Somebody tell the internet to chill because Queen Latifah is very much alive—and honestly, that wasn’t even the part that had folks talking. The actress and rapper hopped on social media to squash wild rumors claiming she had passed away. But, fans were more distracted by how good she’s looking than by the proof of life itself.

RELATED: Cuteness Overload! Queen Latifah’s Son Melts Hearts With Rare Pop Out At NBA All-Star Weekend (PHOTO)

Queen Latifah Sets The Record Straight

In the clip, Queen Latifah appears to be sitting in her car, rocking a dark hoodie and casually chewing something as she speaks into the camera. She reassures her fans she’s “100% A-OK,” blows kisses, throws up a peace sign, and flashes a grin, saying, “Don’t believe what you read on the internet.” As far as the public record shows, she isn’t dealing with any health issues, and it’s unclear where this wild rumor even started. While her ‘Equalizer’ TV series wrapped last year, it seems Queen Latifah is still keeping an eye out for injustice—especially the kind targeting her own name.

Fans Celebrate Latifah’s Timeless Vibe

Fans immediately flooded The Shade Room Instagram comment section, declaring that the QUEEN has officially arrived. Many praised Queen Latifah, saying she’s “literally always been that girl,” while a few wondered why she hasn’t launched a beauty line like other celebrities. Plenty of commenters were left shook, with many insisting she looks 30 and showing mad respect for her timeless vibe.

One Instagram user @_pettyking said, “Ok! 🔥 I’m loving the “fresh face stud” look. Werk it gurl! 😍👏🏾👏🏾👏🏾”

This Instagram user @lavarwalker commented, “Queen looks 30“

And, Instagram user @kitkatagurs added, “Been that girl😍 just gorgeous“

Meanwhile, Instagram user @80scooliehighh joked, “She told us to mind our business like Dolly did 😂”

While Instagram user @alexes.ciarra wrote, “They were acting like it was her Last Holiday 🙄 The Queen has spoken 🗣️👑”

Lastly, Instagram user @keepingitkinky shared, “She’s the one that should have a hair care line! Hair been full and luxurious FOREVA! ❤️🔥”

Queen Latifah Ain’t The Only One Serving Bare-Faced Beauty

As previously reported, Remy Ma blessed the ‘gram with a photo dump that took fans on a full glow-up journey. The first few pics showed her rocking a fresh, bare face with a sleek side-parted dark bob, hoop earrings, and a cozy brown hoodie — giving major effortless, everyday vibes. But as you kept swiping, Remy transformed into full-on red-carpet royalty, with a flawless face-beat-by-the-gods glam that we’ve come to expect from her. And honestly? Even without the glam, she’s giving pure icon energy.

RELATED: Woke Up Like This! Remy Ma’s No-Makeup Post Has Fans Double-Tapping (PHOTOS)

General Hospital puts Willow Tait (Katelyn MacMullen) in full control of Drew Cain Quartermaine (Cameron Mathison) right now. But we know that’s not going to last forever and he will eventually be out of this locked-in state. Both Willow and Jenz Sidwell (Carlo Rota) confessed their role in his miserable captivity and Drew is furious.

We’re going to talk about how Willow’s going to be in serious trouble when Drew gets out that bed and turns the tables on Willow if he can. It may get twisted.

Drew’s Prisoner in His Own Body on General Hospital

Right now, Drew is trapped in his own body and Willow has the upper hand. She just took over his seat in Congress and even wheeled Drew out in his chair for a photo op. I think Willow wanted Drew to see her slide right into his seat in Congress.

That gives Willow power and resources plus, she’s got control of Drew’s money and daughter. But we know Willow can’t control Drew forever and he’s eventually going to be back on his feet and in control of his own life. Not yet. But eventually.

And when that day comes, I don’t think he’ll let Willow get off without paying for her crimes. Of course, Drew could reveal all of Willow’s sins into the public spotlight and press charges. But I suspect Drew might prefer a hands-on approach rather than turning her over to the cops.

Willow in Pentonville is a fun idea. But honestly, I think Drew may still be obsessed with Willow. And won’t want to let her go. But I also think Drew may want to punish Willow for what she’s done. This would be very twisted and very soapy.

So, I’m wondering if maybe Drew doesn’t go public with the dirt on Willow. Instead, Drew might want to flip the script. And get control over Willow, since she’s had total control of him for months by the time this all unfolds.

Plus, Drew isn’t going to want to risk her reconciling with Michael Corinthos (Rory Gibson) or letting her find a new love. So, I think Drew might get some wicked revenge on Willow for trying to kill him. And putting him through this fake stroke and locked-in syndrome.

Drew Takes Back His Congressional Seat from Willow on GH

The first thing is, once Drew’s out of his locked-in state, he can resume his seat in Congress and Willow would lose the power that comes with it. Now, Drew could stay in the background. And let her finish the term. But it’d be better payback to snatch it back from Willow.

In terms of public perception, it’d be natural for Drew to step back in. So I don’t think it would look like anything unusual. But Willow would know this is Drew’s way of taking away any little bit of power she’d accumulated. He’ll want her isolated and at his mercy.

Drew Threatens to Expose Willow as His Shooter on General Hospital

Another thing Drew might do is threaten to reveal Willow as his shooter—she can’t be charged or sent to prison for it. But if Drew let that info out, I have no doubt that the custody court would take Willow being an attempted murderer into account.

Everything she’s done, she claims was for her kids. So Drew scaring Willow and making her think she could lose her kids would be a huge punishment. And Drew might also threaten her with criminal charges for drugging him—that’s something the PCPD could pursue.

But again, I don’t think Drew wants Willow behind bars, I think Drew wants Willow with him and under his control. So, I don’t think Drew would actually expose her. But he would certainly hold it over her head and threaten her. Because losing her kids is Willow’s greatest fear.

Drew Forces Willow to Have His Baby

Another thing I think Drew might do is tell her unless she wants to lose her kids and go to prison, Willow has to prove her loyalty to him by having a baby with him. I’m sure that would be so exciting for Drew in his twisted big head.

Then, Willow would be tied to him for life, which would be the absolute worst thing in the world for her and the last thing she wants. Drew making a kid with her would give him more leverage. I think that would be the ultimate revenge on Willow that keeps on giving.

Drew Isolates Willow from Nina & Chase on General Hospital

Another piece of revenge I could absolutely see Drew doing is telling Willow she has to cut her mom Nina Reeves (Cynthia Watros) completely out of her life. That would further isolate Willow and leave her at Drew’s mercy. Because Nina has resources and influence.

Drew is going to want Willow completely cut off so she is fully reliant on him for everything. And that’s really what Drew wants—Willow completely dependent on him and playing the devoted wifey again.

And one last way that Drew might punish Willow without publicly exposing her bad deeds is to also force her to cut Harrison Chase (Josh Swickard) out of her life. That way, Willow wouldn’t have him in her corner as someone watching her back.

Drew might even figure out that Willow planted the house key on Michael’s keyring. And Drew could threaten to tell Chase what she did, on top of the shooting and drugging to show him how ruthless Willow is and that Chase’s faith was misplaced.

Heck, Drew might also tell Willow she can’t go back to work at General Hospital and that way he can cut Elizabeth Webber (Rebecca Herbst) out of Willow’s life too. Honestly, it’d be the best thing for Elizabeth and Chase if Drew made Willow cut them out of her life since she’s toxic, a liar. And an attempted killer.

To be clear, I don’t feel bad for Drew—he deserves what he got—all that and more. But I also don’t feel bad for Willow. And I think it’d be twisted soapy fun to watch Drew get out of his paralyzed state and make his wicked little wife pay for all her sins—and there’s a lot of them.

Bold and the Beautiful reveals Deacon Sharpe (Sean Kanan) and Taylor Hayes (Rebecca Budig) are about to give into their desire for each other soon. And we know someone’s going to catch them in the act because that’s the soapiest way to go.

But the question is—who catches them and how bad is the fallout? We’re going to talk about who might bust Deacon getting it on with Taylor and what the consequences will be.

Bold and the Beautiful: Deacon Recommits to Sheila

Ok so, right now, we’ve got Deacon doing what Taylor said and trying to put the temptation behind them. Deacon wants her but Taylor’s scared of losing her family so she told Deacon they can never give in to their love for each other and their desire to be together.

Recently, we saw Taylor urge Deacon to recommit to Sheila Carter (Kimberlin Brown) and make love to her. And Deacon said he would but he’d be thinking of Taylor the whole time which is kind of weird. And Deacon did what Taylor asked and completely rocked Sheila’s world.

Sheila Thanks Taylor on B&B

Then, Taylor got a visit from Sheila thanking her—she thinks Taylor’s the reason Deacon got back in her bed. Because Sheila and Deacon hadn’t made love in quite a while. What’s ironic is Sheila’s correct—Taylor is the reason that Deacon blew Sheila’s mind in bed.

Sheila told Deacon he’d never made love to her like that before—Sheila said it felt like the first time. And I’m sure that’s because Deacon was imagining that it was his first time with Taylor. I don’t know if Brad Bell thinks this is somehow sexy—because it gives me all the ick.

This week, Deacon circles back to Taylor and tells her he was thinking of her the whole time he was with Sheila, and then Taylor and Deacon are kissing passionately and intensely. Then, we have the official Bold and the Beautiful spoilers that confirm two people make love to each other for the first time.

I’m certain the spoiler is about Taylor and Deacon. I don’t know if it’ll happen the first time they get frisky, but I’m almost certain they’ll be caught by someone once they start sleeping together—this is a soap after all.

Also, I suspect either the first time or soon, Taylor and Deacon will be doing the deed in Taylor’s office—the place that’s most likely for them to be caught by someone. So, I want to talk about who’s most likely to catch Deacon with Taylor getting it on.

Bold and the Beautiful: Will Sheila Catch Deacon and Taylor Together?

So, my first guess of who might walk in on them is Deacon’s wife. But I kind of doubt it’ll be Sheila. That feels a little too fast. I think we might get more of Taylor and Deacon sneaking around and getting busy before Sheila actually finds out they’re hot for each other and in love.

Ridge Forrester Could Walk In on His Ex and Deacon

Another possibility that I think is more likely is that Ridge Forrester (Thorsten Kaye) walks in on them. He already barged into Taylor’s office when Deacon was there and said they can’t be together. Ridge thinks that Taylor agreed and will stay away from Deacon.

So, if he walked in on them, Ridge would be horrified and furious with Taylor because he had the stones to forbid her from being with Deacon. And I’m sure Ridge would completely lose it on Deacon too since he was telling him to stay away and keep his hands off Taylor.

And you know Ridge would run tell Steffy Forrester (Jacqueline MacInnes Wood) who would also lose it because she wants Taylor far away from Deacon and Sheila and danger.

Steffy Forrester Walks In on Her Mom with Deacon on Bold and the Beautiful

That leads us to the next possibility, which is Steffy walking in on her mom and Deacon. I think it’s likely Steffy could be the one to catch Taylor getting freaky with Deacon because Steffy would be absolutely appalled and horrified, especially after that ultimatum she gave her mom.

Then there’s Hope Logan (Annika Noelle) who would have a very different reaction. If she walks in on her dad Deacon with Taylor, she’d be thrilled. Hope and Deke Sharpe (Harrison Cone) pushing Deacon to follow his heart to Taylor’s arms. Plus, Hope hates Steffy saying they can’t be together—so Hope would do a dance.

Another possibility, if Taylor and Deacon are stripping down in her office at the hospital—is that Steffy’s hunky hubby Finn (Tanner Novlan) might walk in on them. Of course, he’d have to tell Steffy, but I also wonder if Finn might be annoyed at Deacon for cheating on his bio-mom, Sheila with his MIL, Taylor. Maybe, maybe not.

Bold and the Beautiful: The Major Fallout When Deacon and Taylor Are Exposed

Given that someone’s going to bust them—because it’s a soap. And once Deacon’s caught with Taylor there’s going to be massive fallout. So, let’s talk about that for a minute. First and foremost, no matter who catches Taylor with Deacon, it’s going to put Taylor in an awful position with Steffy.

And also, Ridge will be mad but Taylor should not care what he thinks. But once Steffy finds out about Taylor and Deacon, whether she catches them, or hears about it from her dad, Finn, or someone else, she’s going to be horrified that Taylor defied her and hooked up with Deacon.

So, I’m sure that Steffy would enforce her ultimatum hoping that Taylor will dump Deacon before it’s too late. That means Taylor could lose her family, at least in the short term. Then, of course, there is the possibility that Sheila could catch them though I think she’ll find out later.

But if she did, I think she could try and choke Taylor on the spot. And of course, Deacon would step in and protect Taylor. And if it is indeed Sheila who catches them in the act, I’m not sure if she’d go bat crap crazy on the spot, or go cry her eyes out then plot revenge on Taylor.

In the end, everyone will find out about Deacon and Taylor and then Steffy will lash out, Sheila will lash out, and Ridge will throw a fit. On the flip side, Hope and Deke might cheer for Taylor finding her destiny with Deacon. Man, it’s going to get messy.

Gavin Newsom
Trolls Noem Over Trump Firing

Published
March 5, 2026
4:38 PM PST

The history of movie musicals is quite fascinating. In the Golden Age of Hollywood, you saw original stories that began to define movies. Then, as Broadway became a grand event, some of the best stage plays were adapted for the screen. Now, we’ve gone through the cycle of screen-to-musical adaptation and back to screen. If there’s one thing that’s not evolved in the genre, it’s that we simply cannot get enough!

We are here to celebrate ten of the most perfect movie musicals of all time. As a theater kid, this is essentially a cruel Sophie’s choice! There are so many brilliant titles that just fell short—Funny Girl, Once, A Star Is Born—but they still have a special place in our hearts. This list will focus on live-action films, sorry, Disney animated-only classics! And it must fulfill the classic ideals of musicals: when you can’t speak, you sing, and when you can’t sing, you dance. Now that the ground rules are out of the way, let the curtain rise on these ten musical masterpieces!

10

‘Dreamgirls’ (2006)

Image via Paramount Pictures

No, no, no, there’s no way Dreamgirls could be left off this list. It might be a controversial selection compared to those it eeked out, but Dreamgirls’ influence on the genre is exceptionally important. Based on the 1981 Broadway show, the drama follows a 1960s Motown-style girl group, “The Dreams,” who rise from obscurity to superstar fame, navigating the high costs of ambition, fame, and internal betrayal. Inspired loosely by Diana Ross and the Supremes, the drama rises when manager Curtis Taylor Jr. (Jamie Foxx) focuses on crossover success and pivots the group’s image, ultimately pushing out lead singer Effie White (Jennifer Hudson) in favor of the more pop-friendly Deena Jones (Beyoncé). A film à clef, the behind-the-scenes-style story has been celebrated beyond one night only. A truly dazzling celebration of music, the passion to become a star, and a visually stunning picture with a wardrobe money can’t buy, Dreamgirls was a film adaptation that arrived at just the right time.

The story is made and broken by the singers’ performance prowess. But there was one powerhouse performance that nearly mirrored the story that propelled a young star to great heights. The casting of Hudson was a tad controversial because, while we knew she had the pipes, she was still considered a reality star. Reality stars in the early 2000s were seen as just that. At yet, Hudson as Effie White couldn’t have been more perfect. She took “And I’m Telling You I’m Not Going” and made it her own. She essentially made us all forget about Jennifer Holliday’s emotionally perfect original rendition. At the time, to be able to outshine and overshadow Beyoncé was a feat in and of itself. The reality was, though, Beyoncé was rightly cast as the, well, Beyoncé of the group.

9

‘Mary Poppins’ (1964)

Image via Disney

Let’s get it out of the way right now: Mary Poppins is practically perfect in every way! Blending live action wonder with whimsical hand-drawn animation, Mary Poppins became a beloved masterpiece. Based on the character by P.L. Travers, Mary Poppins is the story of a magical, “practically perfect” nanny, played by Julie Andrews, who arrives by wind to care for the neglected Banks children, Jane and Michael (Karen Dotrice and Matthew Garber), in early 20th-century London. Through amazing adventures and stern but loving guidance, Mary Poppins teaches about family, imagination, and finding joy in everyday life. A flawless blend of iconic songs, groundbreaking visual effects, and dazzling world-building, Mary Poppins has become a film that’s united generations, even to this day.

Led by the dynamic duo of Andrews and Dick Van Dyke, the film captured the joy that we may have been seeking. A completely escapist film, Mary Poppins allowed our imaginations to run wild. Thanks to Mary Poppins, we were given the freedom to laugh, dance, and make up our own silly little words. This film continues to resonate because the songs maintain a hold on us. Whether it’s the toe-tapping “Step in Time” or the emotionally triumphant “Fly a Kite,” the Sherman Brothers provided the perfect soundtrack that still hits home. Through humor, heart, and fantasy, Mary Poppins has become a timeless classic. The sequel, Mary Poppins Returns, instilled the same charm we fell for, but as delightful as Emily Blunt was, she was no match for the OG Mary.

8

‘The Rocky Horror Picture Show’ (1975)

Image via 20th Century Fox

I’d like, if I may, take you on a strange journey. One of the most influential and important pieces of queer cinema is The Rocky Horror Picture Show. Lifted from the stage to the screen, the Richard O’Brien musical tells the story of two weary travelers, Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon), who become stranded and seek refuge from the rain in a mysterious castle. Inside, Dr. Frank-N-Futter (Tim Curry), a mad scientist and transsexual alien from the planet Transsexual in the galaxy of Transylvania, is throwing a party for his newest creation, Rocky (Peter Hinwood). An homage to science fiction and horror B movies, The Rocky Horror Picture Show is camp to the max. Both a parody and tribute to all things kitsch, the film influenced the genre even 50 years later.

A celebration of individuality and identity, The Rocky Horror Picture Show’s high-energy score and dance-along ability have played a crucial part in musical history. The ultimate cult classic, where else can you join your fellow creatures of the night for a participatory midnight showing? The Rocky Horror Picture Show epitomizes community. Deep within the film, O’Brien, who also plays Riff Raff, is an important theme of queerness. Sure, the terminology we use has certainly evolved since the film debuted, but Dr. Frank-N-Futter’s experience in searching for love while loving their own self still resonates. The Rocky Horror Picture Show is a cinematic liberation.

7

‘Moulin Rouge!’ (2001)

Image via 20th Century Studios

There will forever be a debate regarding the legitimacy of jukebox musicals. As defenders of the trend, from &Juliet to Mamma Mia, jukebox musicals are important to the genre’s tapestry. This is all to say that jukebox musicals’ relevance may be, in part, thanks to Baz Luhrmann’s masterpiece, Moulin Rouge! The beloved romance tells the story of Christian (Ewan McGregor), a writer, and his passionate, forbidden love affair with Satine (Nicole Kidman), the star courtesan of the glamorous yet seedy 1899 Parisian nightclub, the Moulin Rouge. As the lovers struggle to be together, they must face a devastating love triangle with a wealthy Duke (Richard Roxburgh) and a fatal secret that could destroy their love forever. Easily one of the most beloved musicals of love, Moulin Rouge! brings the energy of an opera with the spectacle of a musical, all through Luhrmann’s sensational eye.

Part of his Red Curtain Trilogy, Moulin Rouge! is filled with fervent passion that soars thanks to the tactical song choices. You may moan and groan at certain pigeonholed tracks, but by the time you reach the “Elephant Love Medley,” you’re desperate to find your own lover to recreate such a sensational moment. As Christian poetically sings, “all you need is love!” At the time of release, it seemed the movie musical was all but dead. Then Moulin Rouge! arrived, and the desire for more was reignited. Moulin Rouge! is a work of truth, beauty, freedom, and above all things, love.

6

‘Cabaret’ (1972)

Image via Allied Artists

First, John Van Druten’s play, I Am Camera, took inspiration from Christopher Isherwood’s Goodbye to Berlin. Then, John Kander, Fred Ebb, and Joe Masteroff took the play and gave it the musical treatment under the title Cabaret. Then, Bob Fosse took that, brought it to the big screen, and gave us one of the most iconic movie musicals. Though some characters were adapted to fit the stars, while songs were added and subtracted, the screen adaptation of Cabaret is simply sensational. The musical explores the hedonistic, desperate nightlife of the Kit Kat Klub amidst the rise of the Nazi party. Inside, American cabaret singer Sally Bowles (Liza Minnelli) meets British academic Brian Roberts (Michael York), who, despite his confusion over his sexuality, begins an intimate relationship with her. Then, the arrival of the wealthy playboy Maximilian von Heune (Helmut Griem) complicates matters for them both as their love triangle plays out as war rages on. And then, of course, there’s a Master of Ceremonies (Joel Grey) who links the music and story together. A story of denial under the guise of normality, Cabaret serves as an allegory for the dangers of political apathy and the loss of personal freedom.

The stage and screen versions have some crucial differences that almost make them their own entities. But the film version soars because of Fosse’s vision and the career-defining performance of Minnelli. With Fosse pulling out the nuances of Sally, Minnelli gave a full-body performance. Her defining moment came through “Maybe This Time,” the Kander and Ebb song that became synonymous with the film, and earned its place as the definitive Minnelli track. Blending a gritty wartime melodrama with the dazzling sparkle and safety of the stage, Cabaret’s ability to balance the two worlds without breaking the narrative flow makes it an almost immersive experience. Anxiety is felt through the darker visual tones in the libretto, which melt away when the stage lights shine. There’s a reason why Cabaret won eight Academy Awards. It’s perfectly marvelous.

5

‘The Wizard of Oz’ (1939)

Image via MGM

Thanks to The Wizard of Oz, we learned how beautiful it is somewhere over that rainbow. Based upon the L. Frank Baum‘s novel, The Wizard of Oz is the classic fantasy tale about Dorothy Gale (Judy Garland), a young Kansas girl swept away by a tornado to the magical Land of Oz. Alongside her dog, Toto, she travels the Yellow Brick Road to find the Wizard (Frank Morgan) to help her return home, befriending a Scarecrow (Ray Bolger), Tin Man (Jack Haley), and Cowardly Lion (Bert Lahr). A timeless story about friendship and the power of learning your strength lies inside, The Wizard of Oz reminded us that there truly is no place like home.

Providing a visual aesthetic that has become ingrained in pop culture, The Wizard of Oz is one of the most recognizable films ever made. Through its groundbreaking use of Technicolor, The Wizard of Oz’s production design is just as dynamic as the songs by E. Y. Harburg and Harold Arlen. The characters were crafted so strikingly well that they’ve become a part of us. From Dorothy’s journey to the Wicked Witch of the West’s (Margaret Hamilton) revenge, the characters made The Wizard of Oz what it is. Of course, it also elevated the icon that is Garland. One of the greatest performances in cinema history, Garland’s Dorothy became an inspiration for generations. There has never been a film quite like The Wizard of Oz, nor will there ever be.

4

‘Singin’ in the Rain’ (1952)

Image via Loew’s Inc.

There’s no glorious feeling quite like singing in the rain, and we have the classic Hollywood musical to thank. Directed and choreographed by Gene Kelly and Stanley Donen, the film, set in the 1920s Hollywood, explores the chaotic transition from silent films to “talkies”. It follows Don Lockwood (Kelly), a charming silent star who falls for chorus girl Kathy Selden (Debbie Reynolds), while navigating his annoying co-star Lina Lamont’s (Jean Hagen) screechy voice and the industry’s shift to sound. From timeless songs to the satirization of celebrity culture and the frantic nature of the movie industry, Singin’ in the Rain is more than just a meta-commentary. The epitome of the classic Hollywood musical, Singin’ in the Rain is a genuine homage to the industry.

For a 50s film to feel so technically flawless speaks to the brilliance of the film and the creatives’ vision. But what sets the film apart from many of its contemporaries is the sensational production numbers. From the choreography to the artistry, there was simply nothing like what was found within this film. We tend to reference the iconic title song, but take a moment and rediscover the sheer brilliance of “Make ‘Em Laugh.” That’s a choreography masterclass in dance. Having an ensemble who were genuine triple treats set the film up for tremendous success. There is enduring pride and joy that will forever be attached to Singin’ in the Rain.

3

‘The Sound of Music’ (1965)

Image via 20th Century Studios

Perhaps having the most memorable score of any movie musical is The Sound of Music. From top to bottom, there’s not a song that gets skipped. Based on the Richard Rodgers and Oscar Hammerstein II musical, The Sound of Music follows Maria (Julie Andrews), a young postulant in the 1930s Austria who becomes a governess to the seven children of a widowed naval captain, Georg von Trapp (Christopher Plummer). She brings music and joy back into their lives, falls in love with the Captain, and helps the family escape the Nazis. Another musical that finds some semblance of joy during the world’s darkest time, The Sound of Music’s true story has inspired generations.

With a backdrop of fascism playing an extraordinary role in the film, The Sound of Music’s courageous narrative serves the story. The light and peppy moments are not a moment to shield, but serve as a reminder about how the world around us was inflicting tremendous influence on those with free will and mind. By balancing tonal shifts without comprising storytelling, director Robert Wise masterfully mixes comedy, romance, and high-stakes drama, shifting from lighthearted musical numbers to the dark reality of the Nazi annexation of Austria. With its sweeping cinematography and iconic titular track, very few movie moments have effortlessly captured the spirit of a film quite like this one. There’s a reason why we see it utilized in so many montages. It’s a perfect scene that brings you directly into this world. Of course, filming on location in Salzburg certainly helped the cause! To close out this entry, we simply must give immense credit to Andrews’ perfect performance. Never overtly sentimental, Andrews gives Maria the ultimate journey, becoming the definitive performer to ever take on the part.

2

‘West Side Story’ (1961)

Image via United Artists

Inspired by William Shakespeare’s remarkable romantic drama Romeo and Juliet, West Side Story was effortlessly dropped into 1957 New York City for another tragic ending. Based on the musical by Stephen Sondheim, Leonard Bernstein, and Arthur Laurents, West Side Story tells the story of the forbidden romance between Tony (Richard Beymer), a former Jet, and Maria (Natalie Wood), a Shark. Their romance is threatened by racial tension and gang violence over territory, ultimately leading to a torturous end. Through prejudice, hate, violence, and the immigrant experience, West Side Story was cinematic realism at its best.

Beautifully brought to life by Robert Wise and Jerome Robbins, West Side Story provided some of the most stunning musical moments of all time. Examining the “Dance at the Gym” and “The Rumble,” West Side Story reminded audiences of the power of storytelling through choreography. Through the integration of Robbins’ athletic and balletic numbers, matching the innovative, rhythmic editing that synchronized with camera movement, West Side Story’s groundbreaking approach influenced every movie musical that followed. Though Wood will forever be remembered for her performance, it was Rita Moreno as Anita that stole the show. As we saw with the remake, the part continued to earn its actor awards. Now, to the 2021 version. No shade to Steven Spielberg or the talented cast of the remake, but they’ll never hold a candle to the original.

1

‘Chicago’ (2002)

Image via Miramax

Murder, greed, corruption, exploitation, adultery, treachery, and all that jazz! For decades, musical theater fans patiently awaited a big-screen adaptation of the Kander and Ebb musical Chicago. In 2002, they finally received their wish in perfect fashion. Directed by Rob Marshall, the stage-to-screen sensation tells the story of Velma Kelly (Catherine Zeta-Jones), a nightclub performer, who murders her philandering husband, and Roxie Hart (Renée Zellweger), a housewife who murders her two-timing lover, as they await trial at the Cook County Jail. The duo fights for fame, celebrity, and attention from their flashy lawyer, Billy Flynn (Richard Gere). Showcasing the media circus exploiting the Jazz Age obsession with celebrity and scandal, Chicago is simply a perfect movie musical.

Thanks in part to Marshall’s highly stylized vision, one that has been borrowed in many subsequent films, Chicago’s innovative approach captured the magic of the stage through imagination and dream. Rather than having the characters simply break into song, Marshall infused these fantastical numbers as they came to life in their mind. And each number captured various styles of vaudeville performance. Chicago’s ability to present the numbers in this manner became its shining element, helped only by its top-notch cast. The film was awarded six Academy Awards, including Best Picture, and rightly so. Thanks to Chicago’s monumental success, the desire for the movie musical returned, and it’s yet to cease.

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Chicago

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Release Date

December 10, 2002

Runtime

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113 Minutes

Director

Rob Marshall

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Young and the Restless exposes that Victor Newman‘s (Eric Braeden) latest move to reclaim his legacy is absolutely despicable and while he might get some of what he lost back, it could cost him something much more important—his marriage to Nikki Newman (Melody Thomas Scott).

We’re going to talk about how kidnapping Jack Abbott (Peter Bergman) could end Victor’s marriage once Nikki finds out what he’s done.

Young and the Restless: The Abbotts Horrified

Ok so, this week, Victor summoned Billy Abbott (Jason Thompson) to the Newman ranch and told him no one’s ever gonna see Jack again unless Billy hands Chancellor back to Victor by the end of the day. Billy can tell Victor’s not bluffing and immediately runs to the Abbott mansion to tell Diane Jenkins (Susan Walters) and Kyle Abbott (Michael Mealor).

Then Diane took off with Kyle to the Newman ranch to confront Victor. He told them that Jack is safe for now. But Billy Boy needs to give Chancellor back to secure Jack’s safety. What Victor did with Jack is wild—he’s on a yacht in the middle of the ocean!

After Kyle and Diane got no answers on Jack’s location, they left. Plus, Victor confirmed for Adam Newman (Mark Grossman) that he kidnapped Jack and will hurt him if he doesn’t get what he wants. And Victor wouldn’t tell Adam where he’s holding Jack.

Victor may worry that Adam’s past loyalties to Jack would be a problem. But Victor’s gonna have lots more problems over this kidnapping. So, Jack woke up in a bedroom with the door locked and looks out the window and sees nothing but open water.

Patty Williams In Charge of Jack on Y&R?

You know what would be really ironic? If the yacht that Victor’s using for the kidnapping is the same one Billy lost gambling—remember that? He named it Jabot. So for now, Jack’s safe, but obviously, there’s going to be someone else on the boat babysitting him.

I suspect it’ll be crazy Patty Williams (Stacy Haiduk) since she’s due to be back soon. But we’ll see. Billy ran to tell Sally Spectra (Courtney Hope) what Victor’s done and Billy said even if he wanted to give Chancellor to Victor, he can’t because Phyllis Summers (Michelle Stafford) still owns it. But it also sounds like Billy doesn’t want to hand it over.

And if Phyllis finds out Billy’s just going to give it back to Victor, she might not finish the deal. But there’s a chance that Diane might go to Phyllis and beg her to give Chancellor to Victor. I mean, of anyone in Genoa City, Phyllis knows about Jack being kidnapped.

Remember, Victor married her off to Jack’s doppelganger Marco the last time Victor kidnapped Jack. And while I’m sure that Phyllis doesn’t want Jack in harm’s way, Victor pulling this again is likely just going to remind Phyllis of why she hates Victor so much.

I’m sure Jack will eventually be returned safe and sound, but he might be a little worse for wear and I suspect the fallout from what Victor’s done to be epic. No one will support him kidnapping Jack, not even Adam and he always caves to whatever Victor wants.

Adam Newman May Step Back from Victor Over Jack’s Kidnapping in Young and the Restless

But if Jack winds up seriously injured, that might be a deal breaker for Adam. Of course his bio-dad hates it, but Jack’s a father figure to Adam and was there for him at times when Victor was not. Adam may take a step back from Victor over this kidnapping on Young and the Restless.

Nikki Newman Reaches Her Breaking Point with Victor

Then, there’s Nikki who told Jack she was really worried that Victor would do something she can never forgive because of this crisis. When she finds out Victor kidnapped and stranded Jack in the middle of the ocean, she’ll be horrified and appalled.

Nikki loves Victor and usually enables him but I think this will just be pushing Nikki way too far. Victor could really lose Nikki this time, at least for a while. I think Nick Newman (Joshua Morrow) won’t like Victor’s actions, but Nick’s got other problems like a fentanyl addiction and getting rid of Matt Clark (Roger Howarth) for good.

And I don’t think Victoria Newman (Amelia Heinle) will take this kidnapping very well either. She has no issue slapping at Billy but kidnapping Jack is a no-go. As for Claire Grace Newman (Hayley Erin), she idolizes her granddad, Victor, but she hates when he does ruthless and devious things.

This may remind Claire of the worst of Victor like when he tried to get Audra Charles (Zuleyka Silver) to seduce Kyle for a big payoff. In fact, Claire was ready to wash her hands of Victor but then forgave him. So, Claire’s going to be absolutely horrified to hear what Victor did to Jack who she really likes.

Claire and Kyle Team Up to Find Jack on Young and the Restless

And I think Claire’s going to hear about it soon because I suspect Kyle may turn to her for help in finding Jack. So, Claire might march over to Victor and tell him to stop this now, to return Jack unharmed, or he’s going to lose Claire for good.

I expect Diane to confront Nikki and demand she fix this too. Of course, it’s awful for Victor to kidnap anyone but this is so unfair because Jack didn’t do anything wrong at all. Victor just hates him and is using him to get Chancellor back from Billy.

But to be honest, I think Victor was just looking for a chance to hurt Jack because he’s still salty that he saved Nikki’s life. Plus, Victor blew up when he saw Jack and Nikki hugging at the ranch house.

Victor’s Actions Could Cost Him His Family on Young and the Restless

In the end, Victor will try and rationalize what he’s done and will explode when his family questions him. In the end, I think kidnapping Jack could have many Newmans stepping back from Victor.

He’ll explain he’s just trying to get Chancellor back for Nikki. And I think Victor will play the victim card and the family loyalty card about all Abbotts being the enemy. But I’m not sure it’s going to fly with Victor’s family.

He is just so far out of control it’s insane. He’s losing a war that he started and is getting worse by the day. This will be a breaking point for Nikki and she may feel like she has no choice to walk away from Victor. He violated her trust by taking Jack who literally saved her life.

Even if Victor ends up getting everything back that was taken, Newman Enterprises, Chancellor and Newman Media, he may lose Nikki. Will it be worth it?

When it comes to anthology shows, there seems to be no shortage of them on television these days. Everything from genre-specific anthologies to dramatic works that stand alone each season, including hits like The Twilight Zone, Black Mirror, Inside No. 9, and even the comedic Documentary Now, one-watch television is all the rage. But what about those anthologies that have been lost to time? We have some love for them too.

We put together a list of some of the best anthology series out there that haven’t gotten their due. Whether overshadowed by more successful brands or simply passed up on by more popular television outings, these anthology shows deserve more than just an honorable mention. We’ve got everything from fantasy and science fiction to horror and Western genres. These are the anthology shows that you just cannot pass up.

1

‘Night Gallery’ (1969–1973)

Image via NBC

Admittedly, there are plenty who still adore Rod Serling‘s Twilight Zone follow-up, but for the rest of the world, Night Gallery has fallen to the wayside of his original hit’s shadow. After a three-part premiere in 1969, Serling launched the anthology show on NBC, which went more in the dark fantasy direction than science fiction, ala Twilight Zone. Even Steven Spielberg directed a few episodes.

With hour-long episodes in the first two seasons and half-hour installments in its third, Night Gallery delved into horror especially, but also fantasy, and, strangely, comedy. The program even took inspiration from H.P. Lovecraft‘s catalog and even did a whole episode about “What if Count Dracula had to withdraw from the blood bank?” (“A Matter of Semantics,” where Batman actor Cesar Romero played the vampire). It’s an underrated gem that certainly deserves praise besides Serling’s original anthology triumph.

2

‘Dead Man’s Gun’ (1997–1999)

Image via Showtime

The ’90s sparked a resurgence in the Western genre for the first time in decades, and that interest even bled over into the realm of television. Created by Kung Fu and The Young Riders creators Ed Spielman and Howard Spielman, Dead Man’s Gun is a curious Western anthology that takes inspiration from Winchester ’73, namely in that it follows the adventures of a seemingly cursed gun that changes hands all throughout the Old West. Narrated by Kris Kristofferson, this is a two-season anthology worth another look.

With Twilight Zone-esque twists that elevate it beyond standard Western fare, Dead Man’s Gun ran for two years on Showtime. The series featured guest stars like C. Thomas Howell, Ed Asner, Graham Greene, Laurie Holden, and Gary Cole, and had no trouble coming up with creative new ways to curse each new owner of the titular firearm. The end of the series even ties the whole thing together, noting that the seemingly unconnected events were all part of a grand scheme by Death itself.

3

‘Castle Rock’ (2018–2019)

Image via Hulu

Not all anthology shows are episodic in nature. Sometimes anthologies spend a whole season on a single plot, and after the success of American Horror Story, Hulu was primed and ready for Castle Rock. Based on the extensive work of Stephen King, the Maine-based series pulls from various tales by the King of Horror, smashing them together for season-long thrills that might just keep you up at night.

Produced by J. J. Abrams, Castle Rock ran for two seasons before the streaming giant prematurely cancelled the show. Nevertheless, the two 10-part tales are everything you could hope for from a King-inspired anthology tale. Just don’t play the drinking game when it comes to King-themed references, especially if you plan to binge the season all at once.

4

‘Love, Death & Robots’ (2019–Present)

Image via Netflix

Okay, some would argue that a show can’t be forgotten if it’s still being made. That’s a fair point, but considering Love, Death & Robots is up against Black Mirror for the title of Netflix’s best anthology series, we thought it deserved a mention. With only four seasons released since it first premiered in 2019, this animated anthology series lives up to its curious name with strange, mind-bending sci-fi/fantasy/horror stories.

Created by Deadpool director Tim Miller, Love, Death & Robots is a triumph that contains absolutely zero weak episodes. With episodes ranging from six minutes to 20, each episode is a masterclass in creative ingenuity and genre thrills. From werewolf soldiers and mechsuit battles to zombie miniatures and fallen angels who make their way to Earth during World War II, you’ll never guess as to what might happen next.

5

‘Playhouse 90’ (1956–1960)

Image via CBS

One of the original television anthology dramas, Playhouse 90 is an impressive program that fought to reach new heights of what episodic storytelling can do. With hour-and-a-half episodes, the series pulled in big-name directors like George Roy Hill, John Frankenheimer, and Sidney Lumet, among others, emphasizing stellar performances and tight scripts that pulled in audiences for four seasons between 1956 and 1960. Some of the scripts were so popular that certain episodes were remade as feature-length motion pictures.

Originally filmed in front of a live audience, all 134 episodes are full of killer performances, memorable stars, and connections to larger pop culture, be it through Rod Serling and even Eloise (yes, that Eloise). Easily one of the best-written shows of all time, the genres ranged from mystery and romance to war and crime. You never knew what you were going to get with Playhouse 90, except for a good time.

6

‘The Outer Limits’ (1963–1965)

Image via ABC

The lesser-remembered cousin of The Twilight Zone, The Outer Limits was another science fiction anthology that helped raise the creative bar for genre television. No, we’re not talking about the ’90s revival that lasted several seasons, but rather the original two-season ABC program that spawned from the imagination of Leslie Stevens. The great thing about anthology shows is that even those that contain similar formats and subject matter can stand apart due to the distinct episodic material.

While often (and understandably) compared to the Twilight Zone, the original Outer Limits never held back from leaning further into the weirdness of science fiction. With episodes penned by Harlan Ellison, the series generally shied away from fantasy and overt supernatural elements, instead highlighting the delightfully dated sci-fi strangeness that makes it such an underrated classic. Sure, the remake may be better known, but the original deserves its place here too.

7

‘Alfred Hitchcock Presents’ (1955–1965)

Image via CBS

When Alfred Hitchcock was at the very top of his game, he turned to television to continue thrilling audiences at home. Alfred Hitchcock Presents (which later morphed into The Alfred Hitchcock Hour) was a mystery/thriller/horror anthology that specialized in the very sort of films that Hitchcock made best. Originally a half-hour program, Hitchcock pushed the boundaries of the CBS-turned-NBC series in the early ’60s by extending each episode to an hour.

Hitchcock himself directed 18 episodes of the famed anthology program, which deserves to be remembered as fondly as some of his best big-screen contributions. After all, he put his name and face on every episode. If you haven’t had the pleasure of binging through Alfred Hitchcock Presents, it’s long overdue.

8

‘Death Valley Days’ (1952–1970)

Image via McGowan Productions

Another Western anthology series, Death Valley Days was unique in that it began on radio before graduating to television, where it became even more successful. The brainchild of Ruth Cornwall Woodman, who penned every single episode of the original radio series, each installment was based on a real-life historical event. While not strictly based in the American Southwest, most episodes took place in that region during the Old West period of the late 19th century.

Spanning 20 seasons and 452 episodes, Death Valley Days is one of the longest-running anthology shows of all time. The show was hosted by several well-known names at the time, including future U.S. President Ronald Reagan, and was memorable for being the first Western TV appearance of Clint Eastwood (even before Rawhide). For thrilling single-episode Western TV thrills, you can’t pass this one up.

9

‘Dekalog’ (1989)

Image via Zespol Filmowy “Tor”

If you want to enjoy a television miniseries that truly stands on its own and doubles as an anthology, don’t sleep on Dekalog. Created by Polish filmmaker Krzysztof Kieślowski, each episode in this 10-part anthology series is based on one of the biblical Ten Commandments (hence, Dekalog). Set in a housing complex in Communist Poland, the series is oddly specific but considerably human as it dives into the human condition with an artistic and meditative style that is cinematic in quality long before that was the norm on streaming.

Following a series of different ethical dilemmas, Dekalog is a masterclass in anthology storytelling. Although most episodes aren’t directly connected, they all exist in the same space with occasional character crossover, namely through Artur Barciś‘ mysterious figure. For those who want more, episodes “Five” and “Six” were later extended into feature-length installments, retitled as A Short Film About Killing and A Short Film About Love.

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Dekalog

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Release Date

1989 – 1990

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Network

TVP1

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Writers

Krzysztof Kieślowski

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• 

  Artur Barciś

  Young Man / Bicyclist / Hospital Orderly / Man in the Sheepskin / Survey Crewman / Tram driver / Young Man with Canoe

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  Henryk Baranowski

  Krzysztof

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By Jonathan Klotz
| Published 25 seconds ago

1995 is notable for being the year that Toy Story redefined animation, Apollo 13 reshaped history, and, well, Waterworld existed. It’s also the year that two of Hollywood’s sexiest stars broke through, but not in any of the blockbusters. Roberto Rodriguez’s Desperado, returning to Netflix after years away from the streaming service, turned the director into one of Hollywood’s hottest talents while his two leads, Antonio Banderas and Selma Hayek, have been setting screens on fire for over 30 years and counting. 

Antonio Banderas’ Bloody Revenge Path

Desperado is the sequel to Rodriguez’s debut, the extremely low-budget El Mariachi (shot for $7,500 only two years earlier), with Banderas taking over the role of the wandering Mexican out for revenge. Blaming the drug lord Bucho for the death of his love, El Mariachi massacres an entire bar of criminal underlings in a small, nondescript border town and happens to take refuge with the local bookstore owner, Carolina, played by Salma Hayek. The pairing immediately pays off with their chemistry melting the screen in between firefights so bloody and gruesome, the original cut was NC-17. 

The plot is simple, but that’s not a bad thing. Desperado’s tale of revenge pays homage to classic spaghetti westerns with Rodriguez’s signature stylistic flair. By the time El Mariachi is back wandering the roads with his guitar case of weapons, you won’t care that there are no real twists or turns to the story. It’s fun, it’s bloody, and it both looks and feels like nothing else from 1995. 

The World Was Not Ready For Banderas And Hayek

With a tiny fraction of the budget of Waterworld ($7 million versus $175 million), Rodriguez is able to make his stars pop off the screen. The opening sequence even includes Antonio Banderas playing his own guitar, singing, and bashing a robber in the head with the best el-kabong since Quick Draw McGraw. Banderas had already been featured in Philadelphia and Interview With The Vampire, but Desperado was his big breakthrough as an action star and a sex symbol. 

Salma Hayek was already gaining popularity in Mexico when she signed on as Carolina. Desperado was her English-language breakthrough, followed a year later by a memorable dance sequence in Rodriguez’s follow-up, From Dusk Till Dawn. It’s rare for a low-budget film to launch a career these days. Desperado did one better and turned both of its leads and its director into stars.

No One Thought The Mexico Trilogy Would Lead To Spy Kids

The problem with Desperado is that it’s so over the top, so bloody, and so violent that it can be hard to watch. If you loved The Kingsman’s church fight, you owe it to yourself to see El Mariachi take down an entire bar of cartel members. You should also hunt down the third movie in the Mexico trilogy, Once Upon a Time in Mexico, which is even bigger, though it lacks the charm of Desperado. Remember that while you’re watching Mariachi open his guitar case for the first time that Rodriguez would go on to cast his action lead as the dad in Spy Kids, which also includes a returning Danny Trejo (who plays two different characters in the Mexico trilogy).

Desperado is an action classic that launched its own wave of low-budget imitators in the 90s. Other filmmakers could duplicate the blood and guts, but no one could ever replace Antonio Banderas and Salma Hayek. Now you can catch both stars’ breakout performances on Netflix and remember back when $7 million got you an action classic and not a third of an episode of Stranger Things.

Last year, Consumer Reports reportedly discovered dangerous chemicals in popular synthetic braiding hair — everything from lead, carcinogens, and toxic chemicals. Now, new testing is diving in further, and taking a look at products marketed as 100% human or plant-based.

What’s really in these braiding hair products? Are they regulated? And is anything being done to keep consumers safe?

The Shade Room’s Justin Carter is sharing answers on ‘TSR Investigates.’

900 Chemicals Found in Hair Extensions From Top Brands

According to Carter, the results of testing human hair have been even more shocking than what was revealed by testing synthetic hair. Dr. James Roberts, the Director of Product Safety and Research at Consumer Reports, told Carter that human hair contained the highest amount of lead by far.

“One hundred percent of the products also contained VOCs, including acetone, a respiratory irritant, and low levels of carcinogens (toxins that can be linked to cancer),” the “top findings” page of the study asserts.

To make matters worse, per Carter, the manufacturers aren’t under regulation and also aren’t required to share their data.

“One may think that human hair is safer. But it too is processed… once the women sell their hair to a broker then that hair can be exposed to all different types of chemicals to give it its characteristics of color of texture,” Dr. Roberts explained to Carter.

What’s Being Done To Keep Consumers Safe?

Scroll above to watch as Carter shares which brand of human hair tested for the highest amount of lead. Additionally, Carter shares the brand of hair that Dr. James Roberts says he would trust his closest loved ones, his daughters, to use. Lastly, Carter shares his discussion with Dr. Elissia Franklin. Franklin, a research student at the Silent Spring Institution, broke down her new study. And how it was able to find over 900 chemicals in the hair products it tested.

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