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8 Near-Perfect Western Shows That No One Remembers Today

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These days, the conversation around television Westerns typically revolves around neo-Westerns like Yellowstone or critically acclaimed HBO shows like Deadwood. Sure, the classics like Gunsmoke, Bonanza, and Rawhide can still be found in their entirety at your local Walmart, but otherwise there are plenty of both old-school and modern trips to the Old West that have been pushed to the wayside. Given the vast history of the genre on television, it’s a crying shame.

For those looking to tackle the genre in earnest, we’ve put together a brief list of slept-on Western shows that, while not perfect, come pretty darn close. Each has its quirks, underdeveloped aspects, or plotlines we don’t care for, but they all revel in their unique exploration of the American West during the traditional post-Civil War period (okay, except one, but we’ll get to that). So hop in the saddle and grab the reins because we’re on our way to that forgotten wild frontier.

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‘How the West Was Won’ (1976–1979)

The cast of ‘How the West Was Won,’ including Josh “Jed” Macahan (William Kirby Cullen), Luke “Seth” Macahan (Bruce Boxleitner), Zebulon “Zeb” Macahan (James Arness), Jessica “Jessie” Macahan (Vicki Schreck), Katherine “Kate” Macahan (Eva Marie Saint), and Laura Macahan (Kathryn Holcomb),
Image via ABC

After spending two decades playing Marshal Matt Dillon on Gunsmoke, Western star James Arness decided that his next television project would be an epic reimagining of How the West Was Won. What started as a television film following the Macahan family as they, with help from uncle Zeb Macahan (Arness), travel west to establish themselves during the heights of the Civil War, only to venture into that initial postwar period of Western lawlessness. It certainly lives up to the high expectations of that original film.

With over two dozen 90-minute installments, each episode of How the West Was Won almost plays like a made-for-TV movie. Of course, there are serialized threads that continue throughout the whole series — such as Luke’s (Bruce Boxleitner) continual troubles with the law — but they never pull away from the main plot. It’s a shame so few remember this one.

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‘Cheyenne’ (1955–1962)

Clint Walker rides on as Cheyenne Bodie in ‘Cheyenne.’
Image via ABC

The first hour-long Western television series to hit the airwaves, Cheyenne ran for an impressive seven seasons back in its day, paving the way for future 60-minute programs. Featuring Clint Walker as Cheyenne Bodie, a drifting gunslinger who takes odd jobs across the Old West, always finding himself in the middle of whatever trouble comes along. It helped that he’s among the best Western gunslingers on television.

Cheyenne is about as traditional a TV Western as you can get, almost like the Shane of televised horse operas. The series even served as the springboard for the short-lived The Dakotas, another often slept-on series that deserves its due. Additionally, that Cheyenne theme song is just so catchy.

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‘Paradise’ (1988–1991)

Ethan Allen Cord (Lee Horsley) and Amelia Lawson (Sigrid Thornton) on ‘Guns of Paradise’ (1988-1991)
Image via CBS

Originally known as simply Paradise before being retitled as Guns of Paradise, this CBS program hit the airwaves at a time when viewers saw a brief resurgence of the genre on television. Shows like the equally great The Young Riders and the epic Lonesome Dove miniseries were making waves, and Guns of Paradise made some noise of its own. While it’s been left to the wayside compared to those other two programs, Paradise deserves its spot in the Western TV canon.

When Lee Horsley‘s Ethan Allen Cord, a longtime gunfighter, seeks to leave his life of violence, he settles in the titular California town to take care of his orphaned niece and nephews. Of course, upon arriving in Paradise, he falls for landowner Amelia Lawson (Sigrid Thornton), which comes with its own complications. While not listed among the best classic Western shows, Paradise is a three-season adventure worth undertaking.

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‘Joe Pickett’ (2021–2023)

Michael Dorman as Joe Pickett
Image via Paramount+

Based on the series of novels by author C.J. Box, Joe Pickett is the only show on this list that is set in the modern American West. But while the show itself may not be set in the traditional genre time period, the titular hero is quite old-school himself. In fact, that’s exactly what draws us to Joe (Michael Dorman) in the first place.

Joe Pickett ran for two seasons before it was unceremoniously cancelled, with the Wyoming game warden investigating a series of mysteries in the wild lands that once humbled American explorers. While the show itself takes some liberties from its source material, it’s a stellar adaptation that is perfect for longtime fans or newcomers alike. It’s a two-season Western series perfect for a quick binge.













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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown
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Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

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Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




Sheridan Has Spoken
You Belong In…
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The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

🤠
Yellowstone

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🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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‘The Rebel’ (1959–1961)

Nick Adams as Johnny Yuma on a promotional picture for ‘The Rebel’
Image via ABC

“Johnny Yuma was a rebel, he roamed through the west.” If you’re at all familiar with that classic Johnny Cash tune, then you already know something about The Rebel. This ABC Western followed the ex-Confederate Johnny Yuma (Nick Adams) as he, well, roamed about the Old West. Yuma got into all sorts of trouble, but it never stopped him from doing the right thing.

The Rebel ran for two long seasons, adding up to 76 episodes total — though it never quite felt so long with only half-hour installments — as Yuma rambled across the country. Like Cheyenne, The Rebel tackled many of the usual Western plots that different shows often recycled, though it always did so with Adams’ stone-faced charm. Ironically, the plot of The Hateful Eight was stolen from this show.

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‘The Son’ (2017–2019)

Pierce Brosnan, Sydney Lucas, and Henry Garrett as Eli, Jeanie, and Pete McCullough sitting in a car outside in ‘The Son.’
Image via AMC

Although The Son began a year before Yellowstone, this AMC drama is often overshadowed in favor of the Dutton drama. But while The Son is also about a family ranching legacy, it spans across several time periods and multiple generations to do so. The two-season series follows patriarch Eli McCullough (Pierce Brosnan) in his old age, juxtaposing his future with his past (where he’s played by Jacob Lofland) to tell a complete story of the sacrifices made for his family.

The Son is the type of Western series perfect for the streaming era. With a concise 20-episode run that pulls from the novel of the same name by Philipp Meyer, AMC outdid themselves with this addictive Texas-based narrative that speaks firmly to the same issues Taylor Sheridan would meditate on with his multi-installment franchise. That said, The Son arguably does it better.

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‘Billy the Kid’ (2022–2025)

It’s hard to say that a show that literally just ended is a “forgotten” Western series, but considering most don’t even know Billy the Kid exists, we’ll argue that it qualifies. The Epix-turned-MGM+ series followed the title American outlaw (played by Tom Blyth) as he steps in the middle of the famed Lincoln County War, only for his life to be turned completely upside down. From his tragic upbringing as his family migrated West to his “fated” ending, this show will thoroughly surprise you at every turn.

Part of the reason for that is that the show doesn’t allow itself to be shackled by complete historical accuracy. While based on Billy’s real-life exploits, the truth is that Billy the Kid departs considerably from the authentic historical account. So, if you can get over the inaccuracies and enjoy the MGM+ drama as a legendary take on the Wild West mythos, you’ll love Billy the Kid. As one of the most underrated Westerns of our day, it deserves to be remembered fondly by fans of the genre.

‘The Loner’ (1965–1966)

William Colton (Lloyd Bridges) in a firefight on ‘The Loner.’
Image via CBS
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As one of the most criminally forgotten Western shows out there, The Loner was Rod Serling‘s post-Twilight Zone adventure westward. Wanting to make an “adult” Western that appealed to the thinking men in the audience, he dreamed up former Union captain William Colton (Lloyd Bridges) who, like the typical Old West hero, drifts west and finds himself in the middle of more trouble than he bargained for. Yet, Colton is a man who can handle such difficulties with a cool, enrapturing ease.

The Loner only ran for a single 26-episode season, but it’s a show that still holds up after all this time. Serling’s creative vision for the genre is certainly unique, and though quite different from the various Twilight Zone Westerns he tackled over the years, it still feels undeniably Serling in its approach. It wasn’t all about gunfights or action, but it did aim for a realism not reached by many horse operas at the time.

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