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2024’s Horror Cult Favorite Is Officially Rising From the Dead on Streaming

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Delivering a new twist on a piece of classic literature isn’t rare. We often have reimaginings and new ways of interpreting the stories we grew up on. With Mary Shelley‘s Frankenstein, there are a lot of adaptations in the world. Even The Nightmare Before Christmas takes elements of Frankenstein, with its spin on Sally the Ragdoll and Dr. Finkelsen. More recently, creatives like Diablo Cody and Zelda Williams took on Frankenstein with their 2024 film Lisa Frankenstein, which turned a teenage girl into the mad scientist who turns the statue of a man into her own Creature (Cole Sprouse). And now you can watch the film on Peacock later this month.

Starting on September 29, you can meet Lisa (Kathryn Newton) as she works through her grief, discovers her own power, and finds out what it means to fall in love. Lisa is lost in her new life with her father, Dale (Stranger Things actor Joe Chrest); his new wife, Janet (Carla Gugino); and her daughter, Taffy (Liza Soberano). As Lisa struggles with the vicious murder of her mother and tries to fit in at her new school, she ends up bringing the Creature to life… but she isn’t prepared for his dedication to her.

The film looks like you took a Lisa Frank notebook and made it darker and a bit more twisted. Fans loved the film, even if the general response to the movie was a little more mixed. Lisa Frankenstein is described as follows: “A coming-of-RAGE love story about a teenager and her crush, who happens to be a corpse. After a set of horrific circumstances brings him back to life, the two embark on a journey to find love, happiness — and a few missing body parts.”

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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‘Lisa Frankstein’ Found Its Audience

The love story of Lisa Frankenstein made it something more than just another Frankenstein story. It was bright, vibrant, weird, and something that allowed audiences who love the odder parts of Frankenstein to have something special. The critical response to the film earned it only a 52% splat rating on Rotten Tomatoes, but the audience response was decidedly better, giving the film an 82% overall. So, if you have ever wanted to see what a twisted, yet vibrant look at Frankenstein could be, look no further than Cody and Williams’ film Lisa Frankenstein. You will want to tease your hair after watching it, though.

You can watch Lisa Frankenstein on Peacock on September 29.


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Release Date

February 9, 2024

Runtime

101 Minutes

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Director

Zelda Williams

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