Entertainment
8 ‘Far Side’ Comics That Prove Gary Larson Is a Genius, Ranked
In the 1980s and 1990s, when newspaper comic strips were at their peak, the “funnies” were often quick workplace or family stories meant to elicit a chuckle before we moved on to the next and nothing more.
Some comics, however, were incredibly smart and caused the reader to pause and think more about the themes past the initial laugh. Bill Watterson‘s Calvin and Hobbes was great at this. So was Gary Larson‘s The Far Side, which had the challenge of saying so much with just one panel. These eight examples prove just how brilliant the cartoonist was.
8
Monsters on Top of the Bed
For generations, every kid has feared the monster under the bed. We know there’s nothing under there during the day, and our parents can come in and check at night, but it doesn’t diminish the fear of the unknown. It’s so common that Pixar made Monsters, Inc. about those monsters and what they do away from their night job of scaring children. In this Far Side panel, the twist is that the monsters under the bed aren’t there to scare anyone — they’re there because this is where they sleep. Even they have their fears as well. What waits on top of the bed creeps them out. According to Gary Larson, everyone fears what they cannot see.
7
A Dry Fish Basement
The Earth is three-quarters water. As humans, we only pay attention to the dry land we live on, where water, if it’s not in a pool or body of water as a place of relaxation, is often a problem, especially in the home. We’ve all had to deal with the annoyance of some sort of water leak, and nothing is worse than when water gets in and ruins a basement. In this panel, Larson sees fish as being just like us, living in their own homes. In their opposite world, water is, of course, needed and ruins nothing. What would be an issue in a fish world is a place of dryness. Here, the entire basement is flooded with dry. Now poor John is going to have to deal with it.
6
Superman and the Lighthouse
Summer is the favorite season for many. Still, as fun as it can be, there’s one part every person hates about it. Go outside at night and turn on a porch light, and you’re sure to be besieged by mosquitoes and other bugs that are pulled to the light, zooming around it constantly. In this strip, two lighthouse operators, like a massive porch light for ships in the night, are besieged by their own annoyance: Superman. Even the Man of Steel, as strong as he is, can’t resist the pull and hypnotizing effect of an electric light in the darkness. Murray better get that light turned off quick!
5
Painting the Fly Woman
Gary Larson forces the reader to really pay attention to this Far Side strip, with the punch line not so immediately easy to find. In it, an artist paints a portrait of a woman. There’s nothing funny about this. But why in the world is her head half human and half giant fly on the canvas when she looks completely normal in reality? Look closer, and it becomes clear. There is a fly sitting on the lens of the painter’s glasses. He’s so invested in his work and painting everything he sees in his vision that he’s combined his near and far sights into one terrifying painting.
4
Peter Pan Grows Up
J.M. Barrie‘s Peter Pan has been adapted many times over the last century plus, from a popular animated Disney film to stage plays. The themes of wanting to stay a child forever and the loss of innocence as we grow up have stuck with generations. But what if Peter Pan, the boy from Neverland who refuses to grow up, actually did just that? Steven Spielberg‘s 1991 Hook imagined this, with Robin Williams as an adult Peter Pan working a normal life as a lawyer. In this similar Far Side strip, however, there’s no saving the day. A grown-up Peter Pan has it all with a wife and kids, but as he sits at his dull office job, even he can’t escape the pull of wanting to go back and live as a kid again.
It doesn’t get much smarter than meta-humor, as a form of art steps outside itself and looks in, exploring the themes behind its creation. Wes Craven started an entire franchise out of this idea with Scream in 1996 by creating a slasher movie that winked knowingly at the rules of the genre. Comic strips have their own rules, too. Because it’s still life, with no movement or sound, when a character speaks or thinks, their words are shown in a dialogue or thought bubble above their head for us to read. In this strip, there’s no escape. These characters know they live inside a comic strip, so when Lewis’ boss catches his employee having negative thoughts about him, it’s game over for Lewis, who will now have to think about getting another job.
2
God Creates Jerks
Why are we here? What is the meaning of life? These are the questions that have troubled humanity since the beginning of time. In a search for answers, many of us turn to religion and the idea of god. Whether you’re a believer or not, it can’t be denied that the idea of a creator has soothed billions of people. In this Far Side strip, Larson imagines God as a chef, with Earth a creation being concocted in his kitchen. In the background, God has boxes and jars for bugs and reptiles and different colors of skin for humans. If there is a god, though, why are there bad people who do bad things? Here, it’s simple. God wants to make things interesting, so he dumps in some jerks. Sorry, God, but you may have put in too many.
1
Midvale School for the Gifted
Arguably The Far Side’s most famous strip, this one is so simple and easily brilliant. The Midvale School for the Gifted takes only the brightest and most gifted students, yet here’s this kid pushing on an exterior door to the school even though there is a sign that obviously says “PULL” in big letters. This boy’s actually not so gifted after all. Is this school a joke where anyone can get in, including this idiot? Or maybe Larson is trying to say something else. No matter how smart we are, all of us are the same. No one has escaped having a mindless moment where they’ve attempted to push their way in through a door that needs to be pulled open. It’s embarrassing.
- Release Date
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December 20, 1996
- Runtime
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112 minutes
- Writers
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Kevin Williamson
- Producers
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Bob Weinstein, Cary Woods, Cathy Konrad, Harvey Weinstein
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