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Roomies, Yung Miami has dropped her new track, ‘Tea Time,’ now fans are all over social media sounding off. Some folks think she’s about to have the summer on lock, while others are lowkey trying to decided if it’s really a bop. And of course, there was a few people who couldn’t help but bring up Diddy while they were at it!

RELATED: Oop! Yung Miami Claps Back After Social Media Users Go In On Her Latest Song Snippet (VIDEO)

Yung Miami’s ‘Tea Time’ Has The Internet Grabbin’ Their Cups

After teasing a snippet of her new record, Yung Miami has officially released her ‘Tea Time’ track. And nope, it’s not giving Bridgerton energy — the girlies are two-finger tapping and clocking it! In fact, Miami aka Caresha, says exactly that in the song. She hasn’t released an official music video yet, but she did serve a spicy visual of herself lying in a bathtub rocking a gold, shimmering one-piece with boots. As soon as Miami dropped the record, fans took over timelines with reactions. They made their opinions loud and clear across social media.

The Roomies Are Clockin’ Caresha’s Track

Over in The Shade Room’s comment section, folks couldn’t stop mentioning Diddy, while others begged her to link back up with JT and bring back a full-on City Girl summer.

Instagram user @big.lene_ wrote, “Can’t stop won’t stop???!? As in Diddy lyrics???? 😭😭😭” 

Instagram user @brandonalmengo wrote, “Let’s go Resh!” 

While Instagram user @_dejaaaavu__ wrote, “I think your efforts would be most appreciated on Caresha Please.” 

Then Instagram user @iamtccooper wrote, “I pray her and JT get back together respectfully.”  

Another Instagram user @jaee__teee wrote, “Call JT IMMEDIATELY Careshaaa!!!!” 

Instagram user @_queen_of_pettiness wrote, “Buenas noches 👎🏾” 

Then another Instagram user @publicloyalty wrote, “This ain’t that bad. Y’all overkill.” 

Instagram user @shawnnaismyname wrote, “Just go make up with JT and drop a surprise album for the summer at this point chy. Yall need each other.” 

Finally, Instagram user @tonypbigtony wrote, “I KNOW DIDDY SMILED FROM EAR TO EAR WHEN HE HEARD HER SAY CANT STOP WONT STOP.” 

YouTube Reactions Are Filling UP

Meanwhile, the YouTube crowd had a whole different vibe. Plenty of people said she did her BIG one and admitted their fingers were tapping throughout the entire song.

@Kendrickujr wrote, “Two fingers was touching the whole time while listening to this 😩”

YESSS THIS IS WHAT WE NEED IN 2026 AYEEEE CARESHAAA” 

RELATED: Thinking Bigger! Social Media Sounds OFF After Yung Miami Teases Baby Plans & Drops Future Name Ideas (PHOTOS)

By Robert Scucci
| Published 17 seconds ago

Every once in a while, Netflix surprises me with an independent film like 2025’s Bunny and makes me wonder why there aren’t more films like this in its catalog. A low-budget feature that thrives on chaotic characterization rather than flashy production values, Bunny is what you get if you take the dialogue from Clerks (1994) and the escalating mishaps from The Big Lebowski (1998), add a dead body to the equation, and rely on the most reliably insane people you know to get rid of it.

There’s not a single second in Bunny that isn’t chaotic, but every character is so effortlessly unhinged you can’t help but root for them. There isn’t much to the story on paper, yet Bunny earns its keep through facial expressions, those “dude, no” moments, and the kind of friendship that can only exist in a run-down apartment building that’s somehow always crawling with police officers at the worst possible time.

The Business, And The Body

Bunny (Mo Stark), our titular hero, is the most nonchalant hustler you’ll ever see committed to film, and his laid-back, carefree attitude makes him a modern-day version of The Dude. He illegally sublets his apartment as an Airbnb to make a quick buck and does everything he can to accommodate his guests. His most recent guest, Happy Chana (Genevieve Hudson-Price), is an Orthodox Jew about to meet her future husband who can’t use electricity on Shabbat, for example.

Occupying one of the neighboring units is Linda (Linda Rong Mei Chen), who’s presumably living in the US illegally, prompting officers Nadov (Liz Caribel Sierra), Cellistino (Ajay Naidu), and Belle (Michael Abbott Jr.) to linger nearby. It doesn’t help that Bunny regularly engages in criminal activity, seems more agitated than usual on this particular day, and the cops are clearly biding their time until they can catch him doing something illegal and slap a set of cuffs on him.

We’re also introduced to a slew of colorful characters, including Bobbie (Liza Colby) and her estranged father, Loren (Tony Drazan), who unexpectedly shows up, wracked with anxiety and promptly given a cocktail of drugs by Dino (Ben Jacobson), Bunny’s best friend.

As each character enters the frame, like Ciel (Kia Warren), who just wants to watch TV and smoke some pot, much to Happy Chana’s chagrin, everybody keeps commenting on the other awful smell cutting through the building. When a dead body is found in one of the units, Bunny and the rest of the gang scramble to figure out how to get rid of it fast while drawing as little attention to themselves as possible. The problem is that the cops are always waiting outside. Fortunately, they’re easily distracted by food recommendations from Bunny, Dino, and the rest of the crew, which buys them time on more than one occasion. 

Everybody Is Reliably Sketchy

You know how every friend group has that one person who either knows a guy, has a hookup, or floors everybody with a story about the insane hijinks they got into the night before? Every single character in Bunny is that person. Everybody is reliably sketchy. They aren’t bad people, but you never once question why they’re living the way they are or how they process this situation in their own offbeat ways.

Most importantly, the building in Bunny is a judgment-free zone. Everybody knows everybody else is kind of a screwup or at least someone who made a few severely misguided decisions in the past, forcing them to live under the radar and on their own terms. When the body is discovered, everyone becomes a team player and quickly cobbles together a plan with more holes than they realize, yet they still try their damndest to get it off the property undetected no matter how many obstacles stack up against them.

If you grew up on dialogue-heavy indie films where one thing goes wrong after another, Bunny should be your next watch the next time you fire up Netflix. It’s one of the most chaotic movies I’ve ever seen in at least a decade. It’s rare for me to say this, but it’s also one of those movies so specific in its characterization, conflict setup and resolution, and overall vibe that I’ll probably revisit it once or twice a year for the foreseeable future.

Bunny is currently streaming on Netflix, and it’s the best movie from last year that you probably haven’t seen. This is a modern cult classic in the making if I’ve ever seen one. We just need time to prove it. 

Editor’s note: The below contains spoilers for The Pitt Season 2 Episode 7 and mentions sexual assault.

Back in the not-quite olden days, television doctors performed the same tedious work as their real-world counterparts — like filling out patient charts by hand. Choose any episode of, say, ER, and although computers existed, pens, clipboards, and the occasional pocket protectors ruled the ’90s. What now seems as outdated as the dinosaurs was a habitual fact of life, and in TV terms, there was almost always a method to the figurative madness (even when they epitomized the joke about physicians having indecipherable handwriting).

The Pitt‘s creator, R. Scott Gemmill, has recently confirmed that the streaming sensation’s sophomore season won’t retread the same intense ground as Season 1’s mass shooting. That disclaimer doesn’t preclude Episode 7 from ending with the staff trapped in a different crisis. The betting pool has spent episodes giddily speculating about what caused their sibling hospital to close its doors. They learn the answer the hard way: a targeted cyberattack has shut down not one, but two local hospitals, prompting Pittsburgh Trauma to indefinitely shut down their entire electronic infrastructure as a preventive measure. Plunging the ER’s relative normalcy into the analog days couldn’t have worse timing.

‘The Pitt’s Struggling Staff Don’t Need More Stress in Season 2

Proactively protecting their system is quite understandable, but it’s still an uncoordinated and reckless move. CEO Trent Norris (Victor Rivers) upends the hospital’s entire structure without informing Dr. Robby (Noah Wyle) in advance. He doesn’t consult his primary attending about the current workflow, let the staff prepare, or (for now) offer them assistance. Instead, his staff either scramble or stare like stunned deer in the headlights.

Without swift communication between the interconnected departments or access to their online-only information logs, The Pitt‘s crew is now working with their hands tied behind their backs. For one, it’ll be far tougher to divide their time, let alone distribute thorough care, between their existing patient roster and the continuing influx of overflow cases. Secondly, they’re already juggling too many perilous situations: Louie Cloverfield (Ernest Harden Jr.) passing away, Roxie Hamler’s (Brittany Allen) terminal cancer, Jackson Davis (Zack Morris) and his family, and Dana Evans (Katherine LaNasa) collecting forensic samples for Ilana Miller’s (Tina Ivlev) rape kit.

Without Technological Support, the Lives of ‘The Pitt’s Patients Are at Risk

The veterans, such as Dana, Robby, and Dr. Jack Abbot (Shawn Hatosy), can dislike the setback but easily revert to the familiar stopping grounds in which they share decades of cumulative experience; they’ve adapted to the times before. For the younger crowd who don’t know other processes, it’s a steep learning curve that their expensive education had probably ignored. Once again, the current generation has been flung out of a taxing day’s frying pan straight into another fire, all while their destructive internal conflicts writhe in the background.

Mel King (Taylor Dearden) is petrified senseless about her looming disposition, Victoria Javadi’s (Shabana Azeez) parents keep popping in to leave contradictory feedback, and when she’s not arguing with her spam-caller mom, Samira Mohan (Supriya Ganesh) feels distraught about Orlando Diaz (William Guirola) leaving her care. As for poor Trinity Santos (Isa Briones), she might just fall to pieces racing through her charting backlog, paying attention to her ongoing patients, guiding the new trainees, and avoiding Dr. Frank Langdon (Patrick Ball). Learning and successfully implementing a new routine on the fly leads to information overload. Accidents become inevitable once someone’s distracted stress heightens — and oversights can be deadly.

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‘The Pitt’s Katherine LaNasa and Patrick Ball Reveal Why Dana and Langdon Are Still Struggling After Season 2’s Time Jump

LaNasa and Ball also discuss Dana’s lingering trauma and Langdon’s post-rehab journey.

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Modern technology, at its best, provides vital tools. Breakthrough advancements in speedier exams and illness detection turn former impossibilities into remarkable realities. Simultaneously, technology over-dependence is a slippery slope, no matter the context. Dr. Baran Al-Hashimi’s (Sepideh Moafi) favorite generative AI program aims to reduce unnecessary overtime hours — a way of improving the system from the inside. Given the need to verify the app’s wildly incorrect information, however, the hospital is better off without the extra time consumption — and potential harm — it causes. Some old-fashioned ways worked for reliable reasons. For The Pitt Season 2, the time, the place, and the people can’t afford to be thrown into more chaos.

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The Pitt

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Release Date

January 9, 2025

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Max

Showrunner

R. Scott Gemmill

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Directors

Amanda Marsalis

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  Noah Wyle

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  Dr. Michael ‘Robby’ Robinavitch

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  Tracy Ifeachor

  Dr. Heather Collins

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