The Lizzie Borden Story’ Doesn’t Get Female Rage

But theirs are old stories, already told and retold in every conceivable media, and often, effectively, by women. Wuornos was, of course, most famously portrayed by Charlize Theron, in writer-director Patty Jenkins’ career-making, Oscar-winning 2003 film also titled Monster. Isabelle Huppert stars as Báthory in The Blood Countess, a new feature by German experimental cinema legend Ulrike Ottinger, which is earning praise on the festival circuit for its strangeness and sense of humor. Meanwhile, on TV, creator Liz Meriwether just gave us Furious—another story of female rage, female repression, and yes, even a (fictional) female serial killer. While Krieps is mesmerizing in Monster and frequent Murphy production designer Matthew Flood Ferguson has outdone himself with lavishly suffocating Gilded Age interiors, Furious is the superior show because it takes “being a woman is hard” as the given it is rather than as the endpoint of many repetitive episodes. It has dark, lived-in comedy and real stakes, posing the question of what can realistically be done about systemic misogyny and the anger over it that stains women’s lives.