Entertainment
10 R-Rated Horror Movies That Can Be Called Masterpieces, Ranked
When I call a horror movie a masterpiece, I mean it still works when you already know every scare. The craft stays tight, the characters behave like human beings, and the movie keeps building tension instead of padding time. These picks are all different flavors, folk dread, family grief, detective horror, body horror, and pure paranoia, but they share one thing. They never waste your attention.
I ranked these by how completely they deliver, scene to scene, without the story wobbling. Every one of them commits, and that commitment is what makes them rewatchable even when they leave you rattled. If you want horror that feels controlled, mean, and unforgettable, start at the bottom and work your way up.
10
‘The Witch’ (2015)
When people call this movie slow, I get it, but that’s also the point. The Witch drops you into a Puritan family that is already cracked before anything supernatural shows up, and the tension comes from watching faith turn into suspicion. The whole nightmare feels personal, because it starts with grief and fear inside the home. Thomasin (Anya Taylor-Joy) is forced to grow up in a house that keeps blaming her for everything it cannot explain.
What makes it stick is the way it builds dread through choices, not jump scares. You always understand what everyone wants, and you also understand why they keep making the wrong call. Robert Eggers keeps the world grounded, so when the story crosses the line into the uncanny, it feels like a trap snapping shut. The ending lands because it is brutal, clear, and earned by the family’s collapse.
9
‘Hereditary’ (2018)
This is one of those movies that doesn’t scare you once and move on. Hereditary gets under your skin by turning a family’s grief into the engine of the plot, then tightening the screws until you cannot look away. The grief feels uncomfortably real, especially through Annie (Toni Collette) and the way her anger keeps spilling out in the worst moments.
Ari Aster’s work is ruthless about escalation. Every scene adds new pressure, either through a clue you cannot unsee or a fight that says what the characters have been avoiding. By the time the movie makes its supernatural move, it still feels like the natural result of everything that came before. The final stretch is full panic, but it stays coherent, which is why it hits as hard as it does.
8
‘The Exorcist III’ (1990)
If you go in expecting a copy of the first film, you might miss how smart this is. The Exorcist III is mostly a detective story that keeps getting interrupted by the feeling that something evil is smiling just off-screen. It’s scary because it’s patient, and because Lieutenant Kinderman (George C. Scott) feels like a tired man trying to solve a case that refuses to behave like a case.
The movie stays sharp and talky, then drops moments of pure horror with zero warning and total control. Brad Dourif as the patient is the secret weapon, because his performance keeps switching gears without losing credibility. It ends with a punchy mix of dread and catharsis, and it earns both. On top of it all, William Peter Blatty has directed this like he’s daring you to blink.
7
‘The Texas Chain Saw Massacre’ (1974)
The Texas Chain Saw Massacre is lean, sweaty, and relentless, and it turns a simple road trip into a full body stress test. This is one of the rare horror movies that feels like it was filmed on bad luck. It never gives you breathing room, because the violence is blunt and ugly. Sally Hardesty (Marilyn Burns) becomes the emotional center, because you can feel her mind fighting to stay intact.
Tobe Hooper keeps the camera close and the world loud. The horror comes from how casual it is, like this family has done it a thousand times and you just showed up at the wrong address. Leatherface is iconic, sure, but the bigger fear is the atmosphere, the sense that nobody is coming to help, and nobody even cares. It ends like a scream that refuses to stop.
6
‘The Fly’ (1986)
This is the rare body horror movie that also works like a tragic romance. The Fly starts with Seth Brundle (Jeff Goldblum) as this brilliant, awkward guy who feels charming and harmless, then it turns his breakthrough into the worst kind of slow disaster. The transformation is disgusting and heartbreaking, because you are watching his mind and body fall apart at the same time.
It’s not a simple monster movie and every phase has a clear emotional beat, especially through Veronica (Geena Davis) realizing the man she cares about is vanishing in front of her. The effects are legendary, but the real mastery is the pacing. It keeps moving, it keeps deepening, and it ends with the kind of sadness that feels unavoidable.
5
‘Rosemary’s Baby’ (1968)
What makes this one terrifying is how normal it looks from the outside. Rosemary’s Baby follows Rosemary Woodhouse (Mia Farrow) as she moves into a building where everyone is friendly, chatty, and slightly too interested in her life. The paranoia grows in tiny steps, the movie keeps making you ask the same question she’s asking, and it never lets you settle.
You can feel Rosemary losing agency in a hundred small decisions other people make for her. Guy (John Cassavetes) is part of the horror because he keeps choosing convenience over his wife. The ending is infamous for a reason. It is clean, cruel, and unforgettable.
4
‘The Exorcist’ (1973)
The Exorcist works still today because it treats the horror like a crisis. Even after decades of copycats, this still feels heavier than almost anything in the genre. The fear starts with a mother’s helplessness, as Chris MacNeil (Ellen Burstyn) watches her daughter change into someone she cannot recognize.
The film is helmed by William Friedkin, who has filmed it with this cold, clinical confidence that makes the unbelievable feel real. The movie earns its priests, especially through Father Karras (Jason Miller) and his doubt turning into something like courage. The set pieces are famous, but the reason it endures is the emotional logic. It builds, it breaks you, and it ends with a grim kind of relief.
3
‘Halloween’ (1978)
This movie is proof that you do not need a complex plot to create relentless suspense. Halloween follows Laurie Strode (Jamie Lee Curtis) through a normal day that keeps getting threaded with the feeling that she is being watched. The simplicity is the weapon, because it makes every empty street and every quiet hallway feel dangerous.
You always know where the fear is coming from, even when you cannot see it, and that’s why it works. Dr. Loomis (Donald Pleasence) adds urgency without turning the movie into a lecture, and the score pushes the story like a heartbeat that will not slow down. Not to mention that it is, after all, the origin of what gave the world Michael Myers — no Halloween is complete without that character, even after almost half a century later.
2
‘Alien’ (1979)
Alien starts like a working-class space job, then turns the ship into a locked room where nobody can agree on what to do next. It is sci-fi horror done with adult discipline. The dread comes from routine turning hostile, and the crew’s bickering makes it feel real. Ellen Ripley (Sigourney Weaver) stands out because she is not brave for applause. She is practical, and she is right.
The movie keeps surprising you with where the danger actually is, including the human decisions that make everything worse. The monster is terrifying because it is efficient and talks. It ends on a note that feels like survival, not victory, which is exactly why it stays in your head.
1
‘The Thing’ (1982)
If you want a horror movie that never loosens its grip, this is the one and it’s on top of this list for the same reason. The Thing drops you into an Antarctic outpost where trust is already thin, then adds a creature that can look like anyone. The tension is pure paranoia, because every conversation becomes a test. MacReady (Kurt Russell) feels like the only person thinking clearly, which makes it worse when even his certainty starts slipping.
John Carpenter, the director, has kept the pacing tight and the stakes simple. Every discovery makes the situation uglier, and every attempt to regain control creates a new reason to panic. The practical effects still hold up decades later because they are used to show consequences instead of showing off. It ends with the exact kind of ambiguity this story earns, and it leaves you sitting there, replaying it in your head.
The Thing
- Release Date
-
June 25, 1982
- Runtime
-
109 minutes
- Director
-
John Carpenter
- Writers
-
Bill Lancaster, John W. Campbell Jr.
Entertainment
‘RHOBH’ Star Bozoma Saint John Responds To Sarah Michelle Gellar
Actress Sarah Michelle Gellar is a self-proclaimed “Real Housewives of Beverly Hills“ fan. However, she, like many viewers, isn’t pleased with season 15 and made her comments known in a recent interview. Now, several days later, “RHOBH” star Bozoma Saint John is responding to the “Buffy” alum.
Bozoma Saint John Responds To Sarah Michelle Gellar

Saint John recently spoke with Page Six about “RHOBH” at the 2026 iHeartRadio Music Awards. During the interview, Gellar’s comments were mentioned to the second season “Housewives” star. In response, she stated that the show can’t be all high-intensity drama. Instead, she said the cast also needs to deliver serious moments.
According to her, “Here’s the thing: There has to be moments where you get deep, and sometimes that depth doesn’t require a lot of action, you know, because our lives are really real. There’s a lot of drama going on. That doesn’t necessarily mean conflict between us, but it is drama within each of our individual lives, and you gotta allow space for that.”
She also stated that the way the show’s situations have been handled “sets it up for a great next season.” Saint John added, “Because then you let things play out, you know? So things are building. We gotta let it build.”
Here’s What Sarah Michelle Gellar Said

Gellar appeared on “Page Six Radio” in March 2026 while promoting her new film, “Ready or Not 2: Here I Come.” During the episode, the hosts asked for her thoughts on season 15 of “RHOBH.” When asked if she’s “loving this season,” she responded, “No.”
She continued, “I think it’s boring. I like the cast. I love Rachel, I think Rachel’s a great additon. I love Boz, I live for Kathy and Jen. Like, I want a spin-off. I want a Jen Tilly and Kathy Hilton spinoff.”
Gellar went on to highlight the problem she sees with the show, stating, “It’s slow. It’s just picking up now.” The “Buffy” alum also said she doesn’t think anyone enjoys seeing Amanda Frances on the show before admitting that she’s probably “a very lovely person” in real life.
The actress then said, “If you choose to go on this show, then you have to be ready to open yourself up and be honest, and I feel like she missed that memo.” Since then, Andy Cohen has responded, calling out Page Six for bashing the show while filming in his studio, featuring “Radio Andy” signage in the background.
Most ‘RHOBH’ Fans Agree With The ‘Buffy’ Icon

Cohen may not have appreciated Gellar’s comments about “RHOBH,” but the fanbase, by and large, agreed with what the actress had to say. One TikTok user wrote, “SHE’S RIGHT. BRING BACK MIAMI AND PUT BEVERLY HILLS ON PAUSE.”
Another social media user said, “Sarah is so right. The most boring season ever.” Someone else stated, “Who is loving this season?! Snooze! SMG queen as always!”
A different Bravo fan gave their take, saying, “I just binged the whole RHOSLC franchise and these girls bring it! BH has been boring for a while.” Lastly, someone else said, “Why did he ask it like it’s been an exceptional season? ‘Are you loving RHOBH this season?’ Like no? Who is?”
Bozoma Saint John Says She May Marry On ‘RHOBH’

Saint John became engaged to boyfriend Keely Watson in August 2025. Recently, she opened up to PEOPLE about the wedding planning progress, revealing that Watson is “very involved.” According to her, “It’s a good thing, but then he has opinions, and then you have to compromise. You know what I’m saying? Who wants to do that?”
She also stated that she’d be open to marrying on camera. Saint John explained, “I’m open to it because one of the weddings will be a Ghanaian wedding, traditional on the continent in Ghana, and we don’t often see those weddings.”
The “RHOBH” star and businesswoman added, “They’re very different from Western weddings, so I think we should celebrate other cultures and show people all around the world how we do it in Ghana.”
The Cast Recently Filmed The Reunion

“The Real Housewives of Beverly Hills” cast filmed the season 15 reunion on March 13. The network then released the official seating chart the same day, featuring Saint John in the second chair, next to her friend Dorit Kemsley, who was first chair. “RHOBH” original cast member Kyle Richards had the other first chair.
According to Bravo, Richards described the reunion in a subsequent Amazon Live session, saying, “It was rough. Because, you know, the situation with Dorit, Erika, and myself is hard because we care about each other, and it’s gotten so bad. It’s just very difficult.”
Entertainment
Trump shares story of JFK Jr. and Carolyn Bessette allegedly 'kissing wildly' at Mar-a-Lago
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“It was one of those relationships, and you never know how those relationships are going to turn out,” the president said.
Entertainment
7 War Shows We Thought Would Be the Next ‘Band of Brothers’
Television has always been drawn to war stories, especially those filled with action and drama. What makes them even more addictive is the reminder that these events were real and not so distant in history. Among these shows, Band of Brothers remains unbeatable in the list of war shows.
Created by Steven Spielberg and Tom Hanks, the series not only showed the reality of the army’s first paratrooper regiment, but also the clashing personalities involved. Still, Band of Brothers is only one example of many war dramas produced for television. With that in mind, here are the war shows we thought would be the next Band of Brothers.
‘The Pacific’ (2010)
No other miniseries is more similar to Band of Brothers than The Pacific. Another collaboration helmed by Hanks and Spielberg, with the addition of Gary Goetzman. The Pacific goes across the seas, following the United States Marine Corps in the Pacific Theater of Operations. Instead of focusing on just one regiment, The Pacific follows several members of the Marines of different regiments. From Iwo Jima to Guadalcanal, the war against Japanese forces literally transcends the oceans.
With many of the battles taking place on islands, audiences may be reminded of the visuals comparable to Saving Private Ryan. However, instead of the adrenaline of the first hit, The Pacific takes even more time for a more immersive experience, truly plunging audiences into the middle of nowhere, war-torn Pacific. The miniseries isn’t here to glorify war. In retrospect, it emphasizes the horrors of what these regular men had to endure. No matter what rank or regiment they are in, these men are molded by the bloodshed they’ve witnessed away from home.
‘Masters of the Air’ (2024)
Spielberg and Hanks have taken viewers everywhere with their war-related projects. From the ground to the sea, this time, they bring audiences high into the skies. Set during German-occupied Europe, Masters of the Air follows best friends and U.S. Army Air Forces bomber pilots, Majors Gale “Buck” Cleven (Austin Butler) and John “Bucky” Egan (Callum Turner), stationed with the 100th Bomb Group in England, flying B-17 bombers. Together, they take part in a death-defying offensive against German fighters.
Unlike the grounded camaraderies of foot soldiers or the collective disassociation from home at sea, serving in the air force is a truly isolating experience. True to its title, Masters of the Air presents the crème de la crème of aerial warfare. After all, they are masters of their B-17 planes. The risk is even greater since bomber crews face higher casualty rates. Although these men fly alongside their brothers in war, they remain alone in a metal contraption, waiting to attack or be attacked.
‘Birdsong’ (2012)
All’s not quite fair in love and war. Although not as deadly, romantic affairs can be just as tumultuous. Birdsong follows Stephen Wraysford (Eddie Redmayne), who’s caught up in both World War I and the memories of a pre-war affair with Isabelle Azaire (Clémence Poésy). As he tries to survive in the trench warfare alongside Royal Engineers tunnellers, he finds solace in his army companion. But nothing during this period is guaranteed. Soon enough, Stephen will learn that life after war isn’t the beacon of sunlight he had hoped for.
War is often associated with guns and explosions. Meanwhile, Birdsong presents a strikingly different reality of war. Those who have watched Peaky Blinders and are familiar with Tommy Shelby’s past as a tunneller will recognize the role. It is dark, claustrophobic, and, if they’re not careful, suffocating. Although the illicit romance plays a significant emotional role in the series, it is the surprising brotherhood forged during the Battle of the Somme that becomes the series’ true core.
‘Our World War’ (2014)
In war, soldiers don’t go hard — they go ham. Our World War is based on three true stories of British soldiers fighting in World War 1. From early clashes at Mons to the formation of a Pals battalion from Manchester, to the later use of tanks in battles like Amiens, Our World War captures the different stages of war. While the action is something straight out of a movie, the events are very real and mortifying.
Utilizing modern camera techniques like bodycams and overhead filming, Our World War has the aesthetic of a current action thriller. Top that off with an equally contemporary soundtrack from PJ Harvey, and the series carries a fictional, almost too brutal to be true, feel. But don’t be fooled by its style. At its core, it is a stylized documentary, much like Band of Brothers. The modern approach is meant to show that the World Wars are not as distant from today as they may seem.
‘Generation Kill’ (2008)
The war is the last place to find humor. But if it works as a coping mechanism, well, no harm to that. Generation Kill tracks a Rolling Stone reporter who is caught up with the 1st Recon Marines during the first wave of the American-led assault on Baghdad in 2003. Through his eyes, the series shows the Battalion’s role in the invasion of Iraq. The soldiers might have the guts to go into battle, but in actuality, they’re a ragtag team of self-deprecating misfits.
Audiences are familiar with war battles, but the day-to-day reality of military life is rarely portrayed. Generation Kill provides an authentic look into Marine Recon units when they’re out of uniform. Considering that war is a hypermasculine environment, the show portrays these aggressive personalities, which are a product of the harsh conditions that are merciless against them. More importantly, the boredom of waiting for a battle is the main theme in Generation Kill, which affects how a brotherhood is affected by bursts of violence and causing mental instability.
Gallipoli (2015)
While most war depictions focus on battles between major Axis and Allied powers, they rarely show the supporting units involved. In the cast of Gallipoli, the story follows the ANZAC (Australian and New Zealand Army Corps) in the Gallipoli Peninsula of Turkey. The miniseries follows 17-year-old Thomas “Tolly” Johnson (Kodi Smit-McPhee), who lies about his age to enlist alongside his brother Bevan (Harry Greenwood), ultimately finding himself on the front lines of Gallipoli.
On top of exploring an overlooked part of war history, Gallipoli delivers a brutal portrayal of army life that calls patriotism into question. At the end of the day, these are ordinary men assigned to do their duty. They’re not mythic heroes, just young soldiers leaving their families behind to serve their country, whatever that meant at the time. What’s even more gut-wrenching is the sense of institutional betrayal, as seen from the military mismanagement that marked the Gallipoli campaign as one of the most disastrous during World War I.
‘Home Fires’ (2015–2016)
It’s always brotherhood in battle. But far away from enemy lines, the women of Home Fires find sisterhood in each other as they await their loved ones to return home. The series follows women in a rural Cheshire community as World War II changes their lives. Led by Frances Barden, the Women’s Institute becomes more egalitarian while supporting wartime efforts like food production and civil defense. As the war separates families, the women encounter abuse and losses of their own.
The message behind Home Fires is straightforward: behind every man is a woman, even in war. On a broader scale, the series shows women taking initiative, organizing community support efforts, and building air raid shelters. On a more personal level, they become the emotional backbone for their male counterparts, enduring hardship and protecting loved ones from the dangers of war. If that’s enough, they still have to find their own footing, including questions of identity and sexuality.
Entertainment
'Super Mario Galaxy Movie' reveals voice actor for fan fave Fox McCloud in surprise 'Smash Bros.' crossover
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The actor divulged the news Friday morning.
Entertainment
Taylor Frankie Paul’s Ex Tate Asked About Protection for Kids
Taylor Frankie Paul’s ex-husband, Tate Paul, asked police about getting a protective order for the former couple’s children after her 2023 domestic violence arrest.
In a phone call audio and transcripts obtained by Us Weekly on Friday, March 27, Tate asked Utah police to clarify what legal protections were put in place for his children following Taylor’s arrest.
In February 2023, Taylor was accused of striking her then-boyfriend Dakota Mortensen and throwing multiple chairs, one of which allegedly struck her daughter, Indy. (Taylor and Tate welcomed daughter Indy May, 8, and son Ocean, 5, before splitting in May 2022. The Mormon Wives star also shares a son, Ever True, 2, with Dakota.)
“That was one thing I didn’t understand. There’s a no contact order for [redacted]. Usually they do it for both children that are in the home, right?” Tate said on the call.
After the police officer confirmed that was usually how it worked, Tate continued, “Okay, because I didn’t see a protective order against [redacted]. She’s been like, obviously trying to contact [redacted] as well, just given her mental state…”
The officer explained that an initial “jail release agreement” was likely put in place, which meant the alleged offender was “not allowed to make contact with the potential victims for up to, like, a week, usually.”
He added that Tate was also able to apply for a full protective order to protect his children, which is a more long-term option.

Taylor Frankie Paul. (Photo by Santiago Felipe/Getty Images)
In the same phone call, Tate detailed some of his daughter’s injuries from the incident, claiming his daughter had a bump on the head from Taylor’s chair-throwing incident. He also asked police to contact him directly about the case as opposed to Taylor’s mother Liann May, who he accused of “coaching” his daughter following the dispute.
Us Weekly has reached out to Taylor’s, Tate’s and Liann’s representatives for comment.
In 2023, Taylor was initially charged with misdemeanor assault, criminal mischief and commission of domestic violence in the presence of a child following her altercation with Dakota. After Taylor agreed to plead guilty to aggravated assault, the other charges were dismissed.
The case resurfaced earlier this month amid the release of cellphone footage of the 2023 domestic dispute, where Taylor could be seen throwing chairs during an argument with Dakota. Taylor’s spokesperson later suggested that the footage was selectively edited.
“It’s sad to see the latest installment of his never-ending, desperate, attention-seeking, destructive campaign to harm Taylor without any regard for the consequences for their child,” her spokesperson told TMZ on March 19. “Releasing an old and selectively edited video on their son’s birthday is a reprehensible attempt to distract from his own behavior.”
Dakota’s rep told Us, “As anyone who has seen the video will understand, this is a deeply upsetting situation. I am, unfortunately, used to these baseless claims about me and our relationship, which I categorically deny. I am focusing on our son and his safety, and hope that Taylor will do the same.”
After the footage resurfaced, ABC axed Taylor’s season of The Bachelorette three days before it was scheduled to premiere.
“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” her rep told Us at the time. “After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm.”
Entertainment
Valerie Bertinelli Sheds Light On Her ‘Deformed’ Breasts After Having Surgery
Valerie Bertinelli has pulled back the curtains on her struggle with body image as she opened up about her “deformed” breasts.
The “Murder of Innocence” star detailed how she’d always hated her naturally small breasts and chose to get implants to add some girth, but things went sideways and left her more “embarrassed.”
Valerie Bertinelli is looking forward to what makes her happy, which includes watching her son Wolfgang Van Halen on stage, as well as her return to home cooking.
Why Valerie Bertinelli Said She Has ‘Deformed’ Breasts
Valerie Bertinelli got candid about her struggles with her appearance during a conversation with Drew Barrymore discussing her recent memoir, “Getting Naked.”
In the book, the “Night Sins” actress detailed how she had multiple surgeries on her breasts, but things went sideways and eventually led to her having “deformed” breasts. And in her chat with Barrymore, she described the situation in vivid detail.
She said, “I mean, if you read the book, you’ll know that my boobs are deformed, and I talk very extensively and graphically about how deformed they are. I had four surgeries in 2024. But Drew is like, ‘How bad can it be?’ I’m like, ‘Really?’”
Bertinelli then mimicked opening her blouse and said that Barrymore was like, “Oh yeah, that’s bad.”
“I love her honesty,” she added. “It’s like, I can trust this woman.”
Barrymore then chimed in, “And then I proceeded to be like, ‘here’s what we can do.’”
“My boobs suck, but I’m not dating, so it doesn’t matter,” Bertinelli added, per Fox News Digital, with Barrymore interjecting, “Yet.”
The Actress Opened Up About How The Situation Came To Be

In “Getting Naked,” which was released March 10, Bertinelli narrated that she had always hated her small breasts and decided to get small implants just to add some weight.
However, the results turned out more outrageous than she’d envisaged, which left her “embarrassed” to the point that she had to hide them.
“After I got the implants, I never put them on display. I tried to hide them even, embarrassed that I had done it,” she wrote.
The actress then suffered a terrible fall and had to undergo surgery to take out the old implants and have smaller ones installed some 6 weeks later.
However, just a week into it, she started experiencing discoloration and swelling in the region, and felt herself “getting dizzy.” She stated that she would also run a fever at night, and sometimes her temperature went up to 104 degrees.
Valerie Bertinelli Described The Moment She Knew Things Had Gone Bad
The “Silent Witness” actress described the moment she realized things had spiraled out of control in an interaction with People Magazine earlier this month.
“The look on my doctor’s face when he finally saw me made me think, ‘Oh sh-t, I guess I should have come in earlier.’ And he took everything out [the implant and the surrounding tissues], and then my breast became infected and started to cave in on itself. It became a crater,” Bertinelli shared.
“I have to have one more surgery to even them out,” she told the news outlet. “Me and these guys (pointing to two of her cats, Henry and Batman, along with Luna) are the only ones looking at my boobs anyway, but I don’t care because I can’t see without my glasses on … I’ll have to date somebody who can’t see.”
“Anyway, those were my boobs,” she added. “Anybody want to date me? It was so serious I just had to find the humor in it.”
The Actress Says She’s ‘Lucky To Have Survived’ The Infection

Despite Bertinelli’s condition at the time, she wanted to go to a Jon Bon Jovi concert in which her son, Wolfgang Van Halen, was playing.
However, he and his wife kept her from it, with the actress admitting she was “bummed” to have missed it.
“The have-you-lost-your-mind looks they gave me all said the same thing: ‘What part about almost dying from an infection don’t you get?’” she wrote.
According to Fox News, she noted that she’s “lucky to have survived” the infection and scare that resulted afterwards.
Valerie Bertinelli Is Focusing On What Makes Her Happy

Bertinelli is currently focusing on what makes her happy after her near-death experience.
This includes watching her son, Wolfgang, on stage and on tour, as well as working on the “Drew Barrymore Show” as part of the “Drew Crew” of lifestyle experts.
She is also excited about her return to home cooking following the new launch of the digital platform “Valerie’s Place,” and watching long videos of birds on YouTube with her cats.
Entertainment
Where the hell is Ana Navarro? Joy Behar unaware of “The View” cohost's location: 'We know not where' she is
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Navarro also posted a cryptic Instagram message after Behar announced that the Republican panelist wasn’t on Friday’s show.
Entertainment
“Stand by Me” cast felt instant bond reuniting as adults after 40 years with 'bittersweet sadness' over missing costar
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Former child stars Wil Wheaton, Jerry O’Connell, and Corey Feldman tell EW being back together has made them feel closer to late costar River Phoenix and “softened the blow” of their director’s death.
Entertainment
Where were JFK Jr. and Carolyn Bessette laid to rest?
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The couple died alongside Carolyn’s sister Lauren in a plane crash on July 16, 1999.
Entertainment
Shia LaBeouf Spotted Looking Cozy With Girlfriend Days After Heated Incident
Shia LaBeouf is showing a very different side of his relationship, just days after a tense public moment caught on camera. The actor was spotted in Los Angeles walking arm-in-arm with his girlfriend, appearing relaxed and affectionate as they crossed the street together. LaBeouf carried takeout containers and a drink, while his girlfriend casually sipped from a bottle and held onto his arm. Shia LaBeouf’s latest sighting painted a noticeably calmer picture of the couple following last week’s viral video that showed a much more heated exchange.
Shia LaBeouf Reunites With Girlfriend After Explosive Fight

The new outing comes shortly after footage surfaced of LaBeouf losing his temper during a confrontation with his girlfriend outside a restaurant in Rome. In the video, the actor could be heard shouting “F-ck off” during the argument, while his girlfriend appeared relatively unfazed by the outburst.
The clip continued to show LaBeouf yelling down the street as she walked away, adding to the intensity of the moment that quickly made headlines.
Despite the explosive nature of the argument, the couple’s latest appearance, as reported by TMZ, suggests they may have moved past the incident. Walking closely together and appearing at ease, the two seemed to be on good terms again, offering a stark contrast to the tension seen just days earlier.
The affectionate body language and casual outing hinted that whatever disagreement had taken place may already be behind them.
FKA Twigs Takes LaBeouf Back To Court Over NDA

The personal drama comes as LaBeouf faces renewed legal attention from his ex, FKA Twigs. The singer-songwriter has filed a new lawsuit challenging parts of a nondisclosure agreement tied to their previously settled case, claiming it is being used to silence her.
According to the filing, Twigs is asking the court to block enforcement of certain provisions, arguing that the agreement restricts her ability to speak not only about her own experiences but also about sexual violence more broadly.
Twigs’ legal team made it clear that the case carries broader implications beyond her individual situation. Barnett “files this action to right a wrong, and also on behalf of other women who are the victims of sexual and domestic violence who do not have the resources to speak out and defend themselves from predators,” attorney Mathew Rosengart wrote in the complaint.
He added that “In so doing, she seeks to ensure that survivors of sexual misconduct are not bullied or silenced like she was.”
Shia LaBeouf Reportedly Causing Tension With New Orleans Tennis Club Members

The latest headlines surrounding LaBeouf don’t stop there. The actor is also reportedly at the center of a separate situation in New Orleans, where he’s been accused of unsettling behavior by members of a local tennis club near his home.
As The Blast previously reported, members of the New Orleans Lawn Tennis Club were recently warned about a “new neighborhood resident whose continued outbursts have affected the club environment.” An insider claimed LaBeouf is the individual in question, alleging that he has been sitting on his porch across from one of the club’s exits and yelling at members as they come and go.
LaBeouf Breaks Silence After Mardi Gras Arrest

The reported incidents come just weeks after LaBeouf’s arrest during a Mardi Gras celebration.
“My behavior… I gotta deal with that. Does that mean I gotta go to rehab again? I’m just not into it, bro,” the actor said after his arrest made headlines. “I don’t think my answers are there. I don’t. I really, genuinely, don’t. If I genuinely did, I’d go. I don’t think I have a drinking problem. I think I have a different problem, and I’m gonna address it.”
He believes that he has “a small-man complex.”
Shia LaBeouf Taken Back Into Custody Following New Charge

Shia LaBeouf’s legal troubles didn’t end with his initial arrest. Shortly after his interview made headlines, the actor was reportedly taken back into custody after authorities issued a new warrant tied to the same February 17 altercation. He was charged with an additional misdemeanor count of simple battery.
According to reports, LaBeouf voluntarily turned himself in once the warrant was issued.
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