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3 Best Movies To Watch on Prime Video This Weekend (April 3-5)

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If you’re a fan of stories set in space, this weekend’s box office is the place to be. The Ryan Gosling-led sci-fi flick Project Hail Mary, which has already broken a box office record for Amazon MGM, is set to continue its impressive $300 million-plus run in theaters, with the film facing competition from the new arrival, The Super Mario Galaxy Movie. However, if you’ve already seen Project Hail Mary, and you’re inclined to follow the disappointing early response to the Mario sequel and let it pass you by, then you’ll perhaps be looking for something different to watch this weekend. With that in mind, here’s a look at three Prime Video movies you should watch.

For more recommendations, check out our list of the best shows and movies on Prime Video.

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1

‘American Fiction’ (2023)

Rotten Tomatoes: 93% | IMDb: 7.5/10

Based on Percival Everett’s 2001 novel Erasure, American Fiction is one of the best hidden gems waiting to be discovered on Prime Video. In Cord Jefferson‘s feature directorial debut, Jeffrey Wright stars as a frustrated novelist who, in an attempt to satirize stereotypical “Black” literature, ends up finding much more success.

A thought-provoking tale bursting at the seams with superb performances, including an Academy Award-nominated lead turn from Wright, American Fiction is a film that is already getting better with age. Named one of the top 10 films of 2023 by the American Film Institute, this sophisticated story also earned another four Academy Award nominations, even winning in the Best Adapted Screenplay category.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

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🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

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What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

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Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

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How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

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What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

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What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

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Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

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What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

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What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

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How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

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What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…
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Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

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You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

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You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

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You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

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You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

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You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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2

‘Top Gun’ (1986)

Rotten Tomatoes: 59% | IMDb: 7.0/10

Before he was saving cinema with the legacy sequel more than 25 years later, Tom Cruise gave a receptive global audience the need for speed with this 1986 classic. Set in the Top Gun Naval Fighter Weapons School, this action epic follows Cruise’s hotshot fighter pilot, Maverick, as his brilliant but arrogant demeanor causes trouble within the camp.

Few films have stood the test of time like Top Gun. Although it faced mixed reviews from critics in 1986, time has been kind to this ultimate popcorn flick, as it quickly became somewhat of a blueprint for many more blockbusters to come. An electrifying story, paired with memorable performances and a perfect soundtrack, crafts a film that is both timeless and an undiluted injection of ’80s nostalgia.

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3

‘Titanic’ (1997)

Rotten Tomatoes: 88% | IMDb: 8.0/10

To be whisked away on a romantic adventure like no other, don’t miss out on James Cameron‘s all-conquering disaster epic, Titanic, this weekend. For the very few who don’t know, the film is based on the true story of the ill-fated R.M.S. Titanic, which sank in April 1912, and the pair of star-crossed lovers who find unlikely romance aboard the doomed voyage.

Boasting a vast, ambitious vision from director Cameron and a pair of pitch-perfect, chemistry-oozing lead performances from Leonardo DiCaprio and Kate Winslet, Titanic is a must-see movie. Not only is it a stirring tale of romance beyond boundaries, but the film also tied Ben-Hur and The Lord of the Rings: The Return of the King for the most Academy Award wins in history, breaking the record with an eye-popping 11 Golden Statues.


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Release Date

December 19, 1997

Runtime
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3h 14m

Director

James Cameron

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Writers

James Cameron

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