Ariana Grande has a way of dropping subtle hints that quickly send fans into detective mode, and her latest concert moment may have been her biggest clue yet. 

A small but noticeable change to the lyrics of “Thank U, Next” reignited speculation that the pop star has reunited with former boyfriend Ricky Alvarez. 

While concertgoers initially treated the switch as a playful surprise, new reports suggest it may have reflected a relationship that had already been quietly blossoming away from the spotlight.

As The Blast reported, fans packed into Ariana Grande’s New York City concert on Monday were caught off guard when the singer put a fresh spin on one of the most recognizable lines from “Thank U, Next.”

Instead of singing, “Wrote some songs about Ricky, now I listen and laugh,” Grande changed the lyric to, “We always find our way back.”

The unexpected alteration immediately fueled speculation that the Grammy winner had rekindled her romance with former boyfriend Ricky Alvarez, especially after the pair had recently been spotted together multiple times. 

According to the Daily Mail, the lyric wasn’t simply a playful moment for the audience. Sources claimed it showed what has reportedly been happening behind the scenes.

Insiders alleged that Grande and Alvarez are “dating again” nearly ten years after ending their relationship in 2016.

Ariana Grande And Ricky Alvarez’s Relationship Reportedly Grew Out Of A Long Friendship

Although the romance may seem sudden to fans, sources insist the pair’s reunion developed gradually.

According to insiders, Ariana Grande remained loosely connected to Alvarez even while she was dating her “Wicked” co-star, Ethan Slater, because they continued to share mutual friends. 

One source emphasized that Alvarez “never crossed the line while she was with Ethan,” explaining that maintaining occasional contact felt natural given their longtime friendship.

As Grande’s relationship with Slater reportedly came to an end, that friendship slowly evolved into something more.

“As her relationship was ending with Ethan, she chose to reach out to Ricky more… then hang out with him more with mutual friends… and then they started hanging out alone,” the insider claimed.

Another source said Alvarez has welcomed the second chance, describing him as “very happy being back in her life and is looking for this second chance to be what he wanted the first time around.”

Ariana Grande’s Recent Public Appearances Added To The Growing Speculation

The romance rumors intensified long before Grande’s latest concert. Last month, Alvarez joined the “God Is A Woman” singer in Austin as she celebrated her birthday during the Eternal Sunshine tour. 

During that performance, Grande also appeared to reference him by changing another lyric to, “I know he still got my back.” 

Just weeks later, the pair were photographed leaving a Whole Foods in Boca Raton, Florida, over the Fourth of July holiday while carrying grocery bags together, further fueling speculation that they had become more than friends.

Sources close to the singer claimed those outings made it clear that the relationship had already become serious.

“Ariana and Ricky are fully back in each other’s lives and are together,” one insider alleged. According to the source, the two aren’t trying to relive their previous romance. Instead, they’re approaching it with greater honesty and maturity.

“They’re revisiting the relationship with a different perspective, openly talking about what went wrong before and making a conscious effort to avoid repeating those mistakes,” the insider said, adding that they now share “a clearer understanding of each other.”

Slater Reportedly Learned About The Reunion Through Mutual Friends

The word “remake” doesn’t have to be a derogatory one, as there are many examples of redoing the same film and finding success. John Carpenter’s The Thing is a horror classic that supersedes the original 1951 film, Ocean’s Eleven from Steven Soderbergh was a far classier take on a “Rat Pack” star vehicle, the Coen brothers’ version of True Grit was actually close to the novel, and Martin Scorsese’s The Departed significantly adjusted the themes of Infernal Affairs to create an instant classic in the gangster genre that won the Academy Award for Best Picture.

A remake should exist if it has the opportunity to significantly improve upon or change something about the original film, but it shouldn’t occur purely to bait nostalgia. Unfortuantely, many remakes are made just to cash in on a popular name, and don’t have a legacy of their own.

10

‘Robocop’ (2014)

Robocop is one of the most rewatchable films of the ‘80s, and its a lot smarter than it is often given credit for. Paul Verhoeven satirized American media and consumerism with his ruthless analysis of corporate culture, and infused some Biblical themes into the story of how the police officer Alex Murphy (Frank Weller) is resurrected into a cyborg hero.

The Robocop remake cuts out all of the satire for the sake of making a bland dystopian film, and it doesn’t do enough to flesh out what Murphy goes through, even if Joel Kinnaman is trying his best with the material. Worst of all, the Robocop remake is PG-13; there’s no point in making a film in the franchise if it can’t include the ultra-violence that is inherent to the themes, as even the bad Robocop sequels were able to pull that off.

9

‘Total Recall’ (2012)

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Total Recall is another Verhoeven classic that was compeely neutered when it was remade because Len Wiseman didn’t have the same creative eye for action and worldbuilding. The original Total Recall is a genuinely thought-provoking psychological thriller that questions the nature of reality and says something about projections of escapist fantasies; it’s one of Arnold Schwarzenegger’s best performances, and the remake sadly wasted the talents of Colin Farrell by giving him one of the most boring character arcs imaginable.

In addition to being PG-13, the Total Recall remake felt less imaginative because it didn’t even go to Mars, and simply felt like just another totalitarian sci-fi thriller. Given that the film has almost no interest in looking beyond the surface of anything that Verhoeven had done with the original, it might as well have not even been called Total Recall.

8

‘Ghostbusters’ (2016)

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Ghostbusters lit a fire within Internet discourse in 2016 when online trolls rejected the idea of an all-female reboot of the 1984 classic from Ivan Reitman, but the unfortunate reality is that Paul Feig’s reimagining had very little to say. Despite the presence of four talented actresses in the cast, 2016’s Ghostbusters is virtually a beat-for-beat remake of the original film, only with more fart jokes, product placement, and terrible improv.

2016’s Ghostbusters looked ridiculously cheap, as the film’s terrible CGI was nowhere near as effective as the practical makeup and effects that had been used in 1984. Worst of all, it tried to bring back original cast members Bill Murray and Dan Aykroyd for pointless cameos that broke the canon of the series; while the most recent Ghostbusters sequels have been criticized for being too dour, they at least tried to do something new.

7

‘Point Break’ (2015)

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Point Break is one of the most influential action films of the ‘90s, and struck a very unique tonal balance between irony and sincerity; ironically, it took a female director in Kathryn Bigelow to make one of the most profound action films ever that tackled the pressures of masculinity. The Point Break remake had none of this attention-to-detail, as it decided to revamp the fun world of surfing with a bland exploration of extreme sports, which already felt dated in 2015.

The biggest issue with the new Point Break is the lack of chemistry between the two leads. The dynamic between Keanu Reeves and Patrick Swayze in the original was so strong that Luke Bracey and Edgar Ramirez paled in comparison in the remake; Bracey and Ramirez are both good actors, but they were not given the opportunity to flesh out their roles.

6

‘Clash of the Titans’ (2010)

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Clash of the Titans is a remake that theoretically should have worked, as the original film from 1981 has not aged very well. However, the 2010 reimagining somehow managed to take the enormity of Greek mythology and make it bland, as the conflict between Zeus (Liam Neeson) and Perseus (Sam Worthington) felt uninspired.

Clash of the Titans immediately dated itself with terrible use of 3D, which was created using a post-production conversion effect that didn’t feel fluid. This was a time in which studios were desperate to cash in on the success of Avatar, which had become the highest-grossing film of all-time, but Clash of the Titans didn’t have James Cameron’s attention-to-detail when it came to worldbuilding. Despite the fact that Greek mythology inspired much of modern storytelling, it wasn’t until Christopher Nolan made The Odyssey that there was a genuinely great film about Greek myths.

5

‘The Lion King’ (2019)

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The Lion King is among the most cynical remakes ever made because it does absolutely nothing to distinguish itself from the 1994 classic, as it is virtually a shot-for-shot recreation. While Disney has shown that it can make good remakes like Pete’s Dragon that do something inventive and new, The Lion King’s only additions are bad songs and morose visuals.

The Lion King can’t be described as “live-action” because there are no human characters, and the effect of seeing photorealistic animals talking and singing is downright creepy. It was the stylization and color within the 1994 classic that was critical to the storytelling, and the remake sucks out all of that energy with its attempt to have the same grounded realism of an episode of Animal Planet. Its success is among the most dispiriting box office stories of the 21st century.

4

‘Wuthering Heights’ (2026)

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Wuthering Heights is a novel that has never been perfectly adapted, as even the Best Picture-nominated 1939 classic was only based on half of Emily Bronte’s novel. Instead of taking the opportunity to make a more thorough adaption, Emerald Fennell reduced the material even further by cutting out major characters and inserting more raunchiness; this is a complete misreading of the source material, as it is the unfulfilled longing between Catherine Earnshaw (Margot Robbie) and Heathcliff (Jacob Elordi) that is supposed to heighten the sexual tension.

Fennell’s film casts actors who are far too old to realistically be playing their characters and uses shock value to visualize Catherine’s sexual awakening; the result is a film that feels made by someone who had only skimmed the novel and didn’t understand what it was actually trying to say about loss and love.

3

‘Going in Style’ (2017)

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Going in Style had the potential to be a great remake because the original 1979 film is a classic, but also a product of its time that isn’t as well-remembered as some of the other comedies of its era. The casting of Michael Caine, Morgan Freeman, and Alan Arkin was spot-on, but the issue with the new Going in Style was its director, Zach Braff.

Braff didn’t have the same sensitivity and earnestness that had made Martin Brest’s take on the same story such a thoughtful exploration of aging and moving past one’s prime. The 2017 version is rife with slapstick gags and ridiculous heist movie shenanigans, as it basically revolves around most characters being idiots in order to be logical in the slightest. It’s a true shame that three all-time great actors couldn’t redeem this massively disappointing new take.

2

‘Lilo and Stitch’ (2025)

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Lilo and Stitch is another completely cynical endevour from Disney becaue it catered to nostlagia without having anything new to say about the beloved 2002 film. As is the case with most of Disney’s live-action versions of their animated classics, the Lilo & Stitch remake is devoid of color and filmmaking skill.

The film was originally planned to be a Disney+ release, and it’s obvious because of the low production values and poor acting; it feels like a made-for-television film, and frankly looks less cinematic than many of the shows that air on HBO today. It’s confusing why Disney decided to hire a new creative team for the remake when the first film’s director, Chris Sanders, is still putting out great work; Sanders recently directed the Oscar-nominated animated masterpiece The Wild Robot, which is far more emotional and moving than the Lilo & Stitch remake.

1

‘The Mummy’ (2017)

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The Mummy is among the most embarrassing failures in contemporary Hollywood history because Universal tried to launch its own cinematic universe to rival Marvel with the “Dark Universe,” which was promptly cancelled after the first installment in the series failed. Rarely has a film been so blatantly made purely to set up sequels and spinoffs; there’s almost lore to the actual Egyptian mythology in The Mummy, as it is mostly focused on setting up characters like Dr. Henry Jekyll (played by Russell Crowe in a hilariously bad performance) who were planned to recur.

Tom Cruise gives one of the very few genuinely terrible performances of his entire career, even if he can’t be totally blamed for the film’s failings, given that there are few writer/directors working today who have had track records as disastrous as that of Alex Kurtzman.

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The Mummy

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Release Date

June 9, 2017

Runtime

110 minutes

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Director

Alex Kurtzman

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Writers

Christopher McQuarrie, David Koepp, Dylan Kussman

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Music that sticks with you means its impact is enduring. Maybe it’s nostalgic or brings you back to a specific time. When a song comes on, it transports you right to that first time you heard it. It’s why classic rock’s authentic human connection has become so timeless. Maybe it’s the soaring orchestrations or the lyrics that emotionally resonate with its listeners. Whatever it is, classic rock was the time when albums ruled supreme. Some artists have a song or two per album that reach masterpiece status. Then there are some, where, from start to finish, every song is a masterpiece. Not every song has the same longevity as its bigger album siblings, but they’re still quite brilliant.

Trimming this list was a near-impossible feat. There are certainly many albums and artists who could be on here, but these ten represent a strong representation of the genre. We have some ground rules. First, only one album per artist, otherwise we might only have a list filled with three bands! Second, we are listing artists alphabetically. There are certainly other options, so let’s celebrate them kindly in the comments! Let’s rock and roll and dive back through ten iconic albums that have influenced music through every track.

‘Toys in the Attic’ (1975)

Aerosmith

It’s hard to imagine classic rock without hearing the bluesy hard rock of Aerosmith and Steven Tyler’s signature acrobatic vocals, Joe Perry‘s gritty guitar riffs, and a career that’s reinvented itself over the decades. Perhaps their defining album is 1975’s Toys in the Attic. The masterpiece album fused gritty American hard rock with infectious, bluesy funk. Propelled by massive hits like “Walk This Way” and “Sweet Emotion,” Toys in the Attic established the band as global superstars and remains their bestselling studio album in the US. Unlike many 1970s hard rock albums, the bass work by Tom Hamilton is incredibly prominent and rhythmic, laying the perfect, funky foundations. Of course, “Walk This Way” established itself as a power player in pop culture. On one hand, it inspired an iconic line in Mel Brooks’ hit comedy Young Frankenstein. On the other hand, it surged on the charts via their ‘80s collaboration with Run-D.M.C.

Beyond the titular track and the big two, the album’s deep cuts are quite strong. “Adam’s Apple” saw Tyler compose a song solo that offered a cheeky look at Adam and Eve. “Uncle Salty” offered a gritty storytelling track rich with thematic lyricism. The album is a wall-to-wall success story thanks to producer Jack Douglas’s studio wizardry. The band had road-tested their sound, which allowed them to refine their unity even with a genre-blending set. You can hear jazzy syncopation in “Big Ten Inch Record,” and the classic power balladry on “You See Me Crying,” which defined their later prowess in the style. Toys in the Attic was a pioneering album for Aerosmith that’s worth a full listen-through.

‘Born to Run’ (1975)

Bruce Springsteen

There are many albums that use a title as a theme. Others use their biggest hit. That’s what Bruce Springsteen did with his third studio album, Born to Run. Springsteen is celebrated as a cinematic musician who can paint a portrait through song. As a masterful storyteller, he transports his listeners to gritty socio-economic realities with soaring, hopeful melodies. In Born to Run, his lyrics are on full display as he depicts working-class hopes and the desire for escape, serving as a thrilling, cohesive journey from the hopeful optimism of “Thunder Road” to the sprawling, gritty epic of “Jungleland”. And, of course, with that titular song in the middle, Born to Run was crafted to emulate a “Wall of Sound” like “Roy Orbison singing Bob Dylan, produced by Phil Spector,” and it worked.

Springsteen and his team spent months heavily layering the instruments to craft a dense, grand, and theatrical experience where saxophone solos and piano interludes united. Through its original “four corners” approach, it gave the album a beautiful structure. Side A opens with the liberating, hopeful “Thunder Road” and ends with the bitter, melancholic loss of “Backstreets”. Side B goes from the anthem that is “Born to Run” before concluding with the tragic, operatic “Jungleland.” And throughout this journey, the lyrical storytelling is unmatched. He offers a glimpse of American youth desperately seeking a chance to break out of sleepy, dead-end towns. At just eight tracks and 39 minutes, every song operates as a self-contained story, blending rock energy with Broadway-style narratives. It’s a great album that we could easily return to rank the songs themselves.

‘Tapestry’ (1971)

Carole King

There’s arguably no greater songwriter than Carole King. A giant in classic rock and pop music, King pioneered the singer-songwriter movement with the masterful Tapestry. Released in 1971, this landmark solo album spent 15 weeks at No. 1 on the Billboard 200 and remained on the charts for 313 weeks. From top to bottom, Tapestry is celebrated because of its unprecedented personal intimacy. By blending catchy melodies with vulnerable, conversational lyrics, King took the spotlight for a truly universal and relatable album. Songs like “You’ve Got a Friend” and “So Far Away” tackle core human experiences of friendship, longing, and domesticity with an open, honest vulnerability. Rather than an overproduced radio album, producer Lou Adler stripped the arrangements to allow King’s warm vocals, dynamic piano playing, and a tight backing band featuring musicians like James Taylor to feel like a live production.

The record reflected the changing societal roles of women, serving as a voice piece for female empowerment and the collective desire to focus on essential, everyday human connections. To pinpoint the “best” track on the album is simply impossible. “It’s Too Late” reflects on the end of a relationship. “You’ve Got a Friend” is a masterpiece of comfort and reassurance. “I Feel the Earth Move” gives King the pop punch with an energetic, driving piano line. For an introspective ballad, King brings “So Far Away” to a peaceful place. “Beautiful” is a wonderful anthem of optimism. “Will You Love Me Tomorrow” gives a stunning acoustic reimagining of The Shirelles’ classic. And then there is “(You Make Me Feel Like) A Natural Woman,” which proves that it’s not just a great powerhouse vocal for Aretha Franklin, but a genuine lyrical wonder. After years of writing hits for other artists, King proved she’s got a way about her.

‘The Rise and Fall of Ziggy Stardust and the Spiders from Mars’ (1972)

David Bowie

There’s genuinely never been an artist quite like David Bowie. A fearless innovator who constantly reinvented his sound, style, and visual identity, David Bowie pioneered glam rock, embraced electronic and avant-garde music, and effortlessly bridged theatrical performance, making him a cultural and musical chameleon. Though every album provides a distinct version of the artist, The Rise and Fall of Ziggy Stardust and the Spiders From Mars is his very best from beginning to end. The album is a loose rock opera about an androgynous, bisexual alien rock star named Ziggy Stardust who arrives on Earth to save humanity from an impending apocalypse. Through this story, he explored themes of fame, decay, and humanism with a glamorous, theatrical flair.

The record is jam-packed with infectious hooks, soaring choruses, and richly emotional words. Tracks like “Starman” and “Moonage Daydream” deliver space-age swagger, while “Suffragette City” provides primordial punk energy. Meanwhile, the opener “Five Years” and the closer “Rock ‘n’ Roll Suicide” infuse grand stage drama into the realm of rock and roll. It’s the breakout hit “Starman” that emerged as the most captivating, as it married an acoustic with glam rock for a truly unique sound. And then, of course, there’s the titular character brought to life in “Ziggy Stardust.” It’s truly a masterclass in storytelling. Beginning with an instantly recognizable opening guitar riff, the song perfectly captures the seductive highs and tragic, ego-driven collapse of rock superstardom. The Rise and Fall of Ziggy Stardust and the Spiders From Mars is a tightly woven concept album that one day deserves the stage treatment.

‘Rumours’ (1977)

Fleetwood Mac

There are very few storied bands with a richer history than Fleetwood Mac. Their iconic, multi-vocalist lineup—Stevie Nicks, Lindsey Buckingham, and Christine McVie—featured three distinct songwriters who created a masterclass in pop-rock harmony. They made music as a unit, but their personal plights became the source of a masterpiece album: Rumours. The career-defining album perfectly balances raw emotional pain with flawless pop-rock craftsmanship. Born from severe intraband turmoil, including the real-time breakups of two couples—Buckingham and Nicks and Christine and John McVie—the album twists heartbreak into resonant, catchy anthems backed by stellar vocal harmonies and a timeless, polished production. Rumours is a true work of art. The studio production is wondrous. From John McVie’s deep basslines and Mick Fleetwood‘s crisp drumming to Buckingham’s crystalline guitar tones, the mix is masterful. Then, the songwriting reflected the songwriters’ anger, grief, and confusion directly into the music, resulting in a masterclass of lyricism.

There is zero filler on Rumours. By far the most universally beloved, thanks to its composition and craftsmanship, is “The Chain.” It’s the only track credited to all five band members, acting as the ultimate statement of resilience. “Dreams” brings out a mesmerizing, melancholic Nicks ballad. Perhaps the most powerful musical moment comes from the Buckingham-penned “Go Your Own Way,” which offers the rawest and most intense emotional storytelling on the record. Even with a peppy pop, “I Don’t Want to Know” pairs Nicks’ defiant lyrics with an infectious, upbeat energy. Though songs like the stripped-down piano ballad “Songbird” and the album’s haunting closer “Gold Dust Woman” may not be the mainstream hits, they’re simply sensational. And then perhaps Christine McVie’s greatest contribution is “Don’t Stop,” the pop-rock anthem of infectious optimism that brilliantly contrasted the band’s intense personal turmoil with a message of hope.

‘Led Zeppelin IV’ (1971)

Led Zeppelin

To put it bluntly, the titan of classic rock is Led Zeppelin. Through a seamless transition from acoustic folk to stadium rock, Led Zeppelin combined supreme instrumental virtuosity, groundbreaking blues-rock grandeur, and mystical songwriting that served as a blueprint for modern rock. The lineup of Jimmy Page on guitar, Robert Plant with the vocals, John Paul Jones on bass and keyboards, and John Bonham on drums proved that technical talent and outstanding artistry are a recipe for success. Their crowning achievement is their untitled fourth studio album, better known as Led Zeppelin IV. The album brilliantly blended a bevy of sounds and styles, setting the tone from the very start. Every single track serves a distinct purpose, flowing with ferocity. From the mind-bending opening riffs of “Black Dog” to the epic closer in “When the Levee Breaks,” Led Zeppelin IV is flawless. The album represents the very best from each band member. What they bring allows the album to soar. Even with the blend of genres, with heavy rock songs sat next to delicate acoustic tracks, they bridge a complete journey across the eight tracks.

Of course, the reason this album soars to the top is the centerpiece of the album: “Stairway to Heaven.” A groundbreaking 8-minute opus that builds from soft acoustic folk into a roaring hard-rock thriller, “Stairway to Heaven” remains one of the most influential and greatest classic rock songs of all time. There’s truly not a song out of place that doesn’t evoke something from the listener because each track is intricately crafted. A cappella in rock is a risk, but “Black Dog” made it epic. Being played in a tricky time signature makes it a musical feat. “The Battle of Evermore” is a mystical acoustic wonder, with Sandy Denny‘s guest vocals weaving their sound effortlessly into the mix. “When the Levee Breaks” has become a heavily sampled song because of its recognizable drum beats. “Rock and Roll’ pays homage to the explosive sounds of the ’50s rock-and-roll era with Bonham’s thunderous drumming and Page’s electrifying riffs. Led Zeppelin IV defines the band like no other album in their repertoire.

‘The Dark Side of the Moon’ (1973)

Pink Floyd

The English band Pink Floyd did a lot for rock and roll. They helped usher in and pioneer progressive and psychedelic rock by transforming the listening experience through thematic concept albums, innovative production, and immersive live shows that elevated rock from mere radio hits to a profound cinematic art form. Perhaps their most notorious album is their eighth, The Dark Side of the Moon. Legend has it that if you play the album with the Hollywood classic The Wizard of Oz, there is a synchronicity. Though they have denied the connection, it helped push the album to new ears. And with that, it allowed The Dark Side of the Moon to reach great heights. The album was conceived as a concept album that blended profound philosophical lyrics with innovative sound engineering by Alan Parsons and seamless musical transitions. While they are not meant to be standalone songs, together they provide an immersive journey that explores the pressures and strains of modern life.

Because each song serves a purpose, they must be excellent. And they are. Perhaps the greatest achievement from the album is “Money.” Known for its outrageously iconic 7/4 time signature and cash register tape-loop opening, “Money” got even grander with the eviscerating saxophone and guitar solos. “Breathe (In the Air)” makes way for a richly atmospheric, mellow track that sets the meditative, oceanic mood at the top of the album, following the instrumental “Speak to Me.” “The Great Gig in the Sky” features a brilliant wordless vocal improvisation from Clare Torry that brings out one of the more emotional performances. By the time you reach the climactic conclusion of “Brain Damage” and “Eclipse,” the album ends with a poignant meditation on mental illness that culminates in a soaring, philosophical finale. Perhaps the reason why The Dark Side of the Moon works is that they worked it on the road before recording it. This allowed for perfection to arrive prior to the studio. Though we are a society of music lovers who enjoy a good vinyl, The Dark Side of the Moon is the ultimate headphone album.

‘A Night at the Opera’ (1975)

Queen

I’ll admit it now: Queen is my favorite band of all time. This list could have featured many of their albums, but none impacted rock and roll and the band themselves quite like A Night at the Opera. The legendary band is known for its flair for the dramatics, theatricality, and genre-defying experimentation, as well as unmatched musicianship. Surely we could debate that Freddie Mercury has the greatest and most unique voice in music history. Queen’s music prowess was on full display on this timeless classic. A Night at the Opera is a complete and utter masterpiece for its genre-blending sound, featuring a songwriting contribution from every member of the band. A Night at the Opera was unafraid to be bold; name another band that infused hard rock, opera, folk, and ragtime into one seamless, monumental album.

There are quite a few musical moments that make A Night at the Opera so uniquely perfect. The record flawlessly leaps across genres. In one sitting, you get the vaudeville camp of “Seaside Rendezvous,” the jolly 1920s music of “Lazing on a Sunday Afternoon,” the acoustic sci-fi folk of ’39, and the heavy, progressive rock in “The Prophet’s Song.” And guess what, we haven’t even reached the mainstream masterpieces. Bassist John Deacon penned the breezy, universally beloved “You’re My Best Friend,” which was the band’s first No. 1 U.S. hit. Roger Taylor delivered the swagger in “I’m in Love with My Car.” Brian May‘s greatest guitar moments are heard on every single track, capturing the essence of the genre of each song. Perhaps the most personal track, and the one that gets dedicated to Mercury at every concert, is the hauntingly beautiful “Love of My Life.” But wait, we still need to talk about the track that defined the band as the revolutionary artists that they are: “Bohemian Rhapsody.”

There has never been a song that single-handedly redefined what a pop or rock single could be. In the nearly six-minute track, “Bohemian Rhapsody” combined a cappella, operatic multi-track harmonies, and hard-rock riffs in a genre-defying suite where each member of the band shone. Namely, the vocal acrobatics of Mercury. “Bohemian Rhapsody” is not only the crown jewel of the album but also their pièce de résistance. It’s a musical opus that appeals to everyone. It’s a song that continues to be celebrated today, whether through professional cover or at karaoke; everyone has taken a stab at the sensational track. The production on the track is simply unheard of. Mercury, May, and Taylor layered their voices to create a massive symphonic choir for an estimated 180 overdubbed vocal tracks. There will never ever be another band quite like Queen.

‘Abbey Road’ (1969)

The Beatles

There may not be another band that has influenced music and pop culture as much as The Beatles have. And their last impression lingers still. Revered as foundational classic rock icons, The Beatles were known for profound and unprecedented evolution, songwriting mastery, and studio innovation. Within just an eight-year recording span, The Beatles pioneered modern self-contained rock bands by writing their own hits, transforming popular music into high art. There are certainly many albums that fulfill the brief of this list, but if we must choose only one, the slot must go to Abbey Road. Regarded as one of the greatest albums ever made, Abbey Road fantastically flows with peak songwriting from all four members. Using state-of-the-art solid-state mixing consoles, Abbey Road sounded uniquely crisp. Producer George Martin and the band utilized advanced multitracking and the Moog synthesizer to create a lush soundscape. Unlike other albums dominated by John Lennon and Paul McCartney, Abbey Road is perhaps George Harrison‘s greatest triumph while a member of the band. It also happens to feature some of the best instrumental performances, namely from Ringo Starr. And now, to the songs.

Abbey Road is packed front-to-back without a single track out of place. What makes the record so unique is how it’s split. Side One is all about standalone classics that are perhaps some of the greatest of all time. Side Two features an ambitious 16-minute continuous suite that weaves several shorter song fragments into a single piece. It all begins with “Here Comes the Sun,” which perfectly captures a mood of pure optimism and relief. You can’t help but hear and feel lighter. Of course, the standouts there are the beautifully lush and theatrical dual sequence of “Golden Slumbers” and “Carry That Weight.” When the song segues into that powerful group sing-along, you know how special the album truly is. Now, back to the Side One tracks. The album kicks off with one of the most perfect Beatles tracks, “Come Together.” Bolstering a funky groove, slinky bassline, and mystifying lyrics, “Come Together” remains a shining moment for the band. It then slows down with Harrison’s best, “Something.” Is it one of the greatest love songs ever written? It might be. The Beatles moved back to pay homage to ’50s doo-wop with “Oh! Darling,” which features McCartney’s boldest vocal performance. Abbey Road remains one of the most important rock albums, ushering in the end of an era. It was the last album they recorded as a full band.

‘Let It Bleed’ (1969)

The Rolling Stones

The fact that The Rolling Stones are still kicking all these decades later should come as no surprise. They remain as one of the most significant bands of all time. They pioneered gritty, blues-based rock, establishing a template for other classic rock bands of the time. Their musical longevity, coupled with Mick Jagger‘s charisma on stage and Keith Richards‘ mindblowing guitar riffs, have made them a cornerstone in musical history. There’s a great debate in regard to what might be the greatest Rolling Stones album, but when it comes to top-to-bottom masterpieces, that honor is given to Let It Bleed. The 1969 album captures the era’s dark, apocalyptic tension through a unique mix of blues, gospel, and country rock. Almost every single song has become a staple in the band’s canon.

A tone must be set, and it was perfectly set with “Gimme Shelter.” Through its apocalyptic atmosphere and the staggering vocal performance by Merry Clayton, “Gimme Shelter” sets a dark, forbidding mood that mirrors the end of the ’60s. Things go country with “Country Honk,” which was the country version of “Honky Tonk Women.” The harmonicas are heavy in the sinister blues groove in “Midnight Rambler,” which escalates into a chaotic jam session. “Monkey Man” sets the stage for a surreal, druggy party atmosphere with a razor-sharp guitar. Richards gets to play lead vocalist on the entirety of “You Got the Silver.” What makes Let It Bleed a significant musical moment is how the band captures that same apocalyptic feeling with a completely different sound by the end. It’s all thanks to the popular anthem “You Can’t Always Get What You Want.” Starting with a beautifully haunting choir, a brilliant French horn intro, and a divine vocal performance from Jagger on some of the most profound lyrics, Let It Bleed ends perfectly. By trading ’60s pop psychedelia for gloomy doom and blues, The Rolling Stones further evolved their sound into a thrillingly cohesive product.

Who’s Your Perfect Classic Rock Band?

It should come as no surprise that many of the best shows of all-time are based on crime, as it’s perhaps the most popular genre in the medium. Television emerged from pulp novels, radio broadcasts, and low-budget films that explored scandalous and controversial events within the present, and it makes sense that the prestige era would focus on refining these ideas into more focused stories.

Television is often a reaction to great cinema, and many brilliant shows owe a significant debt of influence to classics within the crime genre, such as Francis Ford Coppola’s work on The Godfather trilogy and the many gangster epics of Martin Scorsese. Although there is enough great television to get a lifetime of recommendations, these shows stand out as being essential for anyone who considers themselves to be a fan of good storytelling.

10

’24’ (2001–2014)

Image via FOX

24 is one of the most exciting and experimental achievements in television history because it offered a new way of telling an immersive story. Each season consisted of 24 episodes and took place over the course of a single day, with each episode taking up an hour, and the story was told in real-time.

24 hit at the right time when fears of domestic terrorism were at an all-time high, and the show delved into relevant issues regarding foreign policy, political conspiracies, and the abuses of power carried out in the name of law enforcement. Kiefer Sutherland’s character Jack Bauer was unquestionably framed as a hero, but the show was willing to depict him as being morally ambiguous, making for an even more enticing experience. It’s a show that got several continuations and might continue into the future should Sutherland agree to reprise his role.

9

‘Better Call Saul’ (2015–2022)

Image via AMC

Better Call Saul is the greatest spinoff show of all time because it actually advanced and deepened the world that was created with Breaking Bad. Bob Odenkirk had been a standout in Breaking Bad with his performance as the sneaky, corrupt lawyer Saul Goodman, but Better Call Saul showed how his story began as the ambitious aspiring attorney Jimmy McGill, who was locked in a lifelong feud with his more successful older brother, Chuck (Michael McKean).

Better Call Saul is just as immersive as Breaking Bad because it is both a prequel that explores Jimmy’s early life and a sequel that shows Saul’s escape from justice in the aftermath of the original series. Odenkirk delivers amazing work, but the standout performance in Better Call Saul is from Rhea Seehorn as Kim Wexler, one of the best characters in the modern television era.

8

‘Mr. Robot’ (2015–2019)

Image via USA Network

Mr. Robot is the most stylistically advanced show ever made because creator Sam Esmail based the series on his concepts for a film and drew from many cinematic classics to make a show that felt like the work of an auteur. Mr. Robot began as a show about hacking that earned praise from real hackers regarding its authenticity, but it turned into a harrowing character study about the activist leader Elliot Alderson (Rami Malek), who is haunted by the memories of his dead father (Christian Slater).

Mr. Robot forces its audience to pay attention, but that detail is justified given the density of the material and how rewarding it ends up being. Although the terminology and worldbuilding are often quite complex, Mr. Robot is also a very emotionally open show that stuck the landing with one of the most beautiful endings of all time.

7

‘The Shield’ (2002–2008)

Image via FX

The Shield was a series that was ahead of its time because it subverted the lionization of law enforcement that had been inherent to television ever since the dawn of the procedural format. Set in modern-day Los Angeles, The Shield told the story of the corrupt Strike Team leader Vic Mackey (Michael Chiklis), who abused his power for personal gain, while occasionally being used for good.

The Shield offered a scathing look at institutional corruption that also asked deep questions about morality, as Vic was a character who could occasionally be sympathetic, despite his reprehensible behavior. Although Chiklis delivered an amazing performance that ranks among the greatest in television history, The Shield was well-known for drawing in acclaimed guest stars, with both Forest Whitaker and Glenn Close being among the Academy Award nominees who joined the cast in later seasons.

6

‘Boardwalk Empire’ (2010–2014)

Image via HBO

Boardwalk Empire is both an epic crime saga and an outstanding period drama because it is set during the Prohibition era, where gangsters became Robin Hood-esque heroes among a galvanized public. The series stars Steve Buscemi as the Atlantic City treasurer Nucky Thompson, who has serious ties to the mafia that shape his decisions, and is hunted down by a ruthless FBI agent (Michael Shannon).

Boardwalk Empire had one of the best rogues’ galleries of any HBO show, as the series was able to consistently pull in notable guest stars to play its villains. It is among the rare shows that are as informative as it is entertaining, as Boardwalk Empire captured the tension within one of the most divisive periods in American history, while also telling a classic story of greed, power, and ambition through the eyes of an anti-hero.

5

‘The Americans’ (2013–2018)

Image via FX

The Americans is the greatest spy show ever made because it doesn’t take the traditional route to exploring espionage and secret agents. Set during the height of the Cold War in the 1980s, The Americans is about the KGB agents Philip (Matthew Rhys) and Elizabeth Jennings (Keri Russell), who go undercover in the United States to pose as an average American couple so that they can intercept information and send it back to the KGB.

The Americans offers a fascinating portrayal of the evolution of a marriage because the relationship between Philip and Elizabeth is one that began out of obligation, but steadily transformed into something legitimate. It’s a thrilling series from start to finish that capitalized on a real relationship between its stars (as Russell and Rhys fell in love and married during the making), and ended with a completely satisfying conclusion in the finale “-START-.”

4

‘Twin Peaks’ (1990–2017)

Image via ABC

Twin Peaks is responsible for creating modern television because David Lynch crafted the first true “watercooler” show that heightened expectations on a weekly basis because audiences were tuned in to the serialized story. Twin Peaks is so ambitious that its amazing what Lynch was able to do with just two seasons back in the early ’90s; it was simultaneously an insight into grief, an exploration of the secrets within an idealized American small town, a subversion of what broadcast television had become, and a surrealist journey into the existential battle between good and evil that has been waged since the beginning of time.

Lynch returned to Twin Peaks in 2017 with a third season produced for the Showtime channel that somehow got richer and more complex, and became the perfect swan song for one of the most brilliant creatives of all-time.

3

‘The Sopranos’ (1999–2007)

Image via HBO

The Sopranos has earned its status as “The Godfather of television,” and not just because it is another mob epic about an American family. The Sopranos is a character study about a psychopathic, yet sensitive anti-hero whose faults are the result of decades of restrained emotions and familial baggage. It’s both a dark study in what the American dream really is and a more grounded look at what being part of the criminal lifestyle really is.

The Sopranos features the single greatest performance in television history from the late great James Gandolfini, who became so synonymous with the role of Tony Soprano that it would be impossible to imagine anyone else in the part. Nonetheless, the entire show was filled with tremendous acting, with Michael Imperioli’s role as Christopher Moltisanti being particularly important as an inverse to his ulcer Tony.

2

‘The Wire’ (2002–2008)

Image via HBO Max

The Wire was an underground sensation among television fans that was never a massive ratings success or awards contender, but steadily began to earn more traction as the word spread about its brilliance. The Wire was created by David Simon, a former journalist who spent over a decade writing for the crime beat in Baltimore, who based the series on his own experiences and drew attention to real issues within American communities.

The Wire is an all-encompassing crime epic that explores the perspectives of those within every level of infrastructure, and raises important points about the existential issues that are baked into the country. While it’s a very complex show that requires a significant amount of attention from viewers, the journey of its five brilliant seasons aren’t to be missed by anyone who wants to be both informed and entertained.

1

‘Breaking Bad’ (2008–2013)

Image via AMC

Breaking Bad deserves to be considered as a modern work of Shakespeare because it has five seasons that correspond to the five acts of one of the great tragedies by “The Bard.” Although there have been many modern shows that have attempted to tell the story of an unredeemable anti-hero, Breaking Bad was a novelty because it showed how the mild-mannered high school chemistry teacher Walter White (Bryan Cranston) transformed into the ruthless drug kingpin known as “Heisenberg.”

It’s a miracle that Breaking Bad achieved a level of consistency that was impossible to replicate, as showrunner Vince Gilligan showed the importance of planning out stories in advance. Breaking Bad is an operatic tragedy, but it’s also a consistently thrilling drama with terrific performances, dark humor, and constant twists and turns that kept viewers guessing until the end of its run.

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Breaking Bad

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Release Date

2008 – 2013-00-00

Network

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AMC

Showrunner

Vince Gilligan

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Directors

Vince Gilligan, Michelle Maclaren

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It is impossible not to immediately recognize Bryan Fuller’s whimsical aesthetic, which is what makes his feature film debut, Dust Bunny, one of the best monster movies of the past decade. Cutting his teeth in television, Fuller was responsible for creating such cult classics as Pushing Daisies and everyone’s favorite serial killer in Hannibal. He brings the same violence and wide-eyed wonder to Dust Bunny, starring Hannibal alum Mads Mikkelsen. The concept is simple enough.

10-year-old Aurora (Sophie Sloan) manifests a monster under her bed from dust bunnies, and after it kills her foster parents, she enlists her neighborhood hitman to kill the creature. Of course, Fuller’s projects are rarely what they appear to be on the surface. Mikkelsen’s character, known only as “Intriguing Neighbor,” is morally gray and has his own childhood trauma to contend with. As it turns out, Dust Bunny is a metaphor, and that is what elevates it from a typical monster movie to an HBO Max must-watch.

The man who created Hannibal clearly has some emotionally traumatizing themes up his sleeve, no matter how cutsie Pushing Daisies or Wonderfalls was. The director digs into some tough territory as Aurora and the Intriguing Neighbor bond over childhood abandonment. The entire reason why Aurora wishes for a monster is that her birth parents weren’t kind to her. Since then, the dust bunny monster has consumed every family she’s had.

This connects to the Intriguing Neighbor’s own issues with parenthood, as he has an extremely toxic relationship with his own mother, Laverne, played eerily and villainously by Sigourney Weaver. Ultimately, Dust Bunny is about healing; it just happens to take place in a whimsical world. All the set decoration and props are exactly what fans have come to expect from Bryan Fuller. Bright colors and a fantastical world of magical realism exist in this alternate version of New York City.

It is almost a shame how much time is spent in Aurora’s apartment because of the magical nighttime sequence that occurs at the beginning of the story. Mads Mikkelsen can also always be trusted to pull off Fuller’s special brand of horrifying and charming, after his years on NBC’s Hannibal. The best part, of course, is the classic Lone Wolf and Cub dynamic that occurs between the Intriguing Stranger and Aurora. While he naturally harbors some disbelief that a monster under a child’s bed has actually been killing people, he still feels protective of Aurora. She represents the childhood he never got to have and the notion that hurt people hurt people.

He deduces that all the people who harmed Aurora are the ones who get devoured by the monster. She created it, so she has the power to control it. If that isn’t the perfect metaphor for childhood trauma, who knows what is? Just like trauma, the monster cannot be killed, only dealt with. This is the perfect lesson for people struggling with these complex themes. These characters carry the monster story home, uniting two people who need each other exactly at that moment. Dust Bunny was the dark horse of 2025 and was worth every second.

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Release Date

December 11, 2025

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Runtime

106 minutes

Director

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Bryan Fuller

Producers

Basil Iwanyk, Erica Lee, Jillian Share

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Tennis fans got a heads-up that a heat wave was coming through London and would impact the 2026 Wimbledon Tennis Championships. Kate Middleton was prepared with a portable electric fan to keep a breeze directly on her. That got us thinking that it wouldn’t be a bad idea to have one of our own for the next time we’re forced outside in scorching temperatures.

The Jisulife Handheld Fan Life7 is incredibly similar to the model that Middleton was spotted holding. The electric fan is small enough to hold with one hand, so it’s a convenient way to beat the heat throughout the summer. So, those outdoor concerts, brewery outings and other adventures won’t be tarnished by the weather.

Get the Jisulife Handheld Fan Life7 for $24 (originally $31) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Like Middleton’s, the Jisulife fan was designed to fold, so it packs down even more compactly. That also allows you to place the fan on a flat surface, like a desk, to keep the airflow going completely hands-free. Plus, the Amazon find comes with a lanyard, so you can keep it close by around your neck without having to dig it out of a bag.

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Kate Middleton made a strong case for sporty summer style. The Princess of Wales recently stepped out in trail-ready hiking shorts during a family outing, and while her exact pair costs around $80, you can channel the same outdoorsy vibe with these similar Amazon hiking shorts for under $30. Photos shared after Middleton reunited with Prince […]

Don’t let its size fool you — this portable electric fan packs serious power with 3,500 and 5,000 milliampere-hour (mAh) options. The clever warm-weather accessory has five speed settings, and the brand says it has 19.5 hours of battery life at speed one. You can keep track of when it’s time to recharge with the included charging cable, thanks to the light-emitting diode (LED) display that details how much juice is left.

Real-life shoppers agree that this portable fan does its job with solid airflow while being small enough not to get in the way.

“The airflow is really strong, which cooled me down quickly and kept me comfortable all day. I mostly used it on setting two or three, and it lasted three days without needing a recharge. The fan is adjustable, so I could stand it on the table while eating or adjust it around my neck, which was super convenient,” a five-star reviewer wrote.

“It is seldom that you run into a product that just awes the heck out of you. This fan is about the size of an iPhone Plus — not too heavy. But WOW! Incredible the air-pushing power of it! I usually only use the lowest setting, which is enough and ultra quiet,” one verified purchaser shared.

No matter if you’re exploring a theme park, commuting to work or enjoying Wimbledon, summer activities are made more enjoyable when you have a steady breeze when you need it.

Get the Jisulife Handheld Fan Life7 for $24 (originally $31) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more handheld electric fans here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

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Related: Kate Middleton’s White Dress Style Conceals the Upper Arms (and Tummy!)

Like Us, Kate Middleton leans on mega flattering dress styles. During a summer outing, Middleton opted for a dress that covered her upper arms and cinched her waist at the same time, no squeezing involved. We found the look on sale for only $50! While visiting a children’s hospital, Middleton wore a crisp white dress, […]