Entertainment
10 Nearly Perfect Epic Movies, Ranked
It’s easy to talk about masterful epics, and doing so usually involves going over some of the best movies of all time. You probably don’t need another person telling you to watch (or rewatch) Lawrence of Arabia, you know? It might be more interesting (though arguably less helpful) to go over some epics that fall a little short of perfection; the near-masterpieces, in other words.
That’s what the movies below debatably are. You might love some of them, and sure, some are considered classics, or near-classics… it’s just that each one has at least one or two things that could hold them back from genuine 10/10 territory. Hopefully, what follows doesn’t read as too negative, since something being “nearly perfect” is still very much cause for celebration.
10
‘Heaven’s Gate’ (1980)
After The Deer Hunter, Michael Cimino infamously went bigger and more ambitious with his follow-up, Heaven’s Gate, which had a difficult and lengthy production that generated so much bad press, the movie never really stood a chance. It seemed the frenzy around it generated an idea that it was one of the worst epic movies ever made, but if you actually watch it now, removed from all that noise about its production, it’s pretty great.
Watching this, you feel some messiness, but not the amount you might fear, based on Heaven’s Gate’s reputation.
Obviously, not perfect, since it’s in this ranking and all. You feel some messiness, but not the amount you might fear, based on Heaven’s Gate’s reputation. It’s underrated overall, as well as impressive, as one of the biggest and longest Westerns ever made (it’s more than just a Western, of course, but that’s the easiest way to describe something that is ultimately pretty hard to describe and/or summarize).
9
‘Intolerance: Love’s Struggle Throughout the Ages’ (1916)
To get the obvious out of the way, Intolerance: Love’s Struggle Throughout the Ages is incredibly old. It was made at a time when the first feature-length talkie was still more than a decade away, and those are pretty ancient in the overall scheme of things, seeing as 1927 is now almost a century ago. Anyway, Intolerance: Love’s Struggle Throughout the Ages is impressive, once you take its age into account.
It could well even be one of the best epics of all time, if you’re looking at historically significant and properly groundbreaking ones, because this goes all out as a historical epic that takes place across a vast amount of time; throughout the ages, and all that (the title’s not messing around). It also holds up a good deal better than the film D.W. Griffith is probably more well-known for, for better or worse: 1915’s The Birth of a Nation.
8
‘Gangs of New York’ (2002)
There are a few Martin Scorsese films that could go here, since his longer, newer movies are a bit more contentious than some of his comparatively snappier classics. See the way people talk about The Irishman vs. Goodfellas, for example. But Gangs of New York? That one might well get the most criticism out of all his films that exceed the 2.5-hour mark, and it doesn’t deserve all of that criticism.
It’s a sprawling movie, and almost bursting at the seams, since it wants to tell a personal story of revenge against the backdrop of a much larger gang conflict in the titular city at a tumultuous time in said city’s history. Certain actors here fit into the world of the film, and what it’s going for tonally, more than others, but there’s still so much to be impressed by in Gangs of New York, and it’s also probably worth watching for Daniel Day-Lewis alone.
7
‘A Touch of Zen’ (1970)
There is a good deal of A Touch of Zen that feels pretty much perfect, and it’s the kind of gargantuan and endlessly ambitious film that any downtime, comparatively speaking, feels largely excusable. It’s long and slow-paced at times, but at least the slower parts give you great visuals while serving to conjure up a beyond-unique atmosphere, and then when it starts getting a bit more action-focused, things inevitably get better and more striking.
It’s a film about a young woman on the run, and the people she encounters who ultimately help her take a stand against her pursuers. You could technically tell the story in A Touch of Zen within a shorter runtime, though this one does feel like it wants to be more than just a well-told story, and on that front, it succeeds. It might not do it all perfectly for you, but it’s still worth experiencing, even with the enigmatic and perhaps more confusing parts.
6
‘The Ten Commandments’ (1956)
The Ten Commandments is, as the title suggests, a biblical epic, and certainly one of the biggest and best of its time. The story here concerns the Book of Exodus, with the narrative mostly centering on Moses and what he eventually did as a leader and liberator, thanks to being given the titular ten commandments. It’s probably the most significant of the Old Testament stories, you know… or neck-and-neck with Noah’s Ark, in any event.
The whole thing is done justice here, with this film, because The Ten Commandments is genuinely impressive on a technical front (outside some shots with dated effects that don’t look great, even for the standards of the time). Much of it still looks and feels striking, at least, even if you do feel the length here, with the movie being just 20 minutes short of four hours.
5
‘Doctor Zhivago’ (1965)
You can’t talk about legendary epic movie directors without mentioning David Lean, who’s perhaps best known for helming the previously mentioned Lawrence of Arabia. His follow-up, Doctor Zhivago, might not have felt perfect the same way that one did, but it’s not far off quality-wise, succeeding as an epic romance and a war movie the same way Lawrence of Arabia shone as a simultaneous epic war film and a character study.
The other way to tie these movies together is the fact that World War I plays a role in both narratives, but isn’t exactly the focus of either. Doctor Zhivago is more about a tumultuous time in history, and a love affair that happened throughout it all, with World War I being just one of the events that prove relevant to said time in history.
4
‘Greed’ (1924)
It’s not entirely Greed’s fault it’s imperfect, since it is a partially lost film, but what can be said is that what remains is still pretty great, at the very least. It’s hardly a subtle movie, either, given the title and the fact that it’s about things spiraling out of control for a married couple after they win a fair amount of money, but it handles that premise well for a film of its era.
Also, Greed is quite disturbing for a film of its era, and what it has to say about money and the way it can change someone still feels relevant, in a weird and possibly upsetting manner. It’s got that timeless quality you do sometimes find in silent films, and there is something bleak about a movie from about a century ago still feeling relevant, when it deals with difficult subject matter, but that’s life or whatever (see also Metropolis).
3
‘Ben-Hur’ (1959)
Of all the movies here, it might be most alarming to suggest that Ben-Hur isn’t perfect, but it is still largely masterful. You can’t really overstate how significant it was as an epic, too, delivering spectacle that might have been matched or exceeded by epics in the 1960s and beyond, yet of those made before the year 1960, Ben-Hur was probably the grandest.
It takes place around the era of Jesus, but it’s not exactly about him, even if he sort of appears throughout, and religion is a relevant topic to the movie at hand, of course. But Ben-Hur is more concerned with telling a story about a betrayal, and the betrayed person’s endeavor to get revenge after being made a slave by someone he once trusted. It’s long, and perhaps a tiny bit slow at times (you do feel the length in the last half-hour), but the spectacle is indeed spectacular, and there aren’t enough good things one can say about that justifiably iconic chariot race sequence.
2
‘Kagemusha’ (1980)
When talking about Akira Kurosawa’s epics, you’ve got two that are genuinely perfect: 1954’s Seven Samurai and 1985’s Ran. Between them (albeit much closer to Ran) was Kagemusha, which has some similarities to that 1985 epic, particularly on a visual front. Oh, and both star Tatsuya Nakadai, who was technically in Seven Samurai, but only for a second or two in an uncredited (pretty much background) role.
Kagemusha has him playing two roles: one a warlord, and the other a thief who just so happens to look identical to the warlord, so when the warlord dies, the thief takes his place and has to pretend to be this much more powerful and influential figure. Things don’t exactly go well from there, but things do look beautiful from there. Kagemusha isn’t perfect as far as things like pacing and the narrative are concerned, but it is a perfect-looking movie, and it’s easy to admire it as a feature-length warm-up for Ran, on Kurosawa’s part.
1
‘Spartacus’ (1960)
An epic about revenge and rebellion, Spartacus is hard to fault as a film from this time, but maybe flawed if you want to judge it as a Stanley Kubrick movie, or compare it to some of his other ones. Kubrick’s influence was not felt as strongly here, since Spartacus had a troubled production early on and Kubrick was brought in as a replacement director, after the original one, Anthony Mann, was removed from the project after a few weeks of shooting.
There are other Stanley Kubrick war movies that feel more distinctly like Stanley Kubrick movies, but none that scratch the same itch epic-wise (even Barry Lyndon is a bit more restrained/grounded, albeit about as long). But as a rousing and exciting film made on a grand scale, Spartacus does have quite a bit to offer, to the point where you might not even mind too much that it doesn’t feel particularly Kubrick-esque.
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To say that the Netflix catalog is a hit-or-miss situation is hardly controversial nowadays. As a matter of fact, the same statement can be made about almost all of our giant, non-curated streaming services. It isn’t that rare for amazing movies and TV shows to pop up on these platforms, but quite often they tend to get buried under piles of titles that range from okay at best to horrifyingly bad. If you’re a horror fan, for instance, you might have missed one of the coolest, scariest, most disturbing films to hit Netflix in quite some time, arguably one of the best to hit our screens this year. After all, to finally come across Luis Javier Henaine’s Disappear Completely, one has to dig deep — almost as deep as the movie’s main character in his search for a cure to the curse that threatens to turn him into a kind of living corpse, a karmic punishment for his own misdeeds as a photojournalist specialized in crime scenes.
After premiering in 2022 at Austin’s Fantastic Fest, Disappear Completely debuted on Netflix in April 2024. And while it made its way to the streamer’s Top 10 in its native Mexico, it has struggled to find an audience in other countries where it is readily available. It’s a pity: Henaine’s film has a 100% rating on Rotten Tomatoes, and it is indeed a gem that deserves to be seen. Why it has not conquered audiences worldwide is hard to say. Perhaps Netflix hasn’t marketed it enough, or maybe it’s something to do with that pesky one-inch-tall barrier of subtitles. After all, it isn’t rare for international films — particularly genre films — to be overlooked only to be, years later, included in lists of underrated projects.
What Is ‘Disappear Completely’ About?
As it is so new in the world of streaming, Disappear Completely still has a chance of being recognized in its time. The film, which relies more on psychological horror than on traditional jumpscares, is a character study surrounding a man’s relationship with his profession, and his family. The premise is creative and terrifying from the get-go: Santiago (Harold Torres), a photojournalist who sells pictures of crimes and accidents to tabloids, falls victim to a curse after shooting a particularly gruesome scene featuring a still living, but completely unresponsive politician partly devoured by rats. Unbeknownst to him, Santiago’s camera has captured the presence of a demonic entity that traps him in the same web as the senator (Juan Sahagun) he just photographed. Little by little, Santiago starts to lose all of his five senses.
The 25 Best Movies About Missing Persons, Ranked
These crime thrillers go above and beyond to tell their story.
As Santiago races against time to find a cure for his predicament, going from doctors to shamans to the very demon that has hexed him, his girlfriend, Marce (Tete Espinoza), faces troubles of her own. Pregnant with Santiago’s child, she wishes to have the baby and build a happy family. However, Santiago claims that they are not ready to have a child, and pressures her to have an abortion. This relationship with Marce and his unborn baby ends up being essential to how Santiago deals with his curse, being completely responsible for sealing his fate. By the end of the movie, just as he is about to lose the eyesight that is so dear to him, Santiago refuses to deliver his child’s life to the demon in exchange for everything he has lost and therefore becomes forever locked in a tomb made of his own flesh.Mixing an urban vibe with folk horror, Disappear Completely is a movie that dabbles in witchcraft, superstition, and politics, with the cursed senator having been victimized by a political rival. However, the focus of the plot is Santiago himself. The movie asks us to place ourselves in his shoes, forcing us to wonder what it would feel like to be in such a terrifying predicament. The final scenes make this invitation to identify with the main character all the more obvious: as Santiago is losing his sense of hearing, we can barely understand the sounds around him. Eventually, in the blink of an eye, the whole movie goes quiet. As he loses his sight, the image becomes blurry, until it… disappears completely. Seven long, despair-inducing seconds of dark screen stand between the last image of Marce calling Santiago’s name and the film’s end credits.
‘Disappear Completely’s Director Was Intentional About Creating a Personal Film
Director Luis Javier Henaine was intentional in creating an immersive, realistic experience for the audience while filming Disappear Completely, as he shared during an interview with Eye For Film. Rather than relying on jump scares or musical cues, he aimed to “make a more personal film with more down to earth issues,” while still balancing the element of witchcraft and folk horror. He said:
“Here in Mexico, witchcraft is something that people take very seriously and something very, very real for the majority of our population. And I like to reflect that in a way. So, all the time, I was trying to say, ‘Okay, this has to look real, this has to feel real, this has to be very realistic.’ And that’s how I tried to go throughout the whole film, with the production design and with the cinematography and with everything. Our references were real things, how people behave in these environments. . . ”
Placing the audience in Santiago’s shoes is one of the reasons Disappear Completely is so unnerving – it feels personal. At the heart of the film is Santiago’s struggles with being a potential father and a supportive partner for Marce. When reading the script, Henaine envisioned “a very immersive filmmaking style,” one that would make the audience active participants rather than passive observers of Santiago’s slow descent into a tomb of his own flesh. “I thought it would be great to just when, when he starts losing his sense of hearing, just play slowly with the whole film as well, make it subjective, put the audience in the character’s mind,” Henaine explained.
‘Disappear Completely’ Presents Photography as the Ultimate Horror
Disappear Completely presents us with a kind of horror that would be disturbing no matter who it befell. Still, when we take into consideration Santiago’s profession, the film gains additional layers. At the same time that Henaine and his fellow screenwriter Ricardo Aguado-Fentanes ask us to identify with Santiago in his plight, they also make it pretty clear that he is someone we should despise. Santiago is not a tabloid photographer because that’s the only job he can find. On the contrary, he seems to enjoy taking pictures of mangled bodies and even attempts to make it into a form of high art. The movie shows us that he has fun creating tasteless titles for the stories that will accompany his pictures, and right in the beginning we learn that he is trying to sell some of his photos to art galleries. This is, in itself, terrifying: in a way, the biggest horror in Disappear Completely is becoming the subject of one of Santiago’s photographs.
A Susan Sontag quote that opens the movie gives us the key to interpreting the story in this sense. “Photography converts the whole world into a cemetery. Photographers, wittingly or unwittingly, are the angels of death.” In Disappear Completely, a still picture is not just a tomb in a graveyard because it depicts someone who might already be dead, but because having your picture taken is already a kind of death. You become unmoving, unfeeling, blind, and deaf, all at once. You might say something, of course, in the sense that all works of art say something, but you will never again respond to any stimuli.
When he is cursed, Santiago is doomed to become one of his own photographs. His fate is, in a way, an ironic punishment: he has condemned so many dead people to a living death that he will, himself, become a tomb in the cemetery that is the entire world. Disappear Completely is definitely a movie with something to say, and it turns its eyes specifically to the art of creating images. To an extent, it is even fitting to watch Santiago’s downfall happen in a movie instead of, say, reading about it in a book, for the image is essential for us to understand what is happening to him. As we gaze at Santiago, we wonder if what is happening to him might one day happen to us as well. After all, in the age of smart phones and social media platforms where privacy goes to die, haven’t we all produced our own fair share of images that trap people in a single, unchangeable moment?
‘Disappear Completely’ Also Focuses on Santiago’s Relationship with His Unborn Child
But while photography, particularly Santiago’s kind of predatory photojournalism, and its meanings are at the center of Disappear Completely, Henaine and Aguado-Fentanes also go beyond the professional aspect of their protagonist. Well, in a way. Santiago’s relationship with Marce and their unborn child is marked by his career: it is because he hasn’t yet succeeded as a serious photographer that he believes it isn’t yet time for them to have a baby. When confronted with the opportunity to preserve the one sense that he needs for working in exchange for his child, though, Santiago chooses to let himself disappear completely.
Santiago sacrifices himself for his unborn child and, by extension, for the sake of Marce’s happiness. After all, she is the one who wants to have a child. But will Marce still want that baby now that her life has been upended so completely, now that she doesn’t have Santiago by her side anymore? What he does is completely remove himself from Marce’s life, thus leaving her alone to make a decision about her pregnancy and deal with the consequences. It is a selfish choice, but the reality is that there is no decision that Santiago could make that would not be selfish, as trading his baby’s life for his senses would prove tragic for both him and Marce. Either way, the demon forces Santiago to wallow in the selfishness that has ruined his life.
Disappear Completely ultimately wraps up with a fitting conclusion for Santiago. In his infinite suffering, he decides that the world would be a better place without him, for there is no answer that would satisfyingly end his suffering. He has already done too much to be forgiven. He’s already drowned in hubris, having been a man who mocked the death of others and who refused the happiness of the woman who lived with him. He turns the world into a cemetery and thus deserves to be buried alive. Is it a sad conclusion? You bet it is. But, quite often, the best horror stories have a tinge of tragedy to them.
‘Disappear Completely’ Is One of the Best Horror Movies to Hit Our Screens in 2024
With all of that in mind, it is no stretch to call Disappear Completely one of the best horror movies of 2024, despite having started its festival run all the way back in 2022. After all, what counts is when a movie is made available to general audiences, and, even in Mexico, Disappear Completely only managed to get itself a proper theatrical release in February of this year. And, well, considering how divisive the year has been for its horror releases, to watch a movie that isn’t particularly revolutionary, but that does the basics so well can feel like a breath of fresh air. Sure, movies like Longlegs and The Substance have won over hearts and minds all around the world, but they have garnered equally large legions of detractors. As for Disappear Completely; well, it’s not the kind of film that will change your conceptions about what horror can be, but it will definitely scare you and make you think about the themes being laid out on screen.
This should by no means be construed as negative criticism of the film. Simple and straightforward doesn’t mean mediocre. You don’t have to purport to change the genre to create something truly sublime. Sure, a The Bear-like meal at a Michelin-starred restaurant might be life-changing, but a good, old bowl of mac ‘n cheese can be just as tasty and satisfying. From Huesera: The Bone Woman to When Evil Lurks, Latin America has been producing some incredible horror films over this past decade, many of which are available on Prime Video, Netflix, and other streaming services. Thus, why stop at one amazing work of art? After you finish this beautiful, tragic, and terrifying film, take a few days to expand your spooky horizons. Results may vary, of course, but you certainly won’t regret such a rich meal.
- Release Date
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February 29, 2024
- Runtime
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106 Minutes
- Director
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Luis Javier Henaine
- Writers
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Ricardo Aguado-Fentanes, Luis Javier Henaine
Sherri Shepherd’s time as a daytime talk show host has officially come to an end. It was recently announced that her self-titled show “Sherri” has been cancelled after four seasons.
The news comes on the heels of another daytime talk show confirming the end of its run, as “The Kelly Clarkson Show” will also not return for additional seasons.
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‘Sherri’ To End This Fall After Four Seasons
Per Variety, “Sherri” has been cancelled and will not continue following the conclusion of its current season, set to wrap up in the fall. Debmar-Mercury, which distributes the show through producer Lionsgate, issued a statement confirming the news.
“This decision is driven by the evolving daytime television landscape and does not reflect on the strength of the show, its production – which has found strong creative momentum this season – or the incredibly talented Sherri Shepherd,” Debmar-Mercury co-presidents Ira Bernstein and Mort Marcus via joint statement.
“We believe in this show and in Sherri and intend to explore alternatives for it on other platforms,” the statement continued.
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” Sherri” premiered in fall 2022, initially taking over the time slot of the long-running “Wendy Williams Show,” which ended after 13 seasons due to the ongoing health and personal issues of the former talk show host.
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Shepherd Previously Expressed Her Happiness About ‘Sherri’ Being Renewed
In March 2025, it was announced that “Sherri” had been renewed for a fourth season, and at the time, Shepherd shared her happiness at continuing.
“I don’t take it for granted that people welcome me into their homes daily,” Shepherd said, per Variety.
“I work so hard to bring escapism to viewers’ lives through joy, laughter, and inspiration, and I’m grateful that the audience has embraced what we do. I look forward to raising the bar and turning up the volume as we plan for our season four return,” she continued.
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Sherri Shepherd Joins Kelly Clarkson As A Now-Former Talk Show Host
Speculation circulated for weeks that “The Kelly Clarkson Show” would end its seven-season run this year, and the news was confirmed on Monday, February 2.
According to Deadline, Clarkson’s contract was up at the end of the show’s current season. However, the recent personal issues she is dealing with are believed to have been the determining factor in her decision not to continue the show.
Last year, Clarkson’s ex-husband and the father of her children, Brandon Blackstock, died due to cancer in August 2025.
Clarkson issued a heartfelt goodbye via an official statement.
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“There have been so many amazing moments and shows over these seven seasons. I am forever grateful and honored to have worked alongside the greatest band and crew you could hope for, all the talent and inspiring people who have shared their time and lives with us, all the fans who have supported our show, and to NBC,” her statement read in part.
“Because of all of that, this was not an easy decision, but this season will be my last hosting ‘The Kelly Clarkson Show.’ Stepping away from the daily schedule will allow me to prioritize my kids, which feels necessary and right for this next chapter of our lives,” Clarkson continued.
The singer ended her message, adding, “I want to thank y’all so much for allowing our show to be a part of your lives, and for believing in us and hanging with us for seven incredible years.”
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Daytime Talk Show Ratings Are Down Across The Board
Although “The View” continues to maintain its long-standing number one ranking, daytime talk show ratings overall have continued a steep decline throughout the years, despite talk shows being led by big names such as Jennifer Hudson, Drew Barrymore, Tamron Hall, and the aforementioned Shepherd and Clarkson.
Per The Hollywood Reporter, “the marketplace for daytime talk shows (and frankly, TV talk shows in general) has deteriorated in recent years amid pay-TV declines, a challenging advertising environment and fierce competition from video podcasts on platforms like YouTube.”
Sherri Shepherd Has Other Things To Fall Back On
Before she entered the world of daytime TV courtesy of “The View,” she had a long career as a comedian and actress. Her prior path in Hollywood would be the most obvious way to continue her career.
Shepherd starred in a variety of television and film projects during both of her talk show stints, something she will likely continue now that “Sherri” has come to an end.
Entertainment
Lisa Rinna 'knew nothing' about Colton Underwood's past during “The Traitors”: 'He got what he asked for'
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“Listen, if you ask me to be a Housewife, I’m going to come at you however I’m going to come at you,” the “Real Housewives” alum tells EW.
Apple TV has just blessed us with its 2026 slate — at least for the first half of the year — and it looks like we’ll be watching every minute of the day going by the boatload of prestige TV they just dropped, as the streamer plans to roll out new originals nearly every single week, mixing prestige drama, buzzy thrillers, returning fan favorites and limited series with big stars dipping their toes in the episodic water.
The big headline, of course, is the return of Ted Lasso for Season 4, but that’s just one piece of a lineup that also includes fresh seasons of Shrinking, For All Mankind, Sugar, and more. Add in new shows led by Elisabeth Moss, Kerry Washington, Amy Adams, Javier Bardem, and Anya Taylor-Joy, and Apple is clearly aiming for a “prestige TV every month” vibe. The full year’s breakdown of today’s announced series can be found below.
Apple TV’s 2026 Series Release Schedule
Ted Lasso is back — but with a twist. Season 4 sees Ted coaching a second-division women’s football team, which feels like exactly the kind of heart-forward, underdog energy the show thrives on. And of course, it’s Apple, the home of prestige science fiction, which can only mean one thing: sci-fi fans are eating well. For All Mankind keeps pushing deeper into space in Season 5, while Monarch: Legacy of Monsters expands the MonsterVerse with more Titan chaos. For the crime enthusiasts, prestige thrillers are everywhere. Imperfect Women (Elisabeth Moss, Kerry Washington), Cape Fear (Amy Adams, Javier Bardem), and Criminal Record Season 2 all lean into darker, character-driven mysteries.
And of course, don’t forget about the giggles too, because between Shrinking, Margo’s Got Money Troubles, and the very chaotic-sounding Maximum Pleasure Guaranteed, Apple is still delivering the laughs as regularly as the dystopia.
|
Series Title |
Season |
Premiere Date |
|---|---|---|
|
Shrinking |
Season 3 |
Now Streaming (2026) |
|
The Last Thing He Told Me |
Season 2 |
February 20, 2026 |
|
Season 2 |
February 27, 2026 |
|
|
Imperfect Women |
Limited Series |
March 18, 2026 |
|
Season 5 |
March 27, 2026 |
|
|
Your Friends & Neighbors |
Season 2 |
April 3, 2026 |
|
Margo’s Got Money Troubles |
Season 1 |
April 15, 2026 |
|
Criminal Record |
Season 2 |
April 22, 2026 |
|
Widow’s Bay |
Season 1 |
April 29, 2026 |
|
Maximum Pleasure Guaranteed |
Season 1 |
May 20, 2026 |
|
Cape Fear |
Season 1 |
June 5, 2026 |
|
Season 2 |
June 19, 2026 |
|
|
Lucky |
Limited Series |
July 15, 2026 |
|
Ted Lasso |
Season 4 |
Summer 2026 |
What Movies Are Coming to Apple TV in 2026?
Apple TV has also revealed an impressive lineup of films coming to the streamer this year, from Elizabeth Olsen‘s afterlife romance Eternity, premiering next weekend, and Ryan Reynolds‘ long-awaited Cold War movie coming this fall, to Keanu Reeves‘ latest comedy Outcome and John Cena‘s hotly anticipated Matchbox movie. See the streamer’s full movie slate below.
|
Movie Title |
Starring |
Release Date |
|---|---|---|
|
Eternity |
Elizabeth Olsen, Miles Teller, and Callum Turner |
February 13, 2026 |
|
Outcome |
Keanu Reeves, Cameron Diaz, and Matt Bomer |
April 10, 2026 |
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The Dink |
Jake Johnson, Ed Harris, and Mary Steenburgen |
July 24, 2026 |
|
Mayday |
Ryan Reynolds, Kenneth Branagh, and Maria Bakalova |
September 4, 2026 |
|
Matchbox The Movie |
John Cena, Jessica Biel, and Danai Gurira |
October 9, 2026 |
|
Way of the Warrior Kid |
Chris Pratt, Linda Cardellini, and Jude Hill |
November 20, 2026 |
Stay tuned at Collider for more!
- Release Date
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November 1, 2019
- Network
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Apple TV
- Directors
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Sergio Mimica-Gezzan, Andrew Stanton, Meera Menon, Dan Liu, Allen Coulter, Craig Zisk, Dennie Gordon, John Dahl, Lukas Ettlin, Wendey Stanzler, Seth Gordon, Sylvain White, Michael Morris, Maja Vrvilo, Sarah Boyd
- Writers
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Ronald D. Moore, Matt Wolpert, Ben Nedivi, Bradley Thompson, David Weddle, Nichole Beattie, Joe Menosky
Editor’s Note: The following contains spoilers for High Potential Season 2, Episode 12.Last week’s episode of High Potential ended with Karadec (Daniel Sunjata) rekindling things with his ex-fiancée, Lucia (Susan Kelechi Watson). Despite supporting Karadec and encouraging him to try again with Lucia, Morgan (Kaitlin Olson) had a sad look on her face as she watched them leave together. This seemed to be a clear set-up for the beginning of a possible feelings realization arc for Morgan, and sure enough, this week’s episode takes this to the next level in the very best way.
This week’s episode sees Major Crimes investigating the murder of the wealthy founder of a wellness company. Meanwhile, Oz (Deniz Akdeniz) tries to get his father’s headstone ready in time for a planned memorial service. This is a strong and fast-paced episode throughout, and it benefits from giving focus to each of the characters, and in particular, giving Oz his first subplot that’s completely separate from a case. Best of all, the case puts Morgan and Karadec in what appears to be a near-death situation, and it brings them closer than ever.
In ‘High Potential’ Season 2, Episode 12, Major Crimes Investigates the Murder of a Man Trying to Live Forever
In Season 2, Episode 12, “The Faust and the Furious,” the Major Crimes team investigates the murder of Gabe Rafferty (Brad Raider), the founder of a wellness-focused technology company called Genegevity. Gabe was stabbed inside his house, but there’s no clear sign that somebody got through his very elaborate security system. Morgan and Karadec speak to Gabe’s assistant, Renata (Lyla Porter-Follows), who reveals that he shared his biodata with her through the Genegevity app. After Renata’s mom died, Gabe became a mentor to her and gave her a job. The goal of the company was to stop the aging process so that people could live forever, which started with the treatments that he was using on himself.
The investigation process takes Major Crimes to a number of people who would have had the motivation to kill Gabe. A woman named Siobhan McBriar (Hallie Samuels) was suing Gabe because Genegevity changed the ingredients in her vitamins without telling her, which disrupted her birth control and got her pregnant. Later, they learn that Gabe was embezzling money from Genegevity, and that he had cleverly found ways to make all of his employees blame each other for the company’s financial discrepancies. A message from Gabe beyond the grave assures his company that someone will be taking over for him soon if he’s ever killed. It turns out all of this money was going into creating a new robot version of Gabe that had all of his previous memories and knowledge uploaded.
Robot Gabe speaks to Morgan and Karadec and tells them that the Do Not Disturb system in Gabe’s house was adjusted by someone other than Gabe on the night of his death, making it turn on earlier than usual. Robot Gabe also gives them a list of people who had been threatening Gabe, then the robot is shut down and can no longer talk to them. Morgan and Karadec go to see Mika Aster (Brandon Engman), the founder of the tech start-up that created the robots. Gabe bought the company promising to keep Mika on, but then he pushed Mika out. Morgan and Karadec visit Gabe’s house and briefly get stuck in the room where he was killed. They realize that Gabe was locked in when the Do Not Disturb feature was turned on, and that the candles he lit in the room were laced with arsenic, so Gabe stabbed himself to die faster instead of slowly being poisoned.
The killer turns out to be Renata, who teamed up with Micah to kill Gabe, both for their own reasons. While Micah wanted revenge and his company back, Renata felt betrayed and hurt because Genegivity had originally been researching the genes responsible for her mother and sister’s cancer, which she also carries. When Micah went to confront Gabe about taking over his company, Renata learned that all the money for the research had gone into the robots instead. Renata ultimately confesses after Morgan and Karadec confront her, but she stands by what she did.
In ‘High Potential’ Season 2, Episode 12, Oz Tries To Get a Headstone for His Father’s Grave
It was revealed last season that Oz’s father had died the year before. In this episode, Oz’s family tries to have a belated memorial for him, because they’ve been waiting for his headstone to be ready for a long time. A few days before they’re supposed to have the memorial (after it’s already been moved twice), Oz learns that the headstone was never confirmed with the cemetery. Oz goes to see his mom (Jacqueline Antaramian), and she says she used his father’s life insurance money to pay for the headstone. The costs then piled up, and before she knew it, the money was gone, and there was still no headstone.
Oz is angry with his mom, and she has to call Daphne (Javicia Leslie) to check on him because he won’t take her calls after that. Selena (Judy Reyes) then calls Oz in for a meeting, and he tells her that his mom spent $20,000 on a headstone that is now stuck in a shipping facility. Selena says that the funeral home took advantage of Oz’s mom, but Oz blames himself for not being there for her during his grief. Selena relates to Oz by telling him about her mother’s death, then she encourages him to stop being so hard on himself. Selena steps in to call out the funeral home for its predatory practices, and Oz’s mother gets a full refund. Oz’s father’s grave finally gets a headstone, and they have a memorial service for him. Oz gives a touching eulogy where he comes to terms with his grief, and then he calls the Major Crimes team his family.
In ‘High Potential’ Season 2, Episode 12, a Perceived Near-Death Experience Brings Morgan and Karadec Together
Karadec and Lucia are still seeing each other after reconnecting last week, and they’re already getting serious again. The episode shows how Karadec’s job is no longer the obstacle in their relationship, and it seems to hint that Morgan will become a new obstacle. Morgan shows up to Karadec’s apartment to ask for a ride to work, where she sees Lucia. In the car, Morgan asks Karadec about his relationship, and he tells her that he’s happy.
Later, Morgan and Karadec are investigating Gabe’s house, when they get locked in the room where Gabe was killed, and they believe that the room is filled with the poison that killed Gabe. Morgan has a panic attack, terrified that she doesn’t know what to do, and that there is no way out. She tries to do a grounding exercise, but her mind is full of images of the people she loves the most and will lose if they both die there: her three kids and Karadec. Karadec hugs Morgan to calm her down, and then the door opens, and it’s revealed that there was no poison in the room. It’s one of Morgan and Karadec’s best moments yet, because, on this rare occasion where Morgan feels a loss of control, Karadec is the one who’s able to keep her grounded.
When he gets home from work, Karadec has a conversation with Lucia where they talk about their past breakup and start to move forward together. It’s clear that Karadec has learned his lesson from their breakup, but he also already clearly has feelings for Morgan, even if he doesn’t realize it. After Oz’s father’s memorial, Morgan and Karadec talk about what happened. She feels mortified and ashamed about falling apart instead of being able to help out in that situation, but Karadec tells her that they count on each other, and that she would’ve done the same for him. The show then sets up an upcoming breakdown for Karadec. He tells her that at some point he will have a moment like she did, and that he knows that out of everyone in his life, she’ll be the person who will know how to get him through it. The episode makes it clearer than ever that Morgan will be the obstacle in Karadec’s relationship with Lucia this time around, and based on his facial expression after that last conversation, he may know it, too.
High Potential airs Tuesdays at 9:00 P.M. EST on ABC.
- Release Date
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September 17, 2024
- Showrunner
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Todd Harthan
Pros & Cons
- This episode puts Morgan and Karadec in a suspenseful near-death situation, in what is a phenomenal scene, with excellent acting from both Olson and Sunjata.
- This episode gives Oz his first big storyline outside of work, making the ensemble cast feel more balanced.
When Episode 22 of Star Trek: Deep Space Nine Season 7 arrives, the series is four episodes away from closing the figurative book on Star Trek‘s most artistically risky and exquisitely crafted piece of long-form storytelling to date. A major contributor to that success, franchise mainstay Ronald D. Moore, turns his screenwriting pen upon the audacious spin-off two more times during this home stretch — one of them being Episode 22, titled “Tacking into the Wind.”
Unsurprisingly, given Moore’s reputation for detailed worldbuilding and subversive emotional rawness, the episode exemplifies Deep Space Nine at its height: a crackling synergy of riveting sociopolitical weight, elite character growth, and cohesive narrative escalation. And it’s a simple-on-the-surface exchange from this episode, not one of the dozens of bracing quips or eloquent monologues from previous entries, that serves as a masterful microcosm of Deep Space Nine‘s lasting resonance.
Kira Nerys Challenges Damar During a Pivotal ‘Star Trek: Deep Space Nine’ Scene
The Dominion War, Deep Space Nine‘s crowning arc, boxes its exceedingly complex heroes into exceedingly complex internal conflicts. The forever honorable Captain Benjamin Sisko (Avery Brooks) realizes he can accept tarnishing his soul to defeat a ferocious enemy, while Bajoran ambassador Kira Nerys (Nana Visitor) educates her former oppressors in the same guerrilla warfare tactics she once deployed against them as a freedom fighter.
Her Cardassian pupils include Damar (Casey Biggs), a long-time foe turned begrudging ally who recently defected from Cardassia’s alliance with the Dominion. During “Tacking into the Wind,” the Dominion retaliates against Damar by assassinating his wife and son. Stunned into grieving stillness, Damar can’t fathom an empire insidious enough to wage war by thoughtlessly sacrificing “innocent women and children.” He wonders aloud, “What kind of people give those orders?” Kira, while compassionate about two lost lives, quietly responds by slicing him open with a blade of accountability: “Yeah, Damar. What kind of people give those orders?”
This moment wouldn’t carry as much profound significance without Deep Space Nine‘s multi-season interconnectivity. By this point, Kira has healed her mosaic of wounds without relinquishing her rage — nor should she surrender it. Raised during Cardassia’s decades-long occupation of Bajor, she knows firsthand the abject cruelty, the labor camps, the mass murders, the “I was following orders” rationalizations, and how to respond in kind via an insurgency. With immeasurable generational tragedy always humming underneath her skin, with a Cardassian military officer in close quarters, Kira turns both the irrevocable reality of war and Damar’s culpability back upon him.
‘Star Trek: Deep Space Nine’ Strengthens the Franchise’s Optimism by Testing Its Limits
Even though the Kira of Season 7 regrets striking a defenseless former enemy, her searing, point-blank wisdom unravels Damar into an ideological crisis. For many individuals whose proximity to power keeps them insulated from harm, it doesn’t matter when torment and subjugation befalls a stranger; brutality only becomes substantive once it arrives at their own doorstep. Now that Damar’s reeling from an atrocity identical to the ones for which he’s culpable — and now that he shares a sliver of the same pain the Bajorans have experienced countless times over — he recognizes the useless horror of it all.
All Damar can do against Kira’s words is nod in silent, bleak comprehension, then redirect his fury away from her toward the appropriate source. Even a season earlier, it would’ve been impossible to imagine this self-described loyal patriot reconciling with his own sins as well as those of his self-serving, stagnant, imperialist civilization — let alone act upon his realization that the poisonous old ways he once vowed to uphold must be shattered and remade. If the Cardassians keep chasing after conquest and glory, they won’t survive long enough to even attempt to atone for the bloodshed they’ve aided and abetted.
The premise is virtually identical to a highly popular 1983 miniseries.
Deep Space Nine fully realizes the franchise’s potential by expanding Trek’s progressive fundamentals to their breaking point. Like buffing a diamond into shining sharpness, testing the idea of a peaceful future by measuring the cost required to achieve it strengthens Trek’s optimism into a hope that’s more bittersweet, fragile, but worth cherishing all the more. By Deep Space Nine‘s finale, the series’ surviving characters find closure because trial-by-fire reassessments like Damar’s have forced them to abandon their initial prejudices, oversights, or naivety.
Although it’s been a bitter pill to swallow, their adjusted vision for the future doesn’t lack the franchise’s defining idealism; it’s stronger and clearer for acknowledging the cycles of violence and their answering inevitability: righteous resistance against war, corruption, and would-be tyrants. Some manner of change can always happen, however small — and maybe, just maybe, the ultimate change can finally take hold: human nature’s best virtues rising above their worst.
Star Trek: Deep Space Nine
- Release Date
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1993 – 1999-00-00
- Showrunner
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Michael Piller, Ira Steven Behr
- Writers
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Rick Berman, Michael Piller
Entertainment
Susan Lucci recalls stunned disbelief when she won first Daytime Emmy after losing 18 times: 'Are you sure?'
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“Winning is definitely better!” she jokes in her new memoir, “La Lucci.”
Whitney Port’s journey to expand her family with husband Tim Rosenman has faced its fair share of setbacks.
Port and Rosenman, who wed in November 2015, welcomed son Sonny in July 2017. Following Sonny’s arrival, the Hills alum suffered multiple pregnancy losses.
“It’s been seven years of trying since Sonny. I got pregnant about a year after he was born, and then it was miscarriage after miscarriage after miscarriage. I was getting pregnant but the pregnancies weren’t sticking,” she said in a January 2026 interview with Spread the Jelly. “Eventually, I was told my chances would be better with a fertility doctor. I went to one who came highly recommended and started the process of egg retrieval, freezing embryos, and IVF.”
While struggling with secondary infertility, Port and Rosenman looked into surrogacy as an option. After finding a match and completing two transfers, the surrogate suffered a miscarriage.
“We decided to go down the surrogacy road at the end of last year after a really long journey of not being able to conceive on our own and just having so many things go wrong,” Port said on the April 2025 episode of her “With Whit” podcast. “We found an amazing surrogate, and we ended up doing two transfers with the surrogate. Both transfers ended up miscarrying.”
Whitney Port and Tim Rosenman are everyone’s couple goals. The pair met in the mid 2000s at a birthday dinner for one of Port’s ex-boyfriend’s. “Tim was there. And I sat across from him,” she told She Knows in 2014. “I left the dinner saying to a mutual friend, ‘Oh my god. Who is that […]
While Port’s journey to expand her and Rosenman’s family hasn’t gone as planned, she has been candid about her journey and remains hopeful to give Sonny a sibling.
Keep scrolling to see Port’s best quotes about her fertility journey:
Whitney Port Recalls Feeling ‘Incomplete’ Amid Fertility Struggles
During a January 2026 interview with Spread the Jelly, Whitney Port opened up about how she never expected her motherhood journey to turn out the way it did.
“I don’t think motherhood looks like what I imagined. I never thought I’d be a mom to an only child. I always knew I wanted more than one,” she told the outlet. “I didn’t picture this, and that’s been a little weird for me. My identity as a mom doesn’t feel fully solidified yet because I feel incomplete. I really do.”
Port added that while she’s grateful to have Sonny, the struggle to conceive a second child has made her feel insecure.
“This sounds awful, but there’s this feeling like one isn’t enough — or that it’s not as hard, or not as much to balance, or not the full picture,” she continued. “And I carry that insecurity. I’ve done a lot of work around it. Most of the time, I’m able to tell myself, ‘OK, if it’s just the three of us, that is wonderful.’”
Whitney Port Didn’t Feel Like She Deserved to Use a Surrogate
While struggling to conceive a second child, Whitney Port confessed she felt unworthy to use a surrogate.
“I felt like I hadn’t done everything yet, so I didn’t deserve that option. I rejected the idea for a while,” she told Spread the Jelly. “Then I started talking to people who had used surrogates and had similar experiences. I decided to take my power back and see it as a privilege; I don’t need to keep putting my body through this after six years of trying. I was 41 and I was losing myself.”
Whitney Port’s Candid Update on the Egg Retrieval Process
Whitney Port gave an update on how she was faring ahead of an egg retrieval.
“It’s not the physical discomfort (which totally sucks- bloating, bruising, swelling, heaviness) but the emotional discomfort. The hormones are making me feel like I can’t manage anything, like everything is just the worst,” Port wrote via Instagram in August 2024. “And I’m nervous that I’m not going to get out any quality eggs and what will this all be for. I’m scared. My energy is non existent and I feel like I’m not showing up the way I should as a wife, mom, sister, friend, coworker, etc.”
While the former reality star struggled with her emotions, she expressed her gratitude for the support she’s received amid her fertility struggles.
“I’ll be ready to return to gratitude soon, but I am just not there yet with so much up in the air. That may be pessimistic, but I don’t want to force any feelings either. I can’t thank you all enough for your support and words of encouragement,” she concluded.
Why Whitney Port Spoke Up About Her Fertility Journey
In an October 2023 Us Weekly cover story, Whitney Port explained the reason why she started sharing her struggles online.
“It wasn’t [hard to discuss] at first, and then the more I put it out there, it was. Not because I was getting any negative response but it became something that I had to talk about and be reminded of all the time,” she exclusively told Us at the time. “It was already taking over my life, and then it was taking over my professional life. As a digital creator, you’re in this world of showing your personal life as part of your business. So I felt like that was becoming the conversation, and it was all-encompassing.”
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The Rock & Roll Hall of Famer met future collaborator George Clinton as a teenager.
Dr. Peter Attia issued a lengthy apology after newly-released files connected to the case against convicted pedophile Jeffrey Epstein claimed he chose to stay in New York City for a meeting with the sex trafficker while his wife and child were in the ICU.
“I apologize and regret putting myself in a position where emails, some of them embarrassing, tasteless, and indefensible, are now public, and that is on me,” Attia, 52, wrote in a Monday, February 2, statement shared via X after allegedly sending the same message to his team and patients. “I accept that reality and the humiliation that comes with it.”
Attia, a so-called longevity researcher, came under fire on Friday, January 30, after new emails allegedly sent between the late Epstein and influencers, including Attia, were released by the Department of Justice. (Epstein died by suicide in 2019 at the age of 66 while in jail awaiting trial on sex trafficking charges.)
In one email dated July 12, 2017, Attia and Epstein allegedly engaged in a back and forth exchange to solidify plans to meet up the following morning.
Bill Gates is responding after an email in newly released documents related to the late child sex trafficker Jeffrey Epstein claimed the Microsoft billionaire contracted a sexually transmitted infection (STI) from “Russian girls.” “These claims are absolutely absurd and completely false,” a spokesperson for Gates, 70, said in a statement to People published on Saturday, […]
“Can you do before 10am? Tomorrow,” the email allegedly sent from Epstein read. Attia allegedly responded, “Sure. I can come earlier, also, if you have a hard stop at 10. Let me know.”
While the exchange might not seem significant to most, Attia previously confessed to leaving his wife, Jill, and infant son to handle a health scare without him during that same timeframe.
“Tuesday, July 11, 2017, at 5:45 p.m., to be exact — I had received a call from Jill, my wife,” Attia wrote in his book, Outlive: The Science and Art of Longevity, published in 2022.
The physician recalled in his book that his wife called him from the back of an ambulance because their son had “suddenly stopped breathing” and had no heartbeat. The child was resuscitated through CPR by a nurse, but wasn’t out of the woods.
Dr. Peter Attia. Dia Dipasupil/Getty Images
“When Jill called me from the ambulance, I was in New York, in a taxi on Fifty-Fourth Street, on my way to dinner,” Peter wrote. “After she finished telling me the story, I just said, without a shred of emotion, ‘OK, call me when you get to the hospital, so I can talk to the doctors in the ICU.’”
Eagle-eyed fans noticed that Jill called her husband one day before he allegedly emailed Epstein while in New York to cement their meeting.
According to Attia’s book, he remained in New York “busy with my ‘important’ work” for 10 days after his son suffered cardiac arrest — and for the four days his wife and child were in the ICU in California.
While Attia didn’t directly address the alleged connection between his 2017 trip to New York and leaving his wife and son alone, he did deny that he is an individual who “participated in criminal activity, enabled it, or witnessed it,” which Peter said is the “purpose” of the DOJ releasing the Epstein documents.
New York Giants co-owner Steve Tisch broke his silence after he was connected to the late disgraced financier and convicted sex offender Jeffrey Epstein. “We had a brief association where we exchanged emails about adult women, and in addition, we discussed movies, philanthropy, and investments,” Tisch said of his relationship with Epstein in a Friday, […]
“I am not in any of those categories, and there is no evidence to the contrary,” he claimed in his Monday statement. “To be clear: 1. I was not involved in any criminal activity. 2. My interactions with Epstein had nothing to do with his sexual abuse or exploitation of anyone. 3. I was never on his plane, never on his island, and never present at any sex parties.”
In addition to seemingly abandoning his family to buddy up to Epstein in 2017, Attia’s name was mentioned more than 1,700 times in the latest set of released files.
Attia attempted to explain his connection to Epstein in his statement, noting that they met in 2014 through a “prominent female healthcare leader while I was raising funds for scientific research.”
Attia explained that between summer 2014 and spring 2019 he met with Epstein “on approximately seven or eight occasions at his New York City home, regarding research studies and to meet others he introduced me to.”
President Donald Trump, Woody Allen, former President Bill Clinton and Andrew Mountbatten-Windsor are all seen in newly released photos obtained from the late convicted sex offender Jeffrey Epstein’s estate. On Friday, December 12, Democrats on the House Oversight Committee released 19 archival photos, of more than 95,000 total images, recovered from Epstein’s estate as part […]
He claimed he “never visited” Epstein’s ranch or island and “never” flew on any of his planes.
“I was not his doctor, though several times I answered general medical questions and recommended other providers to him,” Attia alleged.
He then cleared up one email exchange between him and Epstein that was reportedly sent in 2015 — and didn’t paint Attia in the best light.
“In June 2015, I sent Epstein an email with the subject line ‘Got a fresh shipment,’” Attia recalled. “The email contained a photograph of bottles of metformin, a medication I had just received from the pharmacy for my own use. The subject line referred to the picture of the bottles of medication.”
Jeffrey Epstein. Florida Department of Law Enforcement via Getty Images
Epstein allegedly responded with the words “me too” and sent back a “photograph of an adult woman.”
Attia confessed, “I responded with crude, tasteless banter,” admitting that it is now “very embarrassing,” to see how he engaged with Epstein. “I will not defend it. I’m ashamed of myself for everything about this. At the time, I understood this exchange as juvenile, not a reference to anything dark or harmful,” he added.
Attia claimed that in 2018 he learned that Epstein’s 2008 conviction, which he allegedly characterized as “prostitution-related charges,” was “grossly minimized,” which is when he started to distance himself from the man. (Epstein was convicted in Florida in 2008 on a charge of soliciting prostitution from someone under 18.)
Andrew Mountbatten-Windsor — formerly known as Prince Andrew — appears to kneel on all fours over an unknown woman in new photos obtained from late convicted sex offender Jeffrey Epstein’s estate. On Friday, January 30, the Justice Department released more evidence from Epstein’s estate, including 100 new photographs. Mountbatten-Windsor seemingly appears in three new images […]
“I was incredibly naïve to believe him. I mistook his social acceptance in the eyes of the credible people I saw him with for acceptability, and that was a serious error in my judgment,” Attia wrote. “To be clear, I never witnessed illegal behavior and never saw anyone who appeared underage in his presence.”
He continued, “Nothing in this letter is meant to minimize the harm suffered by the young women Epstein abused. Their trauma is permanent.”
Attia noted he was “not asking for a pass” from anyone, but claimed roughly 10 years after he sent the emails to Epstein — and being the man that he is today — he “would not write them and would not associate with Epstein at all.”
“I recognize that my actions and words have consequences for the people I care deeply about, including all of you,” he concluded. “I regret the cost this has placed on you, and I take responsibility for it.”
If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673). If you or someone you know is experiencing child abuse, call or text Child Help Hotline at 1-800-422-4453.
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