Running Point‘s second season has seen an impressive increase in audience size, and its success is evident in its having now reached over 25 million hours viewed (in total) on Netflix, according to the streamer. This growth has affected the tempo of the show and allowed it to establish a pattern for itself, a velocity that works for a nicely patterned series that knows how to build on this momentum.

The first season was a very fast-paced workplace comedy set in a professional basketball organization, largely thanks to Kate Hudson‘s portrayal of Isla Gordon. The second season has maintained the same base as season one while adjusting the storyline’s overall direction. In addition to being funny, the overall story is becoming more structured, character arcs are getting stronger, and the show is developing a clearer direction. The outcome of these changes has been an overall better-prepared, more mature second season with sharper comedy and deeper character development.

‘Running Point’ Expands Its Core Premise Without Losing Focus

Image via Netflix

While the show’s premise is set against the backdrop of professional sports, it places more emphasis on how the team’s internal workings affect one another than on the actual athletic action. The core theme of season two is the shift from Isla proving her capability to maintaining her authority as an owner. Isla is now an owner, managing expectations for continued success while contending with the competing interests of her extended family and the organization as a whole.

This change gives the writers the ability to develop more realistic, relatable conflicts because the gravity of your decisions as a leader has a much greater impact on the overall organization (and on the series) than it did in the previous season. The added ability to create a series of events that extend beyond individual episodes has significantly assisted the writers in developing the story for Season 2.

The Ensemble Cast Strengthens the Series’ Identity

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While Hudson remains the focal point, Season 2 places greater emphasis on its ensemble. The series has improved by giving the supporting characters fully developed arcs, making it feel like a more even playing field. Ali (Brenda Song) now has her own ambitions and frustrations to pursue in this year’s series, and as a result, she becomes an integral part of several storylines that help develop her character. The added development for Jackie (Fabrizio Guido) and Ness (Scott MacArthur) also helps the series build both comedic and narrative momentum throughout the season.

Cam’s (Justin Theroux) expanded presence in the Gordon household has created a new source of tension/volatility within the family unit, with his presence on-screen providing consistent tension throughout the entire season, thereby adding to the dysfunctionality aspect of the show’s primary narrative source(s) of conflict.

The addition of newcomer Ray Romano (as Coach Norm Stinson) to the supporting cast has brought another layer of tonal complexity to the ensemble. Norm’s storyline has been seamlessly integrated into the overall narrative without disrupting the series’ pacing.

Season 2 Finds a Better Balance Between Comedy and Character

Image via Netflix

Season two focuses on situational comedy and the fast-paced dialogue typically associated with Running Point. However, what is most notable about season two is the connection between the comedy and the character development. Comedy is more frequently connected to the characters themselves and their motivations than ever before, rather than being separate moments of comedy. The result is that both the comedy and the storytelling have a greater impact on the audience as a whole, creating a more unified experience throughout the series.

There is also a deeper emotional connection between the characters, particularly around work-related issues and personal relationships. Isla’s place in a male-dominated industry has continued to affect her decision-making and interactions with others throughout the season, creating a subtle yet very effective tension. The combination of these aspects has been executed without affecting the series’ pace, making it more accessible while adding more depth than the previous season.

The Series’ Growth Aligns With Its Rising Viewership

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The increase to 25.2 million hours viewed reflects the series’ improved execution. Running Point benefits from a structure that supports consistent engagement, with tightly paced episodes and interconnected storylines that encourage continued viewing. Its blend of workplace comedy and family drama remains accessible, while the added depth in Season 2 gives audiences a stronger reason to stay invested. The series does not attempt to shift genres or significantly alter its format. Instead, it refines its existing strengths.

Running Point may not prioritize realism in its portrayal of professional basketball, but its focus on character dynamics and organizational chaos continues to resonate. Season 2 demonstrates a clearer understanding of those strengths, resulting in a more cohesive and engaging series. As it continues to grow its audience, the show’s upward trajectory suggests it is well-positioned to maintain its momentum.

Today, California-born ska punk band Sublime is remembered as one of the most defining—and most influential—acts of the genre. Headed by singer-songwriter Bradley Nowell, the band helped define the sound of the 1990s and even maintained close relationships with other blossoming acts of the decade such as No Doubt, Slightly Stoopid, The Butthole Surfers, and The Minutemen.

While the band had been prolific since its inception in 1988, its most popular song to date was released after Nowell’s untimely death. Indeed, “Santeria” remains a crowd favorite to generations of listeners, with its irreverent lyrics and catchy guitar riff. Nowell, unfortunately, never had the chance to witness the song’s popularity, nor did his bandmates anticipate that the track would double as a tribute.

Sublime’s Rapid Success Was Tempered By Tragic Consequences

Sublime was formed in 1988 by Nowell, Eric Wilson, and Bud Gaugh. The group’s sound initially skewed toward garage punk, but the members gradually infused elements of reggae and ska into their work. This original combination set them apart, gave their music a distinct Southern California sound (they were based in Long Beach, California), and set a template for the genre for decades to come.

Who’s Your Perfect Classic Rock Band?

After finding their original sound, Sublime released their debut, 40 Oz. to Freedom, in 1992, finding moderate commercial success (as well as controversy for their song “Date Rape”) along with a strong cult following. The album also spurred a record deal with MCA, enabling Sublime’s second album, Robbin’ the Hood, to be released in 1994. But in spite of how successful the band appeared, all was not well among its members: Nowell was quickly developing a heroin addiction that often left him unable to continue live performances. While the singer made ardent efforts to quit—particularly before the birth of his son—he ultimately overdosed on May 25, 1996, just two months before the release of the band’s third album, Sublime.

“Santeria” Epitomized Sublime’s Signature Sound and Took Ska Mainstream

Sublime was the band’s most commercially successful album, marked by successful singles like “What I Got,” “Wrong Way,” “Doin’ Time,” and, of course, “Santeria.” The latter, in particular, is one of the band’s signature songs. The track gets its name from the Afro-Cuban religion, Santería, and its lyrics are filled with Chicano slang such as “Sancho” and “Heina.” While Nowell was white, these elements read more as nods to diversity and cultural appreciation than appropriation. Furthermore, the single’s rhythms were inspired by Jamaican reggae, though its bass line and guitar riff were lifted from the Robbin’ the Hood deep-cut “Lincoln Highway Dub.”

However, the joy of Sublime’s success was tempered by Nowell’s death—even more so because Gaugh woke from his own drug-induced stupor to find Nowell’s corpse lying beside him on that fateful day in May. In a gesture of love, grief, and appreciation, the video heavily features Nowell’s beloved Dalmatian, Lou Dog, in the video, along with Nowell’s widow, Troy Dendekker, who he married just a week before his death. Finally, and most poignantly, the video includes stock footage of Nowell himself as an angelic presence singing, playing music, and watching over the loved ones who survived him.

During its time, “Santeria” was a crossover hit, peaking at number three on the Billboard US Alternative Airplay chart and number 43 on Hot 100 Airplay. It also did well abroad, charting in Canada while it received gold, silver, and six-time platinum certifications in Brazil, the United Kingdom, and New Zealand, respectively. Its renown has only grown since then, with the song finding its way onto popular movie soundtracks and countless playlists defining the 1990s.

In many ways, “Santeria” perfectly epitomizes Sublime’s musical style: Global, genre-defying, and tongue-in-cheek yet unexpectedly sincere, “Santeria” is just as much a summer anthem as it was when it first came out. In fact, it’s hard to even discuss Sublime without acknowledging “Santeria,” its beloved status, and its role in thrusting ska into mainstream music. One can only wish that Nowell had survived to see the song’s success.

By Charlene Badasie
| Published 29 seconds ago

When an iron sword was found upright in the ground near an archaeological site in Spain in 1994, researchers bestowed it with the name “Excalibur” after the legendary sword from the King Arthur stories. This was largely due to its position to the north of the ancient Roman Forum in the old city of Valencia.

After years of uncertainty, researchers from the Archeology Service (SIAM) of the Valencia City Council have determined that the Excalibur sword dates back to the 10th century. This places it within the period of Islamic rule in Spain known as Al-Andalus. If one does the math, the sword is over 1,000 years old.

The Excalibur sword is approximately 18 inches long and has a curved blade, which initially caused confusion about its age since it resembled Visigothic swords from an earlier period. However, the researchers were able to accurately date it based on the sediment layers in which it was found. It is the first Islamic-era sword discovered in Valencia, making it a rare archaeological find.

The Excalibur sword’s hilt is adorned with bronze plates, and its size and lack of a hand guard suggest a horseman may have wielded it. “This sword has a unique design that gives it great archaeological and heritage value,” Valencia councilor for cultural action, heritage and cultural resources, Jose Luis Moreno, said in a press release.

In fiction, the Excalibur sword in is a legendary weapon associated with King Arthur in Arthurian legend. The sword possesses magical powers and is often linked to the rightful sovereignty of Britain. In various versions of the legend, Excalibur is depicted as the sword in the stone, which only the true king can withdraw, proving his divine right to rule.

There is also a story where the Lady of the Lake gives Excalibur to Arthur, and he later returns it to her before his death. Over time, different adaptations have combined these two stories, leading to confusion about the origin of Excalibur. The sword is the ultimate symbol of power, with its name derived from Welsh and Middle Cornish roots, meaning “hard” and “breach, cleft.”

The Excalibur sword’s significance lies not only in its magical properties but also in its role as a ritual item, a symbol of Arthur’s authority, and a powerful weapon in his battles. Some popular works of fiction that feature the sword include The Camelot Rising Trilogy by Kiersten White. The story puts a new spin on the Arthurian legends and is aimed at young adult readers.

The Excalibur sword also appears in various movies and television shows. Released in 1981, this epic medieval fantasy film Excalibur details the legend of King Arthur and the Knights of the Round Table. It stars Nigel Terry as Arthur, Nicol Williamson as Merlin, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Helen Mirren as Morgana Le Fay, and Liam Neeson as Gawain.

The 2007 film The Last Legion blends Arthurian legend with Roman history. The story follows Romulus Augustus, who asks Merlin to help him find the legendary Excalibur sword. The 2011 Starz series Camelot offers a grounded, gritty take on the Arthurian legend, focusing on the power struggles and politics of Arthur’s rise.

Are Offset and Quavo working on new music? That’s the question fans want answers to after a new photo sparked speculation. Set posted the image just weeks after he was shot outside of a casino in early April.

RELATED: Quavo Shares Message After Offset Was Shot Outside Florida Casino (UPDATE)

Offset Teases Studio Session With Quavo

It’s unclear whether the former Migos groupmates hopped in the booth together. However, the image Offset shared on Instagram Stories shows Quavo in front of a computer screen, seemingly looking at an audio file. There’s a man sitting at a table near him, but his face isn’t visible in the photo. He hasn’t shared any other updates about the studio link-up.

Offset Teased Music Comeback After Shooting

Seeing Offset in the studio, especially with Quavo, is drawing reactions from fans because a few weeks ago there were concerns about his health. Set was shot outside of the Seminole Hard Rock Hotel and Casino in Hollywood, Florida at around 7 p.m. His injuries were allegedly non-life threatening. Soon after his hospitalization, TMZ shared photos of him smoking outside the hospital. Amid the news, Quavo shared praying hands on his Instagram Stories.

On April 10, Set shared a statement on IG saying he’s locked in on his family, recovery and “getting back to music.” He said, “…Realizing that life is made up of quiet wins and loud losses…Life’s a gamble and I’m still playing to win.” The rapper has also performed live.

RELATED: Lil Tjay Addresses Casino Shooting Incident Involving Offset

Social media users are crackin’ UP at Karrueche Tran‘s facial expressions while shopping overseas with Deion Sanders.

RELATED: Another One! Social Media Users Can’t Stop Mentioning Karrueche Tran After Chris Brown Slides In Woman’s Comment Section (VIDEO)

More On Karrueche Tran Shopping With Deion Sanders Overseas

On Sunday, May 3, Deion Sanders took to Instagram to share a clip from his and Karrueche Tran’s recent time in the Virgin Islands. Furthermore, the clip showed the pair in a shopping area as Sanders ushered Tran into one particular boutique. Then, as the pair walked in, it became clear that the store was apparently selling knock-off designer goods.

As they browsed the store, Tran walked in smiling but was noticeably hesitant to truly browse the shelves. Ultimately, her facial expressions while walking through said it all.

Check out the clip below.

Social Media Users Are Crackin’ UP At Her Facial Expressions

Social media users are crackin’ UP at Karrueche Tran’s facial expressions in TSR’s comment section.

More On Karrueche Tran & Deion Sanders Recent Trip Overseas

As The Shade Room previously reported, Karrueche Tran and Deion Sanders also made headlines during their trip to the Virgin Islands with footage of their time on the beach. Elsewhere during their longer YouTube vlog, Tran and Sanders got cozy on the beach and shared a few loving smooches, which got the internet in its feels.

RELATED: Heart Eyes Everywhere! Karrueche Tran & Deion Sanders Set Timelines Off With Sweet Beachside Kisses (VIDEO)

By Chris Snellgrove
| Published 19 seconds ago

Strange New Worlds is a Star Trek show that some fans think started falling off after Season 1. While the first season primarily delivered the same kind of episodic exploration that made fans fall in love with The Original Series, season 2 began taking some big, creative swings. The biggest swing of all was most definitely “Subspace Rhapsody,” better known in the fandom as “the musical episode.” While the episode has its defenders, much of the fandom has criticized this episode for a musical myriad of reasons.

Here’s the thing, though: pretty much all of this episode’s biggest critics hate it for the wrong reason. The biggest problem with “Subspace Rhapsody” isn’t that it’s “not Star Trek” or that its premise is wonky or that it’s too silly. No, the major issue here is that the music just isn’t very good, especially when you compare it to “Once More With Feeling,” the Buffy the Vampire Slayer episode that is still the gold standard for musical television.

Star Trek Sings!

To bring you up to (warp) speed, “Subspace Rhapsody” is a Strange New Worlds episode where they encounter a very unique cosmic phenomenon: an “improbability fold.” After Uhura broadcasts a song into it (because why not, right?), the crew of the Enterprise suddenly start singing and dancing on a whim. Just like that, everyone is stuck inside a musical, and they can’t help but sing their feelings at the drop of a hat. But unless this intrepid crew can figure out what is happening to them before some bad guys show up, they’ll all have a front-row seat to the day the music died!

Relatively speaking, “Subspace Rhapsody” is considered a middle-of-the-road episode. It has a 6.8 rating on IMDB, which may not sound that bad, but it was the lowest-rated episode of the entire season. Even when you account for Season 3 (which had more stinkers than the previous season), Star Trek’s first foray into musical shenanigans is one of the five worst episodes of the entire series (“Subspace Rhapsody” is tied with “Four-and-a-Half Vulcans,” another overtly silly episode).

Close, But No Harmony

What do people actually dislike about “Subspace Rhapsody,” though? The classic criticism is that it doesn’t feel like a Star Trek episode, which isn’t entirely true. Sure, the franchise had never gone musical before, but Trek is filled with crazy cosmic crap. If you can believe that going Warp 10 turns humans into lizard people, that transporters can de-age people, and that candles can contain impossibly horny, DTF Scottish ghosts, then let’s be real. You can believe some weird space widget forces people to sing.

Others complained that “Subspace Rhapsody” was too silly, but that’s something of a cop-out. Star Trek has always had silly episodes. Kirk encounters a giant bunny in “Shore Leave,” for example, and Picard has to literally play Robin Hood in “Qpid.” Heck, Sisko fights racism with baseball in “Take Me Out to the Holosuite.” It’s not a problem to have an occasional silly episode here and there. As Season 3 of Strange New Worlds later demonstrated, it’s a big problem when a noticeably large chunk of your 10-episode season is dedicated to pure silliness. 

That Old Time Spock And Roll

The final major complaint about “Subspace Rhapsody” is that the stakes are low, which is true. But to these haters, I say you can’t have it both ways. One of the biggest criticisms of NuTrek is that every major plot ends up becoming a super-serious race to save the entire galaxy, and fans eventually got catastrophe fatigue from the whole thing. Strange New Worlds was created in large part as a silly palate cleanser after the heaviness of Discovery and Picard. Given that, it seems silly to complain that an episode of SNW finally delivered the low-stakes storytelling we’d been asking for.

So, given all of that, why do I hate “Subspace Rhapsody”? Simple: the songs stink! For context, I’m a huge fan of Buffy the Vampire Slayer, and that show’s musical episode, “Once More With Feeling,” is filled with wall-to-wall bangers. The songs have infectiously catchy beats and impossibly clever lyrics. Not only are these songs I happily jam out to outside of the episode, but they are songs I frequently sing out loud to the shock (and occasional delight, damn it!) of the people around me. As for “Subspace Rhapsody,” I don’t think I could hum a single note if you had a phaser up to my head.

It’s No Buffy

The songs just aren’t memorable, either in terms of music or lyrics. They’re serviceable to the plot, of course, and they do a decent job of advancing plots like the endless romantic drama between Spock and Chapel. Part of the problem is, unlike the writers of the episode, the songs of “Subspace Rhapsody” don’t take any big, creative swings. Nothing stands out because no creative risks are taken, and it simply feels like a bunch of lyrics were just jammed into a musical AI with the prompt “make it sound like off, off-Broadway.”

It doesn’t help that some cast members can clearly sing better than others, and even the ones who can seemingly carry a tune were helped out with pitch correction, better known as autotune. With Buffy, the cast practiced until they could all confidently lead a song, with the exception of poor, tone-deaf Alyson Hannigan. Rather than forcing her to deliver a subpar melody, Joss Whedon simply honored her request to bow out and didn’t give her any songs of her own (which is why one of her only contributions is the cheeky “I think this line’s mostly filler”).

The result is the worst of both worlds. Not only does the premise and tone of “Subspace Rhapsody” set older fans’ teeth on edge, but the songs are a disappointment to those of us who were looking forward to a musical episode. Why do something so unprecedented if you’re going to do it in such a half-assed way? Unfortunately, it’s not clear that Star Trek’s powers that be ever learned their lesson from this, and with our luck, Season 4 will give Muppet Captain Pike one goofy, autotuned song after another!

Jeff Bezos is reportedly looking to offload his massive superyacht, Koru, just as the high-society season kicks into high gear. 

The billionaire is quietly seeking a buyer for the custom vessel because its record-breaking size has created significant logistical hurdles that have become difficult to manage. 

This update comes shortly after he reportedly threw an exclusive Pre-Met Gala celebration that featured the likes of Kris Jenner and Nicole Kidman. 

Bezos is reportedly ready to part ways with his $500 million sailing yacht, Koru, after discovering that the vessel’s immense scale is more of a headache than a luxury.

While the 417-foot ship is a maritime masterpiece, sources suggest it has become too recognizable and difficult to dock in some of the world’s most exclusive ports.  According to Page Six, the operational costs for Koru and its $75 million support vessel, Abeona, total roughly $30 million annually. 

The vessel, which features a mermaid sculpture on the prow resembling Bezos’ wife, Lauren Sanchez, has struggled to navigate popular European wedding destinations and glamorous American waterways alike. 

In Venice, the couple was forced to stay far from the lagoon during their wedding festivities, and in Florida, the boat was relegated to docking near industrial oil tankers rather than luxury marinas.

Despite these practical issues, the boat remains a sight to behold, boasting three jacuzzis, a glass-bottom pool, and enough space for 18 guests. 

The Billionaire And His Wife Reportedly Paid Their Way Into Anna Wintour’s Good Books

While the logistical burden of owning one of the world’s largest yachts has Bezos looking to sell, his financial focus recently shifted toward securing a top-tier spot at the 2026 Met Gala. 

Reports suggest the billionaire has contributed between $10 million and $20 million to sponsor the event, cementing his and Sanchez’s status as honorary co-chairs.

As reported by The Blast, the couple’s significant financial backing has reportedly earned them the highly coveted “Anna Wintour OK.”

Former Vogue editor William Norwich described the duo as the modern embodiment of the American dream, characterized by status, wealth, and “conspicuous consumption.” 

Meanwhile, one fashion insider expressed heartbreak over the situation, suggesting that the prestigious event has become a place where the ultra-wealthy can simply buy their way into the good graces of the industry’s most powerful gatekeepers.

Jeff Bezos And Lauren Sanchez Hosted An Exclusive Pre-Gala Bash

Beyond securing their spot at the gala, Bezos and Sánchez also expanded their influence with a private pre-party for the festivities. The couple reportedly sent out disco-themed invitations for an exclusive “Pre-Met celebration” held at their New York City residence. 

While the exact location was only revealed to guests upon confirmation, the event served as a high-profile kickoff for fashion’s biggest week. 

Notably, the secretive nature of the pre-party only increased the buzz among New York’s social elite, per The Blast, and the glamorous atmosphere at the billionaire’s residence drew many famous faces.

Inside The Billionaire Couple’s Star-Studded Guest List 

Some of the popular names who attended Bezos’ party include Kris Jenner, who has long been a friend of the pair. The businesswoman reportedly attended the intimate gathering alongside her daughter, Kendall Jenner, and other notable guests, including actor Nicole Kidman and singer Sam Smith.

The Blast reported that Gayle King and Nicky Hilton were spotted among the attendees, along with fashion legend Donatella Versace and visionary filmmaker Baz Luhrmann. 

The event also became a stylish destination for several celebrity couples, such as Serena Williams and her husband, Alexis Ohanian. Venus Williams, who is also serving as an official co-chair for the main gala, arrived with Andrea Preti, while Ashley Graham and Justin Ervin were also seen entering the private party.

The Businessman And His Wife Are Reportedly Being Targeted

Despite the strong support Bezos and Sanchez received from other A-listers during their pre-Met celebration, the couple is reportedly facing an organized effort to disrupt their highly publicized appearance at the 2026 Met Gala. 

Activist groups are reportedly launching a targeted campaign to humiliate the couple and criticize their massive financial sponsorship of the prestigious event.

An activist group known as Everyone Hates Elon has spearheaded a campaign intended to challenge the couple’s elevated role as lead sponsors and honorary co-chairs. 

The Blast reported that the group raised thousands of dollars through small donations to fund their efforts, which include a widespread poster campaign across Manhattan and the city’s subway system. 

These posters specifically target Amazon’s business practices, with one controversial design featuring a plastic bottle of urine on a red carpet, which is a direct reference to the difficult working conditions reported by the company’s delivery drivers.

Cameron Diaz and Benji Madden have welcomed their third child.

Madden, 47, broke the news via Instagram early Monday, May 4, that the couple are proud parents to a baby boy named Nautas.

“Cameron and I are Happy, Excited, and feeling so BLESSED to announce the birth of our third Child, Nautas Madden. Welcome to the world Son!!👊❤️,” the singer wrote.

He added, “We love life with our family- our kids are healthy&happy, and we are grateful!!!🙏🙏having a blast ❤️Sending all our best wishes- the Madden Family ❤️🙏👊🏴‍☠️.”

Related: Cameron Diaz and Benji Madden’s Relationship Timeline

Cameron Diaz has dated several celebrities, but never thought she’d get married until she started dating her now-husband, Benji Madden, in May 2014. “[Marriage] was the biggest thing I’ve done in my 40s, and it opened me up in different ways,” Diaz told Harper’s Bazaar in May 2016, 16 months after she and the rockstar […]

Diaz, 53, commented on the post, “✨❤️❤️❤️❤️❤️✨.”

In Monday’s One Piece-themed Instagram announcement, Madden shared that Nautas’ name is derived from the Latin word “nauta,” meaning “sailor, navigator, voyager.”

“One who embarks on a journey and fears not the unknown,” the description continues.

Diaz and Madden also share daughter Raddix, 6, and son Cardinal, 2.

The couple wed in January 2015 and welcomed daughter Raddix via surrogate in December 2019. They announced the news in early January 2020 with a joint Instagram post.

“Happy New Year from the Maddens! We are so happy, blessed and grateful to begin this new decade by announcing the birth of our daughter, Raddix Madden,” they wrote. “She has instantly captured our hearts and completed our family.”

“They went through so much to get to this point,” a source exclusively told Us Weekly in January 2020. “Cameron feels like this baby is truly a miracle.”

Another source said at the time, “Cameron and Benji had been trying to have a baby for a long time. There were disappointments along the way, so it was difficult and stressful at times. But they say it was a price worth paying. They feel beyond blessed.”

In March 2024, the couple announced the news of Cardinal’s arrival in another joint Instagram post.

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Related: Cameron Diaz and More Celebrities Who Named Their Babies After Animals

Feeling fierce! Unique celebrity baby names are nothing new — North West, anyone? — but these moms gave their little ones animal-themed monikers. Cameron Diaz and Benji Madden announced the arrival of their second child, son Cardinal, in March 2024. “We are blessed and excited to announce the birth of our Son, Cardinal Madden❤️🙏,” the […]

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“We are blessed and excited to announce the birth of our Son, Cardinal Madden❤️🙏He is awesome and We are all so happy he is here! For the kids safety and privacy we won’t be posting any pictures- but he’s a really cute ☺️,” the couple shared. “We are feeling so blessed and grateful 🍀Sending much love from our fam to yours 🙏❤️Best wishes and Good Afternoon!! 🤘⚡️.”

In January 2025, Diaz spoke about how becoming a mom had changed her perspective on her Hollywood career while promoting Netflix comedy Back in Action. The movie marked her return to acting after a 10-year absence.

“You’re a different person after you have children, after marriage, after building a life,” Diaz told E! News. “Everything changes, your whole perspective, your whole world, your understanding of it. For me, I never made a movie before with a family. So, all of the boxes change that need to be checked off. That’s the most important, and then everything else has to line up to support that.”