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đ´24/7 LIVE Cat TV: Birds and Squirrels for Cats to Watchđş Forest Clowns on the Ground
TV for cats, dogs, parrots, budgies and all nature lovers. Non-stop streaming of little birds and Eurasian Red Squirrels.
Welcome to a world inhabited by:
Eurasian Red Squirrel (Sciurus Vulgaris)
Great Spotted Woodpecker (Dendrocopos Major)
Great Tit (Parus Major)
Eurasian Blue Tit (Cyanistes Caeruleus)
Eurasian Siskin (Carduelis Spinus)
Common Blackbird (Turdus Merula)
Chaffinch (Fringilla Coelebs)
Eurasian Magpie (Pica Pica)
Bullfinch (Pyrrhula pyrrhula)
Eurasian Jay (Garrulus Glandarius)
Pre-recorded video from Finland by Red Squirrel Studios
Note: link changes when stream crashes/restarts!
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First clip of Black Mirror season 7 as Netflix reveals cast | Culture
Black Mirror has released its first teaser clip of season seven as Netflix confirms the cast for the upcoming series.
Creator Charlie Brooker told a Geeked Week audience that fans can expect a mix of genres and styles across six episodes, two of which are “basically feature-length.”
Themes will range from “deeply unpleasant” to funny and emotional, he added.
Actors starring in the upcoming series will include Awkwafina, Emma Corrin, Paul Giamatti, Peter Capaldi, Tracee Ellis Ross, and Chris O’Dowd.
Season seven of Black Mirror will be released on Netflix in 2025.
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Infected Cameraman & TV WOMAN
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Mirandaâs Sarah Hadland on Strictly: âIt was made really clear that our welfare was going to be top of everybodyâs prioritiesâ
Sarah Hadland was in the midst of a dress rehearsal for her very first Strictly Come Dancing group routine, being lifted into the air by her dance partner Vito Coppola, when a disembodied voice boomed out into the studio. âI just heard: âSarah! Crotch! We need something to cover her crotch!â the actor recalls gleefully. âIt was absolutely fabulous.â A member of the costume team âcame running down with a bit of perfect matching marabou feather, and within about 10 seconds, it was stitched on the bottom of my dress.â Potential primetime embarrassment averted. âWeâre in a parallel universe here, where somebody can just confidently shout out âCover her crotch!â and somebody appears with the perfect thing to do it,â she says. Â
The BBCâs glittering dance competition, Hadland tells me, is an âincredible machineâ. And sheâs a natural fit for the larger-than-life show, ready to lean into the bedazzled, slightly camp, slightly ridiculous joy of it all. The 53-year-old actor is best known for her role as Stevie, joke-shop manager and best friend to Miranda Hartâs character in the hit sitcom Miranda; sheâs also starred in comedies like ITVâs The Job Lot (set in a jobcentre) and BBC Threeâs Daddy Issues, appeared on the riotous kidsâ show Horrible Histories, and even cropped up briefly in a Bond film, playing an airport worker in Quantum of Solace. And she is certainly willing to poke fun at herself. When we speak over Zoom during a break from dance practice, she apologises for her switched-off camera with a self-deprecating quip: âIâm a bit of a technophobe… weâre one step away from me with a can and a bit of string.â Â
Hadland has been a âsuper-fan of Strictly since it beganâ and has thrown âStrictly Come Haddersâ parties for her friends in the past (sheâd always dress up as former pro dancer Kristina Rihanoff). Yet she turned the show down multiple times before finally signing up this year. âWhen youâre a huge fan of a show, you kind of think, âOh no, I donât want to be in that,ââ she says. Plus, she has always kept her personal life out of the public eye; naturally, she had concerns about the attention it might invite. âI felt, âIâm an actor, should I be revealing so much about myself?ââ A conversation with fellow actor Sian Gibson, her co-star in comedy whodunnit Murder They Hope, made her change her mind. âShe just said to me, âWhy are you depriving yourself of doing something that youâll really love? If you donât do it, I think youâll really regret not doing it.â And she was absolutely right.â Hadland also thought to herself: ââWhat would I really like to do if I didnât have to think about what anyone else would think?â Thatâs what made me decide, yeah, Iâm going to go for it.â  Â
This year marks Strictlyâs 20th anniversary, but lately the show has been in the headlines for less celebratory reasons. Professional dancer Giovanni Pernice has faced accusations of bullying behaviour behind the scenes, and left the show in June (he has strongly denied all the allegations). The following month, another pro, Graziano Di Prima, quit; he later admitted having kicked his partner Zara McDermott during rehearsals. Did these reports tarnish the showâs lustre for Hadland? âI can only take a view on what I know about this year,â comes her measured response. âI think as a result of whatâs been going on, so many measures have been put in place that I almost feel like, if you were ever going to do the show, this would be the year to do it.â From her first conversations with producers, she adds, âit was made really clear that all the participantsâ welfare and the dancersâ welfare was going to be on top of everybodyâs prioritiesâ.Â
This year, all participants have chaperones during practice. âThereâs always somebody in the rehearsal room with us,â Hadland says (not that sheâs really noticed it â sheâs been too focused on learning the routine). âThere are constantly VT crews turning up. The dancers have a welfare producer that comes and talks to them every week, and I have one that comes and talks to me every week. There are lots of people constantly reaching out to make sure youâre OK with everything, youâre happy with everything, youâre sleeping enough, youâre getting enough food breaks.â Â
And, she says, her âexperience with Vito has only been 100 per cent positiveâ. She can already do a note-perfect impression of his effusive Italian tones; he has nicknamed her Trilli, âwhich is the Italian for Tinkerbellâ. The showâs choreographers have noticed that âthis is the first time theyâve seen Vito telling his partner to slow down. Normally heâs the one that needs to calm down!â Iâm not remotely surprised â conversation with Hadland moves at a mile a minute (âSorry, this is quite long-winded!â sheâll apologise, before rattling through a story at hyper-speed and then jumping into another). Â
Every season, Strictly fans scrutinise whether some contestants might have an advantage over the rest; it hasnât escaped their notice that Hadland appeared in shows like Cats and Grease in her late teens. âObviously that was 35 years ago,â she laughs. She likens getting to grips with ballroom and Latin to âlearning a different language. Youâve got a bit of an advantage, because youâve been able to learn another dance language, but actually, all the rules youâve learnt donât apply to this. Theyâre completely different.â Dance does run in her family, though. Her mother was âtalent-spotted when she was a teenager by the Royal Balletâ and danced the lead role in a BBC version of Alice in Wonderland, but eventually dropped out to work behind the glove counter at Harrods, where she met Hadlandâs father. Â
When Hadland was at secondary school in Wilmslow, she joined Cheshire Youth Theatre, and later went on a two-week residential trip that âchanged my life. We were doing all kinds of mask workshops, drama, dancing, music, singing, everything. I just immediately thought, this is what I want to do.â That course, she notes, was âcouncil fundedâ, and it âbreaks [her] heartâ to think that similar opportunities donât exist any more. âAll those things were massively subsidised, thereâs no question,â she says. She left home at 16 (âwhich makes me feel so shocked now: I look at 16-year-olds and I think, oh my God, thatâs so youngâ) and went to study musical theatre at Laine Theatre Arts in Surrey. âMy parents had divorced and I was in a single-parent family, so I got a full grant to go to college. These things just wouldnât have been possible [without it].â Â
The erosion of arts funding, she says, is âvery, very worrying, because you think: are the arts becoming an elitist sector? Because children from working-class or lower-middle-class families simply will not be able to afford to go [to drama groups]. And these youth theatres are the places where kids learn that these [creative] jobs exist.â Itâs not just an issue for actors but for the whole industry, she suggests: âThe writers â where is all the material going to come from? Is it going to be from a specific class?â Â
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Her first performing job was as a magicianâs assistant. âI was crossing the Bay of Biscay, being levitated, after a dayâs rehearsal in a lock-up garage in Kettering,â she says. âSo that was my introduction to the world of show business.â Then came the West End â but it was a gig in a Birds Eye ad campaign that made her seriously consider acting. âEven though I was 21, I was cast as a 14-year-old, and I was absolutely fuming, and argued a bit with my agent that I didnât want to do it,â she remembers. â[But] the director was Mandie Fletcher, who directed Blackadder. It was quite a funny little character, and she said, âYou should get into acting.ââ Â
Decades later, Hadland had a âfull circleâ moment when Fletcher directed the final episode of Miranda, which aired in 2015. The show was, she says, a comedy that was âheartfelt, warm, [with] no maliceâ. Sheâs still close friends with Hart, who has taken a step back from the public eye in recent years. In fact, Hart is part of a group of pals who have always maintained that she should try Strictly â and was there when Hadland had to tell a white lie to keep her sign-up a secret. âI was sitting next to Miranda at this gathering, and I was saying, âOh, itâs too late to do it now…â And I felt really guilty. When it was announced, [Hart and friends] were like, âWhat? How could you keep that [from us?]âÂ
Their sitcom had an unexpected resonance for teenage girls, she adds. âIâve been sent folders of lovely letters from girls that felt like they didnât fit in … [Miranda and I] were these two strong personalities that had a really good friendship. And the number of girls that said that got them through their teenage years, because they would say when they were picked on or bullied: âWeâre Stevie and Miranda.ââ She remembers how one famous critic described the pair of them as âinfantilisedâ. âI know in this country we take our comedy very seriously, and thereâs huge snobbery about very popular comedy,â she says. âBut I feel really proud to have been part of something that has brought a lot of joy to people.â And, she adds, âI think itâs a real privilege to make people laugh.â Â
With that, itâs time for her to return to the âparallel universeâ of Strictly. Her first dance, somewhat aptly, will be the quickstep; itâll be plenty of fun trying to keep up with her.
âStrictly Come Dancingâ continues on Saturday 21 September at 7pm on BBC One
Portrait credit: Photography by ByPip, makeup by Charlotte Yeomans, hair by Adam Cooke and styling by Rachel Davis
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The Fruit Friends Song – ChuChu TV Baby Nursery Rhymes and Kids Songs
Get ready for a super fun dance party! “The Fruit Friends” are putting on a show where different types of fruit will come on stage and dance their hearts out to entertain the kids. You won’t want to miss this!
You can listen to this song on your preferred music streaming platforms. – https://orcd.co/fruitfriends
ChuChu TV is now available on all major music streaming platforms. You can now listen to your favorite ChuChu TV songs anytime, anywhere.
Listen on Spotify âş https://orcd.co/npnkjdp
Listen on Apple Music âş https://music.lnk.to/NkiCKW
Listen on Amazon Music âş https://music.amazon.com/albums/B0BZZJBFF7?ref=AM4APC_AL_P_en_US_B00LP2FTLC_L7KKQQr
Listen on YouTube Music âş https://music.youtube.com/channel/UC7fk9tVVNRZAjhjps2O4Ygg?si=wAXe-rmmwVnILxyN
Check out our popular playlists to keep your little ones engaged and learning non-stop!
Click here for brand new songs with Baby Taku & Friends âş https://www.youtube.com/playlist?list=PLV-cxl3VSwWEYTEMUd3RSzrTZq2q1hVnW
Click here for Baby songs compilations! âş https://www.youtube.com/playlist?list=PLV-cxl3VSwWEdz04xWv32x5G4XTBVOUfX
Click here for Classic Nursery Rhymes! âş https://www.youtube.com/playlist?list=PLV-cxl3VSwWHa83pPHIealm1vg0Cdp3aZ
ChuChu TV creates entertaining and educational videos for toddlers globally. Their lovable characters aid in developing cognitive skills, memory, recognition, and more. Click here to Subscribe to our channel – https://bit.ly/32NxN7y
Copyright Š ChuChu TVŽ Studios LLP. All Rights Reserved!
#ChuChuTV #NurseryRhymes #BabySongs
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Fool Me Once to Safe: How the Harlan Coben universe took over Netflix
About 15 minutes into the first episode of Fool Me Once, Michelle Keeganâs Maya gets pepper sprayed in the face by her daughterâs childminder, after the pair have come to blows over a hidden camera disguised as a digital photo frame. I practically whooped with glee. Not because Keeganâs character, a newly widowed army veteran, seemed particularly deserving of comeuppance (sheâd just buried her murdered husband, for goodness sake), but because the casual inclusion of a scene so objectively bonkers so early on in this eight-part Netflix series felt like a good omen. From here, things surely would only get sillier and more credulity-stretching. In short, I was going to get precisely what I wanted from the streamerâs latest Harlan Coben adaptation.
If youâre somehow unfamiliar with the oeuvre of Coben, whose name hovers over the title cards of his TV shows to remind us whoâs the boss, then your Netflix algorithm is certainly more discerning than mine. All you need to know is this: Coben is the vastly successful American author of 35 mystery novels, and is a fixture on bestseller lists around the world. As a student at Amherst College in Massachusetts, he was a member of the same fraternity as Dan Brown, writer of The Da Vinci Code and overlord of the airport thriller.
Cobenâs books tend to take place in monied communities in New York and neighbouring New Jersey, his home state, rather than in dusty museum archives and crypts, but he shares a taste for cliffhangers and bold twists with his old classmate (âIf you donât like twists and turns, Iâm not your guy,â he told The Scotsman last year). In 2018, he signed a five-year mega-deal with Netflix, allowing the streamer to adapt 14 of his novels into English and foreign-language TV series. Fool Me Once is the fourth English production, following Safe (2018), The Stranger (2020) and Stay Close (2022), but there are also shows in French, Spanish and Polish.
These dramas are inevitably chock full of gasp-inducing, head-scratching moments (like poor Michelle being temporarily blinded with an aerosol). And instead of being set against their original backdrop (the New York tri-state area) the English-speaking adaptations of Cobenâs work all take place in the northwest of England. Their exact location is never spelled out in the scripts (âWe think it works better to make it more generic,â executive producer Nicola Shindler has said) but the gratuitous shots of the Runcorn-Widnes Bridge are a massive giveaway. Transplanting essentially American characters into a very British setting gives proceedings an uncanny, slightly artificial feel. Keeganâs character spends most of her time training amateurs to drive helicopters and at the shooting range, which doesnât ring entirely true. Sometimes the character names are jarring, albeit in an enjoyable way. In The Five, an original drama that Coben created for Sky back in 2016, pre-Netflix deal, the actor Lee Ingleby plays a man named Slade; perhaps his fictional parents were just devoted fans of Noddy Holder and co.
The critical verdict on these adaptations is as up, down and frankly all over the place as some of Cobenâs wilder narrative impulses. Theyâve been praised as the ultimate guilty pleasure (in a four-star review of Fool Me Once, The Telegraph claimed its plot âmoves like a slinky on steroidsâ, ie erratically and at speed) and derided as âjunk food televisionâ (The i), the TV version of empty calories: stories that are delicious in the moment, but ultimately leave you feeling unsatisfied and a bit grotty. The Independentâs chief TV critic Nick Hilton gave it just one star, predicting that tolerance for its high melodrama âwill hinge entirely on your ability to switch off your brain and allow proceedings to wash over youâ.
But while they might have divided reviewers, they seem to get a pretty resounding thumbs up from Netflix users. Fool Me Once has just been named as the streamerâs global most watched series of 2024, clocking up more than 107 million views. Are these shows good, bad, or so bad theyâre good? And why are viewers like me so hooked? The average Coben series is an inviting mix of the unpredictable and the enjoyably formulaic, a bit like an Agatha Christie. We know pretty much what weâve signed up for; weâre just not entirely sure of the particulars of how things will play out. So twisty is his work that once the final end credits have rolled, it is categorically impossible to recall the specifics of each seriesâ storylines. Instead, they become tangled up into one big, chaotic spiderweb (remember those biology GCSE textbook pictures imagining what webs spun by drugged-up spiders might look like?)
The typical plot goes something like this. A woman is, or once was, romantically involved with Richard Armitage, the actor who is the undisputed king of the Harlan Coben TV Universe, with three such series on his CV (âThreeâs enough, if not too many!â he told Radio Times last year, in 2023, only to sign up for yet another one a few months back). She is hiding a dark secret, one that connects her to a spate of mysterious disappearances, or a murder investigation that has long gone cold. The Armitage character walks straight into this conspiracy and sets about trying to solve things for himself, usually while pursued by baddies. He is alternately helped and held back by an odd-couple pair of police officers.
For a touch of British Big Little Lies, everyone lives in massive detached homes, and has gorgeous hair that belies their emotional turmoil. There are various convoluted backstories involving childhood games gone wrong, mask-wearing cults or alpacas. Something tends to be awry at the local kidsâ football club, where the parents gather to speak in exposition from the sidelines. And if thereâs a beloved British comedy star on the cast list â Jennifer Saunders in The Stranger, Eddie Izzard in Stay Close â the odds of them making it to the final episode are high.
In Fool Me Once, thereâs a slight shake up: this time, the Armitage character is a dead husband who appears in flashback (or, at least, heâs supposed to be dead â but he still crops up in footage recorded on the sneaky photo frame camera after his funeral). And itâs his widow Maya, played by Keegan, who must do the amateur sleuthing. Sheâs also burdened by secrets of her own. They relate to her time in the army, we learn, and place her at the mercy of a whistleblower called âCorey the Whistleâ, who writes a blog from a shack in the forest. And some adaptations donât feature Armitage at all.
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In 2018âs Safe, itâs Dexter star Michael C Hall who plays the moody bloke with the dead wife, doing his best British accent. The Five has a quartet of protagonists, who are shaken to learn that the DNA of their long-missing friend has turned up at a crime scene. What they all share, though, is a fast pace and the sort of stress-inducing episode endings that have you pressing ânextâ against your better judgement. Thatâs testament not just to Cobenâs mad plots but also to screenwriter Danny Brocklehurstâs command of the source material; Brocklehurst has worked on all five English-language Coben adaptations, so has had plenty of practice when it comes to shaping these stories into moreish nuggets.
Trope-y tales like these mean that the vast line-up of characters are often pretty broadly drawn. But theyâre consistently elevated by some of Britainâs most recognisable television performers. As well as Keegan and Armitage, Fool Me Once also features Joanna Lumley as Mayaâs wealthy mother-in-law, an acid-tongued matriarch who wafts around the family estate swathed in cashmere scarves, and Sherwoodâs Adeel Akhtar as a police officer who keeps mysteriously passing out at the wheel of his car. Stay Close starred Cush Jumbo, whoâs more often found performing Shakespeare in the West End.
These shows are, letâs face it, probably not the most challenging dramatic material that theyâve tackled, but itâs fun to see which stars will be called up for the next production, like a thespy form of jury service. In fact, with their impressive cast lists, mega mansions and ridiculous narrative curveballs, theyâre essentially a fun-house mirror version of your average ITV psychological thriller, buoyed by a Netflix budget to amp up the escapism. No wonder British audiences canât get enough of this all-American author. Long may the Harlan-verse continue â and hereâs hoping Richard Armitage is on the phone to his agent right now.
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