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8 Single-Season Thriller TV Masterpieces

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Matthew Good as Carl Morck and Alexej Manvelov as Akram Salim standing in the doorway of a shed in Dept. Q.

In the age of sprawling prestige television, it’s easy to forget the unique power of a story that knows exactly when (and how) to end. Single-season thrillers offer something increasingly rare in modern TV: a tightly constructed narrative that begins, builds, and concludes without the need for cliffhangers designed to stretch across multiple years. With no filler episodes or narrative detours, every scene carries weight, every clue matters, and the tension can build with relentless precision.

That focus is exactly what makes those shows so addictive. The result is television that feels immersive without being overwhelming — the kind of story you can devour in a matter of days while still enjoying a fully satisfying conclusion. So, to celebrate this creative feat, here are some single-season thriller masterpieces that sometimes prove the most gripping stories are the ones that don’t overstay their welcome.

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1

‘Dept. Q’ (2025)

Matthew Good as Carl Morck and Alexej Manvelov as Akram Salim standing in the doorway of a shed in Dept. Q.
Matthew Good as Carl Morck and Alexej Manvelov as Akram Salim standing in the doorway of a shed in Dept. Q.
Image via Netflix

Set in Edinburgh, disgraced detective Carl Morck (Matthew Goode) is reassigned to head a newly formed cold-case division after a traumatic shooting leaves his partner seriously injured and his reputation in tatters. Unfortunately, the department is a little more than a bureaucratic afterthought buried in the police station’s basement. Luckily, with the help of a small team, Carl begins reopening long-forgotten cases, starting with the mysterious disappearance of a prominent prosecutor years earlier.

Ok, yes. This is still an ongoing series, but there’s no denying how brilliantly this show methodically builds tension in one single season. Rather than relying on constant twists, Dept. Q carefully unravels its mystery piece by piece, allowing the characters and their psychological scars to shape the narrative. Plus, the Scottish noir atmosphere — bleak landscapes, morally complex characters, and a creeping sense of dread — creates a story that feels both grounded and intensely suspenseful. It’s a stellar introductory season that stands tall in its own right, and the fact that it still has more to say is a win for all crime-show lovers.

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2

‘The Day of the Jackal’ (2024)

Eddie Redmayne as The Jackal waiting to shoot a sniper rifle in The Day of the Jackal
Eddie Redmayne as The Jackal waiting to shoot a sniper rifle in The Day of the Jackal
Image via Peacock

Based on Frederick Forsyth‘s iconic novel, a highly skilled assassin known only as the Jackal (Eddie Redmayne) is hired to carry out an audacious assassination on a billionaire tech entrepreneur. Meticulous and almost impossibly disciplined, the Jackal uses advanced tech and elaborate identities to carefully navigate his mission. Meanwhile, an MI6 analyst finds herself dangerously close to tracking him.

As far as espionage thrillers go, The Day of the Jackal shines in how it builds suspense. Instead of relying on chaotic action sequences, the show turns preparation itself into the thrill. Every forged act, disguised identity, and near-miss encounter tightens the tension. This only elevates as we’re shown the other perspective of agent Bianca Pullman (Lashana Lynch) as she engages in a true cat-and-mouse journey. Yes, it’s a steady build throughout the season, but with each new twist and discovery keeping us on our toes, who wouldn’t want to stay to the end (even if there is another season in development)?

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3

‘All Her Fault’ (2025)

Sarah Snook and Michael Peña make their way through a crowd in All Her Fault.
Sarah Snook and Michael Peña make their way through a crowd in All Her Fault.
Image via Peacock

When Marissa Irvine (Sarah Snook) arrives to pick up her young son from what she believes is a playdate, the woman answering the door has no idea who she is — and insists the child was never there. As panic spreads and the search intensifies, investigators and family members begin piecing together the events leading up to the disappearance.

Rather than unfolding as a straightforward procedural, All Her Fault thrives on shifting perfectives and unreliable accounts, exposing the cracks in seemingly ordinary suburban lives. Across every episode, secrets begin surfacing in layers, turning what first appears to be a simple disappearance into a knot of lies, guilt, and emotional fallout. It’s the kind of fear that weaponizes everyday dread (particularly parental fear) and stretches them into a tense, psychologically charged mystery.













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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown
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Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

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01

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Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




02

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Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




03

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Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




04

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Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




05

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How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




06

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What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




07

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How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




08

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Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




09

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What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




10

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When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




Sheridan Has Spoken
You Belong In…
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The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

🤠
Yellowstone

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🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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4

‘The Outsider’ (2020)

Ben Mendelsohn standing next to Cynthia Erivo, who is staring at him concerned in The Outsider.
Ben Mendelsohn standing next to Cynthia Erivo, who is staring at him concerned in The Outsider.
Image via HBO

A quiet town is shattered when a beloved Little League coach is arrested for the horrific murder of a young boy. The case seems airtight — DNA, fingerprints, eyewitnesses — yet equally convincing evidence places the suspect miles away at the time of the crime. As detective Ralph Anderson (Ben Mendelsohn) tries to reconcile the impossible contradiction, the investigation begins pointing toward something far stranger than anyone anticipated.

While perhaps being a lesser-known Stephen King TV adaptation, The Outsider operates like two thrillers slowly morphing into one. On the one hand, it unfolds as a bleak procedural mystery. That is, until the narrative gradually tilts into supernatural horror. That tonal shift could easily feel jarring, but here, it works, as the show never abandons its psychological grounding. The result is an eerie hybrid of crime drama and existential dread — one where the true horror lies in confronting the possibility that the world might not follow any logical rules at all.

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5

‘The Night Of’ (2016)

DA John Stone (John Turturro) sits in court with his client Nasir Khan (Riz Ahmed) in 'The Night Of' (2016).
DA John Stone (John Turturro) sits in court with his client Nasir Khan (Riz Ahmed) in ‘The Night Of’ (2016).
Image via HBO

When college student Nasir ‘Naz’ Khan (Riz Ahmed) impulsively borrows his father’s taxi for a night out, he meets a mysterious woman, and they spend the evening together. To his horror, Naz wakes up beside her brutally murdered body, with no memory of what happened. Arrested almost immediately, he becomes trapped inside the unforgiving machinery of the American criminal justice system while his defense attorney scrambles to untangle the truth.

What makes The Night Of so riveting is how patiently it examines the ripple effects of a single accusation. The show moves far beyond the question of guilt or innocence, instead exploring how the intricacy of the flawed justice system reshapes the people caught within it. Ahmed’s performance masterfully captures Nasir’s gradual transformation as the case drags on, while the series itself becomes a slow, suffocating portrait of institutional pressure. It’s a thriller where the suspense comes not just from the mystery, but from watching a life quietly collapse. It’s a true shining gem of the miniseries format.

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6

‘The Haunting of Hill House’ (2018)

The Crain brothers and sisters stand together in The Haunting of Hill House promo photo.
The Crain brothers and sisters stand together in The Haunting of Hill House promo photo.
Image via Netflix

Told across dual timelines, The Haunting of Hill House follows the Crain family as they grapple with the traumatic experiences they endured while living in a haunted mansion during their childhood. Years later, the adult siblings remain haunted not only by ghosts but by the emotional scars left behind by their time in the house.

While the series is undeniably a shocking horror story, its structure functions like a psychological thriller, slowly revealing the truth behind the family’s past. Creator Mike Flanagan layers clues throughout the narrative, building toward devastating revelations about grief, memory, and family trauma. Between its hidden ghosts, intricate storytelling, and deeply emotional character arcs, the show proves that suspense can be just as powerful as jump scares (of which the show has plenty).

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7

‘Sharp Objects’ (2018)

Camille (Amy Adams) is bedridden.
Camille (Amy Adams) is bedridden.
Image via HBO

Journalist Camille Preaker (Amy Adams) reluctantly returns to her small Missouri hometown to cover the murder of two young girls. The assignment forces her back into the orbit of her cold, domineering mother and fragile half-sister, reopening old wounds she spent years trying to escape. But as Camille digs deeper into the investigation, the town’s carefully maintained facade begins to crack.

As an adaptation from Gillian Flynn‘s novel, Sharp Objects operates less like a traditional whodunit and more like a slow descent into generational trauma. The mystery unfolds alongside Camille’s own psychological unraveling, blurring the line between investigation and self-destruction. Adams delivers a mesmerizing performance that anchors the entire series, making each revelation feel as emotionally devastating as it is narratively shocking. By the time the final twist lands, it feels both horrifying and tragically inevitable.

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8

‘Black Bird’ (2022)

Jimmy Keene on the phone at prison in Black Bird.

Inspired by real events, Black Bird follows Jimmy Keene (Taron Egerton), a charming drug dealer sentenced to a decade in federal prison. Offered a chance at freedom, Jimmy agrees to a dangerous deal with the FBI: he must befriend suspected serial killer Larry Hall (Paul Walter Hauser) while both are incarcerated and coax a confession from him. If Jimmy succeeds, he could walk free, but if he fails, he’ll remain behind bars.

There’s no doubt the series thrives on the psychological tension between its two central characters. Egerton’s Jimmy must constantly balance manipulation with survival, while Hauser’s eerie portrayal of Larry keeps viewers guessing about how much he truly knows. Each interaction becomes a game of trust and deception, where a single wrong move could destroy Jimmy’s chance at freedom. The result is a claustrophobic, character-driven thriller that proves suspense doesn’t always require action, just two people in the room with the truth hanging between them.


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Black Bird

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Release Date

2022 – 2022-00-00

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Showrunner

Dennis Lehane

Directors
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Dennis Lehane

Writers

Dennis Lehane

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10 Game-Changing Anime Series That Totally Rewrite Genre Rules

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Chainsaw-Man-The-Movie-Reze-Arc-Denji

Ever since Demon Slayer in 2019 and the extra free time the pandemic provided, anime has blown up in popularity, becoming a worldwide sensation that fans have fallen in love with because of its energetic animation and creative stories. However, while anime used to be different, with shows such as One Piece, ever since the medium got popular, stories have gotten unoriginal and repetitive, simply going to entertain and not innovate.

Certain anime follow a specific script and blueprint, but among every genre are a handful of exceptions. There are some game-changing anime that completely rewrote the genre’s rules, establishing a new way for stories to be told. That is why this list will rank game-changing and genre-redefining anime based on originality, how they shook up the script, and how future shows followed.

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10

‘Chainsaw Man’ (2022–Present)

Chainsaw-Man-The-Movie-Reze-Arc-Denji
Denji eyes a delicious flower in Chainsaw Man – The Movie: Reze Arc.
Image via MAPPA

The majority of the anime on this list are older shows, but there are a couple of modern series that dare to go against the grain, and Chainsaw Man is one of them. Denji is a simple person, not knowing the luxuries of daily life, but when Makima gives him the opportunity, he becomes a demon hunter. Now hunting devils, his only goal is to experience something new, whether it be a jam of toast or love.

Fans aren’t happy with how the manga is being handled, but the anime, for now, is a truly unique series that deconstructs the typical shōnen protagonist. Anime has always been weird, but Chainsaw Man dialed it up a notch, using its endearing characters and their flaws to tell a bizarrely dark story. In the end, this anime goes against many shōnen tropes and clichés to deliver a modern delight that is one-of-a-kind.

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9

‘Puella Magi Madoka Magica’ (2011)

Homura and Madoka laying on the floor together in Madoka Magica.
Homura and Madoka laying on the floor together in Madoka Magica.
Image via Shaft

There are many definitive anime genres and styles, and one of them is magical girls, which follows cutesy witches battling evil with pure hearts. Puella Magi Madoka Magica starts as such, following an idealistic girl becoming a mage after taking up a mysterious cat on its offer. However, it takes a drastic twist, with the duties of a witch meaning taking on otherworldly horrors, resulting in countless deaths.

Puella Magi Madoka Magica took the genre known for being cute and wholesome and made it one of the most traumatizing, bleak, depressing, and violent anime the medium has to offer. Many anime subvert expectations, but none do it as well as Puella Magi Madoka Magica, and this changed the game when it comes to this type of deconstruction.

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8

‘Yu Yu Hakusho’ (1992–1995)

A still from the anime Yu Yu Hakusho with the characters looking to the distance and one holding a sword.
A still from the anime Yu Yu Hakusho with the characters looking to the distance and one holding a sword.
Image via Pierrot

Hunter x Hunter is one of the most popular anime series of all time, but its creator made an anime that is just as influential, if not more. Yu Yu Hakusho follows Yusuke after he dies before his time, leaving the afterworld to give him a set of trials to earn his life back. He now works as a spirit detective, helping keep the balance between the spirit world and the human realm.

By today’s standards, Yu Yu Hakusho feels fairly typical, but that is because it redefined how shōnen anime is handled, making it a true pioneer of its time. Yusuke was an original protagonist who proved that punks can have a heart of gold. However, Yu Yu Hakusho is best known for popularizing the tournament arc, one of the best arcs in anime. Almost every major shōnen now has a tournament arc, and it is because this anime changed the game.

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7

‘Slam Dunk’ (1993–1996)

Slam Dunk anime characters
Slam Dunk anime characters
Image via Toei Animation

There are plenty of game-changing sports anime, such as Ashita no Joe, but Slam Dunk is a tier above in terms of rewriting the genre’s rules. Hanamichi is a typical punk who just wants a girlfriend, and his next brightest idea is to impress his crush by joining the basketball team. He may have the measurables, but he has no experience, and he refuses to work with anyone, making his journey to master the sport difficult.

Slam Dunk does feature a lot of standard sports tropes, but it still has an air about it that separates it from other sports anime. It sparked a surge of popularity of the sport in Japan because of its riveting plot and engaging characters. Slam Dunk is a masterclass of character work, creating compelling arcs and development, making it one of the best sports anime of all time.

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6

‘The Melancholy of Haruhi Suzumiya’ (2006–2009)

The cast of characters in the melancholy of Haruhi Suzumiya Image via Chiba TV

Anime culture changes constantly, but the 2000s had a different style that is most commonly associated with otaku culture and moe. The Melancholy of Haruhi Suzumiya follows a school club that investigates the supernatural and occult. Kyon just wants a normal high school life, but his club mates consist of time travelers, aliens, and supernatural beings, making it anything but normal.

The Melancholy of Haruhi Suzumiya established the moe style in an era where it was at an all-time high, not to mention it deconstructed it by including supernatural elements and experimental storytelling. The anime is notoriously known for its ending arc, which reused the same episode with minor changes. While this isn’t a good thing, it did rewrite the genre’s rules by including this inventive conclusion. The Melancholy of Haruhi Suzumiya proved that moe anime can be profound, playing on its endless summer storyline.

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5

‘Frieren: Beyond Journey’s End’ (2023–Present)

Frieren, Fern, and Stark sitting by a river in Frieren: Beyond Journey's End
Frieren, Fern, and Stark sitting by a river in Frieren: Beyond Journey’s End
Image via Kanehito Yamada, Tsukasa Abe/Shogakukan/ “Frieren”Project

Chainsaw Man isn’t the only modern anime on this list; Frieren: Beyond Journey’s End is a new fantasy that has instantly become a classic. The titular elf and her party defeated the demon part, but after she outlives some of the members, she realizes she didn’t properly convey her feelings. Frieren, Fern, and Stark now retrace a similar path on their way to the land of the dead, to speak to her fallen comrades.

As opposed to anime that follow the party journeying to kill the demon king, Frieren: Beyond Journey’s End is set after that, in a time of peace, proving the genre can be fresh when done differently. Not to mention, this anime focuses on mellow storytelling and enjoying the side quests instead of the main adventure. This flies in the face of fantasy anime and its stale storytelling style, reinventing the genre and rewriting the rules in the meantime, becoming one of the best modern anime series ever.

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4

‘Neon Genesis Evangelion’ (1995–1996)

Neon Genesis Evangelion_ The End of Evangelion - 1997 Image via Toei Company

Mecha anime are outdated now, with fewer and fewer every year, but it used to be the definitive anime genre, and one of the most iconic is Neon Genesis Evangelion. The world is left in tatters, and a third cataclysm threatens to end it for good. However, the only hope for humanity and survival is Shinji and other teenagers, who must pilot mechs and defeat angel-like aliens, but other players have other goals.

A certain anime redefined the genre into what it is most known as, but that show will be featured later, as Neon Genesis Evangelion rewrote the mecha genre again. Most anime protagonists are strong-willed, but Shinji is weak and flawed, which is what makes him so compelling. Neon Genesis Evangelion aged like a fine wine, being an expression of mental health that redefined anime and how it is viewed.

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3

‘Urusei Yatsura’ (1981–1986)

Urusei Yatsura- Beautiful Dreamer (1984) friends in the cinema.
Urusei Yatsura- Beautiful Dreamer (1984) friends in the cinema.
Image via Pierrot

It may not be talked about enough among the mainstream community, but romance anime are some of the most popular, and the genre is ripe with well-made classics, such as Urusei Yatsura. When an alien princess comes down to Earth, she falls in love with a scummy high school boy. Now he struggles to stay faithful to her with so many other women he has his eyes on.

The tsundere trope is one of the most famous and popular in anime, and it all started with Urusei Yatsura. Lum revolutionized what a character could be, and this trope has stuck to this day. It rewrote the romance genre by introducing a new archetype, changing the rules, and instantly becoming a classic.

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2

‘Mobile Suit Gundam’ (1979–1980)

Amuro looking surprised as he pilots in Mobile Suit Gundam III: Encounters in Space
Amuro looking surprised as he pilots in Mobile Suit Gundam III: Encounters in Space
Image via Netflix

This list mentioned how a certain mecha anime redefined the sci-fi genre, and that was Mobile Suit Gundam, a true classic. A separate colony declares war on Earth, quickly gaining the upper hand with their advanced mechs. However, Earth strikes back after developing its own Gundam, starting an intergalactic war for freedom.

Mechas are a definitive staple of anime, so much so that they are synonymous with Gundam, known for the many anime series and its hobby building. Gundam treated robots as real metallic weapons, straying from the magical and idealistic take. It focused on the grim realities of war and the end of the good vs. evil discussion, creating a nuanced story that rewrote how sci-fi anime are handled.

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1

‘Dragon Ball Z’ (1989–1998)

Goku in his Super Saiyan 3 form in Dragon Ball Z.
Goku in his Super Saiyan 3 form in Dragon Ball Z.
Image via Toei Animation

This list has mentioned shōnen anime a lot, and there is no shōnen anime as iconic and influential as Dragon Ball Z. After an alien child lands on Earth, he trains in the ways of martial arts, becoming a skilled fighter who protects Earth and his friends. From enemies such as Frieza, King Buu, Vegeta, and Cell, Goku will fight a lot of tough enemies on his journey.

Dragon Ball Z defined the modern-day shōnen genre, being an essential and influential classic that established many tropes and storylines. From the silly big-eating protagonist to exaggerated characters and action-packed stories, this anime and its style inspired every anime that came after. Dragon Ball Z is one of the best anime series of all time, and changed how anime operates while doing so.


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Dragon Ball Z

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Release Date

1989 – 1996

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Network

Fuji TV

Directors
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Daisuke Nishio, Shigeyasu Yamauchi, Osamu Kasai

Writers

Akira Toriyama, Neil Bligh, Hiroshi Toda, Katsuyuki Sumisawa, Aya Matsui, Keiji Terui, Reiko Yoshida, Toshiki Inoue

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  • Cast Placeholder Image

    Masako Nozawa

    Son Goku / Son Gohan / Son Goten (voice)

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    Ryo Horikawa

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    Vegeta (voice)

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Ryan Gosling's sci-fi film and Samara Weaving and Kathryn Newton in “Ready or Not 2” top this week's Must List

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“Jury Duty” season 2, Death Cab for Cutie’s new single, and “Ulster American” round out our picks for the weekend of March 20.

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Ryan Gosling Makes Rare Bedroom Confession About His Love Life

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Eva Mendes and Ryan Gosling at the 2012 Toronto International Film Festival - 'The Place Beyond the Pines' - Premiere

Ryan Gosling has made a rare remark about his love life with his wife, Eva Mendes.

The Oscar nominee and the former actress are usually private about their relationship, but Gosling recently switched things up when he brought her on stage as part of a surprise for her 52nd birthday.

Eva Mendes previously shared that she never wanted to have kids, but when she met Ryan Gosling, she had to reconsider her stance as she found herself wanting to have his children.

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Ryan Gosling Makes Rare Confession About His Romance With Eva Mendes

Eva Mendes and Ryan Gosling at the 2012 Toronto International Film Festival - 'The Place Beyond the Pines' - Premiere
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Ryan Gosling gave a rare insight into his bedroom escapades with partner Eva Mendes during Wednesday’s episode of Travis and Jason Kelce’s “New Heights” podcast.

The “Barbie” star was asked if he makes love to the soundtrack from his movies, but he emphatically shared that he doesn’t.

It appears the host wanted to know if he shared something in common with his “Blade Runner 2049” co-star Harrison Ford, who confirmed to Jimmy Kimmel earlier this month that he had “of course” done this before.

“That’s an easy, easy no,” Gosling said, before Jason admitted he had asked a “dumb question,” while Travis couldn’t stop laughing.

The Golden Globe winner then said of his friend, “Of course, Harrison has [done that]. I always say, ‘Never meet your heroes unless they’re Harrison Ford.’ He’s as cool as you want him to be.”

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Gosling then described a time on set when Ford “housed half a bottle of Advil as a joke,” adding that the 83-year-old is “not like us. He’s that guy. … He’s the real deal.”

The Actor Surprised Eva Mendes For Her Birthday

Ryan Gosling Smashes Beer Bottle Over Jimmy Kimmel’s Head
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Gosling and Mendes have been together for more than a decade now, as they began dating in 2011 while filming “The Place Beyond the Pines.”

The couple has remained tight-lipped about their relationship and are rarely seen together since they got together. However, Gosling took it upon himself to break tradition to celebrate her 52nd birthday in a special way.

Earlier this month, the 45-year-old actor had Mendes brought out while filming “The Tonight Show Starring Jimmy Fallon” so that the audience could sing her a happy birthday song, per CNN.

Gosling was on the show to promote his new film “Project Hail Mary,” where he plays the role of a school teacher who lost his memory and woke up on a spaceship.

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Eva Mendes Had ‘No Idea’ About The Surprise From Ryan Gosling

Eva Mendes during the photocall of the movie Live!
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As a sweet tribute to the movie and his wife, Gosling had the audience filled with teachers and revealed that Mendes “loves teachers,” adding that she flaunts her Hall Monitor sash in their home.

As the actress walked up onto the stage, where she gave an impromptu speech, Fallon quipped that she had “no idea” that the surprise was going to happen.

“We owe so much to you guys,” Mendes told the audience of teachers, adding, “and you’re so underpaid!” prompting laughter from them.

The Actress Quit Her Career To Look After Their Daughters

Ryan Gosling Talks Family And Parenting With Wife Eva Mendes Amid The Pandemic
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The couple now shares two daughters, Esmeralda and Amada, but Mendes told Australian Nova 96.9 in a 2019 interview that she didn’t want children until she met Gosling.

“I never wanted babies before until I fell in love with Ryan, and it kind of worked out to where I was 40 and having my first baby,” she said at the time, per Page Six.

She also shared that she was always focused on her career, but when the “La La Land” actor later came into the picture, everything fell into place organically.

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“I think I was 42 for the second [kid], so it worked out in that way that I had a career and then I changed my focus to my family,” she said.

Mendes has since slammed the brakes on her Hollywood career to raise their daughters.

Ryan Gosling Shares Update On His Desire To Play Ghost Rider

Ryan Gosling at the 89th Annual Academy Awards - Arrivals
Lumeimages / MEGA

Meanwhile, Gosling is seemingly doubling down on his desire to play Ghost Rider in the Marvel Cinematic Universe.

The actor, who has previously said that he wants to be the new Ghost Rider, appeared on the “Happy Sad Confused” podcast to promote “Project Hail Mary,” and was asked by Josh Horowitz what the situation was with the MCU.

“We’ll keep hope alive”, he said. “Some discussions have been had. It’s a complicated situation.”

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Sarah Paulson Praises Amanda Peet’s ‘Profound’ Cancer Essay

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Sarah Paulson is in awe of how her longtime friend Amanda Peet summarized her recent cancer battle.

“My best friend, Amanda Peet … has written the most profoundly gorgeous essay about the loss of her parents, while dealing with a breast cancer diagnosis,” Paulson, 51, wrote via Instagram on Saturday, March 21. “@newyorkermag has published it today, and I’m screaming from the rooftops with joy. I hope you all take the time to read it.”

She continued, “If you are running around and doing other stuff, I did the audio recording and you can listen to me try to do the piece justice. My friend is a @newyorkermag essayist. How outrageously groovy is that? Bird, I love you beyond.”

Paulson subsequently inspired a number of her other famous friends to read Peet’s story.

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Related: Amanda Peet Reveals Breast Cancer Diagnosis Amid Parents’ Hospice Care

Amanda Peet has been diagnosed with breast cancer. “For many years, I’ve been told that I have ‘dense’ and ‘busy’ breasts — not as a compliment but as a warning that they require extra monitoring,” Peet wrote in a New Yorker essay published Saturday, March 21, revealing she was diagnosed “last fall.” “I had been […]

“Going to read now!!” Naomi Watts wrote in the comments section, while Rose Byrne revealed that she already “read [the essay] this morning” and found the prose to be “so extraordinary.”

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Ali Wentworth, for her part, added, “It’s a beautifully written piece. All too familiar. Give Amanda a huge hug for me!”

In her essay, Peet, 54, revealed that she was diagnosed with stage I breast cancer “last fall” while both her parents were in hospice care.

“For many years, I’ve been told that I have ‘dense’ and ‘busy’ breasts — not as a compliment but as a warning that they require extra monitoring,” the Your Friends and Neighbors star wrote. “I had been seeing a breast surgeon every six months for checkups. The Friday before Labor Day, I went for what I thought would be a routine scan.”

Peet’s physician subsequently told her that she “didn’t like the way something looked on the ultrasound” and requested that the actress undergo a biopsy. Two tumors, one of which was benign, were visible on one breast.

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Stars Who Beat Breast Cancer Julia Louis-Dreyfus Cynthia Nixon and More p


Related: Stars Who Beat Breast Cancer: Linda Evangelista, Cynthia Nixon and More

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Many celebrities have spoken out about their personal battles with breast cancer over the years. Julia Louis-Dreyfus went public with her breast cancer diagnosis in September 2017 via Instagram. Nearly one year later, she had successfully beaten the illness and returned to work on Veep. “It sounds kind of corny, but there’s something about after […]

As Peet waited to find out what type of cancer she had, her parents were on their death beds.

“Our parents, long divorced, were both in hospice, on opposite coasts,” Peet recalled to the outlet, also referring to her sister. “Our mother’s had started in June, but our father’s was only a week in, so we hadn’t expected him to go first. I flew to New York. I didn’t make it before my father took his last breath, but I got to see his body before it was taken from his apartment.”

Peet returned home to Los Angeles, where she learned that her cancer was “hormone-receptor-positive” and “HER2-negative.” She received her first “clear scan” shortly before her mom’s death in January.

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‘Buffy’ Stars Celebrate Nicholas Brendon’s Legacy

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Nicholas Brendon at 'Date Movie' KROQ Screening Feb 13, 2006

Actor Nicholas Brendon, who is best known for playing Xander Harris on all seven seasons of the original “Buffy The Vampire Slayer” series. According to a statement released by his family, the actor passed away from natural causes at the age of 54. He had been plagued by health issues in recent years, including a cardiac incident in 2022.

Nicholas Brendon’s Family Asks For Privacy After His Passing

Nicholas Brendon at 'Date Movie' KROQ Screening Feb 13, 2006
ZUMAPRESS.com / MEGA

On Friday, March 20, the late actor’s family confirmed his passing in a brief statement shared with The Hollywood Reporter.

“We are heartbroken to share the passing of our brother and son, Nicholas Brendon. He passed in his sleep of natural causes,” they wrote in a brief statement, going on to say: “Nicky loved to share his enthusiastic talent with his family, friends and fans. He was passionate, sensitive, and endlessly driven to create. Those who truly knew him understood that his art was one of the purest reflections of who he was.”

“While it’s no secret that Nicholas had struggles in the past, he was on medications and treatment to manage his diagnosis and he was optimistic about the future at the time of his passing,” they continued. “Our family asks for privacy during this time as we grieve his loss and celebrate the life of a man who lived with intensity, imagination, and heart.”

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In the hours after the news broke, his “Buffy The Vampire Slayer” costars took to social media to pay tribute.

Sarah Michelle Gellar Mourns Nicholas Brendon’s Death With Poignant ‘Buffy’ Quote

Actress Sarah Michelle Gellar, who played the titular Buffy Summers, took to Instagram to pay tribute to her late costar with a quote that Xander said during the show’s seventh and final season.

“They’ll never know how tough it is to be the one who isn’t chosen. To live so near to the spotlight, and never step in it. But I know. I see more than anybody realizes, because nobody’s watching me,” she quoted.

“I saw you Nicky,” she added. “I know you are at peace, in that big rocking chair in the sky.”

Alyson Hannigan Also Pays Tribute With A ‘Buffy’ Photo

Similarly, Alyson Hannigan, who played the witchy Willow, took to Instagram to share a screenshot of Xander holding a crying Willow during one of the show’s most emotional episodes.

“My Sweet Nicky, thank you for years of laughter, love and Dodgers. I will think of you every time I see a rocking chair.  I love you. RIP,” she wrote alongside the photo.

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David Boreanaz Also Pays Tribute To Nicholas Brendon

Actor David Boreanaz played the vampire Angel during the early seasons of “Buffy The Vampire Slayer” before moving to his own spin-off show, “Angel.”

In a lengthy caption, the “Bones” actor began by writing, “There are people you work with
and then there are people you share time with. Nick was the latter.”

He praised Nicholas Brendon as someone who “carried something real,” even though he wasn’t “perfect” or “polished” and noted how, in the entertainment industry, “that matters more than most things.”

“We don’t always get to choose how long someone stays in the story, only that they were here,” he wrote, concluding, “Some people leave a mark without trying.”

More ‘Buffy The Vampire Slayer’ Costars Pay Tribute

Emma Caulfield Ford, who played the demon turned Xander’s love interest, Anya Jenkins, took to her Instagram Stories to share a clip of the late actor giving an interview about the show’s final season.

In a text box placed over the photo, she wrote, “My heart is so heavy. I can’t put into words just yet how this has hit me.” She shared a clip of Brendon on the series, adding, “Let this clip of us giving it our all be a place holder. Rest Nicky. Rest. I love you.”

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Charisma Carpenter, who played Cordelia Chase, a love interest of Xander on “Buffy” before moving over to “Angel,” also took to Instagram to share her condolences in a lengthy tribute.

“I will miss the version of the man I once knew – someone who was so warm and loving. He was cuddly, funny, silly, self-deprecating, and supremely talented. I loved every scene we had together back in the day. He always kept me on my toes, never delivering a line the same way twice, forcing me to become a better actor by listening,” she wrote alongside a carousel of photos of the two together.

“I will always remember him in my mind’s eye, in his trailer with the door wide open, in his rocking chair, smoking a cigarette and listening to music. From his trailer, which my window faced on the lot, I could hear all the bands that exemplify the 90s but are also, for me, tied up in the memory of Nicky,” she continued, listing bands like Creed, Alice in Chains, Green Day, and Nirvana.

“I miss those days and cling to those memories of him today. I offer my condolences to his family, his closest friends – who were with him to the end – and to the fans around the world who found comfort in his work,” she continued, adding, “May he be at peace now.”

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Chuck Norris' final film is Vanilla Ice's upcoming “Zombie Plane”

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The late action hero will appear in the Australian action-comedy.

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7 Crime Shows That Have Aged Like Milk

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Jack Bauer pointing a gun in the Fox series '24'

We’ve all been in this situation before. You curl up on the coach, teeing up your favorite streaming service for a night of binging one of the classic crime shows from a bygone era. You settle in, popcorn and wine on deck, and press play, ready for a night of reliving nostalgia. Then, 30 minutes into the series, you begin to realize that the protagonist of your “classic” crime show is basically a walking HR nightmare, and you go searching for something that will be easier to watch.

This is the unfortunate fate of some of the shows that were once destined to become classics. Shows that once felt edgy and gritty now feel dated and problematic, according to today’s standards. Whether it’s the glorification of “cowboy” policing, or true-crime documentaries that feel more exploitative than groundbreaking, these crime shows didn’t age like a fine wine from Napa, but more like sour milk that sat on the porch for a week with the sun beaming down on it. So, let’s look at the shows that prove that “law and order” can sometimes become stale.

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’24’ (2001–2014)

Jack Bauer pointing a gun in the Fox series '24'
Jack Bauer pointing a gun in the Fox series ’24’
Image via FOX

In the 2000s, Jack Bauer (Kiefer Sutherland) was the man that protected America from the terrorists. Created by Joel Surnow and Robert Cochran, 24 premiered two months after the terrorist attacks of September 11th, and the show ushered in a new age for crime shows as it moved away from the “crime-of-the-week” formula in exchange for high-concept television that was high-stakes, and provided high-drama. Each season of 24 focused on a single day in which Bauer and the FBI must investigate and stop a terrorist attack on the homeland. Back in the 2000s, this was an exciting and genre-bending premise; however, the veneer of 24 has dulled greatly in recent years.

For starters, while 24 focused on terrorism as its central plot, it was often accused of glorifying torture and illegal government surveillance, the latter of which became an issue in real life with the public as the War on Terror dragged on. 24 is also not fondly looked on for the way it portrayed Muslim characters, often stereotyping them as terrorists, along with the fact that the series ran too long. After the fifth season, the quality of the show dropped substantially as its terrorist-heavy, post-9/11 themes began to grow stale among an audience that was clamoring for something fresher. While older viewers may still look at 24 as a groundbreaking series, to those who grew up after its peak, and even those who were around during its original run, its themes and tropes have certainly aged like curdled milk.

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‘Cops’ (1989–Present)

Police officers in Cops
Police officers in Cops
Image via FOX

After the murder of George Floyd in the Summer of 2020, Americans began to re-think what they thought of law enforcement, both in how they interact with the public, and how they’re portrayed on television. This reckoning is what led to the cancellation of Cops, a longtime fixture of Saturday nights on Fox that was the vanguard of the reality TV genre. Born out of the writer’s strike of 1989, Cops became a hit among audiences with its portrayal of cops as they busted the bad guys and served their communities. The show blew open the notion that Saturday nights was a “death spot” in the TV lineup, and the action on the screen was often exciting.

But looking at the show from a modern lens, Cops was a very problematic show in which its high ratings help hide its poorly aged concepts. A large portion of the people profiled on the show were often people of color, who were highlighted as criminals who were the scourge of society. Cops also normalized police brutality, as the show framed violent arrests and the harsh treatment of suspects as justified, a thinking that changed dramatically after the death of numerous African American individuals at the hands of the police. While Cops was truly groundbreaking, kicking off the reality TV format that would only grow in subsequent years, Cops is nothing more than police propaganda in the face of other reality shows such as On Patrol Live, a similar show that shows police in real-time and gives a more honest look at policing.

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‘Walker, Texas Ranger’ (1993–2001)

Chuck Norris as Cordell Walker, in uniform in 'Walker, Texas Ranger.'
Chuck Norris as Cordell Walker, in uniform in ‘Walker, Texas Ranger.’
Image via CBS

This one hurts, as this author is a huge fan of Walker, Texas Ranger, and remains so to this day. However, while I’m still a huge fan of this crime procedural, even I can’t help but notice how poorly the show has aged. Inspired by the 1983 film Lone Wolf McQuade, the crime drama stars Chuck Norris as Cordell Walker, a member of the Texas Ranger who, along with his partner, James “Jimmy” Trivette (Clarence Gilyard), help solve crimes and bring criminals to justice in the Rangers’ Dallas-Fort Worth division. Airing in syndication, Walker, Texas Ranger became a hit among viewers during its initial run, and has maintained its popularity in the years after it left first-run status in 2001.

Having said that, there are a number of issues that have made this show age poorly. For starters, Walker, Texas Ranger feels very predictable, thanks to its “attack first, ask questions later” format that it followed with religion, with Cordell being portrayed as a “Super Ranger” with near impossible immunity to physical harm, even though he inflicted a lot of harm on criminals. Then there’s the production quality, which looked a bit campy even during its original run, but it’s even more obvious today. In many of the action scenes, you can clearly see Norris’ stunt double, and the many mistakes that are made, such as clearly-damaged cars repairing themselves in between scenes. While many longtime viewers could possibly get past those examples, what modern viewers can’t get past is how the show clearly justifies excessive policing, to the point that some viewers now view Walker, Texas Ranger as a “conservative law enforcement fantasy” that has aged the show quite poorly according to today’s standards.

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‘CSI: Crime Scene Investigation’ (2000–2015)

Laurence Fishburne CSI Season 9
Laurence Fishburne as Dr. Raymond Langston in ‘CSI: Crime Scene Investigation’
Image via CBS

Back at the turn of the millennium, TV viewers were becoming increasingly interested in forensic science, especially when it came to solving cases. This was thanks to CBS’ highly stylistic crime procedural CSI: Crime Scene Investigation, a show that would go on to launch an entire franchise that would become the bedrock of the network’s crime procedural programming. The original CSI premiered in 2000, and took a different take on the typical crime series, focusing on a team of crime scene investigators who use physical evidence and forensic science to solve murders in Las Vegas. The science the CSI team used was high-tech and looked cool to viewers, with the show having an outsized effect on the real world use of forensic evidence.

The downside, now, is that a lot of what was portrayed in the original CSI was very inaccurate. The show drastically exaggerated the capabilities of forensic technicians, making them look like detectives when, in reality, they’re not. As aforementioned, the “CSI Effect” wound up having a negative impact on the judicial system in real life, with juries often demanding excessive forensic evidence for convictions, which was impossible to do. This was corrected in later versions of the franchise, but they couldn’t fix the tone and style of the original CSI, with its highly stylized nature aging the show rapidly in subsequent years.













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Collider Exclusive · TV Medicine Quiz
Which Fictional Hospital
Would You Work Best In?

The Pitt · ER · Grey’s Anatomy · House · Scrubs
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Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Ten questions will figure out exactly where you belong.

🚨The Pitt

🏥ER

💉Grey’s Anatomy

🔬House

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🩺Scrubs

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01

A critical patient comes through the door. What’s your first instinct?
Medicine under pressure reveals who you actually are.





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02

Why did you go into medicine in the first place?
The honest answer says more about you than the one you’d give in an interview.





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03

What do you actually want from the people you work with?
Who you want beside you under pressure is who you are.





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04

How do you actually perform under extreme pressure?
The worst shifts reveal things about you that the good ones never will.





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05

You lose a patient you fought hard to save. How do you carry it?
Every doctor who’s worked a long shift has had to answer this question.





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06

How would your colleagues describe the way you work?
Your reputation on the floor is usually more accurate than your self-image.





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07

How do you feel about hospital protocol and procedure?
Every institution has rules. What you do with them is a choice.





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08

What kind of medical work do you find most compelling?
What draws your attention when you walk through those doors matters.





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09

What does this job cost you personally?
Nobody works in medicine without paying a price. What’s yours?





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10

At the end of a long shift, what keeps you coming back?
The answer to this question is the most honest thing about you.





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Your Assignment Has Been Made
You Belong In…

Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.

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The Pitt

You are built for the most unsparing version of emergency medicine television has ever shown. The Pitt doesn’t romanticise the work — it puts you inside a single fifteen-hour shift and doesn’t let you look away. You are someone who needs their work to be real, who finds meaning not in the drama surrounding medicine but in medicine itself, and who has made peace with the fact that this job will take from you constantly and give back in ways that are harder to name. You don’t need the chaos to be aestheticised. You need it to be honest. Pittsburgh Trauma Medical Center is exactly that — and you would not want to be anywhere else.

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ER

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential. County General is built on the shoulders of people who show up, do the work, absorb the losses, and come back the next day without requiring the job to be anything other than what it is. You care deeply about patients as individual human beings, you believe in the system even when it fails you, and you understand that emergency medicine at its core is about holding the line between order and chaos for just long enough. ER is television about endurance, and you have it.

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Grey’s Anatomy

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door. Grey Sloan is a hospital where the personal and the professional are permanently, chaotically entangled, and where that entanglement produces both the greatest disasters and the most remarkable saves. You are someone who feels things fully, who forms deep attachments to the people you work with, and who understands that the most extraordinary medicine often happens at the intersection of clinical skill and profound human connection. It’s messy here. You would not have it any other way.

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House

You are drawn to the problem above everything else. Not the patient as a person — though you are capable of caring, even if you’d deny it — but the case as a puzzle, the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one. Princeton-Plainsboro is a hospital that exists to house one extraordinary, impossible mind, and everyone around that mind is there because they are smart enough and stubborn enough to keep up. You work best when the stakes are highest, when the standard answer is wrong, and when the only way forward is to think harder than everyone else in the room. That is exactly what you would do here.

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Scrubs

You understand that medicine is tragic and absurd in almost equal measure, and that the only sane response is to hold both of those things at the same time. Sacred Heart is a hospital where the laughter and the grief are genuinely inseparable — where a terrible joke can get you through a terrible moment, and where the most ridiculous people are also, on their best days, remarkably good doctors. You are warm, self-aware, and funnier than most people in your field. You lean on the people around you and you let them lean back. Scrubs is a show about learning to become someone worthy of the job — and you are still very much in the middle of that process, which is exactly right.

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‘Worst Roommate Ever’ (2022–Present)

Convicted serial killer Dorothea Puente featured in Worst Roommate Ever
Convicted serial killer Dorothea Puente featured in Worst Roommate Ever
Image via Netflix
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For a show that premiered in 2022, Netflix’s true-crime documentary Worst Roommate Ever has surely aged poorly in its short stint on the streaming service. Directed by Domini Hofmann and Cynthia Childs, the series tells stories of roommates who turned the lives of their unsuspecting victims upside down. This is a show that would make one think twice about taking in a roommate, but it’s also garnered a lot of criticism for the way it tells its horror stories. While the show’s originally aim was to highlight how some people can hide their malevolent tendencies, Worst Roommate Ever feels less like a cautionary tale, and more like a show that uses the “bad roommate” dynamic for entertainment purposes.

When you watch an episode of Worst Roommate Ever, the first thing that stands out is how sensationalist the series feels, almost like the story an episode is telling is “hyped up” for shock and entertainment value. Using a sensational tone has rubbed some viewers the wrong way, with the tone being inappropriate given the nature of the crimes committed, which often ends in death and long-lasting trauma for the victims who endured it. Also, some feel as though the show’s title itself is misleading. While most people see a “bad roommate” as someone who doesn’t pay their fair share of bills on-time, or leaves their living space a mess, the people portrayed in Worst Roommate Ever are actual criminals that go beyond the “bad roommate” label. You don’t get a deeper understanding of how America’s legal system allows these situations to happen; instead, you get a crime documentary that’s focusing on “scaring” the viewer and nothing else, ensuring that Worst Roommate Ever will surely age like spoiled milk.

‘Hill Street Blues’ (1981–1987)

Michael Warren as Bobby Hill and Charles Haid as Andy Renko in Hill Street Blues
Michael Warren as Bobby Hill and Charles Haid as Andy Renko in Hill Street Blues
Image via NBC
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There is zero doubt that the NBC police drama Hill Street Blues is a groundbreaking show that changed how crime shows were made. Created by Steven Bocho and Michael Kozoll, the series created the template for the modern prestige drama, with serialized storylines and overlapping dialogue now becoming a staple of modern day crime shows. However, as revolutionary as the series is, it hasn’t escaped the ravages of times, and there are a combination of things that have made Hill Street Blues age poorly when looked at from today’s cultural lens.

While TV culture was different in the 1980s, the way Hill Street Blues portrayed race and gender is very outdated, as people of color were often seen as criminals or the poor underclass, and casual sexism was the norm. Hill Street Blues also falls under the “Seinfeld is unfunny” phenomenon, in which the techniques that the series popularized have been refined and made better by other shows. Because of this, the show feels chaotic, derivative, and more of a product of its time instead of being the genre-changing series that it is. While it’s OK to still look at Hill Street Blues as a trailblazing crime series, its flaws have certainly made the series age more poorly than most people realize.

‘Law & Order’ (1990–Present)

As mentioned earlier, the cultural perception of law enforcement has changed significantly since the death of George Floyd in 2020, which wasn’t regulated to real world policing, but also to how it was portrayed on television. Suddenly, shows like the iconic Law & Order, created by the legendary Dick Wolf, weren’t looked at as a trailblazing crime series, but one with problematic elements that modern viewers simply can’t dismiss. Just to be clear, Law & Order helped advance the modern prestige crime drama Hill Street Blues brought into vogue in 1981. It was a series that focused on the totality of the justice system, from the detectives who investigate and arrest criminals, to the prosecutors who bring cases to trial, and it helped make Law & Order a powerhouse franchise for NBC.

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But with the shifting cultural landscape policing, the cases looked at in Law & Order, which were pulled from existing headlines, don’t feel quite as satisfying as it once did. This is also thanks to how the show portrays the police, as the series is staunchly “pro police,” and portrays the detectives within the series as heroes, making the show feel less like entertainment and more like propaganda. This is not to say that Law & Order is a bad show, far from it; but being a fan also means pointing out its flaws, and the fact of the matter is that this is a show that certainly had flaws that have made it age less like wine and more like milk.


0368467_poster_w780.jpg
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Law & Order


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Release Date

September 13, 1990

Showrunner

Rick Eid

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Directors

Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Matthew Penn, Martha Mitchell, Don Scardino, Christopher Misiano, Jean de Segonzac, Michael Pressman, Daniel Sackheim, Alex Chapple, Fred Berner, Fred Gerber, Gloria Muzio, James Frawley, Jim McKay, Vincent Misiano, Michael W. Watkins, Vern Gillum, Alex Hall, Dann Florek, Darnell Martin, David Grossman

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    S. Epatha Merkerson

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    Lieutenant Anita Van Buren

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Bethenny Frankel Says Taylor Frankie Paul Drama Is ‘Reality TV Gold’

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Bethenny Frankel at the 19th Annual L'Oreal Paris' Women Of Worth Celebration 2024

Former “Real Housewives of New York” star Bethenny Frankel has broken her silence on the controversy surrounding Taylor Frankie Paul, “The Bachelorette,” and “The Secret Lives of Mormon Wives.

In a new video, Frankel, who has never been one to bite her tongue, seemed to slam Paul and her ex-boyfriend, Dakota Mortensen, for putting their minor children through a “toxic” cycle.

In her video, Frankel also praised ABC for cancelling Taylor Frankie Paul’s season of “The Bachelorette,” saying that other networks would love to have one of their stars embroiled in a scandal such as this.

Bethenny Frankel Breaks Her Silence On Taylor Frankie Paul Drama

In her video, Frankel, who spent years on reality TV, said there are two villains in the Paul and Mortensen situation and one victim: their minor child, Ever.

“The couple, who are in a toxic, self-fulfilling spiral, have subjected the child to this environment,” she said.

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Frankel went on to say that she could understand if someone working four jobs chose to stay in a problematic relationship.

“But in any other situation, there is absolutely no excuse,” she added.

Frankel Comments On ABC Cancelling Taylor Frankie Paul’s Season Of ‘The Bachelorette’

Bethenny Frankel at the 19th Annual L'Oreal Paris' Women Of Worth Celebration 2024
Xavier Collin/Image Press Agency/MEGA

Frankel then spoke about ABC’s decision to cancel the upcoming season of “The Bachelorette,” in which Paul was scheduled to star.

“In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of The Bachelorette at this time, and our focus is on supporting the family,” the statement said, per The Blast.

Frankel said that ABC did “the right thing” by pulling the show, despite knowing the company could lose over $10 million in revenue.

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The “Skinny Girl” founder said in her video that Paul’s situation would be “reality gold” on other networks. “This is reality gold,” she added before saying, “In fact, people are probably contemplating how to get her on their show.”

“So, don’t hate the player, hate the game,” she finished.

Taylor Frankie Paul Appears To Strike, Choke, And Throw Chairs At Her Ex-Boyfriend In Shocking Video

ABC’s decision to cancel Paul’s season of “The Bachelorette” came after a video of her appearing to assault her ex, Mortensen, was shared online.

The clip shows Paul striking Mortensen, pulling his hair, and even throwing two metal chairs at him, one of which hit her daughter.

“This is called physical abuse. This is all you do,” Mortensen said in the video. “It’s the only thing you know how to do is hurt me. You think this is OK? It’s not OK. Holy sh-t.”

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Mortensen And Paul Speak Out Following Heavy Week

Taylor Frankie Paul
LISA OConnor/AFF-USA.com / MEGA

Through her representative, Paul broke her silence on the situation and thanked ABC for their support.

“After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm,” the rep said.

Mortensen called the situation “deeply upsetting” in a statement to PEOPLE. “I am, unfortunately, used to these baseless claims about me and our relationship, which I categorically deny. I am focusing on our son and his safety, and hope that Taylor will do the same,” he continued.

‘Bachelorette’ Conestants Told Contracts Would Remain In Place For A Year

According to a previous report from The Blast, ABC met with the majority of the men who filmed Paul’s season of “The Bachelorette” to inform them that their contracts would remain in place for at least a year.

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“All of the men were on the call with Warner Bros. except for the winner,” a source close to the show said. “The lawyers told them all their contracts will be in place for a year.”

The source shared that while the men’s season will not air on television, they will still be considered for future opportunities with the show and network, including “Bachelor in Paradise.”

TMZ recently reported that some of the contestants are considering a lawsuit against the network over its sudden decision to pull the show.

An insider told the outlet that some of the men uprooted their lives to film with the hope of gaining notoriety. Additionally, the source claimed some of the men believe ABC and Warner Bros placed them in harm’s way by filming with Paul, who has been arrested and charged with felony assault in the past.

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“Project Hail Mary” directors reveal how getting fired from “Star Wars” affected their Ryan Gosling space movie

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Phil Lord and Chris Miller reflect on “Solo: A Star Wars Story”: “No matter how it turns out, they can’t take away what you’ve learned.”

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Keith Urban’s Daughters ‘Cut Off Contact’ With Singer Amid Parents’ Divorce

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Keith Urban at the 60th Academy of Country Music Awards

Keith Urban has seemingly lost more than just his marriage over the past year. After nearly two decades with Nicole Kidman, the pair split in September over irreconcilable differences.

According to reports, his daughters, Sunday Rose and Faith, whom he shares with Nicole Kidman, have allegedly cut him off.

As part of their divorce agreement, Nicole Kidman was granted primary custody, with orders that the children spend over 300 days a year with her.

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Keith Urban’s Kids Have Essentially Cut Him Off, Source Reveals

Keith Urban at the 60th Academy of Country Music Awards
Tammie Arroyo / AFF-USA.com / MEGA

Since splitting from Nicole Kidman, Keith Urban has kept busy with his ongoing tour and appears to be coping well with the end of his marriage on the outside.

However, behind the scenes, he is said to be facing a difficult time with regard to his relationship with his daughters, Sunday Rose and Faith, whom he shares with the actress.

Earlier reports claimed there was a growing distance between him and his daughters, and the situation is now said to have worsened in recent weeks.

“The kids have essentially cut off contact with Keith,” a source told Rob Shuter’s #ShutterScoop. “This isn’t just about a quote — it’s been building for a while.”

Urban’s relationship with his daughters became strained following his split from Kidman, and while he has tried to remain patient for things to improve, he is now reportedly losing hope that they will.

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“He’s putting on a brave face,” the source says. “But privately, he feels like he’s lost his daughters.”

The Singer Was ‘Really Hurt’ By His Daughter Not Acknowledging Him In A Recent Interview

Keith Urban and Nicole Kidman at the 58th Annual Academy of Country Music Awards
Casey Flanigan/imageSPACE / MEGA

While Keith Urban has been touring, his daughters have remained with Nicole Kidman, who has primary custody under their divorce agreement.

In recent weeks, the actress has appeared with them at events, highlighting the close bond they share.

This became even more apparent when Sunday Rose called Kidman her “biggest inspiration” and credited her as a “key part of everything” she does in a recent interview with an Australia-based outlet.

Despite Urban being a creative himself, there was little to no mention of him in the remarks from the 17-year-old, which, according to insiders, deeply stung the singer.

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“Seeing it in black and white like that really hurt,” said a source, adding that Urban “feels erased.”

As for his relationship with his daughters, Urban is said to be uncomfortable with the current status quo but feels powerless as he “doesn’t know how to fix it.”

Sources Claim Nicole Kidman Didn’t Turn Her Kids Against Their Father

Nicole Kidman & Keith Urban at Los Angeles Premiere Of "The Northman" - Los Angeles
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Previous speculation suggested that Kidman had turned the children against their father, but sources have refuted this, noting that the couple’s daughters are old enough to form their own understanding of the situation.

“Nicole hasn’t turned the kids on him; they’ve made their own choices about their dad,” an insider remarked, per the Daily Mail. “She isn’t like that. Keith hasn’t tried much to make things better in their eyes. The girls have always been very close with their mother. They are her everything.”

Meanwhile, regarding why the children appear upset with their father, it is believed to be linked to allegations that he played a role in inspiring the divorce.

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“The girls are definitely Team Nicole – they’re in her corner, they’re hurt and angry on her behalf,” the insider claimed. “There’s some resentment against Keith. If they are blaming someone, it’s him, not her.”

Keith Urban Was Left Feeling ‘Betrayed’ By Nicole Kidman’s Closeness With Male Co-Star

LOS ANGELES - MAR 27: Keith Urban, Nicole Kidman at the 94th Academy Awards at Dolby Theater on March 27, 2022 in Los Angeles, CA
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Since their split, neither Kidman nor Urban has publicly debuted a new relationship.

However, the actress’s seemingly close relationship with her Scarpetta co-star, Simon Baker, has left Urban feeling “betrayed,” per Woman’s Day.

A source added that the singer is hoping the duo is “just hamming it up for headlines,” given their recent collaboration.

“Even then, it feels to him like it’s a betrayal because both Nicole and Simon know how much even the hint of a romance between them will hurt him.”

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The Singer’s ‘Worst Nightmare’ Has Come True

Nicole Kidman & Keith Urban at the 'Big Little Lies' Season 2 Premiere in New York City
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The source also noted that Urban had long been aware of the growing bond between Kidman and Baker since filming.

The closeness, which has seemingly deepened since Kidman’s split from Urban, has reportedly left the singer feeling quite unhappy.

“He already suspected they were getting close while filming. This is his worst nightmare come true,” the insider noted.

They added, “He hates that they’re giving interviews about how close they are.”

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