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7 Forgotten ‘70s Movies That Deserve To Be Rediscovered on Netflix

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The 1970s were a major decade in the history of American cinema, a period that saw the dawn of new filmmaking techniques and the breakthroughs of now-legendary filmmakers. But not every great movie that hit theaters in those days made it big, and far too many have been all but forgotten in the years since. Thankfully, with streaming services like Netflix, audiences now enjoy unprecedented access to these underrated films, so you can revisit the style, flavor, and music of the decade with fresh eyes and ears, and maybe even discover a long-forgotten cinematic masterpiece.

The ’70s produced several groundbreaking classics and blockbuster franchises, iconic crime sagas and beloved comedies, all of which continue to have a significant influence on cinema today, and even the lesser-known films of the decade still resonate with the right audiences. Netflix’s particular selection of ’70s movies may be a little limited, but it does include some must-watch classics that have played an important role in the development of popular culture. So, without further ado, here’s our handpicked selection of some of the best 1970s movies you can watch on Netflix that may be mostly forgotten but are just waiting to be rediscovered by a brand-new audience.

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1

‘The Sting’ (1973)

Paul Newman and Robert Redford as Henry and Johnny, standing in suits in front of a bar with their hands raised in The Sting
Image via Universal Pictures

Directed by George Roy Hill, The Sting is a 1973 caper film starring Paul Newman and Robert Redford, reuniting the trio after their work on 1969’s Butch Cassidy and the Sundance Kid. Inspired by the real-life cons of brothers Fred and Charley Gondorff, as documented in David Maurer’s 1940 book The Big Con: The Story of the Confidence Man, the movie follows two conmen who hatch a complicated scheme targeting a mob boss (Robert Shaw). Charles Durning, Ray Walston, Eileen Brennan, Harold Gould, John Heffernan, and more star in supporting roles.

The Sting was a major success of the 1970s, earning critical acclaim and box office success. A stylish and entertaining conman movie, the film features some great performances, a well-crafted production, and an excellent ragtime soundtrack adapted from the works of Scott Joplin. The film earned several awards, including seven Oscars, and is credited with reviving Newman’s career after an extended period of box office bombs. A sequel followed in 1983, and in 2005, The Sting was selected for preservation in the National Film Registry by the Library of Congress.

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2

‘Rooster Cogburn’ (1975)

John Wayne as Rooster Cogburn standing with Katharine Hepburn as Eula Goodnight in Rooster Cogburn (1975)
Image via Universal Pictures

Directed by Stuart Millar, Rooster Cogburn is a Western starring John Wayne and Katharine Hepburn that serves as a sequel to 1969’s True Grit. The film continues the adventures of Wayne’s titular character, an aging lawman with one eye who is suspended for his violent behavior, following his attempts to redeem himself by bringing in a group of outlaws who have stolen a shipment of nitroglycerine with the help of a spinster (Hepburn) whose father was murdered by the criminals. The movie also features Richard Jordan, Anthony Zerbe, John McIntire, Paul Koslo, Richard Romancito, Tommy Lee, and Strother Martin in supporting roles.

Unlike its predecessor, Rooster Cogburn was neither a critical success nor a box office hit, underperforming on both counts despite its star power. Part of the problem is that the story is more or less a recycled version of True Grit. On the other hand, the film does feature a pair of solid performances by its two legendary stars. John Wayne and Katharine Hepburn’s chemistry is the film’s saving grace, and it makes the movie a worthwhile revisit for modern-day viewers who want to see more of their classic work.

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3

‘The Great Waldo Pepper’ (1975)

Mary Beth and Waldo Pepper laughing in The Great Waldo Pepper
Image via Universal Pictures

Directed, produced, and co-written by George Roy Hill, The Great Waldo Pepper sees the filmmaker reunite with Robert Redford once again, this time in an aviation drama set between 1926 and 1931. The movie chronicles various episodes in the life of the titular pilot, a World War I veteran who works as a stunt flier and laments the fact that he never got to fly in combat. Besides Redford, the film also features Margot Kidder, Bo Svenson, Edward Herrmann, and Susan Sarandon in key roles.

Inspired by the real 1920s culture of barnstorming and associated accidents that led to stricter aviation regulations, The Great Waldo Pepper may have had mixed reviews in its day, but it’s a highly detailed historical film that provides real insights into its time period. The film was also very popular at the box office, largely thanks to its spectacular aerial stunts, which were performed using real aircraft, making it an evergreen favorite among aviation enthusiasts. Pair that with a quintessentially charming performance by Robert Redford, and you get a real classic with timeless appeal.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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4

‘On Her Majesty’s Secret Service’ (1969)

George Lazenby as James Bond in On Her Majesty’s Secret Service
Image via MGM
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The sixth James Bond movie, and the first and only one starring George Lazenby, On Her Majesty’s Secret Service technically premiered at the tail end of 1969, but its theatrical run continued through early 1970. Inspired by the Ian Fleming novel and directed by Peter R. Hunt, the film sees Bond go up against his archenemy, Ernst Stavro Blofeld (Telly Savalas), while falling in love with and eventually marrying the daughter of a crime boss, Contessa Teresa di Vicenzo (Diana Rigg). Bernard Lee, Gabriele Ferzetti, Ilse Steppat, and more feature in supporting roles.

On Her Majesty’s Secret Service is an outlier among the classic James Bond movies, with a greater degree of tragedy, romance, and drama to its story than other entries. The film was fairly successful at the box office when it premiered, but its critical reception was quite mixed, though it has since been reevaluated as one of the most compelling Bond movies of all time. Though it’s still a relatively underrated film in the massive franchise, On Her Majesty’s Secret Service is a truly unique Bond film that’s a must-watch for any fan of the iconic spy character.

5

‘Sgt. Pepper’s Lonely Hearts Club Band’ (1978)

The Bee Gees in Sgt. Pepper’s Lonely Hearts Club Band
Image via Universal Pictures
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Directed by Michael Schultz and written by Henry Edwards, Sgt. Pepper’s Lonely Hearts Club Band is a jukebox musical comedy starring Peter Frampton and the Bee Gees. Inspired by the album by the Beatles, and featuring new versions of the iconic band’s songs, the movie follows a loose story about a band struggling with the realities of the music industry and evil forces that want to steal their instruments and corrupt their hometown. The film’s ensemble cast also features Donald Pleasence, Steve Martin, Aerosmith, Alice Cooper, Earth, Wind & Fire, Billy Preston, George Burns, and more.

Before the movie’s release in 1978, Sgt. Pepper’s Lonely Hearts Club Band was expected to be a massive success, an era-defining blockbuster, and a new cultural landmark. In reality, it was none of those things, receiving middling box office success and terrible reviews. But though it was widely reviled in its time, the film has evolved into a campy cult movie enjoyed by fans of classic rock, and it has earned some praise for Steve Martin’s performance and the musical numbers by Aerosmith and Earth, Wind & Fire.

6

‘Same Time, Next Year’ (1978)

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Directed by Robert Mulligan, Same Time, Next Year is a romantic comedy-drama starring Alan Alda and Ellen Burstyn. Written by Bernard Slade and based on his 1975 play, the film explores the relationship between Doris (Burstyn) and George (Alda), who are both married to other people but meet up every year at the same hotel for an annual tryst, chronicling the slow evolution of their connection. In the process, their lives also become a mirror to the social and political history of their time.

Unlike the play it’s based on, Same Time, Next Year was not very well-received by critics or audiences, and the film has been largely forgotten in the decades since its release. However, the movie does present a sober, clear-eyed perspective on life, love, and the human condition, elevated by the powerhouse performance of its lead stars. And though it may not have been a critical darling, the film did go on to receive several accolades in its day, including four Oscar nominations and a Golden Globe win for Ellen Burstyn.

7

‘Save the Children’ (1973)

A landmark concert film, Save the Children is a documentary movie directed by Stan Lathan that documents the five-day PUSH Expo held in Chicago in 1972, organized by Rev. Jesse Jackson’s social justice organization Operation PUSH (People United to Save Humanity). The film features performances by many of the top musicians of its time, across genres, including icons like Bill Withers, The Jackson 5, Marvin Gaye, Sammy Davis Jr., Cuba Gooding Sr., Roberta Flack, and more.

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Essentially a cultural showcase of Black talent in the 1970s, Save the Children is a historically significant documentary film, but it was fairly unknown for a long time. The film was digitally restored and re-released by Netflix in 2023, bringing new attention to the movie fifty years after its release. Though it’s still not as widely watched as it ought to be, this film is a must-see for anyone who wishes to revisit the culture, spirit, and especially music of the 1970s.


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Release Date
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May 13, 1973

Runtime

123 minutes

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Director

Stan Lathan

Producers
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Clarence Avant


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