CNN has apologized to Dolly Parton’s family after mistakenly airing a photograph of Las Vegas tribute performer Kelly Vohnn while reporting on the country music icon’s death. The image appeared during “Laura Coates Live” approximately 12 hours after Parton’s family announced that she had died at age 80. Vohnn said she learned about the mistake when friends began flooding her phone with messages claiming they had seen her on CNN.

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According to the New York Post, CNN used a photograph of Vohnn during its coverage of Parton’s death. The network later acknowledged the mistake in a short statement. “We regret the error and apologize to the Parton family,” CNN told the outlet.

Vohnn said the photograph had been taken in December when she attended a Las Vegas screening of “Song Sung Blue,” the musical drama starring Kate Hudson and Hugh Jackman.

The 58-year-old performer was stunned to discover that her red-carpet photo had been presented during coverage of Parton’s passing. “I started getting all these texts in from friends saying that I was on CNN, and I couldn’t believe it,” Vohnn said.

“I was already heartbroken at losing Dolly because of how much she has given to me as a woman and an artist,” she continued. “But then to see these images of me on screen was just weird.”

Kelly Vohnn Blasts CNN Over ‘Embarrassing’ Error

Vohnn, who has portrayed Parton throughout her career as a tribute performer, criticized CNN for failing to correctly identify the woman in the image. “Somebody at CNN really messed up and didn’t do their research,” she said.

The performer argued that the network had decades of genuine Parton photographs and career moments from which to choose. “I felt so sorry and apologetic for Dolly, because over her career there are so many wonderful images and moments that they could have chosen from, and CNN just picked something not appropriate,” Vohnn said.

The Parton impersonator also made it clear that she had never tried to convince anyone that she was Parton. “To be clear, I have never represented myself as being Dolly ever in my life,” she explained. “I have always been known as a tribute act for her and many other stars. It was quite embarrassing, to be honest.”

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Although Vohnn considered reaching out to the network, she said her grief following Parton’s death took priority. “I thought about calling CNN, but was really consumed by the grief of losing Dolly [and] I just wanted to be at home with my thoughts, raising a glass of wine to that brilliant woman,” she explained.

Parton had played a significant role in Vohnn’s life and career, even though the two women were not personally connected in the way the mistaken image may have suggested. “Dolly has been a real force in my life, helping me through the lowest and highest moments of my life,” Vohnn said. “She really changed the world for so many people [and] for me personally.”

Kelly Vohnn Built A Career As A Tribute Performer

Born and raised in Toronto, Vohnn began performing in the Keith Burton Tribute Show before pursuing her own career in country music. She recorded a debut album titled “A New Beginning” and later returned to tribute work while raising three children. Vohnn eventually relocated her family to Las Vegas, where she developed her one-woman production, “Kelly Vohnn Divas.”

Her career also included appearances in Las Vegas shows such as “Cowboy Cabaret” and “Cowboy Christmas.” Vohnn portrayed multiple celebrities while working as a “Dealertainer” at the Imperial Palace, combining casino dealing with live impersonation performances.

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Parton was not her only signature character. Vohnn also became known for portraying Reba McEntire and won a Reba look-alike contest in New York City in November 2010.

Dolly Parton Died At Age 80

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Parton’s family announced that the singer died “peacefully” at age 80. A small, private service will be held for close family members, according to the family’s statement.

Her publicist, Marcel Pariseau, later said Parton died “after bravely facing a brief battle with cancer.”

Television changed when writers stopped treating an episode as the finish line. Characters could now make one terrible decision in season one and still be paying for it years later. Jobs, marriages, addictions, institutions, and private lies had room to accumulate history. The medium became less about what happened this week and more about what a person slowly became. Not to mention the stories just ended up becoming so much more dense and character arcs became complex.

That shift produced shows with wildly different rhythms, yet the very best share one quality. They make time feel productive. Ten hours deepen a relationship. Forty episodes alter how we understand a character. A final season can make an early conversation suddenly look different. These six used long-form storytelling with almost ruthless precision.

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‘The Leftovers’ (2014–2017)

Image via HBO

The Leftovers begins three years after two percent of the world’s population disappears without explanation. The event, known as the Sudden Departure, leaves families shattered and whole communities desperate to invent meaning around something that may never provide any. Kevin Garvey (Justin Theroux) tries to hold together his life in Mapleton while his wife Laurie Garvey (Amy Brenneman) has joined the Guilty Remnant, his children are drifting, and his own grip on reality feels increasingly unreliable. Nora Durst (Carrie Coon) carries an even crueler burden after losing her husband and both children in the same instant.

The series becomes extraordinary once it stops behaving like a mystery that owes the audience an answer. Grief, faith, coincidence, madness, and love all compete to explain experiences that may resist explanation entirely. Nora’s anger can be funny one moment and devastating the next, while Kevin keeps crossing lines between psychological breakdown and something harder to dismiss. The move to Jarden in season two expands the world without abandoning the emotional damage already built. The Leftovers asks for patience early, then rewards it with some of the most fearless and strangely tender television of its era.

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‘Succession’ (2018–2023)

Image via HBO

Succession turns the future of a global billion-dollars media empire into a family argument that never really stopped after childhood. Logan Roy (Brian Cox) controls Waystar Royco, while Kendall Roy (Jeremy Strong), Shiv Roy (Sarah Snook), Roman Roy (Kieran Culkin), and Connor Roy (Alan Ruck) orbit his power with different mixtures of ambition, fear, resentment, and need. Board votes, acquisitions, scandals, elections, and investor meetings matter, but almost every corporate crisis is also somebody trying to earn approval from a father who understands exactly how useful withheld affection can be.

That overlap between business and family gives the series its extraordinary tension. Kendall can prepare a takeover with lawyers and bankers, then lose his footing because one glance from Logan reactivates years of insecurity. Shiv believes she can remain emotionally independent until power becomes personal. Roman turns humiliation into humor before anyone else can use it against him. The language is vicious and often hilarious, but the jokes work because everybody is fighting for position even during supposedly private moments. Succession makes wealth look enormous and emotional freedom look almost impossible. Four seasons are enough to make every family dinner feel like a hostile negotiation. And never forget, you can’t break a Tomlette (Matthew Macfadyen) without breaking some Greggs (Nicholas Braun). You’re going to thank me once you finally understand this.

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‘Mad Men’ (2007–2015)

Image via AMC

This show moves patiently, but that patience lets entire lives change without announcing every change when it happens. Mad Men enters New York advertising at the beginning of the 1960s through Don Draper (Jon Hamm), a brilliant creative director whose professional confidence hides a life built on reinvention. Sterling Cooper (John Slattery) sells products by selling identities, and Don understands that process because he has done something similar to himself. Around him, Peggy Olson (Elisabeth Moss) begins carving out a career in a workplace designed to underestimate her, while Joan Holloway (Christina Hendricks), Roger Sterling (John Slattery), Pete Campbell (Vincent Kartheiser), and Betty Draper (January Jones) reveal different costs of living inside the era’s rules.

The advertising campaigns give the show structure, but the deeper pleasure comes from watching social change reach people unevenly. Gender expectations shift. Civil rights reshape the country. Divorce becomes more visible. Youth culture alters what companies want to sell and who gets listened to inside the room. Don can understand consumers brilliantly while remaining baffled by the people closest to him. Peggy’s growth is equally important because her ambition requires constant negotiation between talent and a system reluctant to reward it. It’s a very unique show.

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‘Better Call Saul’ (2015–2022)

Image via AMC

Better Call Saul begins with Jimmy McGill (Bob Odenkirk) struggling to build a legitimate legal career while living in the shadow of his older brother Chuck McGill (Michael McKean). Jimmy is clever, persuasive, energetic, and dangerously good at finding the shortcut nobody else considered. His relationship with Kim Wexler (Rhea Seehorn) gives that ambition emotional depth because she understands both his talent and the damage that can follow when persuasion becomes manipulation. Running alongside that story is Mike Ehrmantraut (Jonathan Banks)’s gradual movement into the criminal world surrounding Gus Fring (Giancarlo Esposito) and the Salamanca family.

The series, which is a Breaking Bad spin-off, by the way, earns its greatness through accumulation. A forged document, a wounded ego, a small lie told for a supposedly understandable reason, and a prank that feels harmless can keep echoing until the consequences become enormous. Chuck’s conflict with Jimmy works because both brothers are partly right about the other, which makes every victory feel contaminated. Kim’s involvement becomes even more painful because she is never simply dragged along. She makes choices. The cartel storyline eventually closes in on the legal world with terrifying precision, but the show never forgets that its most important transformation happens through ordinary decisions repeated often enough to become identity. Better Call Saul turns patience into suspense.

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‘Breaking Bad’ (2008–2013)

Image via AMC

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This show is slow, sure. But it keeps you hooked in a weird way. Breaking Bad starts with Walter White (Bryan Cranston), a chemistry teacher diagnosed with lung cancer, deciding to manufacture methamphetamine with former student Jesse Pinkman (Aaron Paul). He tells himself the money will protect his family after his death. That explanation is believable long enough for the series to expose everything else underneath it. Walt enjoys competence, recognition, control, and finally being feared by people who once overlooked him. The criminal world gives those desires somewhere to grow.

What makes the transformation so convincing is how carefully every escalation is connected to an earlier choice. Walt rarely wakes up and decides to become worse. He solves one immediate problem in a way that makes the next moral compromise easier. Jesse moves in the opposite emotional direction, becoming more disturbed by violence as Walt becomes better at rationalizing it. Gus Fring (Giancarlo Esposito), Mike Ehrmantraut (Jonathan Banks), Hank Schrader (Dean Norris), Skyler White (Anna Gunn), and Saul Goodman (Bob Odenkirk) all pressure different parts of that change without feeling like devices built around the protagonist. The show is suspenseful because consequences are constantly catching up with people who thought they had managed them. Few series have ever controlled cause and effect this well.

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‘The Wire’ (2002–2008)

Image via HBO

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The Wire begins with a police investigation into a Baltimore drug organization, then steadily widens its attention until crime becomes only one part of a much larger system. The first season follows detectives trying to build a wiretap case against the Barksdale organization. Later seasons move into the docks, city politics, public schools, and journalism, showing how each institution creates incentives that can defeat the people working inside it. The cast changes focus constantly, yet Baltimore remains the real center of the story.

That structure is what makes the series so difficult to rival. A drug dealer, police commander, teacher, politician, dockworker, journalist, and teenager can all be trapped by different versions of the same problem. Statistics get manipulated because careers depend on them. Schools teach toward numbers instead of children. Police chase arrests instead of solutions. Newspapers cut resources while demanding impact. Characters such as Jimmy McNulty (Dominic West), Stringer Bell (Idris Elba), Omar Little (Michael K. Williams), Bubbles (Andre Royo), Cedric Daniels (Lance Reddick), and eventually the students of season four give those systems human faces without reducing the argument to good people versus bad ones. The Wire can feel dense at first because it expects the viewer to listen. Once the pieces connect, very little television feels as complete.

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The Wire

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Release Date

2002 – 2008-00-00

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Network

HBO

Directors

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Ernest R. Dickerson, Ed Bianchi, Steve Shill, Clark Johnson, Daniel Attias, Agnieszka Holland, Tim Van Patten, Alex Zakrzewski, Anthony Hemingway, Brad Anderson, Clement Virgo, Elodie Keene, Peter Medak, Rob Bailey, Seith Mann, Christine Moore, David Platt, Dominic West, Gloria Muzio, Jim McKay, Leslie Libman, Milcho Manchevski, Robert F. Colesberry, Thomas J. Wright

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Ozzy Osbourne’s son, Jack Osbourne, is sharing exciting news about who might potentially play his father in his upcoming biopic. 

Following the death of the Prince of Darkness in 2025, the biopic has become a meaningful tribute driven largely by his family. Jack has been working closely on production with his mother, Sharon Osbourne, and sister Aimeè to bring the epic story to light. 

Now, it seems production might be moving forward with Jack’s latest comments, and fans are anxious to see what the family might have in store. 

Jack Osbourne Hints At ‘Awesome’ Actor For Ozzy’s Biopic 

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A year after Ozzy’s death, Jack is sharing an update on the much-anticipated biopic.

“Script, done. We’re currently going out to directors. It’s gung ho,” the producer said. When asked if they had an actor in mind to play the godfather of heavy metal, he replied: “We do.” 

Jack added that although he was not allowed to say exactly who it was, he was sure it would work out great. “If it all works out, it’s gonna be awesome,” he told E! News.

With the latest developments, the British-American was optimistic that filming could begin soon, sharing that in a perfect world, they would like to be shooting by spring or summer of next year. 

The creative direction of the biopic also seems to be taking a different angle, with Jack mentioning that it was very heavily focused on the relationship between Ozzy and Sharon. 

“It’s more ‘Walk the Line’ than it is ‘Bohemian Rhapsody’ or ‘Michael,’” he shared.

Universal Studios Pays Tribute To Ozzy Osbourne With Haunted House 

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Celebrations for the Prince of Darkness and his legendary career show no signs of slowing down even a year after his death.

Last month, Universal Studios also announced their tribute to the heavy metal star, with the unveiling of an Ozzy Osbourne-themed haunted house at this year’s Halloween Horror Nights.

It came as a fitting tribute as the music icon’s gothic style is synonymous with the spirit of Halloween. 

Per The Blast, Halloween Horror Nights 2026 begins in late August and will run through November 1. Tickets are now on sale, ranging from $90 to $399.

Sharon Osbourne’s Mansion Got A Major Price Cut After Failing To Sell 

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The much-deserved tribute comes as the Osbourne family continues to make headlines, with the home Sharon and Ozzy shared receiving a major rent cut after failing to sell. 

The historic Hancock Park estate, which has seven bedrooms and 11 bathrooms, was initially offered at $65,000 per month in June while being listed by Carolwood Estates for sale at $17 million.

The rent was then reduced by $10,000, although the sale price remains the same. Sharon appears ready to either sell the home or continue to generate income through rent. 

Despite the huge reduction, however, the house still targets wealthy clientele. The Blast reported that prospective tenants are being asked for a $195,000 security deposit, with only pre-qualified clients allowed to tour the property. 

Sharon Osbourne Shared A Loving Anniversary Tribute To Ozzy Osbourne 

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As Sharon navigates the struggles of selling off the mansion she shared with Ozzy, she took some time out in July to pay tribute to the Prince of Darkness in a deeply emotional post. 

July 4 would have been the 46th anniversary of the Hollywood couple, and she did not allow the bittersweet milestone to pass quietly. 

“Today would have been our 46th wedding anniversary,” She shared on social media, along with a photo of them holding hands before his passing. The 73-year-old went on to talk about how much she missed holding his hand, promising to carry him with her forever, according to The Blast.

Jack Osbourne Welcomed New Daughter With Tribute To Father Ozzy 

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The family tributes continued to pour in, with Jack also honoring to his father after welcoming his daughter with wife Aree Gearhart. 

The Blast reported that on March 11, Jack shared a black-and-white video of his daughter on Instagram, displaying the baby’s name as Ozzy Matilda Osbourne. 

This was an ode to the Black Sabbath frontman, who was born John Michael Osbourne, but later adopted the nickname Ozzy, a shortened version of his last name, after students tried to make fun of him for it. 

Filming for season 16 of Bravo’s “The Real Housewives of Beverly Hills” is underway, with two new stars confirmed to join: former “Million Dollar Listing Los Angeles” star Tracy Tutor and actress Leah Remini. Now, following the news of the former’s casting, longtime “RHOBH” fan-favorite Dorit Kemsley is weighing in.

Notably, this comes over a year after Tutor publicly called out Kemsley for not paying her bills, to which the mom of two responded.

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Following a longer-than-usual break between seasons, Kemsley was spotted in August 2026 filming for season 16 of “The Real Housewives of Beverly Hills.” Days later, on August 19, Deadline confirmed that Tutor would be among the cast following Amanda Frances‘ exit after a single season.

Now, following the news, Kemsley has offered her reaction in a new interview via TMZ. The “RHOBH” star’s comments came as she was seen leaving court on August 26. In the clip, Kemsley was wearing an all-white outfit as she walked alongside what is assumed to be her legal team.

Once in the car, a reporter first asked how she felt at the time. Kemsley responded, “Good.” After that, they asked if she had met Tutor, and she responded, “No.” When asked if she was “excited” to work with the “Million Dollar Listing” alum, she stated, “Ask me in a couple of weeks.”

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As mentioned, various outlets began reporting in August 2026 that Tutor had been cast for season 16 of “The Real Housewives of Beverly Hills.” After that, the famed reality star took to social media to confirm that the reports were indeed true and that she would be returning to Bravo.

She said in an Instagram post alongside a new photo of herself, “Well… the secret’s officially out. I’m joining the cast of ‘The Real Housewives of Beverly Hills,’ and I could not be more excited for this next chapter.”

From there, the mom-of-two discussed her ties to the city, saying, “Beverly Hills is home. I’ve raised my girls here, built my career here, and now apparently I’ve decided to let you all even further into my life.” She then teased, “Excited? Very. Nervous? A little. Likely to get into some trouble? Absolutely. So what’s left to say but, Let’s f-cking go.”

Regarding Remini joining the show, she confirmed the news on August 26.

What Tracy Tutor Said About Dorit Kemsley

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Tutor appeared on SiriusXM’s “Jeff Lewis Live” in March 2025. While on the show, the topic of her hairstylist, Chris Dylan, came up, with one of the hosts noting that he had appeared on “The Real Housewives of Beverly Hills” because he had worked with Kemsley and some of the other cast members.

During the interview, Tutor stated that the hair stylist “used to do Dorit, but that’s over.” When asked why, she responded, “Because she doesn’t pay her bills.” Jeff Lewis then asked if Kemsley still owed Dylan money, to which she stated, “Yes, she does,” before confirming, “A significant amount.”

Then, Tutor was asked whether Dylan was the only contractor Kemsley had failed to pay. According to her, “No, I’m fairly certain, based on my knowledge, there are several people that haven’t been paid by her. In giving examples, Tutor said, “Including my stylist, who I think she just tallied up with, finally. My makeup artist.”

Tutor then said, “So, she’s got my people, yet she likes to throw shade and call me a tacky woman.” Toward the end of the clip, Tutor was asked if she would ever join “The Real Housewives of Beverly Hills.” She responded, saying, “I’m asked that a lot. I mean, I would like to come for a few people.”

Dorit Clapped Back At Tracy Tutor

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Kemsley appeared on “Watch What Happens Live” in March 2026, following Tutor’s interview on “Jeff Lewis Live”. During the broadcast, host Andy Cohen mentioned Tutor’s comments, first highlighting how the “Million Dollar Listing” alum had accused Kemsley of “stalking” her Instagram to scout for stylists.

Kemsley said, “It’s hysterical. That’s the funniest thing I’ve ever heard, like wholeheartedly.” The “RHOBH” star added, “There was a lot of stuff that she said that, I don’t know, it came out of left field.”

After that, she responded to allegations that she failed to pay contractors. According to Kemsley, “In particular, her talking about Chris Dylan, a hairstylist that I worked with this year for the first time in eight years. … He sent an invoice overcharging me and charging me for a hotel that he’d already used my card to pay for.”

She continued, “I think he was just trying to bully this invoice through, not realizing that it goes through a process and my office flagged it. When they had written back, ‘This has already been paid,’ it was like, ‘Oh. I didn’t get away with that?’ Obviously, he needed to resend an invoice.”

Kemsley went on to call Tutor’s appearance on the radio show “attention-seeking” and accused her of “talking about something she knows nothing about.”

Dorit And PK Must Sell Their Home

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The marital home shared between Dorit and Paul PK Kemsley has been in limbo for several months, with the couple being behind on mortgage payments. According to TMZ, the estranged couple was ordered on August 26 to sell the $7 million Encino mansion.

Per the judge’s order, Kemsley is allowed to remain in the home until November, with PK paying the mortgage. However, he will be reimbursed from the proceeds of the home sale. Additionally, Dorit will be responsible for all utilities for the house until she departs.

Daveigh Chase’s friend and former business manager, John Ryan, is weighing in on her parents’ legal battle over who will control and manage the late actress’ $400,000 estate.

Ryan — who is siding with Daveigh’s father, John Schwallier — filed paperwork objecting to her mom Cathy Chase’s petition to administer the late star’s estate, according to court docs obtained by Us on Thursday, August 27. He claimed Daveigh told him she wanted to be emancipated from her mom years ago and that he helped her.

“I am aware from my conversations with Daveigh that in the mid-2000s, she filed for legal emancipation from her mother,” he stated in the docs. “At that time, Daveigh told me that she wanted to take this action because she believed that her mother was taking advantage of Daveigh’s finances and putting Daveigh’s physical and mental well-being at risk. Thereafter, I introduced Daveigh to a few professionals that I believed may be able to assist her in the legal emancipation process.”

As her manager, Ryan claimed he is owed fees for work prior to her death and on residuals after her death.

Related: Daveigh Chase’s Dad Speaks Out About Former Child Star’s Cause of Death

Daveigh Chase’s dad, John Schwallier, is speaking out after her death. Schwallier told The California Post on Monday, June 29, that Chase’s cause of death “doesn’t surprise” him, adding that “it is what it is” and that “it’s something you sometimes have to expect with the lifestyle she was living.” Schwallier shared that Chase’s cremated […]

“Daveigh was estranged from her father when her parents divorced … and still, while a minor, Daveigh became estranged from her mother,” Ryan alleged.

Daveigh’s mom is challenging ex Schwallier’s claim that the Lilo & Stitch star was emancipated from her.

“Cathy does not concede that [her daughter] ever filed for or obtained a declaration of emancipation. She has no knowledge of any such proceeding, was never served with the notice required … and never received the consent form required,” she stated in court docs filed on August 19.

She added that the claim is “entirely unsupported.”

“Even if an emancipation order existed, it would establish nothing about Cathy’s present fitness to administer this estate,” the docs read.

Daveigh’s father filed his own paperwork to appoint his nomination for an administrator of the estate and objected to Cathy filing to appoint herself.

Schwallier’s attorney filed the objection paperwork on August 17, requesting that the court deny Cathy’s petition and approve his nomination or hire a neutral third party.

Related: Late Child Star Daveigh Chase’s Dad Speaks Out on Her 36th Birthday

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The late Daveigh Chase’s father, John Schwallier, is remembering his daughter on what would have been her 36th birthday. “Every day I am thinking about her constantly,” Schwallier told the Daily Mail on Friday, July 24. “I just want to wish her a happy birthday today and [tell her] that she is on my mind […]

In his filing, Schwallier acknowledged that Daveigh was estranged from both of her parents and was living on the streets of Los Angeles. He also alleged lack of competency and “believes Daveigh filed for emancipation … from [Cathy] due to allegations of financial irregularities by [her mother].”

Schwallier also objected to Cathy being appointed to manage the estate because she had been separated from Daveigh since her alleged emancipation.

Meanwhile, Cathy is asking the court to deny her ex-husband’s request for appointment as administrator and to deny his alternative request for appointment of a neutral party.

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She claimed she has priority as an heir and is “fully competent.” She also cited that she previously took on the role as a trustee for her late daughter and didn’t take money for the role.

According to her lawyer, “a parent who voluntarily doubled the statutory protection of her child’s earnings, and served without pay in doing so, is not a person this court needs to displace in favor of a paid stranger.”

Daveigh died at age 35 in June, her boyfriend, Roy Hernandez, confirmed at the time, telling TMZ that she had battled meningitis and an infection in her blood that led to sepsis. Her cause of death was later confirmed to be acquired immunodeficiency syndrome (AIDS) with other significant conditions including chronic polysubstance use, Us exclusively reported.

One of the most exciting aspects of The Odyssey‘s massive success is the way it gained attention for Samantha Morton, who quietly gives the most powerful performance in Christopher Nolan‘s blockbuster. Morton, who plays Circe in the towering adaptation of Homer‘s epic poem, stole the show with her brief but impactful scene inside the island cabin, where her sorceress character turns Odysseus’s (Matt Damon) soldiers into pigs. The scene was an instant standout for audiences, as it is a brilliant showcase of practical effects and Nolan’s unsung horror chops. However, Morton lends this fantastical scene stunning authenticity and weight. It’s time for the Oscar-nominated English actor to receive her flowers, because she’s been stealing the show in summer blockbusters by legendary directors for over 20 years. Years before The Odyssey, Morton was the heart of Steven Spielberg‘s sublime, prescient sci-fi thriller, Minority Report, holding her own against Tom Cruise.

Samantha Morton is the Driving Force of ‘Minority Report’

Image via 20th Century Studios

Samantha Morton has continued working regularly in film and TV since her late ’90s and early 2000s career breakthrough, though she had largely been taken for granted in recent years until Nolan cast her in the seismic and powerful role of Circe. But 2002, shortly after her Oscar nomination for Sweet and Lowdown, was an especially packed year for Morton. It would see the release of Morvern Callar, Lynne Ramsay‘s bracing drama that showcased the actor at her most dynamic, as well as In America, which would net Morton her second Oscar nomination.

It was also the year she’d appear in Minority Report. Of course, there was no better mainstream spotlight than appearing in a Steven Spielberg summer blockbuster starring Tom Cruise. But luckily, this was no piece of escapist cinema; rather, it was a probing and often moody study of American justice and government in a post-September 11th world. Based on a novella by Philip K. Dick, Minority Report explores a future where the police can prevent crimes before they occur thanks to the clairvoyant abilities of three Precogs, all named after famous mystery novelists. Morton plays Agatha, believed to be the smartest Precog; she is the key figure in helping to exonerate Precrime chief John Anderton (Cruise) from a crime that, according to the majority report, he’s about to commit, though Agatha’s minority report says otherwise.

Morton carries the thematic and narrative weight of her character with exceptional gravitas in Minority Report, which remains one of Spielberg’s darkest directorial efforts to date. She stands her ground against Cruise, arguably at the peak of his stardom and creative boldness, as she embodies the prevailing dread of living with a power that the human mind can’t comprehend. Oftentimes shown shivering and rattled by her own prenatural gifts and grave responsibilities, Morton gives a finely tuned, sensitive performance that channels Spielberg’s restrained sentimentality.

She brings an ethereal, ghost-like presence to Minority Report, highlighting the foreboding sense of dystopian doom that lingers over the Precrime unit. Both strong-willed and deeply vulnerable to the point of combustion, Agatha represents the fleeting humanity in Spielberg’s futuristic vision of America driven by artificial intelligence, and Morton’s turn reflects the character’s cross between a gentle angel and a weaponized machine.

‘Minority Report’ Predicted the Future of Democracy and Criminal Justice

The idea of Precrime, like many other sci-fi hooks, doesn’t seem so far-fetched in 2026. Although filmed before 9/11 and the War on Terror, Minority Report reflected the new wave of government hyper-surveillance under the Patriot Act. Precrime, like real-life invasions of privacy, seems like an ideal, foolproof plan when you focus only on the main objective, but it never considers the long-term collateral damage. These consequences come back to haunt Precrime’s chief and staunchest advocate, John Anderton, who undergoes a Twilight Zone-esque experience where he must fight against the system he’s enabled. The film, in Spielbergian fashion, shapes itself as a fairy tale and bleak cautionary tale, first showcasing the eternal good that Precrime provides to the world, only to then deconstruct why it would signal the end of democracy.

The presence of advanced, AI-rendered technology that makes traditional media and tech obsolete in Minority Report is the film’s most pressing element today. A movie that people revisit to examine its sheer prescience, Steven Spielberg’s sci-fi mystery understands how new tech and procedures can destroy integral institutions in America. Despite lacking Precrime’s endless bandwidth and degree of intellect, the humans operating the system believe they can control it thoroughly, and the American public suffer as a result of their hubris. Yet, somehow, even though the film touches on hot-button subjects, Minority Report is a blast to watch—that’s the power of Spielberg for you.

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Minority Report

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Release Date

June 21, 2002

Runtime

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145 minutes

Writers

Scott Frank, Jon Cohen

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Everything changes and evolves over the course of time, sometimes for the better, and sometimes for the worse. Just look at anime: it was once considered a children’s medium and is now one of the leading forms of entertainment, with shows such as One Piece and Jujutsu Kaisen launching the medium into new heights across the globe. However, better animation and quality don’t always get worse with age; some anime series only get better, aging like fine wine.

Anime nowadays is all about flashy animation and badass action sequences, and while that is what viewers want to see and where the money is at, sometimes what is forgotten is what is needed. Whether they be older and irrelevant or simply overshadowed, plenty of anime have been forgotten, even if they are incredible. Ironically, these anime shows may even be better than ever, which is why this list will feature forgotten anime series that have aged like fine wine based on animation, story, art style, originality, popularity, themes, relevance, and overall quality.

‘Crest of the Stars’ (1999)

Image via Sunrise

This list features a lot of forgotten anime, but to be forgotten, they once needed to be popular; out of all the anime highlighted, Crest of the Stars was the least popular. The Abh Empire is a powerful and dangerous race of humanoid aliens that have already taken over hundreds of planets, and as they set their sights on Earth, the world forms an alliance to take down these extraterrestrial threats.

A lot of space operas simply showcase a fleet of spaceships shooting at each other, especially in modern anime. But the reason why Crest of the Stars aged well is because it has a well-written plot and plenty of detail and fascinating concepts woven into the story. From the tense battles that spawn from tactical warfare and ingenious battle plans to the linguistic detail and language barriers faced in the show, Crest of the Stars is a riveting anime that most fans have never heard of.

‘xxxHOLiC’ (2006–2011)

Image via Production I.G.

A lot can happen in 20 years. For example, an anime can come out, be very popular, develop a cult following, end, and then stay forgotten for the years following. That is exactly what happened with xxxHOLiC, which follows a character with a strange connection to the supernatural. One day, a mysterious shop catches his attention, and when he becomes an assistant to an even more mysterious woman who helps those in supernatural trouble, his life gets even crazier.

What was once one of the leading supernatural anime is nothing more than a legacy, but that shouldn’t discount xxxHOLiC and everything it represents. The 2000s humor isn’t for everyone, but it is a time capsule that holds up better against a lot of modern comedic anime. It isn’t the best anime series of all time, but the profound and tragic plots in each episode hold a certain weight. Plus, this anime doesn’t take itself too seriously, allowing itself to be silly, something new anime needs to learn.

‘Dennou Coil’ (2007)

Image via Madhouse

Cyberpunk is a popular anime genre, but it isn’t just dark and gloomy stories; they can also be quirky and unique, as is the case with Dennou Coil. Set in a world that is embracing augmented reality, a group of children notices a handful of strange disappearances. They form a detective agency and head out into the town during their spare time to investigate the corruption of the virtual world and how it is affecting the real world.

Before AI and AR became mainstream, Dennou Coil used the concept to portray a charming and whimsical, yet dystopian nightmare. Not only did it predict the way people would interact with AR technology, but it also presented a list of dangers that come with it. Dennou Coil touches on the blurring lines between reality and digital fantasy, focusing on how real this digital space can feel, and the flaws that come with it.

‘Kaiba’ (2008)

Image via Madhouse

Anime doesn’t have to be old to be forgotten. Some modern classics from two years ago are already irrelevant, but the newest anime featured, Kaiba, is from 2008. Set in a sci-fi world where people can copy their consciousness and transplant it into new bodies to live forever, the titular character is one such body without any memories. This is the story of him traveling around the galaxy in order to learn the history of this body and who he really is.

Avant-garde anime aren’t made nowadays simply because they aren’t popular, but they age better than most because of their distinct experimental style that can captivate viewers. Not only that, but Kaiba features such a fun retro art style that it visually holds up compared to new shows. As one of the best avant-garde anime series, Kaiba takes risks that paid off perfectly, making it a top-shelf classic.

‘Ashita no Joe’ (1970–1981)

Image via Mushi Production

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A lot of old anime don’t age well, whether it is their animation, outdated style, themes, or simply not resonating with modern viewers. However, despite being the oldest show on this list, Ashita no Joe hasn’t gone out of style. Joe is a street punk, but when a retired boxer sees promise in him, he tries to get him into boxing. Struggle after struggle, the two finally get a match, thus starting their rocky road to becoming champions, right after Joe gets out of prison.

Not everything about Ashita no Joe aged perfectly, especially the animation since it is so old, but the art style and presentation, while dated, have a certain classic feeling that everyone can appreciate. This anime didn’t just pioneer the sports genre; it features a story that still hasn’t been replicated because it is so unique. From flawless character development to its tragic narrative, Ashita no Joe is a true classic that, while forgotten due to its age, is still one of the most intriguing sports dramas out there.

‘Paranoia Agent’ (2004)

Satoshi Kon is arguably the best anime film director of all time, but he also delivered one of the best avant-garde anime series with Paranoia Agent. When an overworked toy designer is brutally attacked, she falls into a reclusive state, paranoid that whoever attacked her might strike again. However, as more attacks occur, the entire world gets paranoid that they could be next.

Compared to most anime on this list, Paranoia Agent is less forgotten than most, but it certainly isn’t mainstream or getting the love it deserves. From the art to the animation and narrative, everything in this anime is flawless, not to mention the relevance. Representing a variety of themes, including toxic work culture and how it forces people to escape reality, idolizing cute mascots and numbing ourselves to reality, and developing main character syndrome, all of these are more present than ever in the modern age. Paranoia Agent is scarily accurate in its themes, and that is why it is one of the best thriller anime series ever.

‘Legend of the Galactic Heroes’ (1988–1997)

Image via Kitty Films

This list features many older anime, and while Ashita no Joe is the oldest, another true classic is Legend of the Galactic Heroes, a timeless sci-fi opera. After a hundred-year ceasefire is ended by two new young commanders, the galactic war has started again. Each commander has an opposing philosophy that they believe to be fact, but that fact is only proven by whoever wins, thrusting the galaxy into a long war of pain, tragedy, and hope for the future.

It may be old, but some people still remember the name and the legacy attached to it; that doesn’t mean it isn’t forgotten by the general audience. Legend of the Galactic Heroes doesn’t get the recognition it deserves despite having one of the most riveting plots that delves into politics and philosophy. Animation aside, everything about this anime is remarkable, and the story only gets better and more relevant as the years pass. Good storytelling never ages, but Legend of the Galactic Hero only gets better the older it gets.

‘Serial Experiments Lain’ (1998)

Image via Triangle Staff

Some anime on this list aged well because the style and animation hold up, but other series prove timeless because their stories grow ever more relevant, such as Serial Experiments Lain. The titular character receives an email from her dead classmate inviting her into the dark web, and when she logs on, Lain discovers a whole new world of dark truths as she establishes herself as the god of the online domain.

This experimental anime came out just as technology and the World Wide Web were really taking off, and using its thematically appropriate story, it now stands as a cautionary tale that even predicted many modern events. Serial Experiments Lain can be trippy, dark, obscure, and hard to process, but it is because of that avant-garde style that it has become such a titillating experience. Outside its cultural legacy and technological accuracy, Serial Experiments Lain is simply an entertaining show, which made it an avant-garde anime blueprint that changed the way fans view the medium.

Za’Darius Smith is back in the NFL after retiring halfway through last season, and now we know why he stepped aside.

Smith, 33, signed with the Atlanta Falcons earlier this month and revealed in a news conference on Wednesday, August 26, that his short and unexpected retirement came due to his mother’s failing health.

“I said I wasn’t going to tell the story, but I’m going to tell it,” he said, before recounting the phone call he received from his mother’s doctor, “telling me that she don’t have much longer to be on this Earth.”

Smith was playing for the Philadelphia Eagles at the time, and had appeared in five games before getting the call, prompting him to step away from the league so he could cherish what time he had left with his mom.

“I let the team know. Obviously, they weren’t trying to let me leave, but that was the only thing I had left — to retire,” he said. “So, I retired.”

Unfortunately for Smith, his family struggles didn’t stop there.

“After losing my mom, I lost my grandma,” he revealed. “Then after my grandma, I just lost my dad, so y’all obviously know what I’ve been through.”

He continued, “This is my happy place, come back, play football. I was in a dark place, but you know, coming out, running out on the field, the fans — not just the fans, man, the joy that I get from winning and just getting sacks.”

Smith added that when he retired, he had 70 career sacks. Now, it’s his goal to hit an even 100.

When Smith decided he was ready to return to football, he first tried out for the Cleveland Browns, but the two sides were unable to agree on a contract. When the Falcons came calling, it just felt right for the defensive end.

“It’s close to home for me. I’m originally from Alabama. I’m just happy to be back,” he said. “My mom — rest her soul, man — she always wanted me to be in Atlanta with the Falcons.”

“You’ll know the reason why now,” Smith concluded, “because I haven’t been that happy in a long time.”

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Smith’s arrival also gave him a chance to connect with Falcons defensive coordinator Jeff Ulbrich, who is currently grieving the loss of his wife to cancer.

“I don’t know if he knew about mine or not, but he told me, and I said, ‘Coach, come here, man — just give me a hug because I know exactly what you’re going through, man,’” Smith said. “So that’s how we immediately connected.”

Smith and the Falcons will open the regular season on Sunday, September 13, when they travel to Pittsburgh to face Aaron Rodgers and the Steelers.

Dolly Parton’s loss continues to be felt across the entertainment industry.

The beloved country music icon passed away at 80 in Nashville, Tennessee, after a secret battle with cancer, a year after losing her husband, Carl Dean.

While several stars continue to pay tribute to Parton and recall fond memories of her, actor Vin Diesel decided to do something a little out of the box.

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Taking to Instagram, the “Fast and Furious” actor couldn’t find the words to honor Parton’s legacy. Instead, he sang it, giving his rendition of her hit song, “I Will Always Love You.”

In the background of a black-and-white photo of the late country star, a sonorous recording of Diesel singing the heartfelt lyrics with a surprising smoothness played.  

Proving to be quite the singer, the actor harmonized beautifully as the guitar and keyboard played acoustically. Diesel’s passion was vibrantly felt as he devotedly sang about his love for Parton before signing off the video, “love you.”

Fans Deeply Moved By Vin Diesel Tribute

The lovely tribute has since gone viral, garnering about 200K likes and thousands of comments from impressed fans.

“Dolly Parton got Vin Diesel singing, and it’s a damn serious tribute. I don’t think I quite understood her impact,” one emotional fan tweeted.

A similar comment read, “The grief is real, man. She was a shining human being.” A third user described Diesel’s performance as the “most honest and vulnerable thing,” while another noted Parton would be super proud.

“He even harmonized himself. What the f-ck. This is beautiful,” added this fan who was blown away by Diesel’s talent.

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Kesha Honored Dolly Parton With Fond Memory On Stage

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Singer Kesha also gave a memorable tribute to the “Coat of Many Colors” singer. 

Hours after the news of her death was confirmed, Kesha took to the stage at the Pavilion at Star Lake Venue during her Pittsburgh stop.

As reported by The Blast, the artist performed Parton’s 1980 song “Old Flames Can’t Hold a Candle to You,” which held a sentimental meaning, to an emotional audience. It happens that Kesha’s mom, Pebe Serber, co-wrote the tune with the country singer in 1978.

Moved by the connection, the “TikTok” singer recalled working with Parton as she told fans, “So, in honor of her incredible legacy and a beautiful life, I’d like to sing the song that my mom wrote for her.”

Dolly Parton’s Cause Of Death Revealed After Secret Health Issues

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More details have since come to light about the circumstances surrounding Parton’s death. Her nephew, also her head of security, first shared the news and said his aunt had given him the responsibility years ago.

Afterward, a rep for the country artist confirmed that she took her final breath in Vanderbilt University Medical Center, where she had been admitted days ago.

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The “9 to 5” singer was dealing with autoimmune and kidney issues as a result of cancer. 

“After bravely facing a brief battle with cancer, Dolly departed her Earthly life today at the Vanderbilt-Ingram Cancer Center surrounded by loved ones,” the statement read, per The Blast.

Although the type of cancer wasn’t disclosed, Parton’s legacy of generosity and hope, especially through her Imagination Library, was championed.

The Singer Left Fans With One Final Gift

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Although fans are devastated to say goodbye to the beloved music icon, she didn’t leave them alone. Parton made sure her music will keep giving long after she is gone. 

As reported by The Blast, the award-winning singer recorded a secret song before dying. However, it has been kept secret and physically locked away at her DreamMore Resort in Tennessee, with instructions not to release it until her 100th birthday.

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That means fans will have to wait two more decades to hear new Dolly Parton music, but it will be totally worth it. 

Storytelling is an art form driven by inspiration; those who create the TV or movie hits of today were once fans drawn into the classics of the past. Harlan Coben, the mind behind blockbuster thrillers like The Stranger, is no exception. When asked what his favorite movie in the genre was, only one answer came to mind – Alfred Hitchcock’s 1951 movie Strangers on a Train. Starting with a mundane exchange that spirals into madness, this masterpiece of suspense is part of the DNA of Coben’s work, and many others who grew up entranced by the British filmmaking master.

‘Strangers on a Train’ Follows a Meeting That Turns into Murder

Image via Warner Bros.

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Hitchcock loves to set frightening scenes in innocuous settings – a motel, a school yard, a dinner party. And in this case, the terror starts with a train ride. Young, successful tennis player Guy (Farley Granger) ends up in the seat next to Bruno (Robert Walker), a stranger who has read about him in the newspapers. Bruno reveals he knows that Guy is going through a protracted divorce from his unfaithful wife Miriam (Laura Elliott), and speculates that he would want her murdered.Bruno then suggests the “perfect” plot for killing – two men “swap” murders: in this case, Bruno would kill Miriam, and Guy would kill Bruno’s father. Appalled by the suggestion, Bruno shrugs off the stranger and leaves the train, only to find out shortly after that Miriam has been killed. Unable to go to the police for fear of being implicated, he must find a way to avoid Bruno, who presses Guy to fulfill his end of the “deal”.

Filmed in black and white, and featuring some gorgeous locations, including New York’s original Penn Station, the movie is an engrossing ride that created the blueprint for the classic thriller. Hitchcock builds the tension not by asking viewers to guess who the killer is, but by telling us and not the other characters. Wondering whether Guy may be framed for Bruno’s crime makes the third act in particular excruciating.

‘Strangers on a Train’ is Classic Hitchcock

Image via Warner Bros.

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In many ways, the nail-biting thriller encapsulates the best of Alfred Hitchcock. Stranger on a Train was made during the Hays Code, a code of practice that prohibited stories that glamorized immoral behavior and limited sexuality and violence in film (it would be less strictly enforced by the time films such as Psycho came around). Hitchcock’s way around these restrictions was to show the darkness in people’s minds – the ‘morality’ of murder discussed in Rope, or the psychological obsession displayed in Vertigo. These were ideas which were harder to police than images, and they also happened to make his stories more impactful.

In the case of Strangers on a Train, the terror came from the idea that Guy was pulled into a deal he never agreed to. As the walls close in, deception, anxiety, and double-crossing are necessary in order to prove his innocence. Guy is not an immoral man, yet he is drawn into the world of a killer through a simple conversation. It’s enough to push you to the edge of your seat as you wonder whether Bruno will get away with his twisted scheme.

Alfred Hitchcock’s Masterwork is a Clear Influence on Harlan Coben

In an interview with Radio Times, Coben said: “I love Alfred Hitchcock, obviously. He’s been a major influence on me.” He picked Strangers on a Train as his favorite thriller of all time, and said: “It’s just a chance meeting between two people and some of the great, iconic scenes of all time.” He also shared that a tennis scene in the Netflix adaptation of Stay Close is an intentional homage to the movie, to “represent my Hitchcock love.”

It absolutely makes sense that the author should credit the Master of Suspense with inspiring his writing. So many aspects of what made the director’s movies great also appear in Coben’s stories, with Strangers on a Train being a prime inspiration. There are many dual protagonists with a shared secret, much like Bruno and Guy, in Coben stories such as The Stranger and Gone for Good, while the concept of ordinary people being pulled into a dark situation through chance is a recurring theme in his writing.

This would, of course, not be unusual for someone working in the thriller genre. Over 40 years on from his death, Alfred Hitchcock has inspired generations of storytellers with the way he uses his medium to raise the pulse and keep the audience guessing. Strangers on a Train remains one of his most accomplished works, exploring the dark mazes of the mind in a way that still resonates after all these years.

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Release Date

June 27, 1951

Runtime

101 minutes

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Writers

Patricia Highsmith, Czenzi Ormonde, Raymond Chandler

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  Farley Granger

  Guy Haines

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