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Remy Ma Seemingly Trolls Papoose In ‘Jezebel’-Inspired Outfit

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

Remy Ma stepped out to celebrate her new EP, and chileeee, her outfit has social media in SHAMBLES! She pulled up rocking a ‘Jezebel’-inspired outfit, and fans wasted no time calling it a whole new level of petty. Some folks even think Remy was sending a lil’ message to Papoose with the fit. Whether she was trolling or simply serving a look, the timeline is calling her latest move petty with a capital P!

RELATED: Papoose Shares Alleged Texts Between Him & His Attorney To Shut Down “False Narratives” About His Divorce From Remy Ma 

Remy Ma’s ‘Jezebel’ Look Has Social Media Goin’ OFF

Remy Ma was outside on Friday, September 25, celebrating the release of her new ‘Alimony’ EP. Her pop0out comes shortly after she dropped her new single, ‘Why I Get Married?’ featuring Keke Wyatt. Remy made sure all eyes stayed on her at the event, stepping out in a look that has fans saying her petty level is unmatched! DJ Drewski shared a video on Instagram giving fans a close-up look at Remy’s fit. She rocked a leather jacket featuring a red scarlet letter on the front, but chileee, it was the back that really got folks talking! Remy had ‘Jezebel’ — the title of Papoose’s diss track aimed at her — written across the jacket. She didn’t stop there. Rem also rocked a ‘Jezebel’ chain around her neck.

Remy reposted Drewski’s video to her Instagram Story and seemingly responded to a lyric from Papoose’s record, writing, “I ain’t get the Zelle.” Roomies, if you recall, Pap racps on the track, “To this day, I give you money; did you get the Zelle?” 

The Internet Is Divided Over Remy’s Latest Move

After The Shade Room shared the clip of Remy Ma, the Roomies flooded the comment section. Some fans couldn’t help but question what’s really going on, while others gave Rem props for flipping the script and turning the moment into her own. Then, other social media users said they’re over the back-and-forth between her and Papoose. Peep some of the reactions below.

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Instagram user @_msgood wrote, “just get back together wtf is this lol.” 

Instagram user @becomingrachelle wrote, “If Kendrick ain’t teach you nothing bout the way Gemini rappers beef, Rem the pen here to be the final boss 😂” 

While Instagram user @nonchalantbaby__psycho wrote, “I couldn’t be in a relationship with either one of them because what’s going on here😂😂😂” 

Then Instagram user @thehomie__ wrote, “Y’all can’t say s**t about Clarissa ever again she was right 😂” 

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Another Instagram user @iamniciaa wrote, “‘I ain’t get the Zelle’ has me weak 😂” 

Instagram user @its.missmacken wrote, “Remy is ‘becoming’ the person y’all swear Claressa is.” 

While another Instagram user @hanseldanger_ wrote, “Why y’all mad because she flipped the script 😂 but y’all was so happy and laughing when he called her Jezebel 🥱🥱💀” 

Then another Instagram user @beautifulkie__ wrote, “Take us out the gc at this point.” 

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Lastly, Instagram user @__justbeingbree wrote, “Idk, Remy is giving corny 😒” 

Papoose Drops Receipts & Calls Out “False Narratives” About His Divorce From Remy

Remy’s latest jab comes shortly after Papoose exposed their divorce drama on Instagram. He dropped screenshots of alleged text messages between him and his divorce attorney. He claimed he’s been pushing to get the process moving despite several delays along the way. Pap didn’t just share the receipts. He also wrote a long caption admitting that he was tired of the “false narratives” surrounding their split and even urged fans to encourage Remy to move forward.

“To those of you who are fans of her: continue to support her. Instead of coming at me with false narratives & fake news, why don’t you use that energy to help her move on?” Pap wrote.

Papoose also accused Remy of violating their marriage and claimed he waited for her to change. Eventually, he said he realized that wasn’t going to happen and decided it was time for him to move on.

“I have allowed her to lie about me because I knew the truth was too ugly for her. She chose to violate the marriage I waited for her to stop, and I even attended therapy with her. One day, I woke up and realized she was never going to stop. At that point I decided to move on with my life! Since I moved on, she has tried to get back with me numerous times, I repeatedly declined.”

RELATED: Remy Ma Flexes “Soft Girl” Gifts From Millyz As Claressa Shields Shares Update On Her “Negativity Cleanse”

What Do You Think Roomies?

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The Greatest Adventure Franchise of All Time Is Officially Saying Goodbye

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Anck-su-namun (Patricia Velásquez) fights Nefertiri (Rachel Weisz) in 'The Mummy Returns' (2001)

If you’re looking for the perfect adventure franchise to binge with “spooky season” just around the corner, there’s no better reason to revisit The Mummy movies. Currently, all three entries in the original Brendan Fraser trilogy can be found streaming for free on Tubi through the end of the month. That’s right, these monster adventure flicks are available on the platform free-of-charge, but only through September 30. Given that we’re about a month out from Halloween, the time to revisit these cinematic delights is right now — especially if you don’t already own all three at home.

‘The Mummy’ Trilogy Is Still One of the Best Monster Adventure Sagas Ever Made

Anck-su-namun (Patricia Velásquez) fights Nefertiri (Rachel Weisz) in 'The Mummy Returns' (2001)
Anck-su-namun (Patricia Velásquez) fights Nefertiri (Rachel Weisz) in ‘The Mummy Returns’ (2001)
Image via Universal Pictures
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Whether you’ve rewatched The Mummy and its sequels again and again, or if you’ve always meant to give these adventure flicks a try but haven’t had the occasion, consider this your warning sign that they’re about to be hidden behind some sort of streaming paywall. Tubi, however, is a free platform with a vast catalog, one that currently (but only for a limited time) includes these Brendan Fraser adventures. Beginning with The Mummy, director Stephen Sommers re-imagined the classic Universal Monster as an action-packed period piece set during the golden age of archeology in the mid-1920s. When American mercenary Rick O’Connell (Fraser) encounters British Egyptologist and librarian Evelyn “Evie” Carnahan (Rachel Weisz), they find themselves on an adventure headed toward the lost city of Hamunaptra, where they uncover a tomb that was meant to be buried by the sands of time, leading to the resurrection of the evil priest Imhotep (Arnold Vosloo), who brings the biblical 10 plagues of Egypt with him.

While The Mummy is an absolute classic that proves that action blockbusters can be as witty and intelligent as they are earnest, the story doesn’t end there. Sommers reunited the main cast for the sequel, The Mummy Returns, where Imhotep is revived once more in an effort to conquer the Scorpion King (Dwayne Johnson) and his cursed army. Now married, Rick and Evie fight to save their young son, Alex (Freddie Boath), who has been abducted by the titular mummy as only he, with the Bracelet of Anubis, can lead Imhotep to the Scorpion King’s tomb. In many respects, the sequel recaptures the tone and feel of the original, furthering Rick and Evie’s arcs as they find themselves on a mission more personal than before. Of course, some may be satisfied with Sommers’ inspired duology of Mummy flicks and conclude the adventure there. But if you’re curious, Fraser returns for one final installment, The Mummy: Tomb of the Dragon Emperor, in which an older Rick and Evelyn (now played by Maria Bello after Weisz was unavailable to reprise her role) find themselves in postwar China with their derelict son Alex (now Luke Ford) dealing with a new undead adversary: Jet Li‘s Qin Shi Huang. Only Fraser and John Hannah (who plays Evie’s brother Jonathan Carnahan) reprise their roles in this one, which is a mixed bag but still mostly fun.

Brendan Fraser and Rachel Weisz Are Returning to ‘The Mummy’ Once More

No matter which entry you revisit, you’ll find that The Mummy movies are fast-paced, humor-laden, action-packed adventures that reinterpret a horror icon into a dark fantasy foe worth vanquishing over and over again. The period setting gives The Mummy series an Indiana Jones-like quality while adding to the mystery and suspense, leaning into the pulpy flavor of the tales that inspired it in the first place. While Tubi offers several “Mummy” movies beyond these three (most of which are low-budget horror flicks), these highly bingeable films are the only official entries in the Fraser-led collection — at least for now. Fans have been excited to learn that the original cast, including Fraser, Hannah, and, yes, Weisz — as well as Oded Fehr as Ardeth Bay — are set to reprise their roles for a fourth entry, and we can only hope it recaptures the energy of first two.

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We’re excited to hear the news that the upcoming (and untitled) Mummy 4 isn’t just going to be nostalgia bait, but even if it were, it would likely outshine the third entry based on its cast alone. (Okay, in all seriousness, Tomb of the Dragon Emperor has its moments. It’s certainly not terrible, even if we’re still mad that Weisz was replaced.) So, with Halloween nearly upon us and another Mummy in the works, there’s no better time than right now to refamiliarize yourself with this iconic collection of monster-themed adventures. Since they’re still streaming for free through the weekend, we know how you’ll be spending your Friday, Saturday, and Sunday nights… And hey, if you find yourself loving Sommers’ first two Mummy re-imaginings especially, check out his other Universal Monsters homage: the Hugh Jackman-led Van Helsing, which is better than you probably remember.

The Mummy and its sequels are available for streaming on Tubi.

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The Lord of the Rings Character Who Was Completely Unrecognizable in the Books

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Custom image of Viggo Mortensen as Aragorn in Lord of the Rings

The Lord of the Rings has made a name for itself on the page and on screen alike, and while the trilogy is one of the best book-to-movie adaptations, it does make changes. Fans can point to many examples, and they do; however, Peter Jackson‘s film’s alterations to one of J. R. R. Tolkien‘s characters stand out. Of course, many have a lot to say about the portrayal of Faramir (David Wenham), whose temptation by the One Ring is the exact opposite of the books, but there is a more significant character whom the films drastically change.

Aragorn (Viggo Mortensen) is one of the primary heroes of the series, and while he plays an instrumental role in both the books and the films, the adaptation fundamentally changes his character. In many ways, this change is less about what he does and more about how he does it, because in both versions, Aragorn is a member of the Fellowship, the leader of the Armies of Men, and the rightful ruler of Gondor and Arnor. Yet, the films add a reluctance to his character that Tolkien never established and expand certain aspects of his story. The result works for the films, and Mortensen’s Aragorn is understandably a fan favorite, yet it’s important to recognize that he isn’t exactly like the character Tolkien wrote.

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Aragorn Isn’t Supposed to be a Reluctant Hero in ‘The Lord of the Rings’

Custom image of Viggo Mortensen as Aragorn in Lord of the Rings
Custom image of Viggo Mortensen as Aragorn in Lord of the Rings
Image by Nimesh Niyomal

Aragorn is an important character for many reasons, but one major element of his story is his family’s position. As Isildur’s Heir, he has heavy expectations placed on his shoulders, and in the films, he is reluctant to accept that. Aragorn says as much to Arwen (Liv Tyler) in The Fellowship of the Ring. Though she points out that he is not his ancestor, Aragorn says, “The same blood runs through my veins. The same weakness.” This feeling adds an emotional journey as the character slowly accepts his role, proving his worthiness to himself more than anyone else. Plagued by self-doubt throughout the films, Aragorn becomes a brooding character, which is far from how Tolkien intended.

The reluctant hero is a much-loved character trope, but originally Aragorn is far more confident. Tolkien’s version is proud of the legacy he holds and intends to claim his position as King, though he prioritizes destroying the One Ring. This change is most obvious when the Fellowship arrives in Rohan and Aragorn, reluctant to surrender his weapon, cites his ancestry as a reason he shouldn’t need to. While this fits Aragorn’s book personality, film Aragorn would never consider sharing his family history so readily. Aragorn’s change in attitude doesn’t alter the overall plot, but it does make him a dramatically different character in the film than in the books.

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‘The Lord of the Rings’ Films Added Stories for Aragorn

Jackson’s adaptation not only changes his nature, but it adds storylines for Aragorn. The most obvious is his romance with Arwen. Although the books mention their relationship, it serves as background information rather than a relevant plot. Arwen herself is barely in the story, and what Tolkien wrote about their romance is mostly in the Appendices. Even that isn’t quite as dramatic as the films make it out to be. While Elrond (Hugo Weaving) doesn’t want Arwen to give up her immortality, he doesn’t resist as much as he does in the film, agreeing to their marriage on the condition that Aragorn first claim his place as King of both Gondor and Arnor. The film series’ forbidden love story highlights both Aragorn and Arwen, and it’s an interesting way to flesh out the character even though it isn’t exactly like the book.

To emphasize the romance and Aragorn’s reluctant hero arc, the adaptation also rewrites the reforging of Narsil into Andúril. In the book, this moment happens before the Fellowship leaves Rivendell, which allows Aragorn to spend most of the story fighting with this sword. But the films take an alternate approach. Elrond reforges the broken sword and delivers it to Aragorn just in time for him to enter the Paths of the Dead. By delaying this event, the films emphasize the drama surrounding Aragorn’s reluctance to accept his destiny and his romance with Arwen. In many ways, these additional stories dive deeper into the lore surrounding Aragorn and his family, which makes sense. After all, the films cannot add appendices to explain these things as Tolkien did. Ultimately, the changes work because the adaptation is done well, but Aragorn is a dramatically different character in the films than in the books.


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Release Date

December 19, 2001

Runtime

178 Minutes

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Writers

Fran Walsh, Philippa Boyens, Peter Jackson, J.R.R. Tolkien

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Producers

Barrie M. Osborne, Bob Weinstein, Harvey Weinstein, Mark Ordesky, Robert Shaye, Tim Sanders

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Audrina Patridge and Country Singer Michael Ray Split

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Audrina Patridge Shares Rare Look Inside Her Romance With Michael Ray

The Hills star Audrina Patridge is back on the market after confirming her split from country singer Michael Ray.

“I’m not rushing into anything,” Partridge, 41, told People in an interview published on Friday, September 25, when teasing her dating life, noting that she is still open to marriage one day. “I’m starting to figure that out all over again. For me, I think the best person that you’re going to meet is probably through a mutual friend or someone, like, being set up. Go out in person. I’m not a big internet person.”

At this stage in her healing journey, the reality star said she is still figuring out exactly what she’s looking for next in a partner.

“It’s just knowing that someone has a good heart and they’re coming from a good family, and they have good morals and values,” she explained from medicube’s Wellness Club X2 pop-up in Los Angeles. “And you have to agree with those things because if not, you have opposite lifestyles.”

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Audrina Patridge Shares Rare Look Inside Her Romance With Michael Ray


Related: Audrina Patridge Shares Rare Look Inside Her Romance With Michael Ray

Audrina Patridge can’t hide her happiness when it comes to her romance with country singer Michael Ray. “I think for a long time, I wasn’t really looking for anything,” Partridge, 39, exclusively told Us Weekly while attending ChainFEST Los Angeles with Skrewball Peanut Butter Whiskey on Saturday, October 5. “So when I met him, it […]

Us has reached out to Ray, 38, and Patridge’s rep for additional comment.

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While it’s unclear what led to the breakup, some fans noticed that Patridge had recently unfollowed Ray on Instagram.

During an exclusive interview with Us in May, however, the TV personality couldn’t help but gush about the country singer.

“I’m open to it,” Patridge said about possibly getting engaged. “I think when you find someone that actually clicks and makes you happy, and we’ve both been through divorces and all of that, I think we know what not to do and what we want.”

Audrina Patridge and Country Singer Michael Ray Break Up After 2 Years of Dating

Audrina Patridge
Will T. Yang

Patridge was previously married to Corey Bohan, with whom she shares 10-year-old daughter Kirra, from 2016 to 2018. As for Ray, he tied the knot with Carly Pearce in October 2019. The singers divorced one year later.

“I feel like Michael is very private,” Partridge added of her relationship. “When we are together, we’re just so present and we usually just stay in at the house or cook dinner. When I met Michael, it was very unexpected. I was kind of in that mindset of, ‘I don’t need a guy. I’m happy being alone. It’s me and my daughter, girl power. We’re gonna travel the world.’ And then I met Michael, and we just clicked with our chemistry.”

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Although Patridge revealed she’s been single since July, the recent breakup didn’t prevent her from having a good summer.

As seen on Instagram, the California resident was able to enjoy a family trip to South Dakota.

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“Back to our roots,🤍” Partridge wrote via Instagram on August 12. “Adventures from the Black Hills to the family farm, sharing our family history with her at the sweetest age… when she wants to hear allll the stories. #summertrip #southdakota #familytrip.”

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Regina King Swapped Basic Black Pumps for Fall’s Richest Color

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Selena Gomez seen in Tribeca on September 16, 2026 in New York City.

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Burgundy is coming for black’s spot as fall’s most wearable shoe color. The deep wine shade has the same go-with-everything appeal, but adds just enough richness to make even simple trousers and a blazer feel more expensive. Regina King just showed Us exactly why it deserves a place in the fall rotation.

On September 22, King stepped out in New York City wearing glossy burgundy pointed-toe pumps with sleek black slacks, a navy blazer with gold buttons and a black shoulder bag. The unexpected pop of oxblood gave her otherwise classic outfit a luxe fall update without overpowering it. While we couldn’t confirm the exact pair, we found a stylish lookalike for $36 on Amazon.

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Get the Sumojio Closed Pointed Toe Pumps for just $36 (Was $50) at Amazon! Please note, prices are accurate at the date of publication, September 25, 2026, but are subject to change.

The Sumojio Stiletto Pumps capture the same glossy patent finish, pointed toe and deep burgundy shade. They have a 3-inch stiletto heel and easy slip-on design, and come in sizes 6 to 10. They also come in chocolate brown, beige and other neutral shades, but the burgundy is the one to grab if King’s outfit is your inspiration.

Selena Gomez seen in Tribeca on September 16, 2026 in New York City.


Related: Selena Gomez Puts a Sexy, Sophisticated Spin on the Capri Trend

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Selena Gomez just gave one of 2026’s biggest retro pants trends a seriously sexy upgrade. Capris have been making their way back into fashion, but her slim-fitting take feels considerably more sophisticated than the pedal pushers of decades past. The curve-skimming silhouette is proof that showing a little ankle isn’t the only way to make […]

Shoppers say they’re surprisingly easy to work into an everyday wardrobe, too. One reviewer called them “incredibly versatile,” adding that they “elevate almost any outfit” and “can be worn with an elegant or casual dress, dress slacks, jeans or even leggings.”

And despite the slim stiletto heel, comfort scores high marks. Another buyer called the pumps “incredibly comfortable,” noting that they are “padded very well on the inside” and offer “great cushioning.”

Take a cue from King and give your basic black pumps the night off. The glossy burgundy shade brings instant richness to black trousers, denim and fall dresses alike, while the pointed toe keeps everything sleek. Grab the $36 Sumojio pumps on Amazon to recreate King’s luxe fall shoe moment for less.

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Love King’s rich burgundy shade but want a different silhouette? Keep scrolling for more stylish options.

Shop more burgundy pumps that we love:

Not your style? Explore more burgundy shoes here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

UsNow Fall Sale Alert: These chic fashion finds are up to 60% off – plus free shipping

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Welcome to fall with our biggest sale of the season. Our favorite dresses, tops, handbags, and shoes are all on sale + free shipping. Inventory is limited so hurry before they’re gone.

Shop the UsNow Fall Sale —>

Dakota Johnson is seen on September 17, 2026 in New York City.


Related: We’re Copying Dakota Johnson’s Rich-Looking Plaid Blazer for $35

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There’s nothing wrong with a simple jeans-and-tank outfit, but Dakota Johnson reminded Us how much better it can look with the right fall layer. A cropped plaid blazer adds structure without covering up your entire outfit, while the classic print brings an expensive-looking touch to even your most-worn denim. Consider it an easy way to make […]

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Trippie Redd Sparks Buzz After Popping Out With Mystery Woman

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Social Media Users Bring Up Coi Leray After Trippie Redd Pops Out With Mystery Woman

Trippie Redd has social media talking after sharing a cozy photo with a mystery woman. While the rapper did not identify the woman or provide any context about their relationship, folks quickly brought up his history with Coi Leray.

Related: Yikes! Trippie Redd Seemingly Calls Coi Leray A Female Dog While Claiming He’s Not Allowed To See Daughter Miyoco

Trippie Redd Pops Out With Mystery Woman

On Thursday, September 24, Trippie Redd had the internet raising eyebrows after a recent photo was shared to his Instagram account. In the photo, the rapper stands behind a woman as they pose for a mirror selfie. The unidentified woman wore an olive-green top and white shorts while Trippie stood behind her with his arms around her waist. The post quickly circulated on social media, with some users questioning whether Trippie has entered a new relationship. However, at this time he has not publicly confirmed the woman’s identity or addressed the speculation surrounding the image.

Social Media Reacts

After the photo hit the timeline, folks quickly brought Coi Leray into the conversation, as she and Trippie Redd share a daughter, Miyoco. See some of the reactions from The Shade Room Teens comment section below.

Instagram user @loyalnene wrote, “He definitely got a type but she will never be @coileray 😂😂😂 he still playing himself”

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Another Instagram user @sportyspicce wrote, “A deadbeat always got a gf lmao amazing”

While Instagram user @ashantiiii_backk wrote, “She better not let him get her pregnant 😂😂”

Instagram user @kaylaheuraynorr wrote, “she ain’t Coi tho 😭”

Another Instagram user @kssimonee wrote, “No Trippie slander will be tolerated thangya”

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While Instagram user @_bxitznoniii wrote, “He gone cheat on her next 😂”

Instagram user @trxvxis wrote, “She was talking to JustinLaBoy what’s the issue”

Another Instagram user @iheartnyema wrote, “I can’t respect nobody who don’t take care of they kids”

While Instagram user @mainoppn3 wrote, “just be giving it OUT 😂”

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Coi Leray Previously Addressed Where She Stands With Trippie Redd

The latest chatter comes after Coi Leray recently opened up about her current situation with Trippie during a sit-down interview with Jason Lee. The former couple shares their daughter, Miyoco, and Coi explained that they are handling their ongoing co-parenting situation in court. Coi’s comments followed Trippie’s social media posts in August, when he claimed he was being prevented from seeing his daughter. Although he did not name Coi directly, social media users connected his comments to their co-parenting situation.

Related: Coi Leray Opens Up About Repairing Her Relationship With Benzino & Shares How She REALLY Feels About Him (VIDEO)

What Do You Think Roomies?

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Lee Child Officially Confirms Which Novel He Wants Alan Ritchson’s ‘Reacher’ to Adapt [Exclusive]

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There are still plenty of stories waiting for Alan Ritchson if Prime Video’s Reacher keeps Jack Reacher wandering into trouble for years to come. The series has never been tied to adapting Lee Child’s novels chronologically, either, leaving more than two decades of stories sitting on the shelf whenever the writers start looking for their next adventure. Child already has one he’d particularly like to see. Speaking exclusively with Collider about which novels could work for future seasons, the author singled out one of his best novels as a story he’d be keen to see Ritchson tackle.

The Midnight Line, the 22nd novel in the series, immediately came to mind when Child was asked which stories he’d like to see come to life in the television series. His reasoning has considerably more to do with the story’s emotional core than finding another opportunity for Reacher to break some bones. Child also pointed out that Ritchson’s reputation as being extremely socially and politically aware was another reason why the book would both be a good fit for the series and for him as an actor and as a person. He told Collider:

“The Midnight Line I would like to see, because that’s a very compassionate story in terms of the addict. That was my feeling about it, because the Oxy thing shows up in all kinds of crime fiction, but the actual victim, the actual addict, is always just a cipher. The addict is never really there, other than maybe you’ll follow them to the dealer’s house for a clue, but the story of the addict is never there. I wanted to present it from the addict’s point of view, trying to make it sympathetic and understandable. I’m not surprised Alan likes that because he has a social conscience. He’s aware, and that Oxy addiction is a terrible thing.”











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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars
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Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

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🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.

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The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.

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Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.

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Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.

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A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.
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What Is ‘The Midnight Line’ About?

Published in 2017, The Midnight Line begins with one of those beautifully simple Reacher premises that inevitably becomes much bigger. Reacher spots a West Point class ring in the window of a Wisconsin pawn shop. Knowing how difficult earning one would have been, he can’t understand why its owner would willingly give it up, so he decides to find her. That decision leads Reacher to Serena Rose Sanderson, a former Army officer whose life has been devastated by injuries and opioid addiction but, rather than treating addiction as another piece of criminal-world scenery, Child deliberately wanted the novel to focus on the person living through it.

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During his conversation with Collider, he recalled seeing how easily legitimate injuries could lead people toward dependency in Wyoming. “I have a place in Wyoming where there’s a lot of horse people, rodeo riders and so on, who are always banged up and injured,” said Child, “and the doctors would be just handing out oxycodone like candy and producing massive addiction problems.” The Midnight Line would present an interesting change of pace for the television series. Reacher is still Reacher, and trouble inevitably finds him, but the story gives him a problem that can’t simply be punched away. Child also noted that Ritchson himself has talked about wanting to tackle The Midnight Line. If Reacher keeps running long enough, both Richson and Child already seem to agree on at least one destination they’d like the big guy to visit.

Reacher is streaming on Prime Video. Lee Child was speaking exclusively to Collider in support of Chain Reaction, the latest Jack Reacher novel, which arrives October 20. Child will also co-write Zero Margin, the first Frances Neagley novel, with Yasmin Angoe, arriving in spring 2027. Sign up for a free trial of Audible to listen to the Reacher novels and more.


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Release Date

February 3, 2022

Network

Prime Video

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Showrunner

Nick Santora

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Directors

Omar Madha, Carol Banker, Julian Holmes, Lin Oeding, M.J. Bassett, Norberto Barba, Stephen Surjik, Thomas Vincent

Writers
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Cait Duffy

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Papoose Shares Receipts Regarding His Divorce From Remy Ma

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Papoose Shares Receipts Text Messages Divorce Remy Ma Update Claressa Shields

Roommates, it looks like Papoose is fed up with the “false narratives” regarding his divorce from Remy Ma. He took to social media on Friday (Sept. 25) with screenshots of alleged text messages between him and his divorce attorney. Pap did not reveal the lawyer’s identity. But in his caption, he seemed to emphasize that he’s been trying to move the process along for months. This comes after Remy previously challenged him to “prove his love” for his girlfriend, Claressa Shields, by signing the divorce docs.

RELATED: Remy Ma Seemingly Challenges Papoose To “Prove His Love” For Claressa Shields At Their Upcoming Divorce Hearing (VIDEO)

Papoose Says He Initially Wanted Visitation Rights Only In The Divorce

The text screenshots appear to begin on January 11 of this year. At 12:46 p.m., on that day, Papoose (the sender) appears to tell a contact listed as ‘Jersey Divorce Attorney’ that he’s decided to “let her keep all of the properties.” Furthermore, the text added: “All I want is visitation with my [redacted]. I just want her out of my life. And divorce finalized.” It’s presumed that the redacted name refers to Papoose and Remy Ma’s 7-year-old daughter, Reminisce MacKenzie.

The following day, Pap appeared to inquire about the lawyer speaking to “her.” About a week, again on Sunday, Papoose asks his lawyer whether he can speak to the judge and then proceeds to explain about what.

“I want the judge to understand that there are 3 properties in which half are legally mine. I’m giving them to her in exchange for her to go on with her life and leave me alone. This woman has publicly lied on me. Tried to destroy my lively hood. All I want in return is to be able to see my [redacted] and to be divorced from her.”

Then on January 21, Papoose inquires about a judge’s ability to “force” a signature within a time frame, 24 hours. A few weeks later, on February 10, Papoose again reached out and wrote, “Hey hope all is well. Any word on her signing the offer and granting my divorce?” The alleged lawyer responds, “No word. I’ll send a more formal letter.” Pap then asks whether failing to sign is a court violation, to which the lawyer affirmed it was. On February 15, the lawyer reached back out and said they had received a reply. Pap responded, implying Remy was “angry” that he celebrated Valentine’s Day with Claressa Shields.

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“All this time no response all of a sudden she sends this ridiculous response. At this point I’m going to list all that I’m requesting. The previous deal is off the table I’m gonna maintain my half in all properties. And I’m requesting to paid for all the music I wrote for her,” Papoose texted.

In the last texts shown, Papoose tells his lawyer that he’s “had enough” of Remy Ma. “…and a fight is inevitable. I tried to be nice,” he added.

Papoose Explains Texts & Divorce Delays

Meanwhile, in the caption of his post, Papoose broke down the timeline of divorce delays. Also, he encouraged her supporters to go be at her side rather than pummel him with “false narratives & fake news.” He later claimed that Remy Ma has tried to rekindle their relationship multiple times and he’s “repeatedly declined.” His caption says:

“This is the conversation between me & my attorney over the past year. Be sure to notice the dates. The only thing between us are three properties. As you can see, since January 11th, I told my attorney to inform her that she can keep all 3 properties. All I ask for is visitation with you know who” 🙏🏽 Her & her attorney did not respond to that offer. We had court on January 21st, 2026. My attorney informed the court that we had made an offer, and the judge ordered her & her attorney to respond to that offer by the following Monday. However, the judge scheduled our following court date for March 24th, and they still did not respond! On Valentine’s Day (February 14th, 2026), we finally got an insane response that made no sense considering the fact that I said, ‘Take everything take everything and just let me go.’ To those of you who are fans of her: continue to support her. Instead of coming at me with false narratives & fake news, why don’t you use that energy to help her move on? We had a in person court date that she did not even show up to. I have allowed her to lie about me because I knew the truth was too ugly for her. She chose to violate the marriage I waited for her to stop, and I even attended therapy with her. One day, I woke up and realized she was never going to stop. At that point I decided to move on with my life! Since I moved on, she has tried to get back with me numerous times, I repeatedly declined.”

What Happened In Divorce Court Between Pap & Remy Ma?

As previously reported, in a diss to Pap earlier this month, Remy Ma revealed they had a divorce court date set for Sept. 11. In that hearing, Ma allegedly requested dismissal of the divorce complaint, per reporting from Angela Yee. It was until then, and still is now, why Ma allegedly requested the dismissal. Ultimately, the judge denied it, leading to no resolution in the divorce. However, Remy later implied, through social media reactions, that Yee’s reporting was wrong. She never clarified what actually happened during those proceedings. Instead, the same day as the hearing, she teased her new song ‘Why I Get Married?’ featuring Keke Wyatt, which dropped today. Papoose later clapped back with his own diss track and video, ‘Jezebel,’ which has since garnered over two million views.

RELATED: Fans Aren’t Holding Back After Remy Ma Drops Music Video For ‘Why I Get Married’ Featuring Keke Wyatt (VIDEO)

What Do You Think Roomies?

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The 10 Best War Movie Opening Scenes, Ranked

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The Commandant talks to a child soldier while insurgents gather around them

When it comes to writing a story, one of the hardest aspects to nail is the beginning. One would think that’s the easiest part, but in fact, it’s exceptionally difficult to nail the tone, establish the plot, setting, and characters, and hook your audience all at the same time. Audiences should know what to expect from the story right from the get-go, and should trust the story to maintain its momentum all the way through to the end.

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It doesn’t matter what kind of media the story is a part of–it’s still a difficult process. Take in cinema, for example. Plenty of movies are known for their dramatic and intense opening scenes, many of them in the war genre. When it comes to crafting an opening scene for a war movie, it’s really important to get the plot moving, provide some historical context, and give the viewers a reason to keep watching. These are the best war movie opening scenes of all time.

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10

‘Beasts of No Nation’ (2015)

The Commandant talks to a child soldier while insurgents gather around them
The Commandant talks to a child soldier while insurgents gather around them
Image via Netflix

Beasts of No Nation is set at an unspecified time during an unspecified West African Civil War. The when and the where isn’t really important, as the film is taking a general stance rather than looking at specific historical incidents. The films follows a child named Agu (Abraham Attah), who lives in relative harmony with his family. He begins narrating his struggle during the opening credits as another boy raps in the background. The film then shows Agu and the simple life he lives with his family. They are far from rich, but they seem happy.

That is, until the civil war breaks out. The family is suddenly forced to upend their entire lives and abandoned everything they hold dear, desperately struggling to get to safety, along with everyone else in their village. The movie depicts how civil wars disrupt family lives and turn towns into mad scrambles for survival. It’s a really creative and profound intro sequence that feels truly singular in the genre.

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9

‘Dunkirk’ (2017)

Tommy crawling on a beach surrounded by smoke and other soldiers in Dunkirk
Fionn Whitehead as Tommy, crawling on a beach surrounded by smoke and other soldiers in Dunkirk
Image via Warner Bros. Pictures

Dunkirk is set in 1940, early on in the Second World War. After France was swiftly invaded and defeated by the Third Reich, hundreds of thousands of Allied soldiers were forced into a mass evacuation from the Northern port of Dunkirk. Just across the English Channel from safety, the rescue turned into a race against time as the German war machine rapidly advanced behind the Allies, pushing them towards the sea.

The movie begins with British soldiers walking down the streets of a French town, where pamphlets are being dropped from the sky. The pamphlets inform them of the evacuation, causing a mad scramble to escape the town. This is all interspersed with blocks of text providing short history lessons so the audience understands why the evacuation must happen. This introductory sequence shows how quickly things spiralled out of control, and the chaotic race against time to rescue countless lives from hostile territory.

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8

‘Letters from Iwo Jima’ (2006)

A Japanese soldier waits in the trenches in Letters from Iwo Jima.
A Japanese soldier waits in the trenches in Letters from Iwo Jima.
Image via Warner Bros. 

Despite being an American film, Letters from Iwo JIma very much follows the Japanese side of the Battle of Iwo Jima, at the end of the Second World War. The movie begins not in 1945, but in the present-day when a team of excavators and archaeologists is searching the tiny island of Iwo Jima for relics from the war. What they dig up is a box full of folded letters, all written by Japanese soldiers.

Then the film transitions back to 1945. Japanese soldiers are depicted writing letters, with their narration playing over their mundane work. The camera gains a washed-out, almost monochrome aesthetic as the main characters dig trenches and prepare defenses for when the Americans arrive. They ruminate about their lives back home, and watch as a prominent military official flies overhead in a plane, coming in for a landing. The movie’s opening is somber and not very action-packed, but it’s very emotional and respectful towards those who fought in the engagement.

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7

‘300’ (2007)

Giovanni Cimmino (Pleistarchus), Lena Headey (Queen Gorgo) and Gerard Butler (Leonidas) in 300
Giovanni Cimmino (Pleistarchus), Lena Headey (Queen Gorgo) and Gerard Butler (Leonidas) in 300
Image Via Warner Bros

300 might be based on a graphic novel, but that graphic novel was also based on true events. The movie is set during the Greco-Persian Wars, which occurred approximately 2,500 years ago. The movie begins with the graphic novel’s original monologue, which is a real killer way to open up. The first iconic lines are “we march,” referring to the Spartan warriors approaching the pass of Thermopylae, where the battle that the film is about takes place.

The movie then cycles through the early life and career of the King of Sparta, Leonidas I (Gerard Butler), albeit it’s likely a highly fictitious version of things. In any event, the slow-motion, the wide angles, and the cinematic scale all come together like an elaborate puzzle that thoroughly displays Zack Snyder‘s signature flair. It’s an introduction that exudes power and strength, hyping audiences up for the slaughter to come.

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6

‘1917’ (2019)

Soldiers sleeping by tree in '1917' Image via Universal Pictures

1917 is one of those movies that looks like one continuous shot, so it’s kind of all one scene, if you really want to be technical. In any event, the movie still does a great job at setting the stage. Set during World War I, the movie opens with two sleeping British soldiers in a picturesque field, who are abruptly woken up by a runner. They briefly talk about their past experiences and their time on the front, as well as when they hope their relief is coming.

They make their way to the command bunker, where they are assigned a mission to deliver a message several miles down the line. They set off at once, navigating No-Man’s Land and passing deceased soldiers and horses. This opening scene, with its one-shot format, lets you know that there will be very little time to breathe in this film. It also doesn’t waste any time with politics or bureaucracy, diving straight into the plot.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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5

‘Casablanca’ (1942)

Ilsa and Rick about to kiss in Casablanca
Ilsa and Rick about to kiss in Casablanca
Image via Warner Bros. Pictures

Casablanca is considered to be one of the greatest cinematic masterpieces of all time, and its opening scene is just one of the hundreds of reasons why. The movie is set during World War II, during the Nazi occupation of North Africa, including the titular city of Casablanca, Morocco. The opening credits depict actual wartime footage, accompanied by a narration of how the Nazis moved in to Morocco and came to occupy much of Northern Africa.

The scene then erupts into chaos, with local law enforcement and Nazi officers rounding up political opponents and arresting people for seemingly no reason. In the midst of the pushing and shoving crowds is the movie’s protagonist, nightclub owner Rick (Humphrey Bogart). This scene is just so well done. It provides a brief, but not overwhelming history lesson, establishes the setting, and shows what life in Nazi-occupied Africa was really like.

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4

‘Civil War’ (2024)

Lee (Kirsten Dunst) and Joel (Wagner Moura) hide behind a wall trying to see something
Lee (Kirsten Dunst) and Joel (Wagner Moura) are journalists in the dystopian thriller Civil War.
Image via A24

2024’s Civil War is set during a fictional Second Civil War in the United States of America. A tyrannical president has taken a third time and dissolved the FBI before executing airstrikes on American civilians, prompting a massive wave of armed resistance. The movie opens up with the president, played by Nick Offerman, rehearsing a speech to deliver on television. The speech is about how his forces are close to victory, and how the opposition will be allowed to rejoin the US when he wins.

This is interspersed with footage of riots and protests, which aren’t fictional–they are actual footage from real events, although in a vastly different context. Meanwhile, a journalist named Lee (Kirsten Dunst) is watching the president deliver his speech on TV. In the distance, something explodes, lighting up the night. This opening scene is tense, and does a fantastic job of establishing the story, and what sorts of events lead to such a conflict.

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3

‘Apocalypse Now’ (1979)

Martin Sheen is muddy and looks anxious in Apocalypse Now.
Martin Sheen is muddy and looks anxious in Apocalypse Now.
Image via United Artists

Apocalypse Now is based on the 1899 novella Heart of Darkness by Joseph Conrad. While the setting and time of the original story are vastly different, the core themes of anti-imperialism and trauma are still very much there. The movie opens up in the city of Saigon, Vietnam, where an American military assassin named Willard, played by Martin Sheen, is waiting in a hotel room and slowly losing his mind with boredom as he awaits his next assignment.

He is a seasoned veteran of the Vietnam War, currently serving on his third tour. The movie makes it clear that his sanity is pretty much already gone. He dances in his underwear, does somersaults over his bed, and narrates how maddening the monotony of doing nothing is. It might be a bit of a goofy scene, but it’s a great look at how you don’t necessarily need to be in live combat to develop PTSD, and how it can stick with you at all times, especially when you have little else to do but think.

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2

‘All Quiet on the Western Front’ (2022)

German soldiers charge out of the trenches and are met with mortar fire
Soldiers charging into battle during All Quiet on the Western Front (2022)
Image via Netflix

Set during the First World War, All Quiet on the Western Front is the third adaptation of Erich Maria Remarque’s classic novel. It opens up a serene, quiet winter scene. Snow drifts lazily down from the boughs of trees, a mother fox and her cubs sleep soundly in their dens… and a pile of bodies lays in a pool of muck and blood. Immediately, the silence is shattered with gunfire and explosions.

The film then transitions to a frontline German soldier, a young man who is clearly a new recruit. He walks past traumatized infantry in a trench before he is ordered up the ladder. His friend is killed in front of him, and he charges out to meet the French military. He is quickly swept up in the chaos, using his spade to attack a Frenchman before the screen cuts to black with another haunting silence. Right away, the movie lets the audience feel how horrific the war really is, and how many young lives were lost in such a senseless conflict.

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1

‘Saving Private Ryan’ (1998)

Tom Hanks crawling in Saving Private Ryan Image via DreamWorks Pictures

Saving Private Ryan opens up with a wizened old veteran visiting the graveside of his fallen comrades. This brief scene quickly transitions to a flashback, depicting Omaha Beach on June 6, 1944–D-Day. Anyone who knows anything about D-Day knows that Omaha Beach was the worst place you could possibly be, as this landing sector saw the highest amount of casualties.

What results is a 20-minute sequence where American forces storm the beaches, pinned down by German defenses. The scene is widely known as being one of the most visceral, gruesome, and hauntingly realistic depictions of frontline combat in cinema. It was reportedly so intense that the movie studio had to set up a hotline for traumatized veterans who had actually been there. The fact that the movie opens up on something this intense lets you know what you’re in for. It opens up on action, and it lets viewers appreciate the sacrifice and the courage of the Allied troops.

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This Beloved 10-Part Miniseries Streaming on Hulu Is the Perfect Fall Binge

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The Woodsman holds his axe and the Dark Lantern, looking shocked in Over the Garden Wall

Cartoon Network’s Over the Garden Wall is 12 years old this year, but it’s still the undefeated champion of autumnal binge-watching. The animated miniseries is only 10 episodes long, and at 11 minutes per episode, the entire show runs the length of a movie. Find it on Hulu and watch it over the first weekend of autumn to get into the spirit of the season. Elijah Wood voices Wirt, an intrepid pubescent adventurer who’s just trying to get himself and his brother Greg home without getting stuck in the mysterious “Unknown.”

Over the Garden Wall was part of a wave of creepy, off-kilter media for kids, kicked off by the success of Coraline, which is still one of the scariest horror movies ever despite its PG rating. There’s no other show or movie that captures the spirit of fall as perfectly as Over the Garden Wall. With mystery, darkness, whimsy, and a song every episode, this miniseries will be loved by scaredy-cats and horror-enthusiasts alike.

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‘Over the Garden Wall’ Evokes the Warmth and Nostalgia of Autumn

The Woodsman holds his axe and the Dark Lantern, looking shocked in Over the Garden Wall
The Woodsman holds his axe and the Dark Lantern, looking shocked
Image via Cartoon Network

Over the course of the miniseries’ 10 short episodes, the setting slips from late summer to harvest season to winter. It’s not clear what period Over the Garden Wall is supposed to be set in; the silhouette of the clothes, the hard-to-place accents, and persistent moral anxiety give the miniseries a distinctly Victorian feel, but there’s a timeless nostalgia to the setting. The show isn’t concerned with period-specificity. Instead, Over the Garden Wall evokes the sense of childhood, but the nostalgia is not without the slight bitterness of something lost.

There are three episodes of Over the Garden Wall that secure its place in the autumn canon. The first is episode 2, “Hard Times at the Huskin’ Bee,” in which Wirt and Greg happen upon a village of people with pumpkins on their heads. It looks like they’re having a harvest celebration, but there are clues that something more sinister may be going on. Next is “Songs of the Dark Lantern,” the most musical episode in the series, in which an ensemble of town folk regale Greg and Wirt with songs. The imagery of the episode recalls Disney’s timeless autumn classic, The Adventures of Ichabod and Mr. Toad.

“Into the Unknown,” the second-to-last episode of the series, is actually set on Halloween, featuring Greg and Wirt celebrating in costume. This episode’s soundtrack and design recall the 90s, giving new context for the world the boys have been traveling through, up to this point only called “The Unknown.” Cartoon Network doesn’t shy from a dark edge, and Over the Garden Wall is no exception. While ultimately very cozy and warm, the series hints at a descent into something dark and grim. The meaning of the show has been interpreted in many ways: as an allegory for depression, the entry into the dullness of adulthood, or for death itself.

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This Hulu Binge is Never Scary, Only Spooky

The sweeping overtures, rich, hand-painted environments, and persistent chipperness of Greg, the younger of the brothers, gives a distinct storybook-feel to Over the Garden Wall. It’s a visual treat, recalling animated Disney classics like Snow White and Sleeping Beauty. The artistry is beautiful, and it adds to the sense of nostalgia, but the show itself is not overly self-serious. The writing is properly funny, with adorable quips from Greg and hilarious emo rants from Wirt. Each character the brothers encounter is fully-fledged and richly developed, creating a layered, interesting world for the main characters to play in.

In that world is a dark, mysterious figure, known as The Beast. The woodsman from the very first episode warns the boys of this evil, out there in the woods. Throughout the show, the boys are warned to be wary of The Beast and suspicious of those they encounter in The Unknown. As they travel deeper into the woods, they encounter increasingly dangerous characters, including an evil witch and a possessed maiden. Each of these characters feel folkloric, giving the brothers and their friends the obstacles they need to develop courage, strength, and wit.

The Unknown turns out to be a world in which disaster and tragedy do happen, but like in the fairytales, Over the Garden Wall argues that with an open heart, courage, and love, one will find a way. The dangers the boys encounter are necessarily dark and threatening, so that there’s an adventure worth having. Because the only adventure worth having is one that changes the adventurers. Over the Garden Wall knows that darkness is pleasurable, and it gives the audience just the right dose, balanced with levity and beauty so that viewers of any age and tolerance for fright can enjoy the show.

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“Into the Unknown:” the Pleasure of the Dark in Cartoon Network’s ‘Over the Garden Wall’

The Beast stands in the shadows, with his hands outstretched in Over the Garden Wall
The Beast stands in the shadows, with his hands outstretched
Image via Cartoon Network Studios

Horror, especially when it’s made for adults, is often extremely bleak. Modern classics like Hereditary, Parasite, and newer contributions like Weapons and Obsession end with a darker world than they started with. In each of those stories, the status quo is always better, and changing it is always punished. By contrast, Over the Garden Wall is distinctly hopeful. Challenging the status quo is necessary and rewarded. The adventuring brothers travel through adversity and danger and learn something about themselves and the world.

Adult media treats hope as naive or cheesy. Children’s media, like Over the Garden Wall, Coraline, and Paranorman treat hope as radical. In the final 3 episodes of Over the Garden Wall, the boys get lost, and it starts to get very cold. A blizzard blows in, and Wirt, always the more pessimistic of the brothers, lays down to sleep. Greg goes out to try and do something, and he meets The Beast, with whom he strikes a terrible deal. Eventually, Wirt realizes his mistake and adventures out to save his brother. Wirt’s transformation is about accepting personal responsibility and filial connection, but it’s also about resisting his own darkest impulses. For Wirt, his dark impulse is toward surrender, but he learns that if hope calls for action, it is never naive.

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Release Date

2014 – 2014

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Network

Cartoon Network

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Showrunner

Patrick McHale

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The Best Fantasy Horror Movie of the 2000s Officially Hits HBO Max

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While the 2000s saw the rise of fantasy blockbusters like The Lord of the Rings and Harry Potter, it was also a great time for stories that wove more darkness into the genre. The decade marked the rise of Guillermo del Toro as one of the world’s most prestigious directors, in part thanks to his Oscar-winning Pan’s Labyrinth, which intertwined the real and mythical in horrific and beautiful ways. Sweden’s haunting coming-of-age vampire flick Let the Right One In and the Keanu Reeves-led DC-inspired Constantine also possessed the screen, the former being hailed by Roger Ebert as “the best modern vampire movie” at the time and the latter becoming a beloved macabre cult classic with a sequel on the way. Among the best dark fantasies of the era, however, were not just live-action productions, but painstaking and chilling stop-motion animation that launched a prestigious studio.

In 2009, Coraline premiered in theaters and introduced the world to Laika Studios with a fright. The film was based on Neil Gaiman‘s novella of the same name and delivered a horror-fantasy experience that, while made for the whole family, wasn’t afraid to expose younger audiences to true fear through its haunting atmosphere and imagery that ranged from beautiful to nightmare-inducing. Its willingness to respect its viewers and show that being afraid in the face of real danger is not only natural but necessary for true courage to shine through is part of why the story is so highly regarded by both critics and audiences alike. Ahead of Halloween, HBO Max will soon call the modern classic home at least throughout the spooky season.

Coraline will be one of several horror titles arriving on the streaming platform starting on October 1. With that, viewers will be able to venture back to the Other World for another meeting with the button-eyed “Other Mother” for a holiday rewatch. The stop-motion masterpiece follows the titular young girl after her family moves to a new home. While her parents are busy, she takes the opportunity to explore the house, finding something altogether unexpected when she opens a secret door to an alternate reality. This Other World at first appears to be a better mirror of her own and everything she could ask for, until her other family reveals their true colors and tries to keep her there forever. A Nightmare Before Christmas director Henry Selick helmed the project, with Dakota Fanning leading a cast including Teri Hatcher, Jennifer Saunders, Dawn French, and Ian McShane.

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Collider Exclusive · 8 Questions · 2 Minutes
What Is Your Biggest Horror Nightmare?
Elm Street · Chucky · Scream · The Conjuring

Four horror franchises. Four completely different ways of scaring you. One waits until you fall asleep. One makes sure nobody believes you. One is already in your group of friends. And one is in the house with your family. Answer eight quick questions about how you actually watch horror, and find out which nightmare was built for you.

😴Elm Street(Freddy Krueger)

🧸Chucky(Child’s Play)

📞Scream(Ghostface)

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🕯️The Conjuring(The Warren Files)

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01

Which horror scene makes you cover your eyes?
Four classic images. One of them is worse than the others for you.




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02

You are home alone and you hear a noise. First thought?
Everybody has one. It arrives before you have decided anything.




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03

Which horror movie rule would you break first?
Everybody thinks they would survive. Almost nobody actually does.




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04

Something genuinely frightening happens. What do you do?
Not in a film. In your actual living room, tonight.




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05

How do you actually watch a horror film?
Be honest about this one. Nobody is checking.




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06

Somebody offers you serious money. Which do you still refuse?
The amount does not matter. There is one on this list you are not doing.




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07

Which feeling stays with you a week after the film?
Good horror does not stop when the credits do.




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08

Something wakes you at 3am. What is the worst possibility?
Eight questions in, this is the one that decides your nightmare.




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The Lights Just Went Out
Your Nightmare Is…

Four franchises, four completely different ways of getting underneath
your skin. This is the one built out of your particular fear, why it works so well on you, and what
it would leave behind.

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A Nightmare on Elm Street · Since 1984

Elm Street

Your nightmare does not wait outside the door. It waits for you
to close your eyes, which you are going to have to do eventually, because nobody has ever
won that particular argument.

  • Freddy is horror’s cruellest idea: a threat that lives in the one place you cannot
    guard, cannot lock, and cannot avoid forever.
  • You are the one who is fine during the film and wide awake at two in the morning. Your
    own head is where this does its damage.
  • These films understood exhaustion as a horror engine. The kids on Elm Street do not lose
    because they are weak. They lose because they are tired.
  • You can lock every door in the house. You still have to sleep.

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Child’s Play · Chucky · Since 1988

Chucky

Your nightmare is not really the doll. It is the face of the
person you tell, and the way they decide, very kindly, that you have imagined all of it.

  • Chucky works precisely because he is absurd. That is the trap: the more accurately you
    describe him, the less anybody is going to believe you.
  • You are the one shouting at the screen because the characters are not listening. You
    know that feeling from real life too.
  • The franchise is at its best when the adults in the room are the real obstacle, and you
    have met those adults.
  • By the time somebody finally believes you, you will have handled most of it on your own.

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Scream · Ghostface · Since 1996

Scream

Your nightmare has your number, knows your name, and has almost
certainly been inside your house before. The worst part is that you already know them.

  • Scream is the only one of these where the killer takes the mask off and turns out to be
    somebody who was at the party.
  • You are the person who calls the twist out loud before it lands. You watch people the
    same way you watch films.
  • The franchise made the rules of horror part of the plot, which means the survivors are
    the ones paying attention. You would be paying attention.
  • Everybody is a suspect, including the person who just offered to walk you home.

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The Conjuring · The Warren Files · Since 2013

The Conjuring

Your nightmare is not really about you. It is about the people
asleep down the hall, and the feeling that whatever is here is not interested in leaving.

  • The Conjuring films are domestic horror. The house, the family, the perfectly ordinary
    room that quietly stops feeling ordinary.
  • Your instinct is to get everybody into one room. Your fear is protective rather than
    personal, which is rarer than it sounds.
  • This is the one franchise where belief is the weapon. The people who come through it are
    the ones who are not alone and refuse to be.
  • Whatever is here did not come for you. It came for the household, and you are the one
    standing in the hallway.
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Laika Is About to Return to Theaters With Their New Fantasy Epic

The addition of Laika’s first acclaimed feature to the HBO Max catalog comes as the studio prepares to launch its new feature — Wildwood. The stop-motion giant has been trying to get an adaptation of Colin Meloy and Carson Ellis‘ book off the ground for some time now, beginning development back in 2011. After several delays, though, it’s finally coming to life in theaters on October 23 with a gorgeous, lush style directed by Travis Knight and a star-studded cast including Peyton Elizabeth Lee, Jacob Tremblay, Carey Mulligan, Mahershala Ali, Awkwafina, Angela Bassett, Jake Johnson, and more. At the center of it all is Prue McKeel (Lee), a girl who enters the fantastical, dangerously alive world in the woods outside of Portland to save her baby brother after he’s kidnapped by crows, only to find herself in the middle of a brewing war between the inhabitants and navigating factions of creatures that range from kind to formidable and cruel.

Coraline arrives on HBO Max starting October 1. Stay tuned here at Collider for more on all the biggest films coming to streaming throughout the year.

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Release Date

February 6, 2009

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Runtime

100 minutes

Producers
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Bill Mechanic, Claire Jennings, Harry Linden, Mary Sandell, Henry Selick

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  • instar54123003.jpg
  • Cast Placeholder Image

    Teri Hatcher

    Mel Jones / Other Mother (voice)

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