramin Djwadi’s score is particularly powerful.

By Chris Snellgrove
| Updated 1 second ago

I’m an ‘80s kid, so I come by my love of Transformers quite naturally. I absolutely mainlined the original GI cartoon, and my childhood bedroom was lined with my favorite robots, both heroic and evil. In the ‘90s, my best friends and I rediscovered the 1986 animated movie, and we hailed it as one of the best films ever made. So, when the first Transformers live-action movie came out, I was pumped, and I thought it really lived up to my expectations. Despite (or perhaps because of) director Michael Bay’s excesses and indulgent action porn, we finally had a blockbuster film to revive the Transformers brand.

If I’d had a One Wish Willow back then, I might have wished for Bay to keep making these movies. And like Bear in Obsession, my wish would have gone sideways almost right away. Bay went on to create four more Transformers films, and each of them was more painful than being eaten by Sharkticons. Why did he keep making these critically reviled films? Simple: the first sequel earned over $836 million at the box office, proving there is a market for pure slop if it has enough sexy poses and explosions in it. How bad is it? Find out for yourself: Transformers: Revenge of the Fallen (2009) is now streaming for free on Tubi.

Transform And Crash Out

The plot of Transformers: Revenge of the Fallen begins with the Autobots and humans teaming up to hunt down the remaining Decepticons on Earth. Unfortunately, an ancient Decepticon manages to resurrect Megatron, and the two embark on an insane plan: to activate a hidden Star Harvester and completely drain the sun’s energy, dooming humanity to a very cold extinction. All of this leads to a showdown in Egypt, where the sands and pyramids are the setting for a final battle that will determine the fate of the entire planet. 

Transformers: Revenge of the Fallen introduces some new actors to the franchise, including Tony Todd as The Fallen. However, the cast is mostly comprised of returning actors from the first film. This includes original G1 voice actors Peter Cullen (who has spent a lifetime voicing Optimus Prime) and Frank Welker (the original Megatron voice actor who voices several major Decepticons in this movie). Hugo Weaving once again plays live-action Megatron, while Shia LaBeouf, Josh Duhamel, and John Turturro play humans who are caught up yet again in this war of the worlds. Oh, and Megan Fox returns to play the hottest eye candy this side of Cybertron (Bay decided this sexy siren is better seen than heard).

A Blockbuster Rerun 

The actors do their best with what they are given; unfortunately, what they are given is a hot mess. Transformers: Revenge of the Fallen’s story was mostly based on a quick treatment that was penned in only two weeks and handed in right before a Writers’ Guild strike; it then got expanded by Michael Bay, who locked three writers (Ehren Kruger, Roberto Orci, and Alex Kurtzman) for four months until the final script was completed. The result was a complete disaster: despite its bloated, 2.5-hour runtime, all Revenge of the Fallen does is rehash the first film’s tired “gotta find the alien Maguffin” plot.

Of course, rehashing an old plot isn’t that bad if you make something interesting; Star Trek: The Motion Picture was basically a big-budget adaptation of a forgotten Original Series episode, but it added enough nuances to give the film its own identity. Unfortunately, Revenge of the Fallen doesn’t have nuance. In its place, we get the kind of humor edgelord teens might have enjoyed back in the ‘90s. Most of it comes from two new robots designed as jive-talking, racist caricatures, complete with (deep sigh gold teeth. The film also includes a visual gag about Devastator’s balls (talk about more than “meats” the eye).

The Worst Of Both Worlds

Plus, it feels like the entire back half of Transformers: Revenge of the Fallen is just characters jabbering about the plot in one bizarre exposition dump after another. From a storytelling standpoint, this is the worst of both worlds. Hardcore Transformers fans don’t need extensive lore about the Primes and about various bits of Autobot arcana because they already know it. Meanwhile, casual audiences don’t care about endless exposition because it gets in the way of the cool fight scenes. It’s an insane narrative choice that pisses off everyone watching, which would only be so bad if it didn’t take up (once more for the cheap seats) like 50 percent of the film!

The final major problem with Transformers: Revenge of the Fallen is that so many characters are completely unlikeable. This is true of The Fallen, a Big Bad with less charisma than Megatron has in his little finger. It’s also true of Sam Witwicky, an audience surrogate who does nothing but whine the entire film. Most depressingly, it’s especially true of Optimus Prime, who oscillates from “guy who gives useless speeches” to “guy who violently rips his enemies apart.” Honestly, before the credits roll, you’ll find yourself rooting for the OG Decepticons because they at least manage to be consistently interesting.

Bad Movies Are The Right Of All Sentient Beings

Unfortunately, quality doesn’t matter when it comes to modern-day Transformers films. Revenge of the Fallen was a critical abomination, but it earned over $836 million, leading to three sequels that might as well be war crimes. Years later, Transformers One, the best film in the entire franchise (yeah, I said it!), became a box office bomb that killed any hope of a sequel. Are you ready to share your pain with me? Do you want to drink your way through the worst Transformers movie ever made or stare at Megan Fox? Maybe you just want to return to a simpler time, when the worst thing you’d discover on any given day was that Michael Bay made a racist robot sequel?

No judgments here, friend. No need to transform and roll out; just go stream Transformers: Revenge of the Fallen for free on Tubi.

Kansas City Chiefs head coach Andy Reid is revealing the sweet wedding advice officiant Adam Sandler gave bride Taylor Swift and groom Travis Kelce during the newlywed’s star-studded nuptials at Madison Square Garden.

“He told them to, ‘keep kissing,’” the NFL coach, 68, revealed while speaking to the press on Sunday, July 5, two days after the Kansas City Chief tight end said “I do” to the pop star at the iconic New York City venue on Friday, July 3.

“In its simplest form … it’s hard to argue when you give your wife a kiss or your wife gives you a kiss,” the coach continued. “And make sure to do it every day.”

Reid was one of a reported 1,000 of Kelce and Swift’s nearest and dearest friends and family members to witness their highly-anticipated wedding ceremony.

“The bride and groom’s wedding ceremony looks have been created by Christian Dior Haute Couture. They are designed by Jonathan Anderson, Creative Director of Dior Women’s, Men’s and Haute Couture Collections, in close collaboration with the bride and groom,” a rep for Swift revealed via press release shortly after billboards outside the famed venue announced the pair were officially married.

“This is the designer’s first couture wedding dress for a world-renowned celebrity,” the release continued. “[Both of] their shoes were custom made by Christian Louboutin and the bride wore Cartier jewelry.”

Swift and Kelce opted against having bridesmaids or groomsmen, instead enlisting their respective brothers to stand beside them.

“Her brother, Austin Swift, served as Taylor’s ‘Man of Honor’ and Jason Kelce was Travis’ Best Man,” a statement noted. “The ceremony joined both families together and was officiated by friend Adam Sandler.”

Despite the extensive guest list, oversized venue and superstar officiant, guests who attended the ceremony reported that the nuptials managed to feel intimate and personal.

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“The ceremony was great, moving,” attendee and news anchor George Stephanopoulos said via a message read aloud on a Friday broadcast by reporter Sophie Flay. “Adam Sandler [was] funny and touching. Vows: everything you would hope for, real, vulnerable, serious and silly, deeply loving. Who knew that a wedding in Madison Square Garden could be so intimate?”

The pair also reportedly exchanged handwritten wedding vows they read from “little books,” taking a reported 20 minutes each to share their promises with each other and those in attendance.

“It really was intimate,” broadcaster Robin Roberts revealed after attending the couple’s ceremony during an episode of Good Morning America the following day. “Oh, their vows. They wrote either own vows.”

Travis Kelce is facing accusations of being a clout chaser after a 2016 interview resurfaced, in which he chooses to kiss Taylor Swift and marry Katy Perry during a game of “Marry, Kiss, Kill.”

The throwback moment has amused fans on social media, especially in light of the NFL star’s recent wedding to Swift. Some have gone so far as to argue that Kelce and Swift are a fitting match because both appear comfortable chasing and embracing the spotlight.

An old interview featuring Travis Kelce has resurfaced online, giving fans a glimpse of his thoughts on Taylor Swift years before the pair became one of pop culture’s biggest couples. The clip, originally filmed during a 2016 appearance on AfterBuzz TV, has been making the rounds on social media after being shared by TMZ.

In the interview, Kelce took part in a game of “Marry, Kiss, Kill,” choosing between Swift, Katy Perry, and Ariana Grande. He reluctantly picked Grande for “kill,” said he would kiss Swift, and chose to marry Perry.

The throwback feels even more full circle now, following Swift and Kelce’s lavish July 3 wedding at New York City’s Madison Square Garden, where the couple exchanged vows before a star-studded guest list.

The ceremony was officiated by Adam Sandler, with Kelce’s brother, Jason Kelce, serving as best man and Swift’s brother, Austin Swift, as her man of honor.

Old Clip Rekindles Fresh Clout Chasing Claims

The resurfaced clip has also reignited a familiar debate about Kelce’s long-standing pursuit of fame beyond football. While many fans laughed at the irony of his old “Marry, Kiss, Kill” answers, others argued the interview was another example of the NFL star’s desire to build a celebrity profile long before he met Swift.

Some branded Kelce a “clout chaser,” with one fan on Reddit claiming the football star had “always wanted to be more famous than an NFL player usually is.” Another argued that his relationship with Swift made the pair a “perfect match” because they both enjoy life in the spotlight.

Not everyone agreed with the criticism, however. Several commenters dismissed the renewed scrutiny, pointing out that Kelce was simply taking part in a lighthearted game and “treated the question as seriously as it deserved.”

Inside Taylor Swift And Travis Kelce’s Lavish MSG Wedding

Swift and Kelce were seemingly determined to make their wedding anything but ordinary, turning Madison Square Garden into a stunning venue for their big day. According to PEOPLE, the famous New York City arena was transformed with trees, ferns, and white-covered seats, giving the space the feel of an indoor forest.

After the couple exchanged vows, guests moved into the reception area, where the celebration continued with food, drinks, and live music. Attendees were treated to Italian dishes, sushi, passed bites, and plenty of bar stations throughout the venue.

The night also featured performances from major music legends, including Paul McCartney and Stevie Nicks.

Paul McCartney Performed A Rare Beatles Classic At The Wedding

According to the PEOPLE report, McCartney performed The Beatles’ classic “I Want to Hold Your Hand.” This was after Swift’s mother, Andrea, invited guests into the reception room, where a stage had been set up. Stevie Nicks was also part of the A-list lineup.

McCartney’s performance was especially meaningful because he has rarely performed the song live in recent decades.

Entertainment Weekly reported that the wedding marked the first time he had played the Beatles hit live since 1964, making the moment even more historic for guests.

Donna Kelce Calls Taylor Swift, Travis Kelce Wedding ‘Magical’

Donna Kelce was among those who got a front-row seat to one of the biggest celebrity weddings of the year as she watched her son exchange vows with Swift at MSG on July 3.

The following day, Donna attended Macy’s 50th Fourth of July Celebration in New York City. When asked about the star-studded wedding, the mother of Travis and Jason Kelce kept her reaction brief but glowing.

“I really can’t say a heck of a lot except it was magical, man, magical,” she said, as previously reported by The Blast.

In 2023, soon after the pair first started dating, Donna expressed pride that her son had managed to convince Swift to go out with him. “He’s happier than I’ve seen him in a long time,” she said. “God bless him. He shot for the stars!”

Former Bachelor Ben Higgins and his wife, Jessica Clarke, are expanding their family.

“The world is blessed because @jessclarke_ is becoming a mother of two girls and Winona is so excited about becoming a big sister!” Higgins, 37, wrote via Instagram on Sunday, July 5. “Waylon still carries the pressure of carrying on the Higgins name and I personally am overwhelmed with joy to be experiencing it all! Higgins girl number 2 coming towards [the] end of year. In the words of Jessica’s grandma ‘when you do certain things, certain things happen.’”

Alongside the message, Higgins posted a photo of the pair’s daughter holding a doll upside down. Clarke, for her part, shared the happy news in a post with the family of three.

“Baby girl #2 is making her debut this holiday season 🩷,” Clarke wrote via Instagram on Sunday.

Related: Ben Higgins Drops ‘Hint’ About Name of His and Jess Clarke’s 1st Baby

Courtesy of Jess Clarke/Instagram Ben Higgins and wife Jessica Clarke have chosen a name for their future baby girl — but they aren’t sharing it just yet. “It’s not gonna be weird enough where people are like, ‘Whoa.’ But it is a part of my life,” Higgins, 35, teased during the Tuesday, November 5, episode […]

Higgins and Clarke welcomed their first baby, daughter Winona “Winnie” Elane, in 2025.

“First, I did not realize I could be more in love and more impressed with @jessclarke_ but after the last 48 hours my heart has exploded for her and our new baby girl,” Higgins wrote via Instagram at the time. “Winona (Winnie for short if she’s OK with it) Elane Higgins was born at 2:53 am on 2/12. Words still are hard for me, I won’t accurately articulate what just happened.”

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He continued, “But for the last 2 mornings I wake up feeling like it was a dream, reminding myself of the blessings of Jesus, then looking over to see Jessica and Winona and being mentally reunited with the truth that I am a dad and a husband and that we are a family. Life starts again for us, a new chapter we enter into, and so many moments of lacking the words but feeling God inspired love.”

Related: Ben Higgins and His ‘Bachelor’ Finalists All Welcomed Daughters in 2025

The year 2025 was clearly the year of Bachelor Nation baby girls, as evidenced by three stars from Ben Higgins’ season of The Bachelor. Higgins, who led 2016’s season 20, became a dad in February when wife Jessica Clarke Higgins gave birth to daughter Winona “Winnie” Elane after a scary delivery. “Her blood pressure and […]

Higgins, who tied the knot with Clarke in 2021, shared that the couple conceived daughter Winnie through intrauterine insemination (IUI).

“We planned this, and we didn’t know how many steps we’d have to take. We didn’t know how much help we’d have to get,” Higgins exclusively told Us Weekly in August 2024. “We have a lot of friends who struggle with infertility and who struggled through the process and just hearing from them and learning from them, we knew we wanted to plan and be ready. … We set that date and we started trying, and it happened for us easier than we expected.”

Editor’s note: The below interview contains spoilers for The Vampire Lestat Episode 5.

AMC’s Interview with the Vampire has already released two brilliant seasons since its premiere back in 2022, but now that the show has officially turned into The Vampire Lestat, we’re finally getting a very different perspective on events both past and present. While Lestat de Lioncourt (Sam Reid) has initially agreed to let Daniel Molloy (Eric Bogosian) document him as a way to formally rebut any and all statements made in Dubai by his fledgling and on-again-off-again companion, Louis de Pointe du Lac (Jacob Anderson), it turns out that there are some parts to the Brat Prince’s story that even Louis doesn’t really know much about — like his fateful crossing with the Queen herself, Akasha (Sheila Atim).

As Episode 5, “New York,” reveals, Lestat’s immortal existence was forever changed after he was pulled out of a post-Gabriella (Jennifer Ehle) 80-year-long dirt nap by none other than Armand’s (Assad Zaman) maker, Marius de Romanus (Christopher Heyerdahl), and tasked with looking after Those Who Must Be Kept, the first two vampires to ever exist. Not only was Lestat’s new responsibility as immortal caregiver apparently orchestrated by Akasha herself, Atim reveals, but the connection the two forge through music could have consequences that carry over into the present day. Below, the actress behind the “mother” of all vampires discusses why Akasha is first drawn to Lestat, why Akasha’s big speech was surprisingly easy for her to learn, what she discusses most often with the show’s creative team about the future of her character, and more.

COLLIDER: We’re finally going to talk about the Queen! When Lestat first arrives, Marius has that line about how he’s been watching over Akasha and Enkil for 22 years, and then he leaves the room, and Akasha immediately corrects him — and in front of Lestat, which is interesting. Why do you think Akasha feels drawn to Lestat, to the point of it becoming a literal awakening for her in this episode?

SHEILA ATIM: I think, for whatever reason, she sees something in him. She chose him. It’s interesting the way Marius talks about it. He’s like, “Look, I don’t make the rules. She said, ‘Go pick this guy up,’ and she wants you to do it,” essentially. I think Akasha knows that she needs somebody who can be a match for her. Enkil is now destroyed, so she is very much one of one. There are now many vampires out in the wild, and actually, she can hear them all, and she’s aware of them all, but you’re looking for that special one. If there’s ever a chance of her waking up again, and also waking up and achieving the things that she wants to achieve again, or at least the conclusions that she comes to during her speech, she’s going to need to have someone who can hold their own.

Lestat just has such a natural kind of infectiousness about him, and a flair and a magnetism, I think. And yes, he’s also irascible and infantile at moments, and not easy, but for someone like Akasha, first of all, that’s probably fine. I’m sure she can find a way to handle that. But I think that those kinds of characters are the people that you want around you and by your side when you have big plans in store. So, I think that’s why she picks him.

And I think she just finds him interesting. He’s interesting. He’s curious. He’s creating this mad dinner party with loaves of bread and cabbage, and he’s learning to play the violin, and he’s just as excited about this music as she is. I think that passion for — I was going to say life, but obviously, they’re undead, but that passion for experience is something she shares.

‘The Vampire Lestat’s Sheila Atim Breaks Down Her “Come to Me” Scene With Sam Reid

“I think it’s important, as well, to see Lestat have some reticence — because he doesn’t, really.”

Image via AMC

Talking about the dinner party and what it leads to, which is Akasha saying the first, “Come to me,” I love the way that Sam [Reid] plays that moment where he reaches out to take your hand, and there’s awe and terror. What did that interaction, leading to her feeding on him, confirm to you about how much power she has? We learn that she gives him her blood, too, so did you film anything else between them that was filmed and then cut?

ATIM: No, that was it. There is something about that pose. There were versions of it where I had a back support underneath me, but we also filmed versions where I sit up into that position. So on those takes, I would just hold that with, like, abs. I would just hold that position. And there’s something about the tension between his hesitation, but also her not being able to really move any further forward, because she is still partially stone; it’s almost like there’s an electricity there that is a kind of foreshadowing of what’s to come.

There’s always huge power in stillness. All the roles I’ve had to play on stage or on screen have often had to embody a huge amount of stillness, and something really intensely magical can come from that. So, I think it’s important, as well, to see Lestat have some reticence — because he doesn’t, really. In Seasons 1 and 2, and mostly 3, yes, he has his moments where you see complexity in him, but he’s not really somebody who takes too much time to see visions.

Earlier in the episode, you see [Lestat] running out into the sun to get the take of the vocal recording. He’s pretty committed to what he wants to be about. So, to see him on the precipice of maybe unleashing, or at least interacting with, a power that he’s heard about but doesn’t actually have a full grasp of its scale and its magnitude, it already sets up that we’re now stepping through a door to something else.

That monologue really does feel like a stream of consciousness. It just keeps building on itself in terms of intensity, but then there are references to a tongue being cut out and a prolonged death. In reading through that scene, preparing to deliver it, what did it confirm to you about Akasha’s feelings with regard to being one who is kept? It seems like there’s a bit of resentment there about being confined.

ATIM: Absolutely. She talks about why must she be kept, and why is she cast out of Uruk, the land that she’s from, and why, for millennia, “Why am I here?” and “Why Amel?” What’s also interesting is she merges that with images that are universal when you’re thinking about the subjugation of women. It’s her, but it’s also all of us, which is why she says, “I am the girl. I am all of these things. We are all the women who have all suffered, past, present, and future.”

What I love about that speech and what Hannah [Moscovitch]’s done so beautifully is she’s woven in some very visceral imagery into something that simultaneously has quite a natural flow. It was a long speech, but I found it remarkably easy to learn, considering. And that’s always the case with good writing. It’s very easy. It just sticks. It goes in.

I had to put some work into getting it in there, but once you’ve got the potency of those images through that storytelling, it all naturally builds itself — images of women being curled on the ground and stoned, and left on the side of a road in a forest, and told to lower their eyes and told not to speak, and told how they must speak. That is all stuff that we can relate to, and we can point to many references of that throughout human history. So, that, alongside the actual rhythm and the construction of the text, gives the speech its own momentum and carries it all the way through to the end.

‘The Vampire Lestat’s Sheila Atim Teases Akasha’s Reaction to Lestat’s Rock Star Era

“That already is like the perfect tinderbox for something very, very exciting…”

Image via AMC

Given what we’ve seen so far with Akasha’s love for music, her clear fondness for Lestat, is she going to have some kind of reaction to the tour, the album, the attention he’s bringing to vampires? Where does she land on all of that, and what can you set up?

ATIM: I can’t say much because there’s still a lot to be worked out and discovered there between us as a team. I probably think a bit of all of those things. They connect over music. Yes, she senses him and wants him to come and be the keeper, but the thing that really wakes her up is his music, his love of music, his passion for wanting to learn instruments. Then, here we are, all these hundreds of years later, and now he’s a rock star, and not only is he a rock star, but he’s singing about her.

That already is like the perfect tinderbox for something very, very exciting in terms of how she feels about that, [and] why she comes back into his life. It’s also painful, but I think it’s going to be fun. I hope the music continues in some way — not in the same way necessarily, but in some way, because it’s so at the heart of their connection, and it’s just a very potent, emotive… Everyone can connect to that. Through song, you can tell similar stories. So, I’m excited about that.

I need to know how Akasha’s doing in the current century — what she’s up to, what her fashion looks like.

ATIM: The fashion, I’m telling you right now, I’ve got thoughts and ideas, and I will be making them heard because I’m very excited. I think this whole show looks brilliant, always. Everyone looks fantastic. If I’m honest, this is the thing I talk about the most when it comes to Akasha. What does she wear? How does she look? Expect some interesting fits, for sure.

New episodes of The Vampire Lestat premiere Sundays on AMC.

If you spent any amount of time in the trenches of genre TV during that strange post-Lost, pre-streaming-overload window, you learned to expect the unexpected — especially when a network decided to swing for the fences with a budget that barely covered the lumber. Shows like Fringe were throwing wild ideas on the table before anyone bothered to ask if the math worked. Battlestar Galactica was patching together a whole civilization out of shaky lighting and sleepless characters.

And then you had the oddballs — Invasion, Threshold, early Eureka — series that reached further than their budgets probably advised. That era had a handmade bravado to it, the sort that made ambition feel lived-in instead of manufactured. Helix comes from that same petri dish, the corner where pulp impulses and “let’s just try it” energy could coexist without apology. Best of all, both seasons are streaming free on Tubi, making now the perfect time to revisit (or finally discover) one of sci-fi horror’s strangest hidden gems.

You see shades of everything in Helix: a little The Thing in the way the cold gnaws at every frame; a little Alien in how the research station feels like a trap the characters wandered into without reading the fine print; even a little The X-Files in the black-oil weirdness drifting through vents like it’s trying to pick its moment. It doesn’t just borrow from its influences — it reacts to them, like it grew up on creature features and cold-lab paranoia and decided to tilt everything a few degrees off-center. And because nobody tried to smooth it out or make it “behave,” the series gets to be strange in a way that feels earned and a little intoxicating.

This Sci-Fi Series Is an Arctic Nightmare Built on Paranoia

Image via SyFy

The foundation of Helix’s first season is simple, and simple becomes unstable fast. A CDC rapid-response team is dropped into an Arctic research base after a viral outbreak with no recognizable logic. The building itself — long hallways, sealed labs, whiteout windows — is unsettling in its blankness. It feels like a machine, and everyone inside starts to sync to its rhythm.

Once the virus begins bending biology, the show shifts from medical sci-fi into pure dread. Every episode squeezes the characters closer together, eroding trust in tiny, corrosive ways. Even familiar faces start to feel off, as if the cold is sharpening their edges.

And the Arctic setting does a kind of work no CGI can mimic. You feel the cold in the staging, in the way breath catches in the air, in the stillness between scenes. There’s nowhere to duck out, no woods, no nearby town, nothing but white in every direction. The snow makes its own kind of fence, letting you know that if things go bad, you’re stuck. It’s not loud tension; it creeps up on you and lingers after the episode shuts off.

The Infection in ‘Helix’ Doesn’t Just Spread, It Evolves

One of the show’s smartest instincts is refusing to give the virus a rulebook. Most outbreak stories map out incubation periods and tidy symptoms. Helix tosses that aside. Each infection feels like a new branch of the same nightmare — sometimes biological, sometimes psychological, sometimes a total rewrite of a character’s motives.

That unpredictability becomes the engine. You stop waiting for explanations because the show isn’t interested in them. It’s chasing mood, tone, and that low hum of wrongness. Tension stays alive in places where cleaner sci-fi would settle into procedure.

Underneath the mutation, there’s a quieter thread: the infection pulling at relationships. It warps the rhythms people rely on, scrambles loyalties, and makes colleagues hesitate around each other. Characters who once moved in sync suddenly feel like strangers occupying the same room. The breakdown of trust lands harder than the body horror because it feels like something the cold itself could trigger.

Season 2 of ‘Helix’ Swings Harder — and Stranger

Image via SyFy

Season 2 is one of those pivots that still gets people talking because it doesn’t ease into anything — it just rips the floorboards up. One moment you’re trapped in Arctic steel, and the next you’re in a brighter, unnervingly alive world the show isn’t sure it can trust. Even people who didn’t love the shift can acknowledge the ambition. It’s the move you make when you can tell the story is running out of air, and the only fix is to change things up so it can breathe again.

The new environment opens a different flavor of paranoia. Without the cold metal backdrop, the danger becomes ideological. The threat feels more personal, more manipulative. It’s a different kind of claustrophobia: one built on social pressure instead of steel walls.

And the tonal swing lets the show finally dig into the idea Season 1 only hinted at: the real outbreak isn’t the virus — it’s fear. Fear messes with people. It throws off their read on a situation, pushes them into choices they’d never make on a calm day. And Season 2 runs with that, giving the whole story a shake just to see what comes loose. It’s rougher and more chaotic, but it doesn’t betray what came before.

‘Helix’ Broke the Mold of a Typical Sci-Fi TV Show

What makes Helix worth revisiting now is how boldly it rejects the polished consistency of modern genre TV. Today, even the strangest sci-fi has a smoothness to it. Helix has none of that. The show moves with that loose, jumpy energy you got from Lost back when it was throwing out weird ideas left and right, or from early Fringe before everything was mapped out.

Some episodes feel like someone walked into the room with a rough idea and everyone decided, “Yeah, let’s go with it.” And weirdly, that’s when the show feels the most alive. It doesn’t worry about looking polished or shaping itself into something safe. It just goes for it and assumes you’re willing to keep up. And because it never tries to behave, it becomes its own thing — something that feels more like a late-night cable discovery than a streaming-era product engineered for retention rates. That beat-up, scrappy vibe has aged way better than anyone figured it would.

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Release Date

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2014 – 2015-00-00

Directors

Steven A. Adelson, Jeremiah S. Chechik, Brad Turner, Duane Clark, Bradley Walsh, Grant Harvey, Mike Rohl, Jeff Renfroe

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  Cat Lemieux

  Dr. Doreen Boyle

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  Julian Bailey

  Lt. Humphries

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“Star Wars” actor Mark Hamill is opening up about why he didn’t attend Taylor Swift and Travis Kelce’s star-studded wedding. On July 3, the couple exchanged vows at Madison Square Garden in New York City. Although over one thousand guests were in attendance, Hamill revealed why he did not attend the lavish event.

In August 2025, Taylor Swift and Travis Kelce announced their engagement with a photo of them posing in a floral garden. Hamill used that photo when he explained why he didn’t attend their wedding, as guests were not allowed to bring their phones into the event and Swift has yet to publish any highlights from her big day.

“Congratulations to the newlyweds!” he wrote in the caption of his Instagram post. “I declined to attend the wedding for a variety of personal reasons, but mainly because I wasn’t invited.” He capped off his caption with a church emoji.

Fans React To Mark Hamill’s Wedding Invite Snub

It remains to be seen how well Mark Hamill actually knew the couple in order to score an invite, but that didn’t stop fans from sticking up for him in the comments.

“They invited a thousand people and not Mark Hamill. Mark, you’d be on my guest list before 99% of my family,” one comment read. It got over 10,000 likes in only three hours.

“I wasn’t invited either; it’s not too big of a deal anyway. If I ever get married, I’ll invite you and the rest of the Star Wars cast and crew, and we can blast some Mos Eisley Cantina music and have some Blue Milk!” another follower joked.

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“I bet you could have used your Jedi mind tricks to get into the wedding ceremony,” a third user chimed in while another follower joked, “I guess the Fourth wasn’t with you on this one.”

Taylor Swift Opens Up About Her Stunning Engagement

A few weeks after the couple got engaged, the “Mirrorball” singer opened up about the surprise proposal on an October 2025 episode of “The Graham Norton Show.”

“We had actually filmed a podcast episode — he has a podcast called New Heights — so we filmed the podcast for about three or four hours … and meanwhile behind his house, he was having the whole back garden turned into this,” she explained at the time.

“And one of the things that he put in there, very strategically, was a wall of hedges that weren’t there before. And inside the hedges was my tour photographer hiding in bushes that had not previously been there,” she continued, adding, “He went all out — 10 out of 10.”

Travis Kelce’s Father Shares His Thoughts On The Proposal

Shortly after they went public with their engagement announcement, Travis Kelce’s father Ed talked about the proposal during an interview with News 5’s John Kosich on August 26, 2025.

“He got her out there, they were about to go out to dinner, and he said, ‘Let’s go out and have a glass of wine’ … they got out there, and that’s when he asked her, and it was beautiful,” he said at the time. The couple then FaceTimed their family to confirm the happy news following the proposal.

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The “So High School” singer announced the engagement in a joint Instagram post, captioning it, “Your English teacher and your gym teacher are getting married.”

Donna Kelce Shares Her Thoughts On The Wedding

As The Blast previously reported, Donna Kelce, the mother of both Jason Kelce and Travis Kelce, called the wedding “magical” when asked about it while attending Macy’s 50^th Fourth of July Celebration.

“I really can’t say a heck of a lot except it was magical, man, magical,” she said in an interview posted on Macy’s Instagram on Sunday, July 5.

She also opened up about her own Fourth of July memories with her sons, recalling, “I remember I used to take the boys down to Lake Erie and we would watch the fireworks in Euclid, Ohio, and we had the best time.”

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Swimsuit shopping is a challenge for many people, but add a large bust into the mix, and it can feel impossible. Thankfully, Amazon shoppers went through the trial and error to uncover this Goldilocks of a swimsuit, and somehow, it’s under $40!

Both comfortable and flattering, the Tashehe Tummy-Control One-Piece Swimsuit is worth grabbing in multiple colors. It works totally under the radar, supporting your bust while smoothing your tummy. Whether you’re lounging at the pool deck or swimming in the ocean, you’ll look and feel your best.

Get the Tashehe Tummy-Control One-Piece Swimsuit for $37 on Amazon! Please note, prices are accurate at the date of publication but are subject to change.

The appeal of this one-piece is all in the design. It has a sweetheart neckline that flatters your collarbone, a twist-style bra for structure and strategic tummy ruching to skim over your midsection. Plus, while it’s slimming, it doesn’t squeeze the life out of you. Adjustable shoulder straps and removable cups are the true cherries on top, allowing you to customize the fit.

“I love this suit. It is beautiful, the colors are so bright,” one five-star shopper raved. “It didn’t sag, even though I have a 38D bust.”

Another happy fan wrote, “I have a 36DD bust . . . With a short torso and a large bust, it’s very hard to find a one-piece suit that works for me. This one fits me very well and is actually comfortable! Needless to say, I bought it in two colors.”

With over a dozen colors and prints to choose from, you’ll want to do the same!

For a suit that offers real bust support, hides the middle and costs less than a nice dinner out, it’s an easy ‘yes.’ This beach-ready wonder is basically shapewear in swimsuit form.

Get the Tashehe Tummy-Control One-Piece Swimsuit for $37 on Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Looking for something else? Explore more flattering swimsuits and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

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Related: We‘re Copying Amal Clooney‘s ‘Yacht Wife‘ Sundress Look for Under $50

Rather than following every fly-by fashion trend, Amal Clooney often reaches for polished, timeless designs that look great in every decade. Case in point: a nautical sundress she wore back in 2014 is still on our mood board, and we finally found a true lookalike on Amazon — for under $50! Back before she officially became a Clooney, the […]

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