There are plenty of Ridley Scott movies people love to argue about, and Exodus: Gods and Kings is definitely on that list. The biblical epic made money worldwide, but it never really escaped the “what if this had worked better?” conversation. Now it’s getting another shot with viewers thanks to free streaming.
FlixPatrol’s Tubi chart for April 5 places the film inside the platform’s U.S. top 10, and it’s pretty clear to see that the movie is showing up well as one of the service’s bigger library performers right now. The movie grossed about $268 million worldwide against a reported $140 million budget.
The full main cast of Exodus: Gods and Kings includes Christian Bale as Moses, the Egyptian-raised leader who becomes the liberator of the Hebrews; Joel Edgerton as Rhamses; John Turturro as Seti I; Aaron Paul as Joshua; Ben Mendelsohn as Hegep; Sigourney Weaver as Tuya; María Valverde as Zipporah; Ben Kingsley as Nun; Indira Varma as the High Priestess; Hiam Abbass as Bithia; and Isaac Andrews as Malak.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
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🏜️Dune
🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
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You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
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You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
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You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
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Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
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You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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Is ‘Exodus: Gods and Kings’ Actually Any Good?
Well, not really. Collider’s review stated that Exodus: Gods and Kings fails in the most important way: it never tells the story in a compelling way. The film has all the basic pieces of the Moses story — betrayal, destiny, freedom, and conflict — but it handles them in the dullest way possible. Scott seems far more interested in giant effects and destruction than in the people or ideas at the center of the story.
“Does it really matter how high the waves were when God parted the Red Sea? Does watching eight hundred chariots fall off the side of a mountain qualify as anything more than an unintentionally comic tribute to Ramses’ stunningly incompetent leadership? I understand that some people go to the movies for mindless entertainment, but this story comes with weight, and Scott doesn’t want to do the heavy lifting. He wants an excuse to make Gladiator again where the wise, handsome general gets revenge by rallying slaves to his cause. Religion and history are meaningless in Exodus: Gods and Kings as is everything else that doesn’t involve the swinging of a sword, the clash of a chariot, the burning of a city, or the parting of a sea.”
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