Entertainment
10 Heaviest Musical Movies, Ranked
Do you like movies where people break into song? Do you like dancing? Do you like Singin’ in the Rain, Mary Poppins, and The Sound of Music? You could’ve answered yes to all those questions, and still, you might watch some of the following and not really love them. They are musical movies, but they’re not really fun musicals, to put it mildly.
Some of the following titles might have entertaining scenes, or some comparatively fun/light moments, but you wouldn’t really feel comfortable calling any of them feel-good. It’ll start off with some that might be a little more bittersweet, rather than outright miserable, but things will end with the inevitable heaviest musical movies of all time. Spoilers won’t be gone into too much, but a movie being here does suggest, at the very least, that the ending likely won’t be entirely happy, you know?
10
‘Jesus Christ Superstar’ (1973)
Starting off with something a bit obscure, or maybe just not quite as well-known as some of the soon-to-be-mentioned movies, here’s Jesus Christ Superstar. It sounds pretty wild, and maybe even campy, because it’s about Jesus during his final days, with Judas also being a prominent character, and what happens in the Bible during that relevant part plays out here, just as a musical.
The betrayal and death inherent to this part of the Bible obviously take place here, and Jesus Christ Superstar also has some difficult questions it raises about things related to the Bible, and then some things more recent, or beyond the Bible. It’s not exactly comparable, and wasn’t as controversial, but it almost (emphasis on the almost) does for this part of Jesus’s life what The Last Temptation of Christ did, in terms of being a somewhat striking and daring re-imagining, though that film did admittedly lack singing and dancing (had some great music, though).
9
‘Better Man’ (2024)
Thankfully, a good deal of Better Man is about overcoming personal struggles that one grapples with when they start to become famous. It’s about Robbie Williams who, at the time of writing, is still alive, and so you know Better Man isn’t going to have as heavy an ending as biopics that were made after a famous person’s death, since they’ll often end with that, or imply it’s about to happen.
It’s just that with Better Man, punches aren’t pulled when it comes to depicting the hardships. It’s a movie that tackles addiction, self-hatred, and insecurity in genuinely upsetting ways, in its most intense moments. That does make the personal victories achieved near the end feel all the more meaningful, but the film as a whole is more of an emotional roller-coaster than many give it credit for. Oh, and also, Robbie Williams is a chimpanzee the whole movie. And it works, somehow.
8
‘Les Misérables’ (2012)
With that title, if Les Misérables ended up not having some amount of misery in it, might you not feel a little disappointed? It’s based on a novel about hardships, crime, justice, and redemption or, more accurately, it’s based on a stage musical that was based on a novel about those things. So, Les Misérables is maybe technically an adaptation of the novel, but not to the same extent as those adaptations without the songs.
They go heavy on the singing here, with every line being sung, and then they naturally go pretty heavy on the emotional stuff here, too. Some people go through it, in Les Misérables, a little more than others, but some people do lose a ton and have to keep on struggling. If it were a better movie quality-wise (it’s inconsistent), it might rank higher, because that could mean the emotional scenes hit harder, but some of the tragic/dramatic moments in this particular adaptation do come across as a little silly at times, sadly.
7
‘All That Jazz’ (1979)
It’s not the only movie here about death in some way, but All That Jazz is really, really focused on dying and death to an extent few musicals are. The main character here is living a life that is, to put it mildly, too busy. He keeps working, pushing himself, and alienating people, and then some health problems worsen, and he eventually finds himself having to face the fact that if his life continues in such a way, said life probably won’t go on for much longer.
All That Jazz also isn’t as much of a musical as some other movies here, with the big musical numbers not really coming in until the end, and also being implemented in a way that feels too surprising to outright ruin. Yes, it’s an old movie, and avoiding discussion of the plot for something that’s nearing half a century in age might sound silly, but if you’ve not seen All That Jazz and still want to, then you’ll be thankful. And if you’ve seen All That Jazz, you know what all those somewhat vague words mean. Everybody wins, while talking about movies where not many people win. Yay?
6
‘Phantom of the Paradise’ (1974)
At least there’s quite a lot of camp to be found in Phantom of the Paradise, which evens things out a little, taking that alongside the darker and more grisly parts. It’s a horror/comedy film that also functions as a musical, and then it’s a few other genres at the same time. It’s a bit of everything. It’s chaotic. So much is not only thrown in, but jam-packed into it all, since it’s not a long movie, in the end, at just over 90 minutes.
Phantom of the Paradise is a horror/comedy film that also functions as a musical, and then it’s a few other genres at the same time. It’s a bit of everything. It’s chaotic.
In case you couldn’t guess, that also makes it imperfect, but there’s a charm here, at least at times, and you have to admire how far Phantom of the Paradise pushes things. With the stuff it takes influence from (including the legend of Faust and, unsurprisingly, The Phantom of the Opera), tragic elements are inevitable, but to have tragedy and horror-tinged bloodshed hitting you in the face at the same time as all the absurd and weird stuff makes the whole film a rather interesting experience.
5
‘A Star Is Born’ (1954)
You don’t get much happiness with any version of A Star Is Born, because the story always has to be a tragic one. If you found the 2018 version surprising, then good for you! But if you were familiar with the iconic (though not quite as good) 1976 version, or the (perhaps underrated and probably the strongest overall) 1954 version, then you surely saw the sadness coming. The 1937 version (the original) is interesting, too; just not as much of a musical or anything.
All these movies are about the entertainment industry, and the sadness comes about because the love story each one tells is about someone who’s on the up, in their industry, and then the other person in love is going down, and losing popularity. They meet maybe in the middle, Benjamin Button-style, for all too short a time, and then things progress to where you fear they might. Every time. And it just never stops being sad, but it might be narratively at its saddest in the 1954 version, thanks to Judy Garland and James Mason giving probably the two best performances of their respective careers.
4
‘Sweeney Todd: The Demon Barber of Fleet Street’ (2007)
You get a lot of gothic horror in Sweeney Todd: The Demon Barber of Fleet Street, and it’s paired surprisingly well with some suitably dark songs. It’s easy to explain why this movie is showing up here, just by summarizing the premise, since Sweeney Todd: The Demon Barber of Fleet Street is about a man who murders people through his work as a barber, and then his neighbor/accomplice bakes their bodies into pies.
There’s more to it than that, with some complex moral questions and villains who are interesting and ultimately humanized, and then everyone feels like they’re pretty much probably doomed. But it’s all equal parts gloomy, beautiful, and violent before that point, benefiting from some of the best directing Tim Burton’s ever done (hell, he probably makes what is, so far, his best 21st century release here, truth be told).
3
‘Cabaret’ (1972)
Before All That Jazz, Bob Fosse also directed Cabaret, which is another grim musical, but grim in a different way. All That Jazz was introspective and psychologically intense, while Cabaret is more about a society’s downfall, and people not really noticing until it’s too late. It takes place in Berlin during the 1930s, and so the rise of fascism in Germany before World War II is dealt with, albeit in an interesting and unexpected way.
It’s in the background until it’s in the foreground. Watching it and comparing it to other organizations that have risen seemingly out of nowhere, but only seemingly, because you were distracted by something else… it’s uncomfortable to think about. Best to keep it vague, but there’s a lot to apply Cabaret to, both concerning the past and present, and maybe (but also hopefully not) the future, too.
2
‘West Side Story’ (1961)
It’s Romeo and Juliet, but with a more modern setting and also a good deal more singing, so yes, West Side Story gets inevitably tragic. If Romeo and Juliet weren’t super famous and also super old, that might feel like a spoiler, but, you know… you kind of see where this one is going. It might not go to the exact same places as Romeo and Juliet, yet the places are inevitably similar.
And tragically similar. Watching West Side Story is a bit like rewatching Titanic. You hope, every time, that things will be a little different, and that either the iceberg will be missed or that fateful street fight will get called off, but you’re never so lucky, and neither are the characters in either movie. Oh, well. At least the sadness here, in West Side Story, is also kind of broad and big, and so the tears shed are cathartic ones.
1
‘Dancer in the Dark’ (2000)
Dancer in the Dark has a reputation for being sad, so you enter into it feeling fairly prepared for a tearjerker, and yet it still ends up being surprising just how heavy it gets. Maybe saying that it almost feels like a horror movie at times is a slight exaggeration, but it’s not hard to call it one of the bleakest dramas of all time, even of all those that don’t include singing.
When you take into account specifically those with some singing and/or dancing (musicals, in other words, or technically another word), then yes, Dancer in the Dark is likely the heaviest and bleakest and whatever other adjective you want to use in place of “saddest.” The pun’s inappropriate, but what the movie is about was danced around just now, sure, but if you’ve seen it, then you definitely know why Dancer in the Dark has to secure the #1 position here.
Dancer in the Dark
- Release Date
-
October 6, 2000
- Runtime
-
140 Minutes
- Director
-
Lars von Trier
- Writers
-
Lars von Trier, Sjon
A mass shooting outside an Austin, Texas, bar has left three people dead — including the suspected gunman — and another 14 seriously injured, Us Weekly confirms.
Gunfire broke out during the early morning hours of Sunday, March 1, outside Buford’s, a popular beer garden on West Sixth and Rio Grande streets, Austin Police said.
According to authorities, officers responded to the scene just before 1:40 a.m. and eliminated the suspected gunman, whose name has not been publicly released.
Police also haven’t released the names of the deceased victims.
Eyewitness video shared on social media and allegedly captured from the scene appears to show officers pinning a man to the ground while emergency medical workers rendered aid.
The person recording the footage claims “that’s the piece of s**t” who shot up the bar.
Austin Police Chief Lisa Davis spoke to the media at 5 a.m. and 9:30 a.m. press conferences and said that first responders were on the scene less than a minute after the first 911 calls were received by dispatch describing a “male shooter” at the popular nightspot.
“They definitely saved lives,” Davis said.
Authorities confronted a man fleeing the scene with a gun upon arrival and “returned fire, killing the shooter,” Davis explained.
EMS Chief Robert Luckritz said that three people were found dead at the scene, while 14 others were injured and transported to nearby hospitals. Three of the wounded, he said, were listed in critical condition.
“We received a call at 1:39 a.m. and within 57 seconds, the first paramedics and officers were on scene actively treating the patients,” Luckritz told reporters.
Austin Mayor Kirk Watson also spoke to reporters, applauding the rapid response of the city’s police officers and EMTs.
“I’m very thankful for the speed with which our public safety officials responded to this,” said Watson. “I don’t think there’s any question that it saved lives.”
Members of the Austin Police Department and the Federal Bureau of Investigation were still at the scene of the shooting late Sunday morning. A pistol and a rifle were both said to have been recovered from the scene.
Law enforcement sources claim to CBS News that the shooter has a history of mental health issues and are currently investigating whether the shooter was influenced by extremist ideology, specifically Islamic extremism.
An official motive for the mass shooting remains unclear.
“My condolences to those that have been touched by this. This is a tragic, tragic incident,” Davis said.
Anyone looking to reconnect with loved ones should call the Austin Police victim services unit at (512) 974-5037.
If you have any information about witnesses to the shooting or videos that may have captured what happened can submit the evidence here.
Tipsters can also call Austin Police at (512) 974-TIPS. You may submit your tips anonymously through the Capital Area Crime Stoppers Program by calling (512) 472-8477.
Entertainment
AMC’s Quiet Crime Masterpiece Just Extended One of TV’s Rarest Streaks With Its Season 4 Debut
With its Season 4 debut, AMC’s Dark Winds has done the unthinkable and extended one of television’s rarest streaks. Since its premiere in 2022, each season has consistently earned—and maintained—a perfect critics’ score on Rotten Tomatoes. Though not all critic reviews are in yet, it stands to reason that as the show’s new season continues to unfold, its 100% scoring streak will remain firmly in place. As one of the best psychologically thrilling mysteries on television today, the quiet crime masterpiece is created by Graham Roland, executive produced by George R.R. Martin and the late, iconic Robert Redford, and is based on the Leaphorn & Chee novel series by Tony Hillerman.
The show’s seasonal mysteries wrapped in clever stories with emotionally complex characters full of multi-layered depth aren’t the only things capturing viewer attention and earning praise. The cast’s powerhouse performances—most notably that of Reservation Dogs’ Zahn McClarnon—are one of Dark Winds‘ greatest strengths, and they make it impossible to pass on watching. Also, the fact that four seasons have aired in a little under four years is quite astounding.
If You Aren’t Watching ‘Dark Winds,’ Here’s Why This Rare Streak Matters
Over the years, sure, there have been plenty of shows that have achieved a perfect critics’ score. The difference between those and Dark Winds is that most other shows to achieve a 100% RT rating did so across just one or two seasons, often not consecutive, and certainly not across the series’ entire run. Phoebe Waller-Bridge’s Fleabag is an exception, having maintained a rare perfect streak across its two-season run. Dark Winds has done it for four consecutive seasons and will likely continue to do so right up to its conclusion. In the television world, to achieve such an accolade is extremely rare, and this is why the success of Dark Winds matters.
The fact that every single season of the hit gritty crime masterpiece has maintained critical perfection isn’t just impressive, it’s downright significant. It’s a huge testament to the show’s consistent exceptional writing and production quality in what has become an overcrowded TV landscape. It also speaks to the stellar cast performances, the show’s authentic, respectful portrayal of Navajo culture, and its status as a must-see hidden gem among standard procedural dramas. Furthermore, its extension of TV’s rarest streaks cements its reputation as a top-tier neo-Western crime drama, indicating a dominating viewership (that you’re not part of if you’re not watching!), which is an extremely difficult achievement. That alone makes it a big deal.
Set in 1971, Dark Winds follows Lieutenant Joe Leaphorn (McClarnon) of the Tribal Police of the Navajo Nation and his deputy, Jim Chee (Kiowa Gordon), as they work to solve a series of unrelated, increasingly violent crimes while not only battling the forces of evil, but also each other and their own personal demons. The human transformation in the face of chaos is remarkable.
This Gritty, Daring 7-Part Detective Noir Show Is Your Next Weekend Binge
Does the line between good and evil exist at all?
What’s Ahead for ‘Dark Winds’ Season 4
In Season 4, Dark Winds is entering its darkest era yet, with Leaphorn, Chee, and Sgt. Bernadette Manuelito (Jessica Matten) investigating the disappearance of a Navajo teen named Billie Tsosie (Isabel Deroy-Olson). Their efforts take them across New Mexico state lines, deep into 1970s Los Angeles, where they face an obsessive killer and the sprawling underworld of gritty organized crime… but that’s not all.
We’ll also experience the personal strife of the lead characters slowly chipping away at their bond. Leaphorn is at an impasse, still trying to figure out how to bring himself into balance while also working to confront who he is apart from his identity as a cop. As he considers retiring and making Bernadette his replacement, this will put a strain on her developing romantic relationship with Jim Chee. Speaking of Chee, Season 4 will also see him handling quite an overwhelming load: injury, stress, love, tragedy, and a reckoning with his Navajo heritage. Expect to experience the gamut of human emotion.
The show has always been rooted in grit and grace, but Season 4 will see all that intensify before turning extremely grim with the introduction of a relentless, unleashed assassin (Franka Potente) on a violent rampage. Beyond that, expect plenty of plot twists and turns and more of the dark supernatural elements and trademark focus on Navajo culture for which Dark Winds is famous. Withstanding the test of time, Season 4 will also continue its focus on memory and reconciliation in the face of buried pain and trauma.
While the first three seasons featured more slow-burn mysteries and character-driven development nestled within some pretty gnarly atmospheric tension, it was Season 3 that introduced the more horror-driven elements—creepy suspense, dark lighting, a haunting soundscape, more layers of generational trauma, and a dead body. In Season 4, we’ll see those elements deepen, expand, and intensify as our lead characters navigate their fish-out-of-water scenario in a fresh change of pace. Each will be pushed to their own personal edge, giving our actors the space to deliver what is being hailed as career-best work and Season 4’s greatest strength.
If you’re among those who’ve yet to indulge in the Dark Winds because you aren’t an AMC+ subscriber, don’t sweat it. Seasons 1, 2, and 3 are currently available on Netflix. Given how quickly the streaming giant picked up those seasons, it’s fair to expect to see Season 4 arrive on the platform sooner than you think. Can (and will) the quiet crime masterpiece continue to extend its rare streak into future seasons? Only time will tell, but that answer feels like a hard yes.
- Release Date
-
June 12, 2022
- Network
-
AMC
- Directors
-
Michael Nankin
- Writers
-
John Wirth, Steven Judd, Max Hurwitz, Rhiana Yazzie, Thomas Brady, DezBaa’
By Robert Scucci
| Published
2018’s 10×10 is such a frustrating movie because, if you’re really into psychological thrillers, you’re going to think, “Oh god, here we go again.” I felt the same way when I first started watching it, but for every setup that feels stock, generic, and done to death over the decades, there’s an unexpected, deeply satisfying payoff waiting around the corner. It’s your typical guy-kidnaps-girl premise that you fully expect to go a certain way. It doesn’t. There are so many moving parts that the whole thing becomes a masterclass in misdirection.
Clocking in at just 88 minutes, not a moment is wasted in 10×10 because it simply doesn’t have time to meander. What you get is a tense, claustrophobic thriller that constantly subverts your expectations, never fully letting you know who’s the good guy and who’s the bad guy. Lesser films (The Glass House is currently streaming on Netflix) lay all their cards on the table and soften their own impact. 10×10 plays everything close to the chest, more often than not pulling a wildcard that changes the entire dynamic the second it’s revealed.
Guy Kidnaps Girl, So It Should Be Obvious What’s Going On … Right?
10×10 does Robert Lewis (Luke Evans) no favors because he immediately comes off like an unhinged maniac. He kidnaps Cathy Noland (Kelly Reilly) in broad daylight, shoves her in the trunk of his car, and drives to his remote luxury house, where he has a padded, soundproofed room hidden behind a false wall. Cathy will spend most of her time here while Robert goes about his life as if nothing is out of the ordinary, with the added caveat that he’s recording everything happening inside her new prison cell.
Cathy, rightfully terrified, proves she’s resourceful by breaking out of her zip ties and eventually overpowering Robert, who promises he won’t kill her if she gives him one piece of information: her real name. Cathy repeatedly insists she is who she says she is, but Robert refuses to believe her, suggesting he knows more about her than he initially let on. It becomes clear he’s been following her for months, waiting for the right moment to capture her for reasons that aren’t fully revealed until they absolutely have to be.
Here’s Where It Messes With You
One thing that initially rubbed me the wrong way about 10×10 was how inconsistent Robert seems at the outset. He’s fastidious to a fault, but doesn’t fix his garage door. He’s careful about covering his tracks, yet dumps his firearm into a kitchen drawer alongside extra zip ties and other incriminating accessories. He’s calculating, but he’s sloppy. I had a tough time reconciling those contradictions until I realized what was actually going on.
As 10×10 pushes further into its kidnapping plot, we learn not everything is what it seems, and maybe Robert isn’t necessarily in the wrong here. Don’t get it twisted. If you’re kidnapping women and holding them hostage inside your home, something is clearly broken upstairs. The issue is Robert’s motive, and whatever secret he’s trying to force out of Cathy, who by now has fought back savagely more than once, can certainly take a beating, and is definitely hiding a horrible secret.
Within the first 10 minutes of 10×10, I considered turning it off. Five minutes later, I reconsidered. By the second act, I was hooked. Every time I felt absolutely certain in my assessment of the movie, the rug got yanked out from under me. It gave me that sick feeling in my stomach that I only get when I’m genuinely glad to be bamboozled so many times in rapid succession.
10×10 is the kind of movie you have to earn enjoyment from, especially if you love a solid psychological thriller. It starts out looking predictable, and if you’re not patient enough to see it through, you’ll miss some legitimately sharp twists that keep landing well into the third act.
As of this writing, 10×10 is streaming on Netflix.
Is Pinkgoing to be permanently taking over “The Kelly Clarkson Show” past this week? The “Raise Your Glass” singer will be kicking off Women’s History Month as a guest host for Kelly Clarkson, although there are some who are hoping that she will make the permanent move to daytime television following a successful career in the music industry.
Article continues below advertisement
Pink Will Be ‘Dropping In For The Week’ At ‘The Kelly Clarkson Show’
On Sunday, the official Instagram account of “The Kelly Clarkson Show” posted a photo of Pink literally “dropping in” to the set wearing a sparkling silver bodysuit and matching boots. She appears to be singing with one hand raised above her head, and it looks like a microphone headset is hanging from her left ear.
Her announcement was actually teased in an Instagram video two days ago, with the caption, “SURPRISE! P!nk is ready for a crash course in guest hosting with BFF Kerri!” Kelly brought Pink out on stage, and the two shared a hug, where Kelly joked about how she “never thought” she’d ever see Pink holding a clipboard.
Article continues below advertisement
Fans Are Excited To See Pink Taking Over Hosting Duties
“You and Pink together is so much for my heart,” one fan commented next to a series of red heart emojis. “Can’t wait to see this airing,” a member of the Pink fan club wrote. Spotify even jumped into the conversation, writing, “P!nk, the queen that you are,” next to the emoji of a crown.
“The 2000’s greatest voices covering each other are gonna be insane,” another follower shared, referring to Kelly’s popular “Kellyoke” series. “I agree, but they’re STILL top voices in 2026. Timeless they are,” another follower chimed in. Regardless, many fans expressed that they were “so excited” to see Pink in the daytime television slot.
Article continues below advertisement
Will Pink Be Taking Over The Show Permanently?
As The Blast previously reported, sources told Page Six that Pink, real name Alecia Beth Moore, moved to New York to permanently take on hosting duties.
“I saw her at Soho House yesterday with a guy who seemed to be part of [the] team,” a source who is a member of the Meatpacking District private club stated. “She spent a few hours reading paperwork and documents on a computer.”
The insider also touched on her possible takeover of the show, noting, “She’s been guest-hosting, and it seems she’s doing very well, and that’s the plan.”
Article continues below advertisement
Why Kelly Clarkson Is Stepping Away From Her Talk Show
After seven seasons on the air, the “Stronger” singer found it necessary to step away from the spotlight to take care of her daughter, River, 11, and her son, Remington, 9, following the death of her ex-husband, Brandon Blackston, who passed away at the age of 48 after a three-year battle with cancer.
“Kelly didn’t realize how all-consuming the show would be,” an insider told Us Weekly about why she was leaving the show. “Kelly’s been through so much in her life, and she just pushes on. A lot of that comes from her selfless nature. She has people who depend on her, and she puts them first.”
Article continues below advertisement
They admitted that Kelly was “surprised” by how successful the show was, scooping up 24 Daytime Emmy awards during its run. “The talk show became more than she initially bargained for, and left her with little time to pursue anything else,” they added.
Kelly Clarkson Will Be Staying In New York City
Even though she may be leaving the show, it seems that she has no plans to move back to Los Angeles. An insider told the publication that Clarkson and her family are “very happy with their NYC life” and that the singer “would not want to introduce any more change to their lives at the moment” as she is taking things “day by day.”
The source also revealed that the mood behind her departure is bittersweet. “Everybody at the show loves her, and she loves everyone. It’s been super positive all around,” the source shared.
“Kelly wants to work on other projects,” the insider added. “She looks better than ever, and her brand is [doing well]. But she wants her music to be her legacy.”
Live from the Shrine Auditorium in Los Angeles on March 1, the 32nd Actor Awards presented by SAG-AFTRA recognize the greatest performances of 2025 across film and television. Previously known as the Screen Actors Guild Awards, the Actor Awards serve as the final major televised ceremony of the season before the Academy Awards on March 15. Kristen Bell returns as host for the third time, following funny and well-received hosting stints in 2018 and 2025.
Warner Bros. Pictures productions One Battle After Another and Sinners lead film nominations with seven and five nods, respectively. Apple TV’s comedy The Studio is all but guaranteed to have a big night, with a total of five nods. HBO’s The White Lotus and Netflix’s Adolescence follow with four nods apiece. The presenters confirmed for Sunday’s ceremony include Sterling K. Brown, Lisa Kudrow, Chase Infiniti, Timothée Chalamet and Wunmi Mosaku, and Harrison Ford will be honored with SAG-AFTRA’s Lifetime Achievement Award.
The 32nd Actor Awards airs on Netflix at 8 pm/5 EST. Stay tuned to Collider for live updates and the full list of winners.
Film Nominations
Cast Ensemble in a Motion Picture
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners
Male Actor in a Leading Role
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Jesse Plemons, Bugonia
Female Actor in a Leading Role
Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I’d Kick You
Kate Hudson, Song Sung Blue
Chase Infiniti, One Battle After Another
Emma Stone, Bugonia
Male Actor in a Supporting Role
Miles Caton, Sinners
Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Paul Mescal, Hamnet
Sean Penn, One Battle After Another
Female Actor in a Supporting Role
Odessa A’Zion, Marty Supreme
Ariana Grande, Wicked: For Good
Amy Madigan, Weapons
Wunmi Mosaku, Sinners
Teyana Taylor, One Battle After Another
Stunt Ensemble in a Motion Picture
F1
Frankenstein
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Television Nominations
Over the past 50 years, we have been the gift of sensational cinema. Movies have taken us to far-off lands, told true stories that changed our history, and pushed our imaginations to the extremes. Within the scope of those fifty glorious years, we’ve witnessed some truly perfect films.
In a near-impossible task, we’ve determined ten titles that are perfect masterpieces. They also just so happened to define the last five decades in the world of movies. Whether through impact or influence, these perfect films have served as a blueprint for future films to utilize. While there are easily hundreds of other films that can be swapped in, these ten are remarkably special.
10
‘Parasite’ (2019)
One film that truly reshaped American cinema was Bong Joon Ho’s captivating Parasite. Giving American audiences a reason to appreciate and seek out foreign language films, Parasite’s award run was nothing short of phenomenal. The South Korean black comedy thriller follows the Kims, a poor family who cunningly infiltrate the lives and home of the wealthy Park family by posing as unrelated, highly qualified employees. Diving deep into the themes of class struggle, greed, and social inequality, Parasite pushes the individuals to dark, chaotic, and tragic consequences that redefine how the desperate poor fight amongst themselves for scraps from the rich.
A flawless, genre-bending script, Parasite makes Downton Abbey look like a kid’s show. Through the smart and strategic use of comedy and drama, thriller and tragedy, Bong meticulously brings the viewer on a journey whose end you simply are not prepared for. Its deep critical conversation on class and economic disparity resonates now more than ever. Becoming the first ever foreign language film to earn the Academy Award for Best Picture was well deserved. Parasite was proof that excellent filmmaking knows no language.
9
‘The Shawshank Redemption’ (1994)
There has been an array of legendary cinematic adaptations of Stephen King’s works, but none were as perfect as The Shawshank Redemption. Based upon his short story, the Frank Darabont film tells the story of Andy Dufresne (Tim Robbins), a banker wrongly convicted of murdering his wife, who maintains hope and integrity over two decades in the brutal Shawshank State Penitentiary. He forms a deep friendship with fellow inmate Red (Morgan Freeman) while navigating corruption and secretly plotting his escape. A timeless tale of hope, friendship, and resilience, The Shawshank Redemption is a masterful work of storytelling, with pristine performances and exquisite cinematography.
A powerful exploration of the power of optimism, the emotional film is unlike many prison-set narratives. Darabont doesn’t try to make Andy’s experience squeaky clean. His bouts of hardship help to define his ultimate journey. Robbins and Freeman provide some of the strongest performances of the decade, helping to define their illustrious careers. When we see an oak tree today, thanks to this film, we can’t help but feel a sense of hope. The Shawshank Redemption is an endless reminder that our inner freedom is our greatest gift.
8
‘Oppenheimer’ (2023)
Though there could be many individuals to earn this title, one of the most revolutionary directors of the 21st century is Christopher Nolan. With an extraordinary body of work, Nolan has done a sensational job at bringing epic storytelling to life. Many of his films could make an expansive version of this list, but the top spot would always go to Oppenheimer. Based on the 2005 biography American Prometheus by Kai Bird and Martin J. Sherwin, Oppenheimer dramatizes Oppenheimer’s studies, his direction of the Los Alamos Laboratory, and his 1954 security hearing. With Cillian Murphy taking on the role of the Father of the Atomic Bomb, the mind-blowing biopic is both a magnificent work of storytelling and performance.
Part of the blockbuster double feature with Barbie, Oppenheimer helped invite bring moviegoers back to the cinema. Rather than being a dense, dialogue-driven film, Nolan brought an evocative vision into a pulse-pounding experience. Beyond Murphy in the titular part, the entire ensemble, which includes Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, and Josh Hartnett, among many others, soar as they embark on the non-linear storytelling that dives deep into the psychological mythology of Oppenheimer. From the exceptional cinematography to the groundbreaking use of sound, and lack there of, Oppenheimer is more than just a story about a man of science. A profound journey through morality, power, and the devastating, long-lasting consequences of scientific achievement, Oppenheimer went big, and the risk was rewarded.
7
‘Pulp Fiction’ (1994)
Quentin Tarantino’s influence on Hollywood is boundless, but the film that officially defined him as one of the greats was 1994’s black comedy, Pulp Fiction. A film that tells four intertwining stories, Pulp Fiction focuses on the lives of LA mob hitmen Jules and Vincent (Samuel L. Jackson and John Travolta), boxer Butch (Bruce Willis), and a gangster’s wife Mia (Uma Thurman). Bringing the theme of redemption to the forefront, Pulp Fiction gives you everything: a botched robbery, a drug overdose, and a faked boxing match, for a bloody good time. Helping to energize the 90s with a unique approach in post-modern storytelling, Pulp Fiction masterfully united dark humor with highly-stylized violence.
Tarantino’s ability to turn the mundane into character-defining moments helped Pulp Fiction to achieve its greatness. The film featured so many iconic moments, including the Royale with cheese bit, and an exceptional soundtrack, including “Misirlou,” that made it a well-rounded and complete film. We still reference Pulp Fiction because it infused itself into pop culture so effortlessly. We get giddy when we see any of our main trio reunite for anything Pulp Fiction. Though not so much when Thurman and Jackson attempt to find any semblance of humor in a bomb like The Kill Room. It’s safe to say that Pulp Fiction not only defined the 90s in cinema but shaped Hollywood forever.
6
‘The Matrix’ (1999)
In 1999, we entered The Matrix, and movies have never been the same since. Directed by the Wachowskis, the groundbreaking sci-fi action masterpiece follows computer hacker Neo (Keanu Reeves), who discovers that the world he knows is a simulated reality created by sentient machines to keep humanity docile while harvesting them for bioelectric power. He joins rebels led by Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) to fight the machines, learning to manipulate the simulation’s rules to gain superhuman abilities and uncover the truth.
When you hear the title, you can visualize the film. From the bullet-time visual effects to the cyberpunk aesthetics, The Matrix’s distinct style helped it establish its unique identity and set the stage for a franchise. Some come for the insanely good martial arts sequences. Others seek out the profound philosophical approach found inside. The Wachowskis instilled a deep conversation about the nature of reality, free will versus determinism, and the search for truth. The Matrix continued to revolutionize science fiction blockbusters straight into the 21st century.
5
‘Schindler’s List’ (1993)
One of the most profound films ever created was Steven Spielberg’s visually captivating and emotionally heavy Schindler’s List. The classic wartime drama follows the true story of Oskar Schindler (Liam Neeson), a German businessman who saved over 1,100 Jews during the Holocaust by employing them in his factories to protect them from concentration camps. Focusing on Schindler’s moral transformation from a war profiteer to a savior, the film’s intense historical approach blended with a rich emotional pull has set it above many films in the same category. But what makes Schindler’s List a step above the rest is its extraordinary black-and-white visual cinematography and its integration of colorized storytelling.
Schindler’s List is a technical marvel. Through a haunting atmosphere, helped by Spielberg’s longtime collaborator John Williams, Schindler’s List’s harrowing story is not meant to stoke change but remind the world about the rare heroes that were born out of moral necessity on the other side. The concept of “whoever saves one life, saves the world entire” is at the heart of the film, and it still resonates all these decades removed. Alongside Neeson’s career-defining performance, Ralph Fiennes is equally gripping as Amon Göth. Historical cinema is forever a part of Hollywood storytelling. Holocaust stories will continue to be made. And they will always aspire to hold the same significance as Spielberg’s perfect movie.
4
‘Star Wars: Episode V- The Empire Strikes Back’ (1980)
It’s a wild thought to imagine how richly impactful George Lucas’ Star Wars has been on science fiction. While the original film started a franchise, it’s the sequel, Star Wars- Episode V: The Empire Strikes Back that defined the franchise. As Luke Skywalker (Mark Hamill) trains with Yoda (Frank Oz), Princess Leia (Carrie Fisher), Han Solo (Harrison Ford), and Chewbacca (Peter Mayhew) are captured, setting up an epic battle between Luke (Mark Hamill) and Darth Vader (James Earl Jones), where a shocking revelation comes to light. Though it’s a brilliant showdown between good and evil, the film will forever be remembered for its groundbreaking twist: “No, I am your father.” And the Yoda backpack moment, but that’s a distant second.
We have been trained to believe that the heroes always win. The Empire Strikes Back defied that. Though we ultimately know that it was the second part of the saga and Darth Vader will lose in the end, this film had us all wondering if our heroes could not be victorious. With a darker tone than the first and more complexities with the ever-growing story, The Empire Strikes Back served as an exceptional continuation while also standing solidly on its own. The Star Wars mythology and lore are not only expanded, but character arcs are also enhanced. But let’s be honest, we adore the wide-ranging locales that Lucas takes us to and the epic moments we see there. Between the intense Hoth battle, the Dagobah training, and the Cloud City climax, each iconic moment serves to build the bigger puzzle.
3
‘Jurassic Park (1993)
We’ve had an affinity for dinosaurs, but we were never fully immersed in the sensational creatures until Steven Spielberg brought us Jurassic Park. In the first film of the franchise, paleontologists Alan Grant and Ellie Sattler (Sam Neill and Laura Dern), along with mathematician Ian Malcolm (Jeff Goldblum), are invited by billionaire John Hammond (Richard Attenborough) to tour a new theme park on Isla Nublar featuring cloned dinosaurs. The trip turns into a fight for survival when a security failure, sabotaged by a worker, releases the predators, including T-Rex and Velociraptors. As InGen cloned dinosaurs using prehistoric DNA extracted from amber-trapped mosquitoes, Jurassic Park opened our imaginations to the possibility of what it might be like to walk among these beautiful beasts.
Giving us a dose of summer blockbuster, Jurassic Park seamlessly transported Michael Crichton’s novel to the big screen. Through exceptional animatronics and revolutionary CGI, Jurassic Park’s visceral suspense-building and terror provided for a perfectly terrifying experience. They may be giant creatures, but these carnivores still manage to sneak up on you and eat you while you’re on the loo! While the entertainment factor is at its max, Spielberg ensured that Crichton’s conversation about the hubris of humanity and the dangers of manipulating nature through technology could have a catastrophic effect on our future. Jurassic Park established itself as a major player in pop culture, jumpstarting a franchise and finding a space in theme parks around the world. Fret not, the animatronics at Universal Studios won’t try to eat you— just provide a memorable thrill.
2
‘The Dark Knight’ (2008)
The 21st century has seen the superhero blockbuster blow up as the defining genre in the world of popcorn movies. We go for the action and see our favorite heroes in action. But what if you could go see your favorite comic book characters while also experiencing a rich psychological drama? You certainly did with Christopher Nolan’s groundbreaking The Dark Knight. The second part of his trilogy, Batman (Christian Bale), Lieutenant Jim Gordon (Gary Oldman), and DA Harvey Dent (Aaron Eckhart) form an alliance to dismantle Gotham’s organized crime. Their efforts are thwarted by the Joker (Heath Ledger), a chaotic criminal mastermind who plunges the city into anarchy, kills Rachel Dawes (Maggie Gyllenhaal), and turns Dent into the villainous Two-Face. Not a bad arc for a singular film! Forever synonymous with Ledger’s award-winning performance, The Dark Knight became the recipe for every superhero flick to come.
Through a blend of high-stakes, grounded storytelling and thematic depth exploring morality, chaos, and heroism, The Dark Knight is richly unique. You could easily remove the iconic DC Comic names and still receive a fervent crime drama. The Dark Knight is remembered for the Joker, but the nuanced arc for Batman continued to allow the character to establish himself as a completely different iteration, ripe for the new century. By removing the typical comic-book tone in favor of something realistic and gritty, The Dark Knight is more than just a good-versus-evil tale. It’s a fully developed movie that just so happens to use classic IP.
1
‘The Lion King’ (1994)
The Disney Renaissance changed animation forever. Collectively, the films from the 90s instantly became core memories for everyone who watched them in theaters. But one film stood out at the top and defined the decade: The Lion King. In the 1994 animated classic, audiences were dropped into the African savannah as Simba (Matthew Broderick), a young lion cub destined to rule the Pride Lands, who flees into exile after his wicked uncle Scar (Jeremy Irons) orchestrates the death of King Mufasa (James Earl Jones). Raised by Timon and Pumbaa (Nathan Lane and Ernie Sabella) under the “Hakuna Matata” philosophy, an adult Simba returns to challenge Scar, reclaim his throne, and restore balance to the circle of life. Loosely inspired by William Shakespeare’s classic drama Hamlet, Disney balanced an iconic soundtrack with darker themes to craft a flawless cinematic masterpiece.
The golden era of Disney hand-drawn animation, The Lion King remains a timeless tale that has been passed down for generations. Disney has been known for introducing audiences to talking animals, but never have we met the brilliant characters within this nuanced animal kingdom. Each character, voiced by the perfect performer, is wonderfully brought to life, earning a place in the Disney pantheon. With Elton John and Tim Rice’s whimsical soundtrack and Hans Zimmer’s score, music becomes its own important character. The legacy of The Lion King remains profoundly a part of the tapestry of entertainment and pop culture. You’ll laugh, you’ll cry, you’ll scream, you’ll feel warmth. The Lion King is the complete package.
The Lion King
- Release Date
-
June 15, 1994
- Runtime
-
89 minutes
- Director
-
Roger Allers, Rob Minkoff
- Writers
-
Irene Mecchi, Jonathan Roberts, Linda Woolverton, Rick Maki, Jorgen Klubien, Chris Sanders, Joe Ranft, Thom Enriquez, Larry Leker, Barry Johnson, Francis Glebas, Burny Mattinson, Andrew Gaskill, Gary Trousdale, Lorna Cook, Tom Sito, Mark Kausler, Kevin Harkey, Ed Gombert, Jim Capobianco
-
Matthew Broderick
Simba (voice)
-
By Chris Snellgrove
| Published
For a long time, Hollywood was missing one of its big-screen mainstays: the iconic horror villain. That is slowly changing with the addition of characters like Art the Clown, but it can be tough to take this Terrifier villain’s particular brand of mystic-flavored gore porn very seriously. A few years ago, though, an entirely different scary movie introduced us to a foe who was much more down-to-earth and that much scarier for it.
That movie is The Black Phone (2021), which seizes on one of our most heart-stopping modern-day fears: that powerful forces are hurting children, and there’s nothing we can do about it. It does so while wrapping those fears in the cloak of a new horror villain, one who is even more viscerally disturbing than Art the Clown. To experience the most potent cinematic terror in years, all you have to do is stream The Black Phone on Netflix today.
Time To Pick Up The Phone
The premise of The Black Phone is that in the late ‘70s, the streets of suburban Colorado are stalked by a creepy child snatcher known only as The Grabber. We follow the misadventures of a group of kids, one of whom is abducted. When the police have trouble turning up leads, it’s up to the abducted boy’s sister to use her psychic dreams to lead a rescue, but one wrong move may get these youngsters killed (or worse).
Fittingly enough, the cast of The Black Phone is primarily filled with rising stars like Mason Thames (best known outside this movie for the show For All Mankind) and Madeleine McGraw (best known outside this movie for the show Outcast), who play the dynamic duo at the heart of this bleak drama. Speaking of bleak, veteran performer Jeremy Davies (best known for Saving Private Ryan) does an excellent job as an alcoholic father who doesn’t believe his children’s warnings about the local child murderer. That character is played to chilling perfection by Ethan Hawke (best known for Training Day), and his performance effortlessly elevates what might have
A Horrific Hit With Critics And Audiences
When The Black Phone came out, it earned $161.4 million against a budget of only about $17 million. That’s the kind of horror movie that studios love to see: one that earns nearly 10 times its budget while becoming a breakout pop culture hit. Because of this, a sequel quickly got the green light, and The Black Phone 2 slashed its way into theaters in 2025.
While horror movies often fail to impress critics, The Black Phone was the exception: on Rotten Tomatoes, the movie has an 81 percent, with reviewers praising it for being as frighteningly well-acted as it is bone-chillingly scary. They also commended the movie for being an effective adaptation of a short story written by Joe Hill over two decades ago. Notably, The Black Phone has an 88 percent audience score, proving that audiences hungry for fresh horror love this iconic thriller even more than the critics do.
Horror Has A New Face
If you’re a fan of the horror genre, there is plenty to like about The Black Phone, starting with Ethan Hawke’s hypnotically creepy performance as The Grabber: while his fearsome mask and gruesome proclivities help make him frightening, he elicits a very different fear from villains like Jason Voorhees or Freddie Krueger. He’s not some dream demon or resurrected zombie out to cause as much mayhem as possible. Rather, he’s a very human threat, and a cancerous community presence that targets children specifically because they are so vulnerable.
Speaking of which, a big part of what makes The Black Phone work so well is that it constantly emphasizes the vulnerability of our young protagonists. You know that skin-crawling feeling you get when a killer (say, Art the Clown in Terrifier 3) is attacking someone in the shower? That feeling comes from knowing the characters are helpless in the face of something almost unstoppably malevolent. That malevolence permeates The Black Phone like a shroud, creating an atmosphere of menacing suspense that is sure to leave you on the edge of your seat.
The Scary Movie You’ve Been Looking For
Finally, The Black Phone is great because the film never glosses over the grit and grime of its period setting. Everything looks palpably dirty, which helps give the film its gritty texture while serving as an extension of The Grabber’s malign influence. This is a town where nothing ever looks or feels clean, and why should it? After all, the dirtiest thing of all, a child predator, hides in plain sight among his victims.
Will you agree that The Black Phone is a creepy thriller from beginning to end, or is this one horror movie you’d rather hang up on? The only way to find out is to stream it on Netflix today. Just do yourself a favor and don’t watch it too close to bedtime; otherwise, I won’t be held responsible for the weird nightmares you end up having!
Demi Moore is turning heads once again, but this time, it’s not just for her fashion. The Hollywood icon surprised fans when she stepped out at Milan Fashion Week with a dramatically different look, debuting a sleek, chin-length bob and edgy leather ensemble at Gucci’s runway show. Known for her signature long, dark hair for decades, the transformation marked a rare moment for the 63-year-old actress, and social media immediately took notice.
Article continues below advertisement
Demi Moore Debuts Shortest Hair In Nearly Three Decades
On February 27, Moore arrived at Gucci’s Milan Fashion Week presentation sporting what many fans considered her most dramatic hairstyle change in years.
The actress revealed a chin-length bob, roughly 22 inches shorter than her usual long locks, according to Glamour, marking the shortest her hair has been in nearly three decades. The last time Moore wore a comparable length was in 1998, when her hair grew out following a buzz cut.
Article continues below advertisement
The transformation created an immediate buzz online, with many fans noting that the new look made her appear almost “unrecognizable” compared to her longtime signature style. “Demi Moore shocks fans as she appears unrecognizable while attending Gucci fashion show in Milan,” one user wrote, adding, “The 63-year-old actress is rumored to have spent over $500,000 on plastic surgeries and procedures over the years to maintain a youthful appearance.”
Article continues below advertisement
Celebrity Hairstylist Explains The Bold Transformation
Demi Moore shocks fans as she appears unrecognizable while attending Gucci fashion show in Milan.
The 63 year old actress is rumored to have spent over $500,000 on plastic surgeries and procedures over the years to maintain a youthful appearance. pic.twitter.com/mWIEPYO1Dg
— Oli London (@OliLondonTV) February 27, 2026
The striking change was crafted by celebrity hairstylist Dimitris Giannetos, who opted for a sleek, wet-finish bob to create a dramatic runway-ready moment. “I wanted to give Demi Moore a major transformation for the first show of Demna at Gucci,” Giannetos told Vogue of the change. “I wanted to highlight Demi’s beautiful personality through the hair…iconic, fabulous, edgy, but at the same time, effortless.”
Interestingly, Moore’s bold haircut comes after years of publicly pushing back against expectations placed on aging women, particularly when it comes to appearance.
Article continues below advertisement
Demi Moore Previously Spoke Out About Pressure On Women To Cut Their Hair
Months before unveiling her bob, the actress discussed why she resisted pressure to shorten her hair as she got older. “[We often hear] that as women get older, they shouldn’t have long hair,” Moore said. “And for some reason, to me, I didn’t buy it. I didn’t believe it, and it didn’t make sense to me why that had to be the case.”
She continued, “And I did notice, particularly women who were going through menopause, that they were…I was looking around and seeing they all were kind of cutting their hair in a very almost masculine way, just desexualizing themselves. And so I think there was a combination of this attachment to it, too.”
Article continues below advertisement
Fans React To Her ‘Unrecognizable’ Appearance
Moore’s appearance quickly sparked conversation online, with fans expressing both admiration and surprise over the transformation. “Can’t believe she is 63 years old,” one user said, emphasizing how well she aged. “Demi Moore turning heads in Milan,” another said. “Proof that she still knows how to steal the spotlight.”
Others, however, don’t necessarily agree. “Starting to look like MJ,” someone claimed, comparing her to the King of Pop. “She’s starting to look like Michael Jackson, and she looks weak as hell,” another echoed.
Demi Moore Reflects On Viral Golden Globes Speech And Self-Worth
Moore has also been outspoken about the pressure women face to fit into industry expectations, a topic she revisited while discussing her widely shared Golden Globes speech. During that moment, she addressed being labeled a “popcorn actress,” something she said ultimately became part of a larger realization about self-worth and reclaiming personal power.
“Why I think it resonated is that it’s about the idea of giving our power away,” Moore explained. “That idea that you will never be enough, but that you can know the value of your worth if you put down the measuring stick.”
Ultimately, whether fans loved or questioned the transformation, Moore once again proved she remains unapologetically herself.
Scott Disick
Links Up With Ex Chloe Bartoli!!!
Published
Scott Disick and his ex-girlfriend, Chloe Bartoli are back in the mix and back in each other’s orbit.
The reality star was spotted Saturday night arriving at The Bird Streets Club in West Hollywood alongside Bartoli, instantly reigniting chatter about their long romantic history. The two kept things relatively low-key as they stepped into the members-only hotspot on the Sunset Strip.
Scott kept things sleek in casual pants, a sweatshirt and black tee, while Chloe stunned in a black button-down mini dress paired with knee-high leather boots and a black handbag. They appeared comfortable walking in together, though there was no PDA.
Scott and Chloe actually dated way back in 2006 before his relationship with Kourtney Kardashian became serious. Years later, in 2015, the pair famously made headlines when they were photographed lounging together in the South of France while Scott was in the midst of a rocky period with Kourtney.
Scott and Chloe were most recently photographed together in December 2023, this time on the beach in St. Barts. Chloe has also been previously linked to Jared Leto.
Entertainment
Connor Storrie spoofs Armie Hammer cannibal scandal in shocking “SNL” Tourette's sketch
:max_bytes(150000):strip_icc():format(jpeg)/Connor-Storrie-030126-1e5ef78cba8448fc8112079a73056f0c.jpg)
The crazy cut-for-time bit — in which the host and cast play several canceled celebrities — takes on the controversial racial slur incident from last week’s BAFTAs.
financial fluctuation
Labour parliamentarians urge UK Government to oppose Rosebank oil field
Earnings call transcript: Betmakers Technology sees strong Q1 2026 growth, stock dips
-
Sports6 days agoWomen’s college basketball rankings: Iowa reenters top 10, Auriemma makes history
-
Fashion2 days agoWeekend Open Thread: Iris Top
-
Politics6 days agoNick Reiner Enters Plea In Deaths Of Parents Rob And Michele
-
Business5 days agoTrue Citrus debuts functional drink mix collection
-
Politics3 days agoITV enters Gaza with IDF amid ongoing genocide
-
Tech20 hours agoUnihertz’s Titan 2 Elite Arrives Just as Physical Keyboards Refuse to Fade Away
-
Sports2 days ago
The Vikings Need a Duck
-
Crypto World6 days agoXRP price enters “dead zone” as Binance leverage hits lows
-
Tech5 days agoUnsurprisingly, Apple's board gets what it wants in 2026 shareholder meeting
-
NewsBeat1 day agoDubai flights cancelled as Brit told airspace closed ’10 minutes after boarding’
-
NewsBeat4 days agoCuba says its forces have killed four on US-registered speedboat | World News
-
NewsBeat1 day agoThe empty pub on busy Cambridge road that has been boarded up for years
-
NewsBeat9 hours ago‘Significant’ damage to boarded-up Horden house after fire
-
NewsBeat4 days agoManchester Central Mosque issues statement as it imposes new measures ‘with immediate effect’ after armed men enter
-
NewsBeat7 days ago‘Hourly’ method from gastroenterologist ‘helps reduce air travel bloating’
-
NewsBeat1 day agoAbusive parents will now be treated like sex offenders and placed on a ‘child cruelty register’ | News UK
-
NewsBeat5 days agoPolice latest as search for missing woman enters day nine
-
Business4 days agoDiscord Pushes Implementation of Global Age Checks to Second Half of 2026
-
Sports7 days ago2026 NFL mock draft: WRs fly off the board in first round entering combine week
-
Business3 days agoOnly 4% of women globally reside in countries that offer almost complete legal equality