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Entertainment

10 Greatest Psychological Thrillers of the Last 99 Years

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The Unknown

Over the course of the last 99 years, the psychological thriller genre has evolved in ways that are nothing short of fascinating. Contrary to your good ol’ regular thriller, one of the psychological variety prioritizes character-driven tension, moral conflicts, and mind games over external conflict. The result can often be an absolutely enthralling motion picture.

Indeed, from 1927 until the present, there have been several psychological thrillers which have gone down in history as true all-timers and have aged like fine wine. Whether it’s a Golden-Age Hollywood classic like Rear Window or a modern international masterpiece like Parasite, the best psychological thrillers of the last 99 years are among the genre’s definitive masterpieces.

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10

‘The Unknown’ (1927)

The Unknown Image via Metro-Goldwyn-Mayer

Originally titled Alonzo the Armless, Tod Browning‘s awfully underappreciated silent horror thriller The Unknown is among the most intense silent movies ever made. Starring Lon Chaney in one of his most memorable yet underrated performances, it’s the tale of a criminal hiding as a circus performer, and the horrific lengths he goes to in order to win over the woman he’s obsessed with.

Gleefully melodramatic and thankfully not restricted by the censorial Hays Code, which wouldn’t be adopted until three years later.

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The film holds an impressive 100% approval rating from critics on Rotten Tomatoes, and it’s fully deserved. Gleefully melodramatic and thankfully not restricted by the censorial Hays Code, which wouldn’t be adopted until three years later, the film is as thematically fascinating as it is surprisingly moving. Its horror elements are, like those of pretty much any movie from the 1920s, quite a bit dated; but The Unknown is still a must-see 99 years after its release.

9

‘Perfect Blue’ (1997)

Perfect Blue - a woman peeks above her sunglasses in a car's rearview mirror Image via Rex Entertainment
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The late Satoshi Kon made several animated masterpieces over the course of his career. It was as soon as he made his debut with the psychological horror thriller Perfect Blue, in fact, that he cemented himself as one of the greatest anime filmmakers of his generation. Hugely influential and utterly timeless, this is one of those classic animated movies that have aged like fine wine.

For one, the animation is stunning, wonderfully supporting the surrealist vision that makes Kon’s oeuvre so fascinating to explore. Aside from being visually striking, Perfect Blue is also deeply atmospheric and at times unexpectedly terrifying, portraying the horrors of artistic obsession with a level of depth that has inspired films as great as Black Swan and The Neon Demon over the years.

8

‘Parasite’ (2019)

The Kim family assembles pizza boxes in a scene from 'Parasite'
The Kim family assembles pizza boxes in a scene from ‘Parasite’
Image via NEON
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Bong Joon Ho is one of the greatest South Korean filmmakers currently working, and as if his incredible (and at times awfully underrated) pre-2019 output hadn’t been enough proof, he then came out with Parasite. Today, this is perhaps one of the most noteworthy international films of all time, the first movie not in the English language to win the Best Picture Academy Award.

As a satire critiquing socioeconomic disparity and the exploitation of the working class, Parasite isn’t particularly subtle—but it never needs to be. What makes it one of the best thriller movies of the last 25 years is precisely Bong’s willingness to go big and loud with the narrative, juggling several different genres in a film that can be nail-bitingly tense and suspenseful without ever sacrificing its acidic sense of humor.

7

‘The Silence of the Lambs’ (1991)

Clarice Starling staring at Hannibal Lecter as his reflection looms in the glass in The Silence of the Lambs
Clarice Starling staring at Hannibal Lecter as his reflection looms in the glass in The Silence of the Lambs
Image via Orion Pictures
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By this point, Jonathan Demme‘s The Silence of the Lambs has become such an indelible cornerstone of modern pop culture that it has become even more famous than the 1988 novel it’s based on. Whether it is or isn’t a horror movie is a hotly debated topic, but one thing is undeniable: It’s a psychological thriller through and through, and one of the most effective that the last four decades have thus far produced.

Being one of those thriller movies where the villain wins, never afraid to approach its story with brutal grimness and shock value, The Silence of the Lambs is not exactly a crowd-pleaser; but it’s a must-see nonetheless. As far as hugely suspenseful stories with tremendous psychological depth go, it doesn’t get much better or much more iconic than Demme’s magnum opus.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

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🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

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What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

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Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

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How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

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What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

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What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

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Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

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What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

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What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

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How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

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What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…
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Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

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You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

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You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

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You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

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You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

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You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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6

‘The Wages of Fear’ (1953)

A wounded man leaning on another one in The Wages of Fear Image via Cinédis

Even back during the days of Hollywood’s Golden Age, it wasn’t only the United States that produced exceptional psychological thrillers. For proof, one needn’t look further than Henri-Georges Clouzot‘s French-Italian co-production The Wages of Fear, one of those great thrillers that marked the end of an era. Fueled by pure cynicism and existential dread, it’s one of the most unique films from the 1950s.

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The Wages of Fear is as philosophically complex and thought-provoking as it is irresistibly thrilling, achieving the perfect balance between artfulness and pure entertainment value. Its satirical sense of humor is razor-sharp, its social critique of capitalist exploitation has aged like fine wine, and the cinematic thrills that its whole runtime has to offer are pure movie magic.

5

‘Woman in the Dunes’ (1965)

Written by Kōbō Abe and based on his own novel of the same name, Woman in the Dunes is perhaps the best and most important work of the career of Hiroshi Teshigahara, one of the most foundational voices of the Japanese New Wave film movement. A work of pure arthouse avant-garde, Woman in the Dunes is definitely not made for every cinephilic palate. Those who love their psychological thrillers slow-burning and purely psychological, though, will very likely love it.

Woman in the Dunes is basically a philosophical dissertation in movie form, a Kafkaesque masterpiece about the absurdity of life and the odd yet undeniable power of human connections. It’s one of the most underrated drama movie masterpieces ever made, and though it’s definitely intellectually challenging and more on the “psychological” side than on the “thrilling” side, it’s still essential viewing for all fans of the genre with enough patience for it.

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4

‘Oldboy’ (2003)

Choi Min-sik in Oldboy smiling hauntingly in Oldboy.
Choi Min-sik in Oldboy smiling hauntingly.
Image via Show East

Another South Korean filmmaker who has proven time and time again throughout his career to be a master of thrillers is Park Chan-wook, but no Park thriller is better or more iconic than Oldboy. Based on Garon Tsuchiya and Nobuaki Minegishi‘s Japanese manga Old Boy, it’s one of the heaviest mystery movies of all time, one that’s certainly not for the faint of heart.

But as squirmy as it may be, Oldboy is still one of the greatest action films and psychological thrillers of the 21st century so far. It’s brilliantly intense, perfectly paced and choreographed, and admirably well-acted. As for its third act, it’s one of the most shocking that the genre has ever seen, and more than enough to make this masterpiece a test of endurance for the most seasoned psychological thriller fans.

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3

‘Se7en’ (1995)

Brad Pitt looks at the camera in Se7en
Brad Pitt in Se7en
Image via New Line Cinema

David Fincher is one of the greatest thriller filmmakers of his generation, and he proved that since very early on in his career. Se7en was his sophomore directing effort (and the first film he had full control over, considering the disaster that was Alien³), and what an introduction to the Fincher the world now knows and loves it was. It’s probably the darkest, most pessimistic, most cynical blockbuster ever to have made over $300 million dollars at the box office.

As grim and unapologetically tragic as it may be, though, Se7en is also so irresistibly entertaining that anyone who claims to love psychological thrillers, yet hasn’t seen it, doesn’t actually love the genre as much as they think they do. Sure, it’s one of the most fatalistic movies of all time, but Se7en is also an undeniable masterpiece bolstered by its incredible cast, its breathtaking third act, and its many jaw-dropping twists.

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2

‘Rear Window’ (1954)

Jimmy Stewart with a camera in Rear Window Image via Paramount Pictures

There were many directors who came before him and helped define the psychological thriller, but it was Alfred Hitchcock who properly transformed the genre into what we now understand it as. Different people may point to different films as their favorite Hitchcock psychological thriller, from Vertigo to Psycho, but there’s one that may even be the director’s best-ever work: Rear Window.

Rear Window is a complete and utter masterclass in virtually every aspect of filmmaking. It’s a masterclass in how to use blocking and framing to tell a story, in how to get the best performance possible out of thespians of Jimmy Stewart and Grace Kelly‘s stature, and in how to build suspense in a space as tightly confined as an apartment. It’s one of the most universally loved thrillers ever for a reason.

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1

‘High and Low’ (1963)

Toshiro Mifune as Kingo Gondo smoking a cigarette and staring at shoes kept on the table in High and Low.
Toshiro Mifune as Kingo Gondo smoking a cigarette and staring at shoes kept on the table in High and Low.
Image via Toho

Akira Kurosawa is pretty much universally recognized as the greatest Japanese filmmaker of all time, and there are those who would go so far as to even call him the greatest overall. Watching a masterpiece like High and Low, it’s really not hard at all to understand why. Part riveting crime drama, part intense psychological thriller, part thought-provoking social critique, it genuinely is one of the best motion pictures ever created.

High and Low‘s story is split into three very tonally and stylistically distinct sections, each one of those experimenting with elements from different subgenres and artistic styles. But the tropes of the psychological thriller are a common thread that unites the entire runtime, and Kurosawa understands them so flawlessly that this is easily one of the most perfect crime movies of the 20th century.

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High and Low 1963 Movie Poster

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High And Low


Release Date

March 1, 1963

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Runtime

143 Minutes

Director
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Akira Kurosawa

Writers

Ryûzô Kikushima, Hideo Oguni, Eijirô Hisaita, Akira Kurosawa

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Larsa Pippen Called ‘LarsaGPT’ Over Unrecognizable Photo

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Larsa Pippen out for an evening at Costes in Paris with black fur and luxury jewelry

Larsa Pippen’s latest glamour shot has sparked more confusion than compliments. The “Real Housewives of Miami” star posted a balcony photograph in a navy-blue minidress, but many of her 5.4 million Instagram followers were distracted by how different her face appeared. Fans immediately accused the 52-year-old reality personality of using artificial intelligence or an aggressive filter, although Pippen has not confirmed that the image was digitally altered.

Larsa Pippen out for an evening at Costes in Paris with black fur and luxury jewelry
Aissaoui Nacer / MEGA

Pippen uploaded the image to Instagram on Thursday. The reality star posed outside on a balcony while modeling a fitted navy minidress. However, her sharply defined jaw and noticeably smaller-looking lips quickly became the focus of the comments section.

“What in the AI is going on here?” one person asked. Another follower coined a new nickname for the Bravo personality, writing, “That’s LarsaGPT.”

Several commenters claimed they struggled to recognize Pippen at all. “Has anyone seen Larsa? Who is this?” one person wrote, while another simply asked, “Girl, who is this?” One follower similarly commented, “lol who is dat!”

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Followers Beg The Reality Star To ‘Stop’

Some fans made it clear that their criticism was not intended as an attack on Pippen herself but rather on the dramatic appearance of the photograph. “Larsa no… come on! I love you, but this has to stop,” one follower wrote.

Another person blamed a heavy filter for the reality star’s altered appearance. “That filter is working overtime, honey. Not hating but damn,” they commented.

Others were less gentle with their reactions. “Girl, which face are we on now?” one person asked. “Larsa or whoever you are…please just stop it lol,” another wrote.

The image even inspired a joke involving Pippen’s “Real Housewives of Miami” co-star Adriana de Moura. “I see you let Adriana start editing your pictures,” the commenter quipped.

Despite the flood of criticism, at least one follower kept the reaction positive and wrote, “Great Picture.”

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Larsa Pippen Is Focused On Raising Four Children

Larsa Pippen celebrates her 50th birthday at Zouk nightclub at Resorts World Las Vegas on July 13
Resorts World Las Vegas/Mega/MEGA

Away from the social media scrutiny, Pippen is a mother to four children with her former husband, NBA legend Scottie Pippen. The exes share sons Scotty Jr., Preston, and Justin, as well as daughter Sophia.

Although their marriage ended, Larsa has said that she and Scottie remain aligned when making decisions involving their children. “I feel like we’re both the same when it comes down to parenting our kids,” she told Bravo’s “The Daily Dish” in 2023.

“We’re both pretty understanding with our kids, and we both have the same parenting goals for our kids. So I think it, like, works for our family,” Larsa continued.

The former couple married in 1997. At the time, Scottie was already the father of four children from previous relationships. They welcomed Scotty Jr. in November 2000, followed by Preston in 2002 and Justin in 2005. Their youngest child and only daughter, Sophia, arrived three years later.

Larsa Pippen Encourages Her Children To Follow Their Own Paths

Larsa Pippen and Scotty at 2026 Pegasus World Cup
MPI04/Capital Pictures / MEGA

Scotty Jr. and Justin have pursued basketball careers, while Sophia has entered the fashion and modeling world. Preston played basketball in high school but is now building his own future after graduating from college. Larsa has emphasized that she wants each of her children to pursue whatever genuinely interests them.

“I want my kids to do the things that make them feel good,” she said. “I feel like if they’re comfortable doing whatever passion or whatever they want to pursue, I feel like I’m excited to help.”

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Scotty Pippen Jr. Followed His Father Into Basketball

During the 2011 premiere of “The Real Housewives of Miami,” Larsa described her oldest child as “just like his dad, super, super competitive.”

Scotty Jr. played basketball at Sierra Canyon School before continuing at Vanderbilt University. In July 2022, he began his professional career after signing with the Los Angeles Lakers. “Having a father in the NBA definitely puts a target on your back. So, I think just being able to endure all that and finally say ‘I made it,’ is a good feeling,” Scotty Jr. told PEOPLE.

He acknowledged that comparisons to his celebrated father created additional expectations. “I would say there are higher expectations because people expect me to be like my dad, but I don’t really let that get to me because that’s just what people think I should be or should not be,” he continued, describing the opportunity as “a dream come true.”

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New Trailer Reveals Perfect Adaptation Of The Most Iconic Batman Story

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New Trailer Reveals Perfect Adaptation Of The Most Iconic Batman Story

By Chris Snellgrove
| Updated

Riddle me this, Bat-fans: what is the most iconic story to ever feature the Caped Crusader? There are many more obscure tales that might be the best Batman story (personally, I’m partial to Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth), but those aren’t the ones that completely changed this character’s trajectory. For my money (which admittedly doesn’t go nearly as far as Bruce Wayne’s), the most iconic story featuring the Dark Knight is Knightfall, which pitted this character against familiar foes and someone relatively new: Bane, a genius whose one and only goal is to break the Batman.

This was a comic that put Batman through the wringer and gave the center stage to Bane, who became such a prominent villain that he’d later headline Christopher Nolan’s The Dark Knight Rises. While that film captured some of the coolness of Knightfall, it only had surface-level similarities to the original comic. Eventually, many fans like myself despaired that we’d never see a faithful, onscreen adaptation of this iconic ‘90s tale. Fortunately, DC is here to prove us wrong: an animated Batman: Knightfall movie is dropping on August 25, and judging by the trailer, this is one film no Dark Knight fan will want to miss.

He Is The Knight

The premise of Knightfall is that a juiced-up genius, Bane, learns that Batman is secretly Bruce Wayne. He becomes obsessed with breaking the vigilante, but he decides to soften the Dark Knight up first by releasing almost all of his rogues’ gallery from Arkham. Batman is forced to fight a gauntlet of his worst foes, and waiting at the end of this gauntlet is the seemingly unstoppable Bane. The villain actually defeats our hero, leaving him broken. Bruce appoints an unstable new guy, Jean Paul Valley, to be the new Batman while he recovers. When Bruce returns, though, he discovers his replacement has become far scarier than any of the villains he fights. 

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In the original DC Comics, this story was split into three parts: Knightfall (showing how Bane breaks Batman), Knightsquest (showing Bruce recovering while Jean Paul learns to be Gotham’s hero), and KnightsEnd (where Bruce returns to claim the mantle of the Bat from his crazy replacement). That’s why this movie’s full name is Batman: Knightfall, Part I: the studio will be releasing two more movies that will presumably fill out the rest of the story. This first film will be focusing entirely on the earliest arc, where Batman must fight all the escaped Arkham villains and then fight, guano a gunao, with Bane.  

The Bane Of Batman’s Existence

Judging from the trailer, it looks like the upcoming film will translate this arc very faithfully. It should be a real crowdpleaser, too, because the story is filled with one showdown after another between Batman and his most famous foes. As such, the original comic didn’t have that much of a story, and what little we got was primarily meant to give context to all the nonstop fighting. Still, Knightfall is notable for illustrating the toll that Batman’s endless crusade is having on his body and mind, and the trailer emphasizes the damage our hero has endured and how much his friends and family worry about him.

The trailer is filled with cool character moments and action sequences, and the animation looks beautiful (none of the stilted movement that ruined The Killing Joke). To me, what stood out the most was the voice work. Anson Mount (most famous for Star Trek: Strange New Worlds) is doing his best as Batman to channel the late, great Kevin Conroy (of Batman: The Animated Series fame). In his brief appearance, Pablo Schreiber does a great, broody job as Jean-Paul Valley. Unfortunately, Michael Mando’s Bane is pretty “meh:” his voice is neither deep nor goofy, and he sounds like a D&D DM doing a poor attempt at a creepy voice.

Bad Bane voice acting aside, the trailer for Batman: Knightfall, Part I looks very solid. Fans of the original comic can look forward to finally getting a faithful adaptation, and everyone else can get a stylish new introduction to this iconic story. Will this film successfully scratch the itch for fans as we wait for updates about DCU’s upcoming Batman film? We’ll find out together when Batman: Knightfall, Part I releases on digital on August 25. 


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Lisa Hochstein’s Ex Sued By Patients Claiming Botched Surgeries

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Lisa Hochstein's Ex Sued By Patients Claiming Botched Surgeries

Lisa Hochstein’s ex Lenny Hochstein, a plastic surgeon, is facing three separate lawsuits from former patients who claim his allegedly negligent care left them with infections, deformities, and chronic pain. The women’s complaints were filed in Florida’s Eleventh Judicial Circuit Court in Miami-Dade County and also name Hochstein’s North Miami Beach Surgical Center as a defendant.

Morgan & Morgan, the law firm representing the plaintiffs, says the women are seeking accountability for injuries they allegedly suffered after undergoing abdominal and breast procedures at Hochstein’s clinic. The allegations have not yet been proven in court.

Each complaint centers on a different patient’s experience under Hochstein’s care. One 46-year-old woman alleges that substandard treatment connected to an abdominal procedure caused multiple infections, scarring, deformity, and continuing pain.

A second woman claims her breast augmentation left one breast so distorted that another plastic surgeon had to perform corrective surgery.

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The third plaintiff underwent an initial breast augmentation in 2022 and a revision surgery with Hochstein in 2023. She alleges that both procedures ultimately left her with breast deformities and chronic pain.

“These women trusted Dr. Hochstein with their health and their bodies,” Morgan & Morgan founder John Morgan and plaintiffs’ attorney Jack Cook said in a statement with PEOPLE. “Our clients deserve accountability, and we will fight to ensure they receive justice.”

The firm previously filed another lawsuit against Hochstein on behalf of a patient in June 2025.

Patient Claims She Developed Infections After Abdominal Surgery

The first plaintiff underwent multiple procedures on May 27, 2025, according to her complaint. Hochstein allegedly performed a tummy tuck, liposuction, fat grafting, a breast lift, and a breast augmentation involving implants.

The woman said she was discharged from the clinic that same day but subsequently developed “worsening symptoms.” She described pain and tightness throughout her abdomen, along with swelling and discoloration near her surgical incisions.

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On June 17, 21 days after the operation, the patient sought treatment at a wound-care center in California. She alleges doctors discovered accumulated fluid and dead tissue. According to the complaint, the condition required “painful and invasive wound management” that allegedly resulted in “scarring” and “deformity.”

She is accusing Hochstein and his clinic of providing care that fell below the appropriate medical standard.

Another Patient Alleges She Was Not Warned About Mesh

The second plaintiff underwent breast augmentation surgery with Hochstein on May 6, 2025. She alleges that he used Meso-Biomatrix mesh without adequately disclosing that it would be implanted “in an off-label manner.” Her complaint claims the consent documents did not explain that the material “lacked FDA approval for breast surgery” or outline the alleged risks and alternatives associated with that use.

Following the procedure, the woman allegedly informed Hochstein that a drain inserted to remove excess fluid had become dislodged. According to her filing, he told her that nothing could be done. The patient also claims Hochstein observed a “change in breast position” and acknowledged that she might require corrective surgery, but “no corrective intervention was undertaken.”

On July 15, 2025, she visited a Long Island clinic while allegedly suffering from “breast pain, droopy breasts, implant rippling, nipple and areola concerns and asymmetry.” Another plastic surgeon performed a revision procedure in September.

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The patient alleges that she “continues to suffer from permanent…distortion, pain and the likelihood of future corrective surgeries.”

Third Woman Claims Revision Surgery Worsened Her Condition

Hochstein performed a breast augmentation and lift on the third plaintiff on March 15, 2022. The woman claims she later developed “breast asymmetry, cleavage distortion and early symmastia.”

Symmastia is a rare condition in which the breasts move together toward the middle of the chest. It can occur naturally or as a complication of breast augmentation when implants shift toward the breastbone, potentially creating the appearance of a single breast.

Hochstein performed a revision surgery on the patient in April 2023, but she alleges that the procedure made the symmastia worse. According to her complaint, she “remained in pain, continued to experience swelling and fluid accumulation, and continued to exhibit breast distortion, despite her compliance with all postoperative restrictions.”

The woman said other surgeons later advised her that she would need a third operation to address the complications. She claims Hochstein’s surgeries left her with permanent “breast deformity” and “chronic pain.”

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Attorneys Describe An ‘Added Layer Of Emotional Damage’

Morgan and Cook said the intimate nature of the patients’ alleged injuries made the emotional effects particularly severe. “When injuries like these occur, ones that involve intimate parts of the body tied directly to a person’s identity, it creates an added layer of emotional damage,” they told PEOPLE.

“Every one of these patients has suffered, and continues to suffer, emotional harm from the sense that the trust between surgeon and patient was broken,” the attorneys added.

Speaking to CBS News, the lawyers said the women are pursuing compensation for medical expenses, missed work, hospitalizations, and future corrective procedures. “These women are seeking monetary damages, that’s what the system allows,” they said.

“A lot of them have a lot of medical bills, some of them have had lengthy hospital stays, a lot of them had to be removed off of work, and all of them are kind of left with permanent issues,” they added. “Just about every one of them needs future surgeries, to try to repair a lot of the damage.”

Cook also alleged that staff members at Hochstein’s clinic downplayed or dismissed the women’s concerns.

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Lenny Hochstein has not yet publicly responded to the three latest complaints. For now, the patients’ claims remain allegations that will have to be tested through the legal process.

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How Exactly Is An Employed Adult Meant To Enjoy Avengers: Doomsday?

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How Exactly Is An Employed Adult Meant To Enjoy Avengers: Doomsday?

By TeeJay Small
| Updated

Like many MCU fans, I’ve been following along with the drip-feed of Avengers updates with a mix of cautious optimism and thinly veiled concern since before the Doomsday title was even applied. With each new update, returning cast member, and behind-the-scenes shakeup, I’ve wondered how this film could possibly inspire the same audience turnout as installments like Infinity War and Endgame. Now, it is with great regret, and heaps of sarcasm, that I must admit: My Avengers: Doomsday hype has officially been squashed by the first official trailer.

Can Casual Fans Keep Up?

I’m already aware of the fact that there are millions of fans like me who have mentally checked out on the Disney+ Marvel shows a long time ago. While I enjoyed WandaVision and What If as much as any theatrical MCU experience, I just couldn’t bring myself to care about the barrage of shows we’ve received in the years since. Marvel’s box office stats have also done somersaults in the last decade or so, with outings like Eternals, Ant-Man and the Wasp: Quantumania, and Thor: Love And Thunder serving as box office disappointments, or outright financial bombs. I’m also told that a film called The Marvels was released in 2023, though there’s no record of it in my brain whatsoever.

Despite a general waning of interest in the daily MCU minutiae, I had held on hope that an Avengers team-up would rouse attention from the cultural zeitgeist, especially with the Russo Brothers at the helm. But, after watching the Avengers: Doomsday trailer, I’m left with a sense that the movie will be a who’s who of who cares. Multiple shots within the 145-second trailer left me wondering “should I know who that is?” or “what is the significance of this interaction?” or “does this movie have a plot, or is it more of a My Dinner With Andre situation where dozens of superheroes sit around having thought-provoking conversations?”

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The MCU used to be really good at balancing numerous characters around a single, coherent story. Most of the movies leading up to the Infinity saga are designed so brand new fans can keep up, and existing super-fans can enjoy every little easter egg and reference along the way. If the trailer is anything to go off, it looks like Doomsday will be loaded with Disney+ streaming characters that no employed adult would ever have the time to commit to memory. Maybe there’s a mandate that casual fans sit this one out, but it seems strange that Disney would rest their next landmark movie on the backs of Yelena Belova, Bob Reynolds, and Namora.

Better Find A Study Buddy

Ironically, this inability to juggle spinning plates is exactly the reason that nobody attempted to form an expansive cinematic universe like this before 2008. If you pitched the idea of turning the entire Marvel Comics roster into an interconnected sequence of blockbuster films before the success of The Avengers, producers would shut you down because they wouldn’t want to alienate non-comic readers, or shell out millions for an ever-expanding cast of A-listers. These days, it feels like you can’t enjoy a new Marvel film unless you’ve committed to 14 hours of mandatory homework first.

Obviously, it’s way too soon to know for sure if Avengers: Doomsday will be any good. We’ll probably get a few new trailers, some carefully-laid behind the scenes leaks, and an overwhelming media blitz from the 400 cast members before it hits theaters. But for now, my excitement is suspended. That is, unless somebody can confirm that the MF DOOM song “Doomsday” will be used in the movie. That would get me back on board immediately.


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Selena Gomez’s Mom Claps Back At Being Called ‘A Bad Parent’

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Selena Gomez, Mandy Teefey and Daniella Pierson Announce Wondermind - a New Kind of Multimedia Company Focused on Mental Fitness

Selena Gomez‘s mother, Mandy Teefey, is not in the mood for online critics. 

The producer fired back at trolls who questioned her parenting and relationship with her daughters. In a passionate defense, she made it clear that strangers have no right to judge her family dynamic or diminish her dedication as a mother.

Teefey’s outburst comes shortly after she similarly faced backlash for sharing a post fans seemed to think was a cry for attention.  

Selena Gomez, Mandy Teefey and Daniella Pierson Announce Wondermind - a New Kind of Multimedia Company Focused on Mental Fitness
Wondermind/MEGA

Taking to social media on Friday, 50-year-old Teefey shared a brief look into an online exchange before deleting the post. The mother faced criticism from an internet user who alleged that she was publicly undermining her daughters, Gomez and Gracie, while ignoring their emotional health. 

Replying directly to the critique, Teefey sarcastically thanked the individual for attempting to explain her household’s emotional well-being. She highlighted her long-standing dedication to wellness causes, stating that she has dedicated her adulthood and resources toward helping others fight psychological battles.

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“No one parents perfectly, and people judge people all day on their choices, so you can think I’m a bad parent,” Teefey wrote. 

“What have you done today to make someone’s day better? Ask yourself that, and if nothing, go do that. I’m not the problem. Hate is,” she added, as reported by U.S. Weekly.

Expanding her thoughts in the post’s caption, Teefey explained that while she does not seek approval as a social media parenting figure, she will not stay silent when critics ignore her and her daughter’s sacrifices for public mental health awareness. 

Mandy Teefey’s Cryptic Social Media Post Sparked Fan Backlash

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The recent wave of online criticism against the entertainment manager seems to have stemmed from a social media update she shared over a week ago. Unfiltered pictures of her two daughters were posted alongside inspirational quotes, including a line that read, “She outgrew what drained her.” 

As reported by The Blast, in the caption, the mother praised the sisters as her ultimate life achievements before writing that one day her children would recognize her strength and return her devotion.

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The message immediately triggered alarm among devoted followers, who accused the media figure of creating public drama and seeking attention at her famous child’s expense. Concerned supporters urged her to resolve any private disagreements away from social media, warning that the post would invite negative scrutiny toward her daughter. 

Mandy Teefey Was Excluded From Playing A Major Role At Selena Gomez’s Wedding

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Adding to the ongoing public scrutiny surrounding Teefey and Gomez’s relationship, reports surfaced in September 2025 regarding a major family rift during the pop star’s wedding preparations. 

The Blast reported that Gomez made the unexpected choice to have her maternal grandfather, David Cornett, instead of her mother, give her away during her nuptials to Benny Blanco. 

Insiders revealed that the decision reportedly left her mother and stepfather completely heartbroken, describing the unexpected choice as a shock move that created significant tension among family members.

While her mother was reportedly shattered by the choice, the bride’s grandparents were overcome with emotion when invited to take on the prominent role.

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Selena Gomez’s Mother Faced Workplace Allegations Surrounding Drug Use

Selena Gomez wears all black as she arrives at San Vicente Bungalows
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Gomez’s decision to have Cornett walk her down the aisle instead of Teefey came a few weeks after Teefey was allegedly involved in a drug scandal. 

At the time, The Blast detailed the allegations against the producer regarding her conduct at Wondermind, the mental health startup she co-founded with her daughter and Daniella Pierson. 

According to the report, former staff members came forward alleging erratic behavior and substance use in the workplace, with one employee claiming to have witnessed the businesswoman snort a substance that appeared to be Ritalin inside her office. 

Addressing the accusations directly in a statement to the press, the media figure strongly denied the claims regarding workplace substance use, describing the reports as “absolutely” false. 

Selena Gomez Is Now Stepping Into New Cinematic Territory

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Despite the scrutiny and alleged drug scandal surrounding Teefey, Gomez has managed to keep exploring new heights in her career. 

According to The Blast, the actress is reportedly set to star alongside Cate Blanchett and Michael Fassbender in an “X-rated” project directed by Brady Corbet. 

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While specific plot details remain closely guarded, the filmmaker described the upcoming project as a “genre-defying” film that spans from the nineteenth century to modern times, with a core focus centered on the 1970s. 

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‘Futurama’ Season 14 Blasts Off With a New Trailer and a Massive Expansion

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The Planet Express crew is back at San Diego Comic-Con, baby! Hulu has returned to the event this weekend to once again promote the biggest hits of its Animayhem lineup, from The Simpsons to Bob’s Burgers, Family Guy, and, of course, Futurama, which is just over a week away from blasting off for Season 14. To celebrate the coming premiere, series creator Matt Groening joined showrunner and head writer David X. Cohen, executive producers Claudia Katz and Ken Keeler, and the ever-enduring cast of Billy West, John DiMaggio, Lauren Tom, Phil LaMarr, David Herman, and Maurice LaMarche to preview the next round of zany sci-fi comedy adventures among the stars. That included sharing some world-first footage, along with some other surprises.

Season 14 is out to prove that there are depths of the universe that the Planet Express crew has not yet explored, promising “swaggering space pirates, lab-grown meats, sexy scams,” and much more. Excitingly, it also teases “the shocking return of Dr. Zoidberg’s lost love,” implying that the Hulu revival will finally address the absence of Marianne after her appearance in the final Comedy Central season. Collider was able to share a few images as part of our Exclusive Summer Preview series in May that teased a bit more, like a worrying diagnosis for Professor Farnsworth and a missing Nibbler, but now, the curtain is being properly pulled back. An explosive official trailer was unveiled during the series’ SDCC panel, showing the world once again at risk of destruction.

The footage kicks off with a literal blast from the past when the professor’s time machine, as iconically featured in “The Late Phillip J. Fry,” returns, and this time, it’s idiotproof. Fry will put that to the test, but that’s just the beginning of the crew’s worries. Hermes warns of “the end of civilization” as the world is beset by space pirates, vampires, alien invaders, revolutionary pop stars, and more. Things are dire enough that the Nibblonians once again have to get involved and send Fry, Leela, and the gang on another perilous quest to save everything. From Titanic-like crashes to robot mafia hits, the 20th-century delivery boy and his friends will have their fair share of brushes with death in another season full of as many laughs as there are high stakes.

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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

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🏜️Dune

🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

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  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

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  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

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  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

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  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

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  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

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‘Futurama’ Will Live on After Season 14, But Not as Expected

While Futurama‘s Hulu era has been a massive success so far in terms of viewership and acclaim, Season 14 is the first of the revival to go in without another season already ordered. Cohen even previously mentioned that the coming season finale was written to operate as a series finale if a Season 15 never happened. While it doesn’t appear that another round of episodes is coming at this time, the panel did have some more good news, everyone. Hulu has greenlit three extended-length “XXXL-sized” specials that are now in production, with the first set to debut next year. Not much is known about the new installments at this time, but the first one will be X-Mas themed, meaning Robot Santa is likely coming back for some ho-ho-holiday carnage. More details will be shared at a later date.

Futurama Season 14 debuts with two episodes on Hulu on August 3, while the first of the three XXXL-sized specials will arrive sometime in 2027. Check out the trailer in the player above.


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Release Date

March 28, 1999

Network

FOX, Comedy Central, Hulu

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Directors

Peter Avanzino, Brian Sheesley, Crystal Chesney, Frank Marino, Edmund Fong, Stephen Sandoval, Bret Haaland, Rich Moore, Ron Hughart, Dwayne Carey-Hill, Raymie Muzquiz, Mark Ervin, Susie Dietter, Gregg Vanzo, Swinton O. Scott III, Ira Sherak, James Purdum, Corey Barnes, Lance Kramer, Ray Claffey, Chris Sauve, Jeffrey Lynch, Pat Shinagawa, Wes Archer

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Writers

Eric Rogers, Dan Vebber, Maiya Williams, David A. Goodman, Ron Weiner, Aaron Ehasz, Kristin Gore, Brian Kelley, Evan Gore, Heather Lombard, Jason Gorbett, Michael Saikin

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  • Cast Placeholder Image

    Billy West

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    Fry / Professor Farnsworth / Zoidberg / Zapp Brannigan (voice)

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Ridley Scott’s Terrifying Sci-Fi Sequel Is Being Wiped From Streaming

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The xenomorph drools and prepares to attack in 'Alien: Covenant.'

If you’re talking great Ridley Scott sci-fi movies, it’s hard to rush right past Blade Runner, but also, you can if you’re not talking about the series it kicked off. There is also Alien, after all, which is similarly legendary as far as decades-old science fiction movies go, but it’s a rather different sort of sci-fi, seeing as Blade Runner is more of a dystopian/thriller sort of thing. The world of Alien is admittedly also quite bleak, but that first movie does revolve around a small group of people having to survive in space. Sequels to it, which weren’t directed by Ridley Scott, scratched the same itch in some ways and ventured into other territory in some other ways, but then Scott himself returned to the series in 2012.

That 2012 movie was Prometheus, and it was a prequel to Alien that felt quite different from any of the Alien movies that came before… mostly in a good way, despite what some naysayers might have you believe. Scott made a third movie that tried to split the difference between being a Prometheus sequel and another Alien prequel (of sorts), but one that felt distinctly more like an Alien movie. That film was Alien: Covenant, and it’s another divisive one, though it’s certainly got its moments and delivers some solid horror sequences while being technically impressive, as a sci-fi movie. It’s being taken off HBO Max at the end of July so, at the time of writing, you’ve got a bit under a week to watch it there, or venture elsewhere to give another look to a movie that probably deserves it.

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What Happens in ‘Alien: Covenant’

The xenomorph drools and prepares to attack in 'Alien: Covenant.'
The xenomorph drools and prepares to attack in ‘Alien: Covenant.’
Image via 20th Century Studios

So, for a bit of background on Prometheus, before covering Alien: Covenant, this 2012 film is not chronologically the first in the series, if you want to count Alien vs. Predator and its sequel. But it’s understandable if you don’t want to count those two, so sure, Prometheus is the first “real” Alien movie, chronologically speaking. It takes place near the end of the 21st century, while Alien: Covenant takes place at the very start of the 22nd century, and then the first Alien (from 1979) is set in 2122, about two decades on from the events of Alien: Covenant.

There’s an android from Prometheus, David 8 (Michael Fassbender), who appears in Alien: Covenant, but it’s otherwise a different cast of characters who get wrapped up in some horror stuff.

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That means it makes sense why Alien: Covenant bridges the gap between Prometheus and Alien, though it does also feel like there would’ve ideally been a third Ridley Scott-directed Alien movie released post-Alien: Covenant, but it was not to be. Instead, there was Alien: Romulus, which was still neat. Anyway, Prometheus involves the search for the origin of humanity, and that search leads some explorers to stumble upon some vaguely Alien-y things. There’s an android from Prometheus, David 8 (Michael Fassbender, who has two roles in Alien: Covenant, also playing the android Walter One), who appears in Alien: Covenant, but it’s otherwise a different cast of characters who get wrapped up in some horror stuff, including a xenomorph, and you only got a predecessor of one of those very briefly at the end of Prometheus. Hence Alien: Covenant indeed being more of an Alien movie than Prometheus was.

The Ways ‘Alien: Covenant’ Adds to the ‘Alien’ Series

Alien: Covenant does provide closure to Prometheus, to some extent, albeit it kind of speed-runs that stuff. It’s still one of the highlights of the movie, detailing how David’s actions doomed the Engineers (a big part of Prometheus), with that whole flashback also contributing to why David behaves differently in Alien: Covenant than how he did – or seemed to behave – in Prometheus. He was a highlight of that movie, character-wise, but he steals the show to an even greater extent in Alien: Covenant.

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It’s also cool how Fassbender gets to act alongside himself, despite (or maybe because) the one big scene David and Walter containing some weird sexual innuendo. Alien: Covenant just goes for it. It doesn’t really care. There is also a shower scene that feels right out of a schlocky slasher movie, and yeah, it’s one of the standout sequences in the whole movie, for better or worse. Alien: Covenant really embraces being a horror movie, and one that’s almost B-grade with its sensibilities, but thankfully A-grade when it comes to production value.

How ‘Alien: Covenant’ Compares to Other Recent Ridley Scott Movies

Katherine Waterston as Daniels looking back while standing in the open space in 'Alien: Covenant.'
Katherine Waterston as Daniels looking back while standing in the open space in ‘Alien: Covenant.’
Image via 20th Century Studios

If you look at Quentin Tarantino, he’s a director who seems very resistant to making too many movies, stressing his intention to retire after directing his tenth feature film. He’s only worth bringing up here because Ridley Scott’s kind of the opposite. Scott just keeps on directing, even though he’s set to turn 89 near the end of 2026, and he’s amassed about 30 directorial credits to date. And a bunch of them have been recent, because since 2017’s Alien: Covenant, he’s also done All the Money in the World (2017), The Last Duel (2021), House of Gucci (2021), Napoleon (2023), and Gladiator II (2024).

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This is going to sound like a potentially crazy hot take, but of those, only The Last Duel is better than Alien: Covenant. This really is one of the better Ridley Scott movies from the past decade or so, and there are a good many Ridley Scott movies released in the past decade-ish, so making that claim is worth something (and he has a new movie coming out in 2026, too: The Dog Stars). He’s not the most consistent of directors, but Alien: Covenant is a bit better than some make it out to be, and if you have to search beyond HBO Max in a post-07/31/2026 world to find it, then it’s probably worth the effort to do so.


Alien Covenant Poster
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Alien: Covenant


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Release Date

May 19, 2017

Runtime

123 Minutes

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Writers

dante harper, John Logan, Jack Paglen, Michael Green

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Will Zach Gilford Return to Criminal Minds After Voit’s Exit?

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‘Criminal Minds’ Cast: Then and Now

Zach Gilford’s exit from Criminal Minds came as a surprise to some — but could he return in the future?

“Me and [showrunner] Erica Messer, we had this idea of a spinoff,” Gilford, 44, teased exclusively to Us. “I would love to do a spinoff. The hard thing unfortunately is it’s a joint studio. It’s Disney and Paramount. It’s kind of hard to convince them to do it.”

Gilford wouldn’t mind reprising the complex role of serial killer Elias Voit, who went from committing disturbing crimes to helping out the FBI’s Behavioral Analysis Unit.

“It’s just convincing them to make it because no one’s going to give the rights to someone else and they don’t want to own it together,” he continued. “So unfortunately, I doubt it will ever happen, but there are dreams of it. … Let’s start an online movement or whatever we do nowadays.”

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‘Criminal Minds’ Cast: Then and Now


Related: ‘Criminal Minds’ Cast: Then and Now

Criminal Minds is back with a revival on Paramount+ — but fans have watched the cast change on and off screen since the procedural first debuted. In 2005, viewers were introduced to a group of criminal profilers who work for the FBI as members of its Behavioral Analysis Unit. The crime drama, which was created by […]

After playing Voit for four seasons since 2022, Gilford wasn’t ready to say goodbye.

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“We can both hope [my character Voit will return] but all I know is I’m not there filming right now,” he said of his potential return for season 20 of Criminal Minds: Evolution. “It was hard to say goodbye. It definitely was one of my favorite characters I’ve ever gotten to play and partially because what a gift.”

Zach Gilford's 'Criminal Minds' Character Slams Serial Killer Romanticization
Trae Patton/Paramount+

He continued: “Every season I got to do a different side of this character. It wasn’t like I was just doing the same thing every year.”

For Gilford, Criminal Minds was the perfect challenge, adding, “To give this guy some redemption and go out on a good guy note — so to speak — was nice. It’s weird. You wrap a show and a lot of times you’re like, ‘I don’t know if I’m coming back next year and if we’re going to have another season in general.’ On this, I did know that it was the end.”

Gilford told Us he struggled to say goodbye to Criminal Minds.

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Related: Most Shocking TV Exits of 2026: From ‘Grey‘s Anatomy‘ to ‘Virgin River‘

It is never easy to unexpectedly say goodbye to your favorite characters — and 2026 has featured an influx of shocking departures on our TV screens from Grey’s Anatomy to Virgin River. Virgin River fans were surprised when showrunner Patrick Sean Smith confirmed multiple characters were written off the show after season 7. Marco Grazzini addressed […]

“It was a bummer and I am really like, ‘I’m not good with emotions,’” he shared. “So I literally — before they even officially wrapped — I had a feeling it was the last take. I just left. I didn’t say goodbye to anyone. I just snuck out. They’re like, ‘Zach, where are you? Where’d you go?’ And then a few people saw me driving out of my car. I’m like, ‘Bye, I’ll see you later.’”

While the Thursday, July 23, season finale of Criminal Minds hinted at Voit’s exit, the door was left open for a return. Gilford, however, has remained booked and busy.

“I’ve been working since I left for the most part. I’ve had some downtime with my kids, which is always the best. But I got to do a Christmas romcom, which was so fun,” he teased. “It was just so nice to do something nice and cute. Then I went and did an Evil Dead movie, which was the complete opposite.”

Criminal Minds is now streaming on Paramount+.

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Stephen King’s ‘Dark Tower’ TV Series Could Be the Next Great Franchise

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The cover of The Dark Tower Vol VII by Stephen King

There are three constants in life: death, taxes, and one of Stephen King‘s books being adapted for film or television. Firestarter, The Shining…all of these books have leaped from the page to the screen, with varying results. But the one King book series that’s always seemed to have the biggest hurdles in making it to the screen is The Dark Tower. The universe-hopping western has often been described as King’s “magnum opus,” and yet it’s hit wall after wall. Even a 2017 film adaptation starring Idris Elba and Matthew McConaughey fell far, far short of expectations.

However, there may be hope on the horizon. A television series is in the works with Mike Flanagan at the helm, with Prime Video as a potential streamer, though there’s no confirmation on where it might actually land. Unlike other attempts to bring The Dark Tower to screens, this might actually stick. For one thing, Flanagan is no stranger to adapting King’s work — he previously directed adaptations of Gerald’s Game and Doctor Sleep, and the reception those received was enough for King to give him his stamp of approval for the Tower series. But more importantly, television is the one medium that The Dark Tower is perfectly fit for.

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The Scale and Scope of ‘The Dark Tower’ Fits Television

The Dark Tower series centers around the adventures of Roland Deschain, the last living gunslinger. Deschain is seeking vengeance against Walter o’Dim — whom he knows as the “Man in Black” — as Walter had an affair with his mother and attempted to manipulate his life. Walter seeks to reach the titular Dark Tower, a nexus point for all realities, and claim its power so that he can become a god. Along the way, Roland forms a group of companions known as a ka-tet and travels to multiple worlds while grappling with the trauma of his past. If you hadn’t already guessed, this is a sprawling, epic story that spans the course of seven books. You couldn’t possibly hope to capture all of that on film.



















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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

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🧙Harry Potter

👑Game of Thrones

🖖Star Trek

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01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.





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02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.





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03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.





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04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.





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05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.





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06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.





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07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?





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08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.





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Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

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A Galaxy Far, Far Away

Star Wars
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You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.


Middle-earth

Lord of the Rings
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You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.


The Wizarding World

Harry Potter
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You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.


Westeros · The Known World

Game of Thrones
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You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.


The United Federation of Planets

Star Trek
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You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
  • You don’t just hope that’s possible. You think it’s the only thing worth working toward.

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That kind of scope and scale has proven to work like gangbusters when applied to the medium of television. From Game of Thrones and His Dark Materials on HBO to Shadowhunters on Freeform, television has allowed for these shows to stay faithful to their source material. It’s also proven to be a second chance of sorts for books that had poorly-received film adaptations. Both His Dark Materials and Shadowhunters were previously adapted for the screen, and fared far better in televised form. A similar approach could work wonders for The Dark Tower.

‘The Dark Tower’ Features Plenty of Connections to King’s Previous Works

The cover of The Dark Tower Vol VII by Stephen King
The cover of The Dark Tower Vol VII by Stephen King
Image via Hodder & Stoughton

Another feature that The Dark Tower could take advantage of is the connection to all of King’s previous works. The Man in Black is also the malevolent Randall Flagg, who served as the evil force terrorizing the world in The Stand. Father Callahan, the doomed priest from Salem’s Lot, also encounters Roland and his ka-tet.

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“Roland’s story is my Jupiter — a planet that dwarfs all the others… a place of strange atmosphere, crazy landscape, and savage gravitational pull,” King wrote in the afterword for Wizard and Glass. Those words took on a whole new meaning in the final novel, where Roland is implied to meet someone who bears a shocking resemblance to King. Yes, The Dark Tower ends with its protagonist literally meeting his maker. Given the rise of the interconnected universe in storytelling, Flanagan could use these references as a way to enhance the story and also provide a jolt of serotonin for King’s readers.

However, this approach may be blunted by the fact that another show — and one based on King’s work, no less — took a similar approach. The Hulu series Castle Rock attempted to blend together themes and characters from King’s novels into one setting. Some examples include the Shawshank State Penitentiary being a primary location, as well as the characters themselves. Diane “Jackie” Torrance (Jane Levy) is the niece of The Shining protagonist Jack Torrance, and Lizzy Caplan cameos as a young Annie Wilkes, aka the nurse-turned-murderer from Misery. If Flanagan is going to attempt to reference the other books in King’s library, he may have to tread with caution.

Will This Version of ‘The Dark Tower’ Get Off the Ground?

The back of the gunslinger standing in front of the shadow of the tower while a bird flies next to him
The back of the gunslinger standing in front of the shadow of the tower while a bird flies next to him  in The Dark Tower omnibus
Image via Marvel
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Flanagan’s vision for The Dark Tower is not the first time that the series has been considered for a television adaptation. J.J. Abrams and Damon Lindelof, riding the then-high of Lost, attempted to develop a television version of The Dark Tower that never got off the ground. And Prime Video considered doing an adaptation with The Walking Dead‘s Glen Mazzara at the helm, only to shelve the project in 2020. Flanagan has recently given an update that proves the series is still in early development. He told Entertainment Weekly that the series is one of the “most complicated properties to get started.” He added, “Getting the green light on Dark Tower is a much longer and more involved process than anything else I’ve ever approached in my life.” Flanagan has a long road ahead of him still, but a long journey never stopped Roland, so why should it stop Flanagan?

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The Ultimate Big Bad In The X-Files Wasn’t Aliens, It Was Literally Satan

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The Ultimate Big Bad In The X-Files Wasn’t Aliens, It Was Literally Satan

By Chris Snellgrove
| Updated

Pop quiz, true believers: who’s the real Big Bad of The X-Files? It’s tempting to say “aliens,” although the show waffled between portraying them as good, evil, and nonexistent. It’s also tempting to say “the government;” after all, Mulder and Scully are stymied at every turn by creepy forces like the Cigarette Smoking Man who don’t have humanity’s best interest at heart. But would you believe that, lurking deep within the show, is the greatest, most hidden evil of them all? That’s right, folks, I’m talking about Satan himself.

For a show about aliens, monsters, and conspiracies, The X-Files had a surprisingly deep religious streak. The show often emphasized Scully’s Christian faith, something she clung to in the face of the greatest adversity. Everyone remembers Scully rocking a cross and turning to faith when she was dealing with cancer. What you might not remember, though, are all the times that our plucky FBI agents grappled with demons. Those demons had the scariest boss of all: Satan, whom Mulder and Scully ran into in three separate episodes!

Could It Be…Satan?

Why do so few fans remember Mulder and Scully tangling with the literal devil? For one thing, they never encountered a really stereotypical Satan (red skin, horns, you know the drill). Instead, they encountered the Devil taking the form of other people. In “Die Hand Die Verletzt,” a town is terrorized by Phyllis Paddock, a substitute teacher with demonic powers that nobody can remember actually hiring. She escapes Mulder and Scully and is implied to be Satan, sent to punish devil-worshiping PTA members for not properly observing worship rites. The episode title is in German; notably, the title of this episode in Germany is simply “Satan.”

The next time Mulder and Scully encounter the Devil is the explicitly religious episode “All Souls.” He comes in the form of a social worker named Aaron Starkey who is assigned to work with Paula Kaklos, who is one of four deformed quadruplets. As it turns out, the girls were Nephilim (half-human, half-angel), and Starkey was an incarnation of Satan trying to kill them. Once the final girl was rescued by an angel (with an assist from Scully, no less), Starkey vanished.

The Devil Tips The Scales

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The third and final time Mulder and Scully run into the devil is in the episode appropriately titled “Signs and Wonders.” In this story, a reverend named Samuel Mackey is actually the Devil in disguise, and he is doing his best to destroy the Church of God With Signs & Wonders. As part of his sacrilegious plan, he impregnates a young woman with snakes and even uses a snake to attack Mulder. Because of this and other signs, Mulder openly speculates that Mackey was secretly Satan. Incredibly, the episode seemingly confirms this with a final shot of a snake coming out of the man’s mouth to devour a mouse.

Believe it or not, this is only a rundown of Mulder and Scully’s direct encounters with Satan. On at least one occasion, they run into a lesser demon (Donnie Pfaster) who is likely working on the Devil’s behalf. There are also five other characters who are implied to be demons, including Jack Franklyn, Mauriceand Lyda, Wayne Weinsider, Betsy Monroe, and Ellen Adderly. Throw in the possibility that all of these are minions of Satan (someone that John Doggett also runs into on one occasion), and it’s clear that the ultimate Big Bad of The X-Files is, weirdly enough, also the ultimate Big Bad of Christianity!

Obviously, it’s crazy to think that Mulder and Scully were regularly running into Lucifer when they weren’t tangling with aliens or uncovering freaky conspiracies. But let’s be honest: this isn’t that much sillier than anything else in the 90s’ absolutely strangest show. Considering how generally agnostic the show is, it’s a bit surprising how much Christian theology affected the writing of The X-Files. But this, too, isn’t all that shocking. After all, the show’s most famous quote is something that every religious person says right before they convert: “I want to believe.” 


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