The Marshals cast had plenty to say about those Dutton Ranch romance rumors, the relationships being explored on the Yellowstone spinoff and more.

During CBS Fest on Wednesday, April 15, Arielle Kebbel weighed in on possible Yellowstone cameos, telling Us Weekly, “[We need] all of them. We could go for some more country artists any day. [too]!”

Kebbel remained more tight-lipped about a Dutton Ranch crossover but acknowledged the “rumors.”

“[For Us, the biggest challenge of filming a Yellowstone spinoff] is finding the balance of respecting the why that’s already established and knowing that in that legacy, our job is to also bring these new characters forward,” she explained. “So respecting what’s already been built but also feeling creative and free enough to bring our own character stories forward and really hoping that people join in our world.”

Yellowstone, which aired from 2018 to 2024, introduced Us to the Dutton family. After the show came to an end in 2024, CBS expanded the TV universe with Marshals, which follows Luke Grimes‘ character Kayce as he leaves ranching life behind to join an elite unit of U.S. Marshals.

Then there is Paramount’s Dutton Ranch, which shows Rip (Cole Hauser) and Beth (Kelly Reilly) adjusting to life in Texas. Despite being Yellowstone spinoffs, both shows are expanding with new characters such as Kebbel’s Belle. There are also characters on Marshals played by Logan Marshall-Green, Ash Santos, Tatanka Means, Brecken Merrill, Mo Brings Plenty and Gil Birmingham.

As fans get more attached to the Marshals cast, they have also formed opinions on the characters. The most recent episode of the show took some by surprise when Belle’s friendship with Cal (Marshall-Green) turned into more as they kissed.

“It didn’t feel quick to me, certainly, because of so much they did before,” Marshall-Green, 49, told Us on Wednesday. “It felt earned. I actually wasn’t that surprised.”

Santos, 32, meanwhile, showed support for the fictional couple, adding, “I was ready for it. I was excited when I finally saw it in the script. It was time!” Kebbel, for her part, “wasn’t surprised” by the progression in the relationship either.

“The only reason I wasn’t surprised was because I had a meeting with our creator before the season started and he did tell me. But we had a very good talk, and I said, ‘Tell me what I need to know, and don’t tell me anything else,’” she recalled. “I didn’t know that was coming, but I didn’t actually know a lot of the backstory, so I liked it because there was this intersection of Arielle and Belle that knew some things, but not everything, which was very true to the story as well.”

Kebbel admitted that she didn’t think Marshals was ready for Belle and Cal as a couple yet, noting, “We’re still establishing the team [and] the team environment. Obviously, this kiss throws a whole new layer of awkwardness and feelings into the mix. But I think what’s great about both of them is that they put work first. Where they kind of have similarities or understand one another is that they’re struggling with the balance between work and family because they care about both so much. So I think that’s the layers we’re going to see uncovered in future episodes.”

There is also the possible connection with Kayce and Andrea (Santos).

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“I didn’t even go there at first either. Other people brought it up to me and I was like, “Whoa! OK.” But I think it’s really interesting to see that relationship,” she admitted to Us. “They are polar opposites.”

She concluded: “I have [seen edits of them]. There’s a girl on TikTok. She makes so many edits. She’s doing the Lord’s work, honey. The edits are so good.”

Marshals airs on CBS Sundays at 8 p.m. ET.

There are some shows that spike, trend, win awards, and then slowly slide out of the weekly conversation. Severance clearly isn’t one of them. Even with Apple TV now stacked with high-profile originals, Dan Erickson’s corporate-nightmare sci-fi drama is still sitting in the platform’s global top 10. On April 14, it held the No. 10 spot worldwide on Apple TV, which is a pretty impressive place for a show that’s already had time to become a full-on prestige fixture. It really does refuse to go away.

The cast is a huge part of why it has that kind of tail. Severance stars Adam Scott, Britt Lower, Patricia Arquette, Tramell Tillman, Zach Cherry, Jen Tullock, Michael Chernus, Dichen Lachman, John Turturro, Christopher Walken, and Sarah Bock, and it’s hard to think of another current sci-fi ensemble that blends deadpan weirdness, emotional damage, and office dread this well.

How Good Is ‘Severance’?

Collider’s review stated that Severance Season 2 does exactly what a great follow-up season should do. It does not rush to answer every question from the first season, but it does deepen the mystery in a way that feels exciting instead of frustrating. The show gets bigger, stranger, and more ambitious, while still keeping its focus on the characters who made Season 1 so compelling.

Severance is, at its core, the kind of TV show that was always going to get people talking thanks to its twisty nature, but with such a long break between seasons, there was also a risk of audience interest waning, especially when there are countless other shows worth tuning in for in the interim. Ultimately, however, Season 2 should silence any lingering concerns viewers might have through its stunning direction, outstanding performances, and sinuous, compelling mysteries. This evolving, mind-bending continuation, as crafted by Erickson and fellow writers Mohamad El Masri, Wei-Ning Yu, Anna Ouyand Moench, Erin Wagoner, Mark Friedman, and Adam Countee, cements Severance as an absolute triumph of television, proving beyond a shadow of any doubt that the best stories are always worth waiting for.

Severance is streaming now on Apple TV.

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Release Date

February 17, 2022

Network

Apple TV

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Showrunner

Dan Erickson, Mark Friedman

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Writers

Anna Ouyang Moench, Wei-Ning Yu

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No matter the changes in the entertainment landscape, audiences will always fall back on the lighthearted strengths of comedy to create joyous cinematic experiences. The 2020s as a whole have been a great decade for comedy, with many new absolute classics that have delivered in the best way possible. However, the greatness of the genre comes from how it is always evolving and growing, and a great selection of comedies is set to premiere in 2026 that hope to bring that signature sense of charm.

Whether it be long-awaited returns and reboots of beloved franchises or original visions from the most prominent filmmakers of today, there is a great mixture of comedic styles and approaches that make the genre’s future so exciting. Even aside from these standout titles, there are sure to be a wide array of brilliant comedies throughout the year. However, the entries on this list stand out as the most prominent and must-see upcoming titles in the comedy genre.

‘Scary Movie’ – Release Date: June 5th, 2026

Image via Paramount Pictures

Spoof movies have been largely out of favor following the string of terrible releases in the 2010s. Still, with the rise of modern spoof films like The Naked Gun and Fackham Hall, Scary Movie is looking to reclaim its throne as the king of parody filmmaking. While the last entry, 2013’s Scary Movie 5, wasn’t particularly good, the long-awaited return of the Wayans Brothers and both Anna Faris and Regina Hall to the franchise has reinvigorated excitement and interest in this concept.

It also helps that there have been so many great horror movies in recent memory, ripe for satire and over-the-top parody. The trailer is filled to the brim with teases for characters and sequences parodying the likes of The Substance, Longlegs, Smile, Terrifier, and more. However, the clear standout is just how much the film is going to parody the reboot culture that has persisted in modern horror, having its own return of legacy characters. It certainly has the potential to be the absolute best in the Scary Movie franchise.

‘Power Ballad’ – Release Date: June 5th, 2026

Image via Lionsgate

The latest musical comedy from John Carney, the acclaimed director of Sing Street, Power Ballad sets out to tell a wildly over-the-top story of betrayal as its ramifications are at a global pop-star scale. The film sees Rick (Paul Rudd), a past-his-prime wedding singer, and Danny (Nick Jonas), a fading boy-band star, who bond over their mutual love of music during a late-night jam session. However, after Rick shares a personal song that he wrote, Danny takes it and turns it into a global sensation, taking all the credit as if he wrote it himself.

Power Ballad‘s instantly engaging premise, combined with some great comedic stars at its center and the proven directing prowess of John Carney, sets it up to be an absolute comedy smash. While it will sadly be going head-to-head with Scary Movie, coming out on the same day, one can hope that this comedy can get its fair shot in the spotlight, as it certainly has all of the pieces to be a modern musical comedy classic.

‘Coyote vs. Acme’ – Release Date: August 28th, 2026

Image via © Ketchup Entertainment /Courtesy Everett Collection

The path to Coyote vs. Acme actually getting a theatrical release has ironically been as wild and unpredictable as a Looney Tunes cartoon. Alas, this previously canceled, now un-canceled live-action animation hybrid comedy is finally getting released this August. The Looney Tunes film sees iconic character Wile E. Coyote, tired of the continuous failures of the products he uses from Acme, hiring a billboard lawyer to sue the Acme Corporation once and for all.

The film is sure to feature the distinct flavor of wild Looney Tunes comedy that has made them absolute icons not just in their classic animated shorts, but also in wildly entertaining comedy films like Space Jam and Looney Tunes: Back in Action. However, the real notoriety and increased buzz surrounding the film has come from how it has been un-canceled, no longer set to be shelved as a tax write-off, and gloriously getting a full theatrical release.

‘Whitney Springs’ – Release Date: TBA

Image via Sara De Boer

Large parts of the film that many presume to be called Whitney Springs are still shrouded in mystery, but the mix of absolute talent involved, combined with its wildly hilarious and dark premise, makes it a must-watch comedy to keep an eye out for. The film is a collaboration between creators of South Park, Trey Parker and Matt Stone, with legendary 27x Grammy Award winner Kendrick Lamar, a wild musical comedy that satirically tackles race and perceptions in both America’s past and present.

The plot follows a young Black man taking a job performing as a slave at a popular plantation attraction in a living history museum. As if this wasn’t awkward and confusing enough for him to experience on a day-to-day basis, he soon discovers that his girlfriend’s ancestors were, in fact, slave owners who actually owned his ancestors. The premise is overflowing with both distinct dark and satire humor from Parker and Stone as well as striking political commentary similar to Lamar’s music, making it all the more enticing to actually see what the final film will be like.

‘Jackass: Best and Last’ – Release Date: June 26th, 2026

Image via Paramount Pictures

The surprise fifth feature film in the Jackass franchise is set to be their last. Jackass: Best and Last is setting itself up to be a glorious send-off letter with its trademark mix of gross, painful, over-the-top pranks and endearing friendship. It will use both old and new footage, acting as a celebration of all things Jackass and all of their years working together as they hurt each other in the best and worst ways possible.

Jackass has always been an acquired style of comedy that either overwhelmingly hits or overwhelmingly misses with someone, yet this last hurrah truly feels like the end of an era in terms of their absolute chaos. While there will certainly always be people doing dumb things on-screen for comedic intent, the talent at Jackass has been striking comedy gold by hurting themselves in the most depraved and shocking ways, with Best and Last promising to be a beautiful swan song finale.

‘I Want Your Sex’ – Release Date: July 31st, 2026

Image via Magnolia Pictures

Returning to the world of comedy, with over a decade since his last comedy film, Gregg Araki has been an icon of underground queer cinema whose work has massively grown more appreciated in recent years. Thus, his new film, I Want Your Sex, is all the more promising. It also helps that it has already premiered at film festivals like Sundance, and it currently has an 88% on Rotten Tomatoes.

The film follows Elliot (Cooper Hoffman), who, after getting a job working for renowned artist Erika Tracy (Olivia Wilde), suddenly has his fantasies come true when she taps him to become her sexual muse. However, this seemingly ideal situation soon takes a turn when Elliot finds himself way out of his depth, with Erika taking him on a journey of profound sexual experiences, delving into a wild world of obsession, power, betrayal and murder that he never could have expected.

‘Wild Horse Nine’ – Release Date: November 6th, 2026

Image via Searchlight Pictures

Director Martin McDonagh has been one of the most consistent names in striking and widely appreciated award-winning dark comedy in recent years. Films like Three Billboards Outside Ebbing, Missouri and The Banshees of Inisherin are some of the most revered comedies of recent memory. Wild Horse Nine hopes to continue the director’s winning streak, utilizing great comedic talent and an entertaining espionage premise to create witty comedic gold.

The film will see John Malkovich and Sam Rockwell as a duo of CIA agents who have been dispatched to Easter Island shortly before the 1973 Chilean coup. The duo wrestles with both their dark pasts and the conspiracies of the present as they get up to all sorts of mischief on the island. It’s likely that it will premiere at a film festival like Venice or TIFF before its November 6th release date, so we’ll know sooner rather than later if the film lives up to McDonagh’s reputation.

‘The Devil Wears Prada 2’ – Release Date: May 1st, 2026

Legacy sequels to widely acclaimed one-off comedy films from the past have been a tried and true method of success for decades now, as audiences simply love revisiting iconic and beloved characters that they’ve been laughing with for years. The Devil Wears Prada 2 stands out as the prominent comedy legacy sequel to look out for, coming out 20 years after the original iconic fashion comedy, with the same cast, director, and writer all returning.

If the film even comes close to the levels of memorability and strength that the original has, it could certainly be among the all-time greatest legacy sequels in comedy history. The film will largely follow the continued careers of these classic characters, with Andy Sachs (Anne Hathaway) returning to Runway to work alongside Miranda Priestly, who must now adapt to a wildly different landscape than the one we saw 20 years ago.

‘Digger’ – Release Date: October 2nd, 2026

Image via Warner Bros. Pictures

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Set to be a wild, highly energizing adventure comedy from legendary Academy Award-winning director Alejandro G. Iñarritu, Digger is the must-see award-hopeful comedy of the year that many are thinking might win Tom Cruise his first acting Oscar. It’s already exciting enough that it is Cruise’s first original film in years, but the prospect of him working with Iñarritu in a comedy film feels like cinematic dreams are coming true.

The crowd-pleasing adventure film still has a lot of details under wraps, but it will supposedly see Cruise as the most powerful man in the world, embarking on a frantic mission to prove to the world that he is the savior of humanity before a disaster that he’s unleashed destroys everything. Its high-flying, electrifying energy can be fully felt from the small teaser for the film, while the overwhelming talent behind and in front of the camera, by itself, sells the film as a must-watch comedy experience.

‘The Invite’ – Release Date: June 26th, 2026

Image via A24

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Easily the biggest smash hit from critics and audiences alike that premiered at Sundance a few months ago, it did not take long for The Invite to be picked up by A24 and set up as one of the year’s most enticing and prominent comedy releases. Olivia Wilde’s latest directorial outing has been touted by critics as her greatest work yet, with a 91% on Rotten Tomatoes and utilizing an all-star cast in this performance-centric comedy film.

The film sees Wilde, Seth Rogen, Penélope Cruz, and Edward Norton playing a duo of couples who meet up together for a dinner party before the night spirals into wild and unexpected places. It’s clear that so much of the comedy and strength is coming from surprises and twists, but the clear chemistry and dynamic between these four all-star titans is sure to make this an absolute blast from start to finish. It isn’t even out yet, but The Invite is one of the safest bets for what could be considered the absolute best comedy of the year.

By Chris Snellgrove
| Published 37 seconds ago

The ‘90s were a pretty heady time for Star Wars fans. The franchise experienced a resurgence in the form of an Expanded Universe of books, comics, and video games. At the time, all of this was considered canon, which made everything that much more exciting. We had new, official Star Wars adventures for the first time since the credits rolled on Return of the Jedi back in 1983. Plus, we had new characters, some of whom instantly became fan-favorites. Two of those characters came from prolific author Timothy Zahn: Grand Admiral Thrawn and Mara Jade.

Both of those characters, along with the rest of the Star Wars EU, were de-canonized once Disney bought the franchise. Thanks to sheer fan demand, the House of Mouse eventually brought Thrawn back into canon via Rebels and, later, Ahsoka. After that, many Zahn fans figured it was just a matter of time before Mara Jade was brought back. However, Zahn and other writers recently confirmed that Disney keeps turning down their attempts to bring this popular character back into Star Wars canon.

The Coolest Star Wars Character You’ve Never Heard Of

Mara Jade was introduced in Timothy Zahn’s Heir to the Empire as a character who was once the Emperor’s Hand. As a Force-sensitive Imperial agent, she could enact Palpatine’s will all across the galaxy while maintaining mental contact with him. However, the death of the Emperor effectively ruined her career: because almost nobody knew what her role was, she had no real place in the Empire after Palpatine’s death. She had to build a new life for herself as a smuggler, but she is forever haunted by the last command given to her by Palpatine when he died: “YOU WILL KILL LUKE SKYWALKER.”

She proved to be a very popular character and eventually married Luke Skywalker and gave birth to his son (who, very cutely, was named “Ben”). After Disney bought the rights to Star Wars, though, Mara Jade and all her misadventures were no longer part of official canon. Later, however, Thrawn was brought back into canon through appearances in Rebels and Ahsoka. Furthermore, Disney commissioned Timothy Zahn to write new, canonical novels about Thrawn, who is arguably the most popular Star Wars villain since Darth Vader.

If Grand Admiral Thrawn Can Come Back, Why Not Mara Jade?

Understandably, Zahn tried to pitch Disney on reintroducing Jade into the canon in any capacity. In 2024, he told a Dragon Con audience that she is the number one character he would like to bring back to Star Wars in just about any capacity. “I keep nudging Lucasfilm, asking them if I could write a book,” he said. “The answers come back basically some place between ‘no’ and ‘heck no.’”

The matter came up again at MegaCon this year. Prolific Star Wars author Claudia Grey told the audience that she had repeatedly pitched putting Mara Jade into her books. “A couple of times I was like, ‘Really? Really, no Mara Jade?’ And they were like, ‘Nope,’” she said, putting a stern emphasis on the final word. By happenstance, Zahn was at the same panel and chimed in: “I asked them, too,” he said, before revealing that his request was similarly rejected.

It’s Time For Live-Action Mara Jade

It’s possible that Disney is hesitant to introduce Mara Jade back into canon because so much of her story doesn’t really work in the wake of the Star Wars prequels and sequels. We never really saw anything like an Emperor’s Hand in any subsequent movies, and the Inquisitors seem to fill the role of “Force-connected Imperials outside the regular chain of command.” Plus, her post-Imperial life was spent building a career with Talon Karrde, a smuggler chief who is also no longer part of established canon. Finally, the whole idea of having her marry Luke Skywalker is completely off the table, both because of Mark Hamill’s age and the fact that Luke hardly had time for love after becoming a grumpy recluse.

However, modern Star Wars writers did a solid job bringing Grand Admiral Thrawn back and gently nestling him within existing canon. It seems like it would be easy enough to do that for Mara Jade, especially with her creator doing his best to help out. However, it seems like the powers that be have decided that this fan-favorite character will never grace the screen or even the page, ever again. Which is unfortunate, because bringing her back in her own show or even film would be the perfect way to appeal to Expanded Universe fans who have felt (ahem) “jaded” by the Disney era of Star Wars.

By Robert Scucci
| Published 39 seconds ago

If you’re wondering why speculative, apocalyptic sci-fi thrillers aren’t often presented through a documentary framework centered on real-life world events and public figures, it’s because it leads to disasterpieces like 2073; a film with a clear message that’s delivered to is audience in the most disjointed way possible. As ambitious as this film may be, it’s incredibly difficult to watch, and highlights a unique problem: it’s not allegorical, but rather too real to handle. I wish I was as original as Rotten Tomatoes reviewer Glenn Dunks, who simply referred to this film as “Doomscrolling: The Movie,” because that’s exactly what 2073 is despite the promising thumbnail and synopsis you’ll see when looking to stream the title on Max. 

I’m not mad, I’m just disappointed, because even though 2073 is categorized as a documentary and a thriller, it’s, like, 10 percent thriller, if that, and the rest is just the kind of stuff you’ll see while swiping through your Instagram feed in a panic while wondering how close we actually are to the dystopian reality that, according to the film, we’re fast approaching. 

The Future Is A Bleak Place In 2073

2073 starts with promise as it follows the point of view of a lone woman simply known as “Ghost” (Samantha Morton). Living under a long-abandoned shopping mall with other condemned humans, narrations from Ghost explain just how fargone society has become, and aims to tell a story about how humanity arrived at such a bleak destination. In constant fear of getting investigated and silenced (killed) by the government, Ghost dumpster dives for food and supplies when it’s safe to do so, and retreats back underground to her dilapidated compound occupied by other survivors who are equally worse for wear. 

And let me tell you, these post-apocalyptic scenes are absolutely stunning. I wanted to learn more about how society functions in the year 2073, and I would have loved to see more of this. The hierarchy of power, the desire to reeducate the masses so they can overthrow their oppressors, and the state of constant surveillance that society is living through is captivating, to say the least, and this fictional yet unfortunately believable setting is fertile ground for some next-level storytelling about a society in disrepair that hasn’t yet discovered how to pick up the pieces and start the next chapter in our collective human history. 

Well, That Got Dark

The best part about 2073 is the sequences set in the dystopian future that will fill any sensible viewer with an absolute sense of dread, and then suddenly the worst possible thing ever happens: we get a documentary that’s reminiscent of the fear-mongering Zeitgeist film series that did a great job pointing out the dangers of a totalitarian government, but never even tries to reassure audiences by presenting a viable, or even realistic, solution to the problems we face so we can actually make concerted efforts to get on the right side of history and prevent such a bleak future from happening. 

In other words, 2073 is trying to be two different movies: a dystopian sci-fi thriller set in a fictional not-so-distant future, and a documentary using real, archival footage from the present day used to explain how this dystopia was created.

But therein lies the problem. 

While watching the documentary sequences that make up most of 2073’s runtime, I felt like Alex from A Clockwork Orange, who was forced to sit in front of television sets with his eyes pried open so he could take in all of the footage at an alarming rate. This kind of delivery strips the mystique from the more interesting story – the fiction set in 2073 – that could have been used as a vehicle to propose solutions for a society that’s been driven underground by the powers that be. 

Two Different Failed Films In One

While I appreciate what 2073 was trying to accomplish, it left a bad taste in my mouth because it comes off as if it’s preaching to a choir that’s already aware of the current state of affairs, but feels powerless to act in any meaningful ways to prevent things from getting worse.  

We already know that wealth is concentrated in such a way that keeps the working class under its ruler’s thumb. We already know that politicians and tech bros are sweeping humanity under the rug so a select few people in power can explore space while the rest of us suffer. We already know that data mining billionaires and chronically online worry warts are a terrible combination for humanity because it suggests how artificial intelligence will soon control the masses as it finds a way to become smarter than the humans it’s aimed to manipulate. 

That’s all well and good, but what do we do about it? The interesting story – the story I wanted to see – in 2073 is how future humans cope with societal collapse and set their sights toward a brighter future. What we get instead is a rapid-fire news feed of the present day that’s beamed into our eyeballs as if to say “there’s nothing you can do about this,” and “we’re already doomed.”

Streaming 2073 On Max 

If you’re looking for an ultra-condensed rundown of current affairs as told through various news sources that leads to a high-concept depiction of the future that may very well become a reality, then 2073 might pique your interest. But if you’re expecting to see how humanity aims to rise from the ashes through its speculative sci-fi storytelling, you’re going to be gravely disappointed. By juxtaposing real-life, present-day world events with what is by all measures a work of fiction, 2073 misses the mark on both fronts because it’s real, it’s scary, and it offers a disturbing take on how we’re collectively marching down a miserable path at an alarming rate, but never uses the fiction it establishes to meaningfully explore how we’re going to get out of this seemingly unavoidable mess.

2073 gets an A for effort and concept, and an F for execution. If you want to see how messed up the world is, just fire up your news apps, or hop on TikTok or Instagram, to get a crash course because it’s basically the same thing. If you want to just get it over with quickly and move on with your life, you can stream 2073 on Max. 

You want a high-end aesthetic, but not the price tag that comes with it. I can understand that. Luckily, I find great deals for a living, and these 13 markdowns are seriously rich mom-coded. I’m talking deals on classy sandals, Zimmermann-style dresses and spring blouses that go with everything, all from just $4.

Whether you’re searching for an easy spring staple or a special-occasion stunner, you’ll find it below. My expensive-looking favorites are flying off the shelves, so don’t wait to score your new go-to pieces. Oh, and when people ask about your private yet, don’t say I didn’t warn you.

13 Chic-Looking Pieces on Mega Sale — From $4

1. Dreamy Maxi: Everything about this short-sleeve maxi dress channels boutique vibes, including the baby blue color and delicate floral print — was $36, now $18!

2. Spring Sweater: Transitional weather calls for this scallop-hem cardigan that works just as well at the office as it does at brunch — was $46, now $34!

3. Picnic Date: Gingham print is totally in right now. These pull-on pants nail the aesthetic while feeling like sweats — was $20, now $14!

4. Corporate Queen: Your colleagues will assume you got promoted when you wear this lantern-sleeve blouse. The fabric is ultra-lightweight for comfortable spring and summer wear — was $23, now $11!

5. Midi Maven: This 100% cotton midi balances laid-back style with luxe vibes, making you look effortlessly put together no matter what shoes you wear — was $148, now $33!

Related: Kate Middleton and Jennifer Garner Agree on This Ultra-Classy Blouse Style

Kate Middleton and Jennifer Garner are both fashionistas, however we wouldn’t expect them to agree on a single blouse style — let alone wear practically the same one. But we can confirm that both fashionistas have tie-neck blouses in their closets, and you can get the look with these styles starting at just $9! Middleton […]

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6. Sleek Sandals: Speaking of shoes, you’ll wear these comfy LifeStride sandals nonstop from May through September — was $70, now $40!

7. No Buttons Needed: Breezy and soft, you might forget you’re wearing these beachy palazzo pants. I adore the smocked waist element — was $27, now $14!

8. Go-To Accessory: Black bags are always ‘in’ — just ask rich moms like Heidi Klum and Katie Holmes who carry this structured style all year — was $338, now $89!

9. Hamptons Flair: I can’t believe this short-sleeve peasant blouse is only $10. The flattering peplum shape seals the deal — was $17, now $10!

10. Office to Yoga: These polished joggers transition seamlessly from the office to the mat, thanks to their tailored design and breathable fabric — was $18, now $10!

11. Braided Beauty: Braided detailing makes any sandals look expensive. These cushiony numbers even have memory foam support — was $40, now $20!

12. Designer Vibes: Zimmermann, is that you? This square-neck mini dress looks straight from a resort catalog — was $20, now $15!

13. Could be Linen: Both billowy and structured, this button-front shirt could totally be linen. Good luck choosing just one color — was $13, now $4!

Related: These Amazon Spring Pieces Channel Zara‘s Boho-Luxe Vibe, But Start at $5

We get it: You love everything about Zara’s boho-luxe aesthetic, but the price tags make your wallets shudder. Luckily, you don’t need a six-figure shopping budget to get the look. Amazon is quietly stacked with chic spring pieces that capture Zara’s stylish vibe, and our top elevated options will make you do a double take […]

If sticking beside him was a person, it would definitely be Keyshia Ka’oir. She recently made it crystal clear where her loyalty lies as she dropped a message for her hubby Gucci Mane on social media.

RELATED: There She Is! Keyshia Ka’oir Shares New Video Amid Kidnapping & Robbery Case Involving Pooh Shiesty & Gucci Mane (WATCH)

Keyshia Ka’oir Doubles Down On Her Loyalty To Gucci Mane

On Saturday, April 18, Keyshia Ka’oir and Gucci Mane popped out for a lil’ date night — and of course, they stepped out in style! Mrs. Davis looked stunning in a red-and-white fit, dripping in diamonds as per usual, while Big Guwop matched her vibe in a red-and-white tee with shorts and sneakers. During their pop-out, Keyshia came through with a sweet message for Gucci. She hopped on her Instagram Stories, making it known that when it comes to her man, she’s standing all ten behind him, no questions asked! “My husband is my world & I’ll 4Eva ride fa him. MRS. GUWOP!” 

Fans React As Keyshia Shows Love To Gucci

After TSR shared Keyshia Ka’oir’s message, folsk online slide into the comment section with reactions. Plenty of fans dropped hearts and fire emojis, saying Keyshia has always been down for Gucci and will always ride for him. Meanwhile, others said the love they have for each other could never be denied!

Instagram user @redhott_hairstylist wrote, “As you should 🔥🔥🔥🔥🔥🔥” 

Instagram user @kikimama_ wrote, “& beeeen riding for him 👏❤️ solid.” 

While Instagram user @kingclassic90 wrote, “That’s that real love, me and you against the world…. 👑🤞🏾🔥❤️” 

Then Instagram user @play_u_lay1 wrote, “That’s my girl 👏👏👏👏👏👏👏😍” 

Another Instagram user @iamspanishbadd wrote, “Listen she’s beeeeeen riding with him! Cant nobody say otherwise!!!!!” 

Instagram user @blacdahlias wrote, “I love this ❤️❤️❤️❤️❤️❤️❤️❤️❤️” 

Then another Instagram user @flowergoddess22 wrote, “I know thats right ✅” 

Finally, Instagram user @mg3peat wrote, “Periodttttt‼️ she ain’t wrong.” 

Keyshia’s Message Comes Days Amid Reactions To Pooh Shiesty’s Mugshot

One thing for certain and two things for sure, Keyshia Ka’oir has always been about Gucci Mane. She has been holding down for years and is never shy about professing her love for him online. However, folks on social media have been keeping a close eye on her amid Pooh Shiesty’s arrest tied to the alleged kidnapping and robbery of Gucci.

Authorities took Pooh into custody after reports stated that he along with his father Lontrell Williams Sr., and seven others robbed Gucci during an armed takeover. After his arrest, Pooh’s mugshot hit the internet. The photo shows Pooh in a gray hoodie with his dreads out, staring straight into the camera.

RELATED: Pooh Shiesty, His Dad, Gucci Mane & Keyshia Ka’oir Were All Active On Social Media Around Time Of Alleged Robbery — Here’s What They Posted

By Chris Snellgrove
| Published 2 minutes ago

These days, Star Trek is a bona fide pop culture phenomenon. But during the development of The Original Series, there was anxiety that the general public wouldn’t really understand Gene Roddenberry’s mashing up Western tropes with a sci-fi setting. Making matters worse was that the original pilot, “The Cage,” had been rejected by NBC for being too brainy. Fortunately, Roddenberry got a chance to shoot another pilot, one which impressed the network enough to order an entire season worth of episodes.

Several episodes of Star Trek: The Original Series had already been shot when the time came for this new show to make its broadcast premiere. The first episode that the general public saw was “The Man Trap,” which featured a shapeshifting monster that was revealed to be an alien salt vampire. This good-but-not-great episode was an odd choice, and it was one that the cast and crew hated. As it turns out, though, this episode was very carefully selected by executives because it served as an inoffensive, relatively straightforward encapsulation of everything Star Trek had to offer.

It’s A Trap!

Most of the information we have about why “The Man Trap” was selected as Star Trek’s first episode comes from the book Inside Star Trek: The Real Story. Within this impressive reference tome, Robert H. Justman and Herbert F. Solow revealed something surprising: NBC had several other episodes to choose from for the premiere, including “The Corbomite Maneuver,” “Charlie X,” “Mudd’s Women,” “Where No Man Has Gone Before,” and “The Naked Time.” All of them had already been shot and were mostly finished, so it was just a matter of figuring out which episode would serve as the best introduction to Star Trek, a heretofore unknown sci-fi series.

“The Man Trap” won out, mostly because the powers that be worried that other episodes would be off-putting to general audiences in some very specific ways. For example, they worried that audiences would find “Charlie X” a story that was “too gentle” because it focused on an adolescent with special powers. This was probably the right call, in retrospect: when Variety gave a negative review of “The Man Trap” (an episode chosen, in part, because of its relative maturity), they declared that Star Trek: The Original Series was “better suited to the Saturday morning kidvid bloc” (ouch!).

A Monster Hit Of An Episode

“The Corbomite Maneuver” was a great potential choice, but this episode’s impressive special effects were still in post-production, and almost all of its action took place on the ship. “Where No Man Has Gone Before” really outlined the premise of the new show, but it was deemed “expository” for general audiences expecting more action and danger. Justman thought “The Naked Time” was a killer introduction to the crew’s personalities, but the network passed, presumably because of how over-the-top (half-naked, swashbuckling Sulu? Oh, my!) that episode gets. “Mudd’s Women,” meanwhile, was deemed too offensive because the plot involved literally selling women to miners.

Through this process of elimination, executives decided that “The Man Trap” was the best intro to Star Trek. It had cool scenes on both the Enterprise and a distant outpost (a strange new world) and featured a straightforward action plot you didn’t have to be a sci-fi aficionado to understand. Finally, it was all about finding and defeating a creepy monster, which offered thrills to audiences of all ages. The network’s choice paid off, and Star Trek: The Original Series became the most popular sci-fi show in television history, even though the cast (including William Shatner and Leonard Nimoy) thought “The Man Trap” was the worst possible episode they could have chosen.

All of this is a keen reminder of how much thought and work went into putting Star Trek’s best foot forward. It might be a reminder that Paramount’s current upper leadership needs, as Starfleet Academy hit the ground running with the worst episodes of Season 1. The show got better after that, but it didn’t matter because the prospective audience had already been driven away. As it turns out, today’s execs need to learn something that the network execs of the ‘60s had learned very well: series succeed when you give the audience what they want to see and not what you want to show!