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10 Best Facts About Making the Lord of the Rings Trilogy

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Every movie has stories and fun facts about their makings, but none has a community as devoted and engaged as The Lord of the Rings. Fans of Peter Jackson‘s film trilogy often go to incredible lengths to learn new things about them and tell everyone about it, resulting in some of those facts and trivia often becoming fandom jokes and memes, or even going viral.

Considering how all three installments were filmed back-to-back over several years, there is no shortage of great behind-the-scenes factoids about The Lord of the Rings trilogy, from the most inconsequential ones to actual injuries and even life-or-death situations. Here’s a list of the most incredible of such facts for next time you’re watching the movies and want to flex some Middle-earth knowledge — I mean, who wouldn’t, right?

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10

Ian McKellen Bumps His Head on the Ceiling in Bag End

‘The Lord of the Rings: The Fellowship of the Ring’

Gandalf (Ian McKellen) bumps his head on the ceiling at Bag End in The Lord of the Rings: The Fellowship of the Ring
Image via New Line Cinema

Starting off small, when Gandalf (Ian McKellen) first visits Bilbo (Ian Holm) in Bag End in The Lord of the Rings: The Fellowship of the Ring, the wizard bumps his head on the chandelier and the ceiling. According to legend, that bump was unscripted, and McKellen really knocked his head on the wood by accident, as the Bad End set was made to proportion for Hobbit characters, and he was bigger than everything around him.

There is some controversy about this, however. Peter Jackson confirmed it as an accident in The Fellowship of the Ring DVD extras, saying that McKellen hit his head and stayed in character. Later, McKellen claimed he actually planned the bump before shooting, believing it would add an element of fun to the scene. Regardless of who you believe, that bump must’ve hurt.

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9

Hugo Weaving Dubs Isildur’s Only Line in the Trilogy

‘The Lord of the Rings: The Fellowship of the Ring’

Isildur (Harry Sinclair) looking smug in The Lord of the Rings: The Fellowship of the Ring
Image via New Line

Played by Harry Sinclair, Isildur has only one line in the trilogy: “No.” That’s in a flashback scene, when Elrond (Hugo Weaving) is telling him to destroy the One Ring and “cast it into the fire.” Unfortunately, Peter Jackson didn’t like how Sinclair’s own voice sounded, and had Weaving dub over it later. So, in that scene, Weaving is voicing two characters: himself as Elrond and Isildur.

Funnily enough, Jackson cast Sinclair as Isildur because Sinclair was the most “corrupt-looking” person he knew, but later claimed Sinclair’s voice didn’t sound “corrupt enough” for that scene. Indeed, Sinclair’s voice isn’t as deep as Weaving’s and anyone barely even notices, so, in the end, it was for the best.

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8

A Background Elf Became an Actual Character Thanks to the Fans

‘The Lord of the Rings: The Fellowship of the Ring’

Figwit (Bret McKenzie) in The Lord of the Rings: The Return of the King
Image via New Line Cinema

During the Council of Elrond scene in The Fellowship of the Ring, there’s an unnamed Elf played by Bret McKenzie sitting beside Aragorn (Viggo Mortensen). When Frodo (Elijah Wood) stands up to say he will take the One Ring to Mordor, everyone stares at him, including this Elf, who’s at the far right of the frame. Thanks to his good looks, he quickly became a meme among the fans, and even got his own name: Figwit.

Everything about Figwit is funny and unexpected because of his behind-the-scenes story. His name is the acronym for “Frodo is great… Who is THAT?”, the reaction of the fan who first spotted him. She even made him a website, and the buzz grew enough to draw Peter Jackson’s own attention, who then called McKenzie back for The Lord of the Rings: The Return of the King and then for The Hobbit: An Unexpected Journey, only, this time, with actual lines.

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7

Viggo Mortensen Deflects a Real Knife Filming a Fight Scene

‘The Lord of the Rings: The Fellowship of the Ring’

Aragorn (Viggo Mortensen) deflects a knife thrown by Lurtz in The Lord of the Rings: The Fellowship of the Ring
Image via New Line Cinema

At the end of The Fellowship of the Ring, Aragorn fights the Uruk-hai Lurtz (Lawrence Makoare). When he stabs the monster to no effect, Lurtz simply grabs the dagger and throws it back at Aragorn, who deflects it with his sword just in time. That was a real throw, and Viggo Mortensen really deflected it himself. Aragorn later finds it within himself to defeat Lurtz, despite the monster’s overwhelming strength and resistance.

Legend has it that the stuntman playing Lurtz at that moment couldn’t see properly and threw the knife at full force, with Mortensen deflecting it out of sheer reflex. In the DVD commentary, Peter Jackson praised Mortensen, who “did it first take.” Years later, however, other accounts surfaced, claiming that the moment was actually rehearsed. Be that as it may, it was a real knife and a real throw, making Mortensen a real badass.

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6

Viggo Mortensen Broke His Toe by Kicking an Orc’s Head

‘The Lord of the Rings: The Two Towers’

Viggo Mortensen screaming after breaking his toes in The Lord of the Rings: The Two Towers
Image via New Line Cinema

This one has been shared so much, it’s arguably among the most famous behind-the-scenes facts ever. In The Lord of the Rings: The Two Towers, Aragorn, Legolas (Orlando Bloom), and Gimli (John Rhys-Davies) track Merry (Dominic Monaghan) and Pippin (Billy Boyd) to an Orc camp at the border of Fangorn Forest. Frustrated, Aragorn kicks an Orc’s decapitated head and lets out a scream. That scream was real, as Viggo Mortensen actually broke two toes kicking the prop.

That wasn’t the only injury on set, though. Bloom and Brett Beattie, Gimli’s scale stunt, had a cracked rib and a dislocated rib, respectively, after falling from a horse. All three actors were injured when filming the epic running scenes, with Peter Jackson calling them “real troopers” in the DVD extras. They’d power through the shoot and then go back to limping and groaning as soon as Jackson yelled “cut.”

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5

The Massive Uruk-Hai Chant Was Recorded Live at a Stadium

‘The Lord of the Rings: The Two Towers’

Saruman with his back to the camera addressing a large army in The Lord of the Rings: The Two Towers
Image via New Line Cinema

When Saruman (Christopher Lee) riles up his Uruk-hai army to send them to battle at Helm’s Deep, the response is loud, as the thousands-strong force chants back to him in Black Speech. In reality, that chant was recorded live at a cricket stadium with Peter Jackson himself directing the crowd. The sounds were then adjusted in the studio to properly fit into the scene, as they didn’t want to use a single chant and simply multiply it.

The whole thing was recorded during halftime of a New Zealand-England match in Wellington in February 2002. The home team was winning by halftime, so, when Jackson showed up to direct the crowd, they were already in pretty good spirits, and he didn’t have much trouble. He got them to chant, stomp their feet, and beat their chests, and all those sounds were used.

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4

The Riders of Rohan Are Mostly Played by Women

‘The Lord of the Rings: The Two Towers’

Emoer (Karl Urban) and the Riders of Rohan in The Lord of the Rings: The Two Towers
Image via New Line Cinema

Éowyn (Miranda Otto) is among the best characters in the trilogy, but she isn’t the only woman fighting for Rohan — at least not behind the scenes. Whenever the Riders of Rohan appear, there are more women than men among them. That’s because production required many expert riders who could bring their own horses, and most of them were women. “There are some very good woman riders in New Zealand, and it’d be silly not to take advantage of them,” said Viggo Mortensen.

During filming, each of these women had to wear fake beards and messy long hair matching J.R.R. Tolkien‘s description of the Riders. You simply cannot tell that most of the Rohirrim are women, and the horse-charging scenes in The Two Towers and The Return of the King are so iconic, it actually elevates Éowyn’s own story when you learn about it.

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3

Aragorn Trained in Sword Fighting With Darth Vader

All trilogy

Aragorn (Viggo Mortensen), holds his sword close to his face as a light shines across him. He is surrounded by allied soldiers, along with Legolas and Gandalf
Image via Warner Bros. 

By the end of production, Viggo Mortensen had become a competent swordsman, given all his work as Aragorn. That’s all because Mortensen trained for the role with Bob Anderson, a British Olympic fencer and sword master in many Hollywood productions, including playing Darth Vader in the fighting scenes of the original Star Wars. So, you could say that, in a way, Aragorn actually trained with Darth Vader.

Their training quickly paid off. Mortensen was cast after filming had already begun, and his very first scene was the fight against the Nazgûl at the Weathertop in The Fellowship of the Ring. While Anderson didn’t do the fighting choreography, his training did allow Mortensen to translate it into actual combat movements, making it feel much more realistic.

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2

The Last Movie Wrapped Filming After Winning the Oscar

‘The Lord of the Rings: The Return of the King’

Aragorn and the Army of the Dead avalanche
Image via New Line Cinema 

On February 29, 2004, The Return of the King made its legendary clean sweep of the Oscars, winning all 11 of the categories it was nominated for. Days later, Peter Jackson was back filming more footage for the extended edition, comprising skull and tunnel shots for the Paths of the Dead sequence, as he still wasn’t satisfied. In the DVD commentary, he joked about it, saying: “It’s nice to win an Oscar before you’ve even finished the film.”

The third movie wasn’t the only one to be properly finished like that, however. Principal photography for the whole trilogy took place between October 1999 and December 2000, but Jackson went back to shoot more footage for each film after its release. Boromir’s (Sean Bean) flashback scenes in The Two Towers, for example, were shot after production had wrapped on that movie’s theatrical version. A true labor of love.

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1

Peter Jackson Has Cameos in All Three Movies

All trilogy

Peter Jackson eating a carrot in a dark, rainy night in The Lord of the Rings: The Fellowship of the Ring
Image via New Line Cinema

One of the most treasured traditions in The Lord of the Rings is to spot director Peter Jackson’s cameos in the films. He shows up as background characters or minor ones in every movie of the franchise. In The Fellowship of the Ring, he plays Albert Dreary, a carrot-munching individual in Bree. In The Two Towers, he plays a soldier of Rohan who throws a spear at the Uruk-hai in the battle of Helm’s Deep. Finally, in The Return of the King, he plays a Corsair of the Umbar who gets shot by Legolas as a warning.

It’s such a fun tradition, Jackson repeated the dose in The Hobbit, where he plays a Dwarf fleeing Erebor in An Unexpected Journey, Albert Dreary Sr. munching a carrot in Bree in The Hobbit: The Desolation of Smaug, and appears as Bilbo’s (Martin Freeman) father, Bungo Baggins, on a portrait in Bag End in The Hobbit: The Battle of the Five Armies. Here’s hoping he’ll even have a cameo in The Lord of the Rings: The Hunt for Gollum, too.













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Collider Exclusive · Middle-earth Quiz
Which Lord of the Rings
Character Are You?

One Quiz · Ten Questions · Your Fate Revealed
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The road goes ever on. From the green hills of the Shire to the fires of Mount Doom, every soul in Middle-earth carries a destiny. Ten questions stand between you and the truth of who you are. Answer honestly — the One Ring has a way of revealing what we most want to hide.

💍Frodo

🌿Samwise

👑Aragorn

🔥Gandalf

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🏹Legolas

⚒️Gimli

👁️Sauron

🪨Gollum

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01

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You are handed a responsibility that could destroy you. What do you do?
The weight of the world falls on unlikely shoulders.




02

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Your closest companion is heading into terrible danger. You:
True loyalty is revealed not in comfort, but in crisis.




03

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Enormous power is within your reach. Your instinct is:
Power corrupts — but only those who reach for it.




04

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What does “home” mean to you?
Where we long to return reveals who we truly are.




05

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When a battle is upon you, your approach is:
War reveals what we are made of — whether we like it or not.




06

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Someone comes to you for advice in their darkest hour. You:
Wisdom is not knowing all the answers — it’s knowing which questions to ask.




07

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How do you see yourself, honestly?
Self-knowledge is the most dangerous kind.




08

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Which of these best describes your relationship with the natural world?
Middle-earth speaks to those who know how to listen.




09

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You encounter a wretched, pitiable creature who has done terrible things. You:
How we treat the fallen reveals the height of our character.




10

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When the quest is over and the songs are sung, what do you hope they say about you?
In the end, we are all just stories.




The Fellowship Has Spoken
Your Place in Middle-earth
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The scores below reveal your true character. Your highest number is your match. Even a tie tells a story — the Fellowship was never made of simple people.

💍
Frodo

🌿
Samwise

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👑
Aragorn

🔥
Gandalf

🏹
Legolas

⚒️
Gimli

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👁️
Sauron

🪨
Gollum

You carry something heavy — and you carry it alone, even when you don’t have to. You were not born for greatness, and that is precisely why greatness chose you. Your courage is not the roaring, sword-swinging kind; it is quiet, stubborn, and terrifying in its refusal to quit. The Ring weighs on you more than anyone can see, and still you walk toward the fire. That is not weakness. That is the rarest kind of strength there is.

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You are, without question, the best of them. Not the most powerful, not the most celebrated — but the most essential. Your loyalty is not a trait; it is a force of nature. You would carry the person you love up the slopes of Mount Doom if it came to that, and we both know you’d do it without being asked. The world needs more people like you, and the world is lucky it has even one.

You were born to lead, and you have spent years running from it. The crown is yours by right, but you know better than anyone that right means nothing without the will and the worthiness to back it up. You are tempered by loss, shaped by long roads, and defined by a code of honour you hold to even when no one is watching. When you finally step forward, the world shifts. Because it was always waiting for you.

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You have seen more than you let on, and you say less than you know — which is exactly as it should be. You are a catalyst: you do not fight the battles yourself, you ignite the people who can. Your wisdom comes not from books but from an age of watching what happens when it is ignored. You arrive precisely when you mean to, and your presence alone changes what is possible. A wizard is never late.

Graceful, perceptive, and almost preternaturally calm under pressure — you see things others miss and act before others react. You do not need to make a scene to be remarkable; your presence speaks for itself. You are loyal to those you choose to stand beside, and that choice is not made lightly. You have lived long enough to know that the most beautiful things in this world are also the most fragile, and that is why you fight to protect them.

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You are loud, proud, and absolutely formidable — and beneath all of that is one of the most fiercely loyal hearts in Middle-earth. You don’t do anything by half measures. Your friendships are forged like iron, your grudges run as deep as mines, and your courage in battle is the kind that makes legends. You came into this fellowship suspicious of everyone and ended it willing to die for an elf. That is not a small thing. That is everything.

You think in centuries and act in absolutes. Order, dominion, control — not because you are cruel by nature, but because you have decided that the world left to itself always falls apart, and you are the only one with the vision and the will to hold it together. You were not always this. Something was lost, or taken, or betrayed, and the version of you that stands now is the answer to that wound. The tragedy is that you’re not entirely wrong — just entirely too far gone to course-correct.

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You are a study in contradiction — pitiable and dangerous, cunning and broken, capable of both cruelty and something that once resembled love. You are defined by loss: of innocence, of self, of the one thing that gave your existence meaning. Two voices war inside you constantly, and the tragedy is that the better one sometimes wins, just not often enough, and never at the right moment. You are a warning, yes — but also a mirror. We are all a little Gollum, given the right ring and enough time.

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