Entertainment
10 Whodunit Movies With Perfect Mysteries From Start to Finish
Who done it? That’s the central question at the heart of one of the most popular varieties of mystery. A whodunnit is structured differently than other mysteries. It presents all the suspects of its central crime up front, and from there it begins to process the clues so that the audience may try to puzzle out who the real culprit is for themselves. They can have as many plot twists and turns as any other mystery, but there’s an interactive quality that makes them undeniably entertaining. Some of the most popular crime writers of all time turned out a whodunnit or two in their time, and many of them have made their way to the big screen as well.
While true whodunnit movies aren’t as ubiquitous as they are in the literary world, there are still enough to make for a stellar murder mystery weekend. Some are funny, others are more sinister, but they’ve all got some mysteries that will pique your interest and have you trying to parse out the terrible truth. Whether you’re a true crime fanatic or just a casual player of Clue, these ten whodunnits will keep you curious with their perfect mysteries.
‘The Thin Man’ (1934)
Based on the novel by acclaimed crime writer Dashiell Hammett, The Thin Man is better known for the chemistry between lead actors William Powell and Myrna Loy, as crime-solving couple Nick and Nora Charles, than it is for its central mystery, but it’s still a cracking whodunit. The film’s success led to five sequels featuring the characters, but the original is still the best, offering a tantalizing mystery and a sinister list of suspects.
The titular Thin Man is inventor Clyde (Edward Ellis), who goes missing after confronting his mistress about stolen money. That’s when former detective Nick and his socialite wife Nora get involved, and the bodies begin to pile up. Is the Thin Man a suspect or a victim? Who is responsible for his disappearance and why? There’s a long list of suspects, and Nick gathers them all in the finale for a classic whodunit wrap-up. The entire film is a classic, and it’s all played with a light touch, making it one of the most fun murder mysteries ever made.
‘And Then There Were None’ (1945)
Agatha Christie is among the most famous mystery writers, having created iconic characters such as Hercule Poirot and Miss Marple, along with authoring several singular mystery classics. Her seminal whodunit And Then There Were None, also known under some other far more racist titles, is the most frequently adapted of her work, with the most famous being the 1945 version. Directed by René Clair, the film collects a group of strangers in an island mansion, and kills them off one by one.
Eight guests are invited by a mysterious host named U.N. Owen to a manor on a remote island. The only thing the guests, as well as the two newly hired servants, have in common is that they have all been accused of prior murders. When they each begin to meet their own demises, the survivors begin to turn on one another as they try to sort out who the real killer is among them. It’s an iconic set-up for a whodunit that’s influenced dozens of others that have come after it, and its mystery will keep you guessing until the last minute.
‘The House of Fear’ (1945)
The most iconic fictional detective of all time is, without a doubt, Arthur Conan Doyle‘s Sherlock Holmes. Of all the actors to take on the role of Holmes, the one most associated with the role is Basil Rathbone, who appeared in fourteen feature films as the detective alongside Nigel Bruce as Watson. While most of those films don’t conform to the whodunit template, The House of Fear is the murderous exception.
Based on Doyle’s short story The Five Orange Pips, the film follows Holmes as he visits a Scottish castle where a group of men, known collectively as the Good Comrades, live together. When the men begin to die off, each after receiving an envelope of orange pips, their insurance agent believes one of them is killing the others in order to collect a larger payout. It’s not the greatest of the Rathbone outings, but The House of Fear is still a classic Sherlock mystery and an enthralling whodunit.
‘The Last of Sheila’ (1973)
One of the few whodunits not based on any prior source material, The Last of Sheila was instead inspired by real-life scavenger hunts that co-writers Anthony Perkins and Stephen Sondheim had often arranged for their celebrity friends. The film likewise focuses on a group of Hollywood players attempting to solve a murder, and it has since become a major influence on more modern mystery films, most evidently in Rian Johnson‘s Glass Onion, in which Sondheim himself made a cameo appearance.
Invited on a yacht pleasure cruise around the Mediterranean by their producer friend, the guests take part in a mystery game which seems to allude to the death of the producer’s wife a year prior. When the producer himself turns up dead, the guests then begin to play an entirely new game of whodunit. The Last of Sheila has a terrific ensemble cast, which includes Dyan Cannon, James Coburn. James Mason and Raquel Welch, and a clever script by Perkins and Sondheim that finds genuine mystery in the sordid secrets of the Hollywood elite.
‘Murder on the Orient Express’ (1974)
As star-studded as the cast of The Last of Sheila is, it can’t compare to the incredible ensemble that fills out Sidney Lumet‘s essential adaptation of Agatha Christie‘s Murder on the Orient Express. As Belgian detective Poirot, Albert Finney leads a cast of Hollywood royalty that includes Lauren Bacall, Sean Connery, Anthony Perkins, Vanessa Redgrave and Ingrid Bergman in an Oscar-winning performance. It’s the most stylishly produced version of a murder mystery that’s been adapted multiple times for film and television, but never bettered.
Set on the titular train, Poirot finds himself among a group of international travelers, one of whom is murdered in the middle of the night. Poirot discovers that every passenger on the train had a motive for murdering the victim, which leaves him until the train reaches its destination to suss out the perpetrator amongst the suspects. Murder on the Orient Express remains one of the best adaptations of Christie, with the author herself praising it, with the exception of her criticism that Poirot’s mustache wasn’t fabulous enough.
‘Clue’ (1985)
Based on the beloved board game, Clue is another whodunit with a classy cast, although with a far more comedic bent to its mystery-solving than any of the previously mentioned films. Originally developed by John Landis before writer Jonathan Lynn took over as director, the film included three different endings, all of which were eventually included when it was released on home media. Clue initially received a mixed response from critics and failed at the box office but has since become a cult classic thanks to the performances of its talented cast and its perfectly hilarious mystery.
Following the basic premise of the board game, the film features a group of strangers invited to a manor, where they are each given their color-coordinated code names before being confronted by Mr. Boddy (Lee Ving), who has blackmail material on all of them. Boddy quickly becomes a dead body, and the strangers are left to decide which one of them was capable of the murder before the police arrive. The casting is pitch perfect across the board, from Mr. Green (Michael McKean) to Mrs. White (Madeline Kahn), but the MVP is Tim Curry as the butler Wadsworth, who gets to sleuth with increasing manic energy as the plot gets ever more convoluted.
‘Scream’ (1996)
One of the most iconic horror franchises of all time also happens to be the longest-running modern whodunit franchise as well. Wes Craven‘s Scream is a meta satire of the slasher subgenre and its conventions, but unlike Jason Voorhees or Michael Myers, the identity of the film’s knife-wielding killer, Ghostface, is a mystery. As the bodies of teen victims begin to pile up, the survivors are left running for their lives like the cast of Scooby-Doo while trying to unmask the murderer.
The first film in Craven’s franchise follows a group of high school students stalked by a mysterious assailant who has an obsession with horror movies. The deaths create a media circus, with teen Sidney Prescott (Neve Campbell) caught at the center of it, while still struggling to process the murder of her mother a year prior. Scream reinvigorated slashers in the ’90s and led to a series of sequels and even more horror films that tried to draft off its success, but none of them feature a mystery as intriguing as the original.
‘Gosford Park’ (2001)
Despite the success of Scream, whodunits didn’t gain much traction in the ’90s, and it wasn’t until Robert Altman‘s Oscar-nominated Gosford Park that the genre would get a proper reintroduction with a throwback murder mystery set in a manor. Written by Julian Fellowes, who would later go on to create the series Downton Abbey, the film features the same upstairs-downstairs examination of the British class system, all filtered through the subversive mind of Altman and wrapped up in a classic whodunit.
Set on a country estate where a group of wealthy guests has gathered for a shooting weekend, tensions are already high amongst the guests and staff well before one of them is murdered, which exposes even more fractures within the social ranks. Altman has always been a keen observer of characters, and that suits the film well here. As the camera wanders and conversations overlap, we’re forced to listen intently and focus to figure out which of the cast of characters might have cause to kill.
‘Hot Fuzz’ (2007)
The second entry in the Cornetto Trilogy, following the zombie rom-com Shaun of the Dead, Hot Fuzz combines even more genres together, including buddy-cop action, cult horror, slapstick comedy and a dash of whodunit. While the murder mystery elements eventually take a backseat during the action-packed third act, and we’re deprived of the classic killer reveal, the film is too damn fun and funny to nitpick.
Supercop Nicholas Angel (Simon Pegg) is too efficient an officer, so he’s sent away by his lackluster superiors to a quiet village in the West Country, where he’s partnered with the bumbling Danny (Nick Frost). Angel’s need for action is quickly satiated when he discovers that the accidental deaths that plague the village are more than likely the result of a gruesome murderer. Hot Fuzz is easily one of the best comedies of the 2000s, with Edgar Wright’s energetic direction and the chemistry of Pegg and Frost powering its perfect little mystery.
‘Knives Out’ (2019)
Easily the biggest and most popular reinvigoration of the whodunit on film in the 21st century, Rian Johnson’s Knives Out not only delivered a brilliantly clever modern evolution of the genre as a whole, but also introduced one of its greatest new detectives in the form of Daniel Craig‘s southern fried performance as gentleman sleuth Benoit Blanc. While the two subsequent efforts featuring the character, Glass Onion and Wake Up Dead Man, offer unique twists in their murder mysteries, the original is a modern whodunit masterpiece.
When famed author Harlan Thrombey (Christopher Plummer) dies of an apparent suicide on his country estate (where else?), it seems like an open-and-shut case, except for the fact that Blanc has been anonymously summoned by someone who suspects foul play. This is bad news for Thrombey’s nurse Marta (Ana de Armas), who believes herself responsible for his death after accidentally giving him a lethal dose of morphine, and finds herself drawing suspicion from his privileged family when she is named as the sole benefactor of his estate. The truth, as is often the case in Johnson’s films, is far more complicated than it initially seems, and Knives Out offers one delightful twist after another in its perfectly concocted mystery.
You must be logged in to post a comment Login