Arthritis UK has warned the Work and Pensions Committee that people with arthritis risk missing out on benefits like PIP and Universal Credit as the state pension age increases

Experts have raised concerns about changes to the state pension qualifying rules. MPs discussed the risk of people “underclaiming” and not receiving the full range of DWP benefits they are entitled to.

From April 2026, the age at which you can begin claiming your state pension will rise from the current 66, gradually increasing to 67 by April 2028. Policy experts fear the extended wait could have a significant impact on some individuals, particularly those who have medical conditions.

The Work and Pensions Committee recently discussed the increase in the state pension age. Joe Levenson, assistant director of UK Advocacy and Health Intelligence at charity Arthritis UK, told the MPs: “Everyday, 1,200 people are diagnosed with arthritis, and we know that a significant number of them are unable to work at some stage because of arthritis.

“Around half the people tell us that they struggle to work. Arthritis has an impact on their ability to be employed. That is the context for our worries about the transition to a higher state pension age.”

He said the organisation had conducted a large survey of people with arthritis, which had some concerning findings, reports the Mirror.

Mr Levenson said: “It showed that once people were over the state pension age, they were far less likely to report struggling to get by financially, and almost twice as likely to struggle to get by financially as the cohort immediately before state pension age. I think that speaks volumes.

“It shows we are failing people, and we are worried that people who live with arthritis and many other long-term health conditions are collateral damage in the changes that we have seen, including a rise in state pension age without mitigation.”

He had some suggestions for what extra support should be offered to help people approaching retirement age.

Mr Levenson stated: “Given we know that people approaching state pension age can be at greater risk of poverty, we need to focus on income. Part of that is making sure that people are aware of existing benefits that they can claim.

“We know that there is still underclaiming. We know that that is because of a lack of awareness, but the complications in the system can also be bewildering even to the most well-informed.”

What other benefits can people with arthritis claim?

One form of assistance for individuals of working age living with arthritis is PIP (Personal Independence Payment). This can be claimed to help cover the additional costs associated with living with a long-term health condition, if it impacts either your mobility or your daily living needs.

Through this scheme, you can receive up to £749.80 every four-week pay period. If you’re on a low income, you might also be eligible for Universal Credit.

For those aged 25 and over, this provides £400.14 a month for single claimants or £628.10 for couples, at the standard rate.

Additional amounts may be available depending on your circumstances. Upon reaching state pension age, you may be eligible to apply for Pension Credit, which supplements your income to £227.10 per week for single claimants and up to £346.60 if you have a partner.

Further amounts are available on top of this, such as £82.90 per week if you have a severe disability.

If you have a health condition that affects you to the extent you need someone else to care for you, you may also qualify for Attendance Allowance, which pays £73.90 or £110.40 per week.

This year also marks the 50th anniversary of punk music, and once again the Rebellion line-up reads like a who’s who of punk, bringing together hundreds of acts from punk’s various eras.

The festival runs from Thursday, August 6 to Sunday, August 9. But for the first time there will be additional events – the Rebellion Run Up on Tuesday, August 4 and Wednesday August 5 which will also being a host of must-see names.

Adam Ant, the Undertones and Altered Images fronted by Clare Grogan will be playing on the Tuesday and Neville Staples, Death of Guitar Pop and Arthur Kay and the Originals are confirmed for the Wednesday.

As for the official festival, The Stranglers provide the opening day headline act.

And Jimmy Pursey’s Sham 69, who penned the anthem Hersham Boys, have landed top billing on Friday.

German punk giants Die Toten Hosen play on Saturday with 999, Spizz Energi and The Skids.

Burnley’s Notsensibles, performing a rare live show, are also confirmed to play on Saturday at the Winter Gardens.

Belfast’s Stiff Little Fingers, whose first album Inflammable Material, a punk classic, was recorded to the backdrop of the Troubles and sectarian violence in Northern Ireland, are Sunday’s headliners.

When released in 1979, Adam and the Ants debut album Dirk Wears White Sox was hailed as one of post punk’s most original works.

Adam Ant later enjoyed huge commercial pop success with hit singles Prince Charming, Stand and Deliver and Kings of the Wild Frontier.

“Adam and the Ants were my band, my big obsession as a teenager,” recalled Jennie Russell-Smith, the co-founder of Rebellion.

“I was 13 and had Adam and the Ants posters all over my bedroom wall.

“I remember my dad taking me on the bus to Middlesbrough to buy Dirk Wears White Sox.

“The excitement of hearing songs like Car Trouble and Never Trust a Man (with egg on his face) did change my life and I found other new music through that album.

“The funny thing is I’ve never seen Adam play live so I thought ‘Wow’ it would be amazing to try and get him to play Rebellion for our big anniversary.

“When we got in touch, he loved the idea and straight away Adam Ant wanted to be part of it.

“He was one of the first acts to say yes.”

Jennie added: “It is a dream come true and I can’t tell you how excited I am to finally see Adam play.

“He said he is going to delve into the back catalogue and play some tracks from Dirk Wears White Sox so I think it will be a hard-edged set with all the hits too.

“I can’t wait.”

With all four days of the main festival having sold out Adam Ant will kick-start the punk jamboree on Tuesday August 4, with support from The Undertones and Altered Images.

Adam Ant (Picture: rockstarimages.co.uk)

“I’m so proud of what Rebellion has become, the creativity of it, the fun and what it means to so many people,” said Jennie.

“This year we’ve even got a punk tea-room.

“When I moved house, I sorted out my best China so anybody having a cuppa at Rebellion will probably be drinking out of my teacups.”

Jennie adds: “I was 27 when we staged the first Rebellion in Blackpool and it was carnage; absolute mayhem.

“It is a lot more serene now but importantly it is not just a retrospective festival.

“In the last four to five years the younger generation have embraced Rebellion too and given it even more vibrancy and excitement.

“There are amazing young bands like Idles and Wolf Alice and some of today’s generation have found Rebellion because those bands have referenced punk.

“To see the old bands still performing at Rebellion alongside some of the most talented musicians of the next generation is so special.”

Clare Grogan of Altered Images

Rebellion remains a fiercely independent festival with no sponsorship and Jenny says it feels like welcoming close friends when the Rebellion doors swing open each year.

“It does feel like that, yes,” she says.

“Some people come alone, some with friends but they all know how kind and good-natured the atmosphere at Rebellion is.

“Both Darren (festival co-founder) and me can now say we’ve been running this festival for over half of our lives, but it’s what we love.

“Punk was never dead because here we are, still living our dreams.”

For more information about who’s playing when and tickets, visit www.rebellionfestivals.com

A former Liverpool star desired a return to Merseyside but claimed his return was blocked after a relationship breakdown

Stephen Warnock has claimed that a “jealous” Gerard Houllier thwarted his return to Liverpool from Aston Villa. The 44-year-old alleges he even proposed to slash his wages in half to facilitate the move, but his appeal was dismissed.

Warnock kicked off his career with the Reds and racked up 67 first-team appearances before departing in 2007. Following a stint at Blackburn Rovers, he found himself at Villa Park playing under the legendary former Liverpool manager Houllier, who died in 2020.

After a disagreement, the full-back sought a transfer and his childhood club were ready to welcome him back initially on loan. However, his Anfield reunion never came to pass despite his willingness to reduce his salary and Warnock believes Houllier was responsible.

Speaking on In The Mixer, sponsored by Sky Bet, Warnock revealed: “So Gerard Houllier was the manager of Aston Villa and I had a falling out with him. I was basically put on the reserve team squad. Then Gary McAllister came to me, another assistant manager doing the manager’s job, to say, ‘Kenny Dalglish has been on the phone.

“He wants to re-sign you for Liverpool.’ It was at least on loan to start with, with a view to a permanent. So I was like, ‘Yeah, brilliant. Get it done.’ And he was like, ‘It’s the right thing for you. Go back and enjoy your football.’

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“But I think there was an element of Gerard Houllier being jealous of the fact that I could go and play for Liverpool and I could go back there and be happy. It’s a bad look. So they turned around at the last minute and put I think a half-million-pound loan fee on. Liverpool were like, ‘Hang about, you’ve just changed the goalposts.’

“Anyway, the deal fell through and I ended up sitting in the reserves for the rest of the season. Head loss completely. I mean, it got to the point where they had to move me off the reserve team pitch because I was booting balls into the middle of their training sessions.

You can tune into brand new episodes of In The Mixer on Spotify and Apple Podcasts!

“When I was supposed to be going back to Liverpool, I said to them with the loan deal, ‘Well, if we can make it work, chop my wages in half.’ I was like, ‘I’ll take less. I don’t care. Just let me go back and play.’

“They were like, ‘No, no, we can’t do that.’ That was Villa saying that. I was like, ‘Yeah, you can. You’re making half my wages back for doing nothing. Just let me go. And Liverpool are going to cover my wages there.’ They wouldn’t do it.”

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Houllier stepped down as Villa manager at the conclusion of the 2010/11 season after a period of ill health. Warnock was reintegrated by his successor, Alex McLeish, and remained at Villa Park for another season before a loan spell at Bolton and a subsequent permanent move to Leeds.

He later played for Derby, Wigan, Burton Albion and Bradford before hanging up his boots in 2018 and transitioning into punditry.

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With more news about the PlayStation 6 starting to appear, a reader feels that the appearance of Valve’s Steam Machine will have a big impact on Sony’s plans.

You’d think the demise of Xbox would be cause for celebration amongst PlayStation fans, but it hasn’t turned out like that at all, from anything I’ve seen. Maybe it’s because Xbox hasn’t been a true rival for a while now but the exit of Phil Spencer and the annoucement of Project Helix hasn’t even been a blip on the radar of anyone I’ve spoken to.

Most of them are too busy complaining about the current state of PlayStation 5 and while the rumours about Sony moving away from the PC are promising they are only rumours and we don’t know anything for sure.

But I’m optimistic about that change, assuming it’s real, because it seems to show that Sony is wiling to listen to fans when it comes to the PlayStation 6. I like the idea of a PlayStation 5 handheld too but the thing I’m most interested in is the Steam Machine because, unlike Xbox, it could provide some actual competition to Sony.

Any sensible fan will tell you that they need competition. It’d be awful if Xbox or PlayStation became too dominant and I think a lot of problems with the PlayStation 5 generation is it’s been made obvious that it doesn’t really matter what Sony does, because people haven’t got an alternative.

There’s a lot of reasons that they’ve stopped making as many single-player games but I think one of the big ones is that they don’t need to. Exclusives are one of the main reasons that anyone picks one console over another, but if PlayStation 5 is the only choice, when it comes to high-end games, that’s not really an issue, so why bother spending the money making them?

But with Steam Machine, Sony is going to have to think about what it’s doing again. Remember, coming off the back of the PlayStation 3, Sony was in high alert mode. If the Xbox 360 hadn’t sabotaged itself, it would’ve won that generation and Sony knew it. So they went all out with the PlayStation 4 and its games.

The PlayStation 5 was off to a similar start but while there were multiple factors for why things stopped, I think one of them was that they realised the Xbox Series X/S was such a flop out of the gate there wasn’t any need.

We don’t know what exactly Valve’s approach is going to be for the Steam Machine but there’s talk of Half-Life 3 and that is not going to appear on PlayStation 5, I would guess. There may be other Valve exclusives but even if there’s not the Steam Machine can run any PC game, which includes many great games that aren’t on PlayStation.

I’m sure this is one of the other reasons that Sony is pulling away from PC. They don’t want PlayStation games appearing on the next gen Xbox, but no one’s going to buy that so it’s not as big a deal. But a Valve PC/console hybrid that will probably do very well? That’s a real danger.

So while we know very little about the PlayStation 6 at the moment, I feel the signs are all good: rumours of going back to exclusives and single-player games, and real competition that will force Sony to make an effort.

I’d also hope that they’ve generally learnt from the mess this generation has been and welcome a new start just as much as we would. So while there is some grim news out there, I’m looking forward to the future of PlayStation.

By reader Iceman

The reader’s features do not necessarily represent the views of GameCentral or Metro.

You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot.

Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.

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Models emerged from dramatic lighting that cast long reflections across the runway floor, creating a stage-like atmosphere that suggested the show was as much performance as it was a fashion presentation, a hallmark of the Westwood house, long known for challenging conventions of class, gender and historical dress.

A couple of years ago I dug up an artefact buried under soil, grass and leaves in a park close to my home in Exeter. It was not some ancient object but rather a granite memorial plaque laid down by the local city council only three years before. Dedicated to regional victims of the COVID pandemic, it had been created, forgotten and swallowed by the ground in swift succession.

This illustrates our conflicted relationship with remembering the pandemic in Britain. The urge to memorialise sits awkwardly alongside forces of forgetting and indifference. COVID killed over 230,000 people in the UK and had profound effects on health, wellbeing, child development and economic stability. Yet many people treat it with the ambivalence of waking from a strange dream.

Following its official response to the UK Commission on Covid Commemoration late last year, the British government is now formally stepping into this slippery space of remembering and forgetting. March 8 has been designated as a day of reflection on the pandemic, with the Department for Culture, Media and Sport taking the lead.

And yet how much difference will this day make? What media coverage will it receive? How much public appetite is there for it? In my own work on British remembering and forgetting of the pandemic, I have found much evidence of uncertainty about what should be remembered, who should be centred and when commemoration ought to begin.

Despite the death toll and social consequences, public memory of the COVID pandemic has been marked by hesitancy about what should be remembered, when commemoration should happen, who it should involve and how it should be enacted.

A key challenge is the absence of a unified narrative. Pandemic experiences ranged from bereavement, illness and profound suffering in lockdown to mild inconvenience or even a welcome respite from normal life. Depending on luck and the situation with which you entered into the pandemic, it was anything from deeply traumatic to something people are quietly nostalgic about.

When I asked for short public recollections of the period, I received stories of loss, disrupted lives and exhausted health workers, but was also inundated with descriptions of birdsong and country walks. The responses were later compiled into an online audiobook. Public memory of the pandemic has to find a way of holding these incongruities together.

The day of reflection also has a disorientating relationship with time. COVID had no neat end point, no convenient armistice day around which to orient ourselves. The question of when public remembrance should begin was therefore unclear. Some informal memorials were created not long after the pandemic started, but when the government launched the UK Commission on Covid Commemoration in 2022, it was criticised for being too soon. In reality there is probably no perfect moment for public memorialisation, with the time always feeling either too early or too late for different people.

The question of who should organise remembrance is equally fraught. The state’s slow response to recommendations from the UK Commission on Covid Commemoration has been shaped in part by an awareness that this is politically sensitive terrain. Perhaps remembrance should not be led by the state at all. The grassroots activist group COVID-19 Bereaved Families for Justice UK created the National Covid Memorial Wall in London, and the bereavement charity Marie Curie oversaw earlier versions of the day of reflection.

Focusing collective recollection solely around loss of life nonetheless leaves major gaps in terms of the variety of people’s experiences. But there are also risks in wholly levelling the playing field. The loss of a loved one is not equivalent to Zoom quizzes and sourdough baking. Nor should collective memory erase the extent to which the pandemic’s impacts were systemically uneven, with higher mortality rates in some ethnic minority communities.

Remembering through the lens of war

The day of reflection also sits awkwardly alongside existing patterns of how British people remember. These habits are most prominently shaped by rituals of war memory. The various memorial spaces associated with fundraiser and veteran Captain Sir Tom Moore emerged partly because he so neatly fused thoughts of COVID and the second world war.

But the pandemic was not much like a military conflict. While there were praiseworthy instances of public service, most deaths did not fit a narrative of heroic sacrifice, the virus was not an ideological or national enemy, and comparisons between prime ministers Boris Johnson and Winston Churchill have not endured.

Despite the difficulties of what is remembered, when it should happen, who should lead it and what form it should take, there has been an abundance of memorial creation since 2020.

When researching a book on the topic, I visited one built high up a Welsh mountain. I saw one constructed elaborately from wood and later ceremonially set ablaze. Another was framed as a defiant celebration of working-class heroism. One depicts exhausted medical staff cast in bronze. There were many others. Their narratives, forms and origins vary considerably, but what they share is a tenuous grasp on public consciousness. Generally they are little known and, in some cases, their long-term survival is uncertain, dependent on funding, maintenance or continued public interest.

The March 8 day of reflection will not settle the question of how Britain remembers or forgets COVID, but it will reveal how willing we are to try. Any national act of remembrance will only feel meaningful if it can hold together grief, inequality and ambivalence without pretending they are the same.

A woman from East Belfast who was shot nine times and “left for dead” has now set up a beauty training salon to help other women follow their dreams.

Jemma McGrath was attacked in September 2013 and underwent one of the longest operations ever carried out at the Royal Victoria Hospital in Belfast. She was left with a broken arm, broken leg, and pins and screws holding her body together.

The now 36-year-old admitted to using drugs in her youth, and previously said she let her life spiral out of control after her dad’s death. After the shooting, she suffered post-traumatic stress disorder which gave her such severe panic attacks she thought she was dying.

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Jemma had to rebuild everything from the ground up, including having to learn how to walk again after being in a wheelchair for months. Now, she is working hard to empower young women and give them a chance to become self-employed through her new training beauty salon on the Shankill Road, Belfast Brows & Lips.

Speaking to Belfast Live, Jemma reflected on being shot 13 years ago, as well how it led to her turning her life around.

She said: “In 2013 I was shot nine times, which left me fighting for my life. I had to learn to walk again, with pins and bolts holding my whole body together, and scars from head to toe.

“For other people that would probably be the end of the road – but for me it was just the beginning. It gave me the determination to create the life I have today.

“I was in a wheelchair for three months and then obviously the mental side of recovery was tough too, but I’ve always been very positive and determined. If I’m really honest with you, I don’t know I would have had the determination that I’ve got today if that hadn’t happened.

“I’m actually a bit emotional when I look back because I literally feel like I’ve created the life I want, where I’ll jump out of bed an hour early for work. After all the hard work, stress, and everything I’ve been through it feels amazing to get to this stage.”

In 2018, Jemma won the Prince’s Trust award for the most innovative business in Northern Ireland and since then has worked with groups such as the Training for Women Newtork (TWN) and the Women Involved in Community Transformation programme.

Through this, she was put through qualifications to be able to teach others the beauty treatments she is passionate about. In the years since, she has taught 130 girls in brows and other treatments, and will soon be offering regulated courses in aesthetics and diplomas in semi-permanent makeup.

Jemma said she is delighted to be able to give back to the community, and help get women onto a good path, working towards being their own bosses.

“It’s amazing so see the growth and how it’s afecting them, they’re all so excited to come to work. They said they couldn’t wait for the weekend to end so they could come in, and if I’m honest I was exactly the same. It’s amazing what we’re doing here,” she added.

“Seeing their passion and their work improve so much, and knowing it was me who trained them, it’s an amazing feeling, you can’t describe it. Just to be able to create this place now where we can all come and learn and grow together as a team, it’s amazing.

“I feel I have the right girls around me, especially when we’re getting started. They’re all so driven and excited to see what can come out of this.

“Whenever I set out I always said I wanted to take women down a different road to what I took, and I feel like I’ve done that. It’s about giving different opportunities so they can grow their own businesses. We’re all about empowering young women here.”

Offering advice to anyone who finds themself in a difficult position, similar to Jemma’s years ago, she said: “If I can build this from where I’ve started, there’s nothing that can stop you as long as you really want it. With a bit of faith, a lot of hard work, you can keep going – never stop and it’ll happen.”

Video by Belfast Live videographer Justin Kernoghan.

For all the latest news, visit the Belfast Live homepage here and sign up to our daily newsletter here.

Manchester City manager Pep Guardiola spoke of his delight for his players after their 3-1 win over Newcastle in the FA Cup

A delighted Pep Guardiola put Manchester City’s win over Newcastle in the FA Cup as their best performance at St James’ Park in his 10 years in English football. The Blues picked up their fourth win in three months against Eddie Howe’s side with a 3-1 victory that keeps their dreams of a Quadruple alive.

The victory was even sweeter for City because Guardiola made 10 changes from the side that had drawn 2-2 with Nottingham Forest in midweek in an admission that some players were too tired with Real Madrid coming next in the Champions League on Wednesday. Erling Haaland was left at home and Bernardo Silva, Rodri, Ruben Dias and Marc Guehi remained on the bench in the north-east.

After a difficult start, City rallied and Savinho got the equaliser on his first start in more than two months and then Omar Marmoush scored his fifth and sixth goals of the season – four of them have come against Newcastle – to book City’s place in the FA Cup quarters. Before then, they will head to Madrid with confidence – but with a lone regret from the manager over the number of chances they missed to win by even more.

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“It’s one of the best feelings,” he said. “Really all the managers have that feeling, look at the performance of Nathan [Ake] – how reliable he is. All of them, there is not one single one that didn’t behave their best. Sometimes you don’t allow them to play much minutes and always you have that feeling. That’s why it’s nice to be in the competitions because it’s nice for them to be involved.

“The only regret I have today is that we missed too many easy chances. That is the only thing we have to really improve because it’s one against one with the keeper, we have to try to finish better.

“Except the first 15-20 minutes that always happens, we talk about that, we could not control but after we dropped and Savinho started to make one against one on the byline we were incredible. It’s the best game we have played against Newcastle here in our period together in 10 years -and a difficult one in the FA Cup.

“I’m really pleased with how we played, how we behaved offensively, defensively, the concentration. It’s top. Eight times in a row in the quarter-finals of the FA Cup means how good this organisation is.”

Lest there be any doubt, the special relationship is pending repair.

Donald Trump had barely left the tarmac at Dover Air Base, a president in mournful respect for America’s fallen, when his attention turned to the UK prime minister.

Trump is clearly bruised by an old ally turning its back in his hour of need.

This is, after all, a president who maintains America’s alliances on America’s terms, who questions why international law should come between old friends.

Iran war latest: follow live

On Iran, the legality of conflict remains a point of contention.

That matters to a warrior president in a fight to justify conflict in Iran and, possibly, elsewhere (Trump can’t stop talking about change in Cuba).

Polls show a majority of Americans against the military intervention, and the country is facing the threat of gas prices going up.

Trump needs political capital and, as such, could well use the validation of allies.

Starmer hasn’t been alone in standing firm against Trump on Iran, but the president has picked the special relationship for special treatment.

The UK prime minister has invested heavily in building a rapport with Trump, styling himself as the bridge-builder across the Atlantic.

Read more:
Analysis: Donald Trump’s war with Iran is going global
What is the strategy behind US and Israel’s strikes?

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Day 8 Iran War: Videos from the ground

It’s also hardly surprising when the US president picks him as the point man on points of conflict.

And yet, it had been a day of dignity at Dover Air Base in Delaware.

In this conflict, from this White House, dignity isn’t a given.

Dover Air Force Base was the setting for Saturday’s “dignified transfer” of the six American soldiers killed in combat.

The president cut a figure of mournful respect as he stood in honour of the six US soldiers killed in combat, the solemn duty of a commander-in-chief.

It was an image in contrast to the picture presented by his administration during a week of hostilities.

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Rumours Trump asked Iraqi Kurds to go into Iran ‘not true’

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Take a look at the social media content posted in recent days by White House staffers.

They’ve posted short films portraying the attack on Iraq as a video game. Footage of destruction is intercut with “point-of-view” video in which you, the viewer, are holding the weapon.

You can almost hear the sniggering and high-fiving of a production team playing it for likes.

It’s jingoism and triumphalism for the modern age, and, in conflict, maybe there’s a place for both.

In the context, it’s also tone deaf and tasteless.

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Iran’s president responds to Trump

This military campaign has claimed hundreds of lives of various nationalities across a wide area, and Trump is warning there will “likely” be more US casualties.

Currently, the Americans face questions over possible involvement in the bombing of a girl’s school that killed more than 160 youngsters – something Trump claimed was “done by Iran” during a gaggle on Air Force One.

The reminders are everywhere of the horrors of war and its enduring trauma.

This is a military action with so many uncertainties surrounding its rationale and its objectives.

To spin it as entertainment on social media is to diminish the impact on all concerned.

It is jarring, as is the hyperbole passing as commentary by the administration’s political players.

The dignified transfer of US troops threw a focus back onto the absolute certainty of war, reinforced through time – its tragedy and its loss, laid bare.

There are no likes in that.