Related: Natalie Portman’s Walking Sneakers Are an ‘It’-Girl Spring Must-Have
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ABC has quite the powerhouse pair of sleuths on Tuesday night, between the hyper-intelligent Morgan Gillory (Kaitlyn Olson) in High Potential and the tireless Will Trent (Ramón Rodríguez) in, well, Will Trent. This spring, however, the network is introducing a new investigator to the lineup who’s a little rougher around the edges and will be tasked with tackling the crime-ridden world of South Florida. He’s also played by a familiar face from the staff of Grey Sloan Memorial Hospital. As part of Collider’s Exclusive Spring Preview series, we’re excited to spotlight the upcoming new series, RJ Decker, with two new images of the main man himself, played by Grey’s Anatomy regular Scott Speedman.
The titular RJ Decker initially started on the wrong side of the law. As a disgraced former newspaper photographer, ex-con, and all-around public mess, he’s decided to embrace the life of a private investigator to start fresh, though he’s not quite prepared for what he’s about to face. Decker is thrust into a world filled with unpredictable cases that range from a little odd to completely bonkers, embodying the colorful spirit of the locale. Fortunately, he won’t be working alone, as he’s partnered up with his journalist ex and her police detective wife, as well as a mysterious benefactor with ties to his past and motives that are unclear. She may have the leverage to be Decker’s greatest asset, but it’s just as likely she’ll land the trailer park-dweller behind bars once again.
Our images show Speedman at work, doing some digging on his laptop alongside another ABC alum from the Grey’s Anatomy extended family — Station 19‘s Jaina Lee Ortiz. Ortiz stars as the aforementioned benefactor, Emi Ochoa, who is the daughter of a wildly corrupt senator with a lot of sway within the state of Florida. Although she’ll be an unpredictable presence in the series, she and Decker appear to be more than fine working side by side. The other shot, meanwhile, shows Decker all dressed up in his suit and appearing far more nervous. He’s sitting in what seems to be a courtroom, which could mean he’ll be at real risk of being sent back to jail from the get-go. Needless to say, this new life is not going to be easy for Decker.
RJ Decker is based on the 1987 novel Double Whammy, which follows Decker into the surprisingly shady world of competitive bass fishing to expose a cheat and solve a murder. Mixing mystery, comedy, and action thrills alike, it’s the second novel from acclaimed author Carl Hiaasen, honing his eccentric, typically Florida-based style. The show will now look to expand on that original story and capture a similar energy to Will Trent and High Potential under Elementary creator Rob Doherty. Also joining Speedman, who was also recently seen on television with Peacock’s 2024 horror series Teacup, are Adelaide Clemens, Bevin Bru, and Kevin Rankin, in addition to Ortiz.
RJ Decker premieres on Tuesday, March 3, at 10 PM ET. Stay tuned here at Collider throughout the week for more sneak peeks at the hottest upcoming shows as part of our spring preview event.
March 3, 2026
Ellen Marguerite Cullivan
Lawyer
Scott Kasics
Picture Driver
Kyle Justin Leatherberry
Clem Crayshaw
TLC’s reality show Counting On documented Joseph Garrett Duggar courting his wife, Kendra Duggar, years before his arrest on suspicion of child molestation.
Joseph was apprehended by Tontitown police in Arkansas on March 18, 2026, amid allegations that the 19 Kids and Counting alum allegedly sexually abused a 9-year-old girl during a family trip to Florida in 2020.
At the time, he was charged with lewd and lascivious behavior involving molestation of a victim less than 12 years old and lewd and lascivious behavior conducted by a person 18 years or older, per the Bay County Sheriff’s Office.
Joseph’s arrest is the latest chapter in a dark decade for the deeply religious Duggar family. In 2015, Joseph’s older brother Josh Duggar publicly apologized for “acting inexcusably” after a police report resurfaced accusations that he had molested five girls, two of whom were his sisters, when he was a teenager. (Josh was later sentenced to 12 years in prison on an unrelated charge of receiving child pornography. He maintains his innocence and is actively appealing his sentence, as of publication.)
Amid his older brother’s scandal, Joseph married Kendra in September 2017 and they subsequently welcomed four children.
Keep scrolling for more about Joseph’s wife Kendra:
Counting On explored Joseph and Kendra Duggar’s courtship over the years. They originally met in church as teenagers and later officially started courting each other.
An October 2017 Counting On episode showed Joseph asking Kendra’s father, Pastor Paul Caldwell, for his permission to propose.
“I do feel like the Lord is leading in this direction,” Pastor Caldwell told him. “I do want to remind you, you are taking one of my most precious gifts. … You have my wife and my blessing to go further with this.”
Joseph ultimately proposed to Kendra during his sister Joy-Anna Duggar and her husband Austin Forsyth’s wedding reception in May 2017.
“We are so excited to be engaged and look forward to a lifetime together,” the engaged couple wrote on the Duggar family website at the time. “We are so grateful for how the Lord brought us together, and we look forward to this special time of engagement and to some day serving Christ as man and wife.”
Us Weekly reported in September 2017 that Joseph and Kendra Duggar tied the knot in Arkansas. Kendra’s father, Pastor Paul Caldwell, served as the officiant for the ceremony.
The wedding used navy and blush for its color theme, with Joseph’s parents, Jim Bob and Michelle Duggar, as well as several of his siblings in attendance. Joseph’s sisters Jana, Jill, Jessa, Jinger, Joy-Anna, Johannah and Jennifer reportedly all served as bridesmaids.
Joseph and Kendra Duggar share four children: Garrett David, born in June 2018, Addison Renee, born in November 2019, Brooklyn Praise, born in February 2021, and Justus, born in February 2022.
The couple launched a joint Instagram account – called The Little Duggar Family — in February 2019, where they posted photos of their growing family and life updates.

Kendra Duggar and Joseph Duggar Courtesy Instagram / The Little Duggar Family
The Duggars completely stopped updating their family Instagram account following a November 2021 post celebrating their daughter Addison’s 2nd birthday.
“Happy Birthday sweet girl,” Joseph and Kendra wrote to their daughter on November 3, 2021. “We love seeing this girl’s sweet little personality blossom over the last two years! Looking forward to making many more memories.”
Joseph Duggar was arrested by Arkansas’s Tontitown Police Department on March 18, 2026. Local police were reportedly tipped off to a child molestation allegation involving Joseph in Florida.
Florida’s Bay County Police Department confirmed in a statement that Joseph had been charged with lewd and lascivious behavior involving molestation of a victim less than 12 years old and lewd and lascivious behavior conducted by a person 18 years or older.
According to police, a 14-year-old victim spoke to police about sexual abuse allegations that she said took place on a family vacation in Panama City Beach, Florida, in 2020 when she was 9 years old.
“The victim reported Duggar repeatedly asked her to sit on his lap,” Bay City police said in a statement. “As the vacation continued, he also asked her to sit next to him on a couch and covered them with a blanket. During this time, Duggar manipulated the victim’s underwear and grazed her genitals. Duggar would also continue to rub his hands on her thighs.”
Per the police, Joseph “eventually apologized for his actions and the incidents stopped after the apology.” As of publication, Joseph is awaiting extradition from Arkansas to Florida.
As of publication, Kendra Duggar has not commented on her husband Joseph Duggar’s arrest.
Us Weekly has reached out for comment.
If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673).
Neon Genesis Evangelion has spent nearly three decades being called one of the greatest anime ever made, which is usually the quickest way to scare off new viewers. Hype like that tends to promise something definitive and universally satisfying. Evangelion is neither: it’s messy, polarizing, occasionally frustrating, and still, somehow, essential.
The TV series originally aired in 1995 and had 26 episodes written and directed by Hideaki Anno. Now the series is available on Netflix and is readily accessible to audiences worldwide, at a time when many viewers are discovering one of television’s most significant yet controversial series ever. What can initially be assumed to be a simple sci-fi story becomes a much more complex piece of art when examined through the lens of emotional and physical discomfort rather than the visual spectacle familiar in traditional media industry practices.
The setup is clean enough. In a post-apocalyptic future, humans are being attacked by beings referred to as Angels. The only way to combat them is through bio-mechanical weapons called Evangelions, which can only be piloted by a select group of teenagers. Shinji Ikari (Spike Spencer), a 14-year-old recluse, is dragged into this nightmare by his father, who has abandoned him, to become a savior of the human race.
For a while, the series follows those clichés. After several missions, the threat of the Angels increases, and some actions still hold up after years have passed, but from the beginning, there are subtle hints that something about them is off. The victories aren’t triumphant, the systems in place feel cold and transactional, and Shinji, rather than rising to the occasion, hesitates — often. By the midpoint, Evangelion has already started shifting its weight. The battles remain, but they are no longer the point.
What replaces the spectacle is a much more difficult experience: a continuous exploration of characters who are almost universally emotionally shattered. Shinji is written as withdrawn, self-critical, and desperate for approval, shaped by abandonment and a constant fear of rejection. The series does not provide a fix to that, but rather shows how he lives with it; Asuka’s (Tiffany Grant) self-confidence is simply a cover for her insecurities, and Rei’s (Amanda Winn-Lee) emotional detachment elicits discomforting thoughts about who she is or why she exists.
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Tomorrow is the last day of winter, so let’s bundle up one last time for a wintry mix of some of the coldest television settings we’ve ever seen.
Adults are just as negatively affected by these issues, with Misato’s (Allison Keith) ability to operate in the field contrasted with her inability to maintain stability in her personal life, and Gendo’s (Tristan MacAvery) methodical personality causing one to question the intentions behind the company’s goals.
The series draws on psychological frameworks associated with figures like Sigmund Freud and Carl Jung, but it doesn’t come off as having been studied or analyzed. Rather, they aggregate and build to create an experience that is personal to each viewer, through themes of loneliness, avoidance, and the struggle to develop interpersonal relationships, or face the alternative: isolation.
The final two episodes are where Evangelion stops pretending to be anything conventional. The narrative collapses inward, focusing almost entirely on Shinji’s internal state, delivered through abstract imagery, minimal animation, and extended introspection.
At the time, it frustrated audiences, and it still does, but that reaction is part of what’s kept the series relevant. The ending doesn’t resolve the story in a traditional sense; it just reframes it, prioritizing emotional clarity over plot closure. The later release of The End of Evangelion offers a more external version of events, but it doesn’t replace what the series finale is trying to do; if anything, the tension between those interpretations is part of the experience.
What’s striking about revisiting Neon Genesis Evangelion now is how little it feels like a relic. The animation has its limitations, especially toward the end, but the direction remains sharp, and the storytelling still feels unusually bold. More importantly, its themes haven’t aged; if anything, they’ve become more recognizable. The fear of rejection, the instinct to withdraw, the difficulty of understanding yourself in relation to others — these are ideas that land just as hard now as they did in the ’90s. It’s not always an easy watch. It’s not always an enjoyable one, either, but it’s the kind of series that stays with you, whether you love it or push back against it.
John Stamos has marked a new milestone by getting his first tattoo ever.
The actor revealed the significance of the ink job, linking it to his own personal journey in trusting himself artistically.
John Stamos is also expanding his career with darker roles in “The Hunting Wives” and the film “Drag,” while working on a book about fatherhood and personal growth.
Stamos has officially joined the tattoo club at the age of 62. On March 17, the actor shared a behind-the-scenes look at getting his first real tattoo, inked by artist Oscar Jordan Urbina on his upper arm.
He chose a design inspired by Cyrus Dallin’s early-1900s sculpture, “Appeal to the Great Spirit,” which depicts a Native American man on horseback connecting with a “divine power,” according to the Metropolitan Museum of Art.
The artwork also influenced the Beach Boys’ Brother Records logo, symbolizing “artistic freedom and trust in a higher creative path.”
Stamos explained that the tattoo reflects his own journey of creative freedom and trust in following his artistic instincts.
“Lately I’ve felt that same pull in my own life, stepping into this new chapter of my career, taking bigger swings, following the work wherever it leads,” he wrote. “The timing felt right, so I put that Great Spirit on my arm as a reminder to stay brave, stay open, and trust the direction the art is taking me.”

Besides the new tattoo, 2026 is shaping up to be a year of growth for Stamos.
He recently revealed to People Magazine that he’s working on a book about “modern masculinity, fatherhood, and the lifelong process of growing up.”
The project was inspired in part by performing “When I Grow Up (To Be a Man)” with The Beach Boys alongside his 7-year-old son, Billy, whom he shares with wife Caitlin McHugh.
Reflecting on his own father’s guidance, Stamos said, “I’m writing it as a dad who’s still learning, still asking questions, and hoping that by talking honestly with other men about kindness, respect, and courage, we can raise boys who grow up with both heart and backbone.”

Stamos is also taking his career in a darker, more daring direction. He is set to appear in season 2 of “The Hunting Wives,” a role he describes as darker and more challenging than his typical work.
“I’m in this phase of my career where I’m really looking for challenging, different roles,” he shared during a chat with People Magazine. “People trust me. I’ve been coming to their homes for 30 to 40 years or so. It’s like, ‘Okay, we’ll take this ride with him,’ and then it’s like, ‘Oh no, oh no, it’s getting weird. It’s getting weird.”
He also recently wrapped the second season of “Palm Royale” and is starring in the upcoming film “Drag,” produced by Danny DeVito and his children, Lucy and Jake. The film follows two sisters attempting a rural home robbery in upstate New York, which spirals into a tense, dangerous night.
Stamos plays an eccentric artist, a role far from his usual work. “It becomes very dark in this movie,” he shared. “I watched a lot of true crime [to prepare for the role]. I really wanted to change my look. I wore dark contacts, and I had my eyebrows thinned. It really freaked my wife out.”
Earlier this year, Stamos shared a close-up of his new hairstyle on Instagram.
His longtime stylist, Riawna Capri, took the front section of his hair and lightened it with aluminum foil, while the rest of his strands, once dark chocolate brown with a hint of gray, were dyed black and styled with soft waves to add extra volume.
“The Full House” star captioned the makeover post, “trust the process.”
This isn’t Stamos’ first hair adventure. Last summer, he attempted a DIY haircut while Riawna was out of town, using a FaceTime call to get guidance from the pro.

When he’s not experimenting with his own style, Stamos is lending a hand to friends in need.
In November 2024, he helped his “Full House” co-star Dave Coulier shave his head during his fight with stage three Non-Hodgkin’s lymphoma.
The actor also rocked a bald cap in solidarity with Coulier, sharing the moment on Instagram with a heartwarming caption.
Stamos wrote, “Nothing like throwing on a bald cap and flexing some Photoshop skills to show some love and solidarity with my bro @dcoulier.”
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While you may have been busy watching (and rewatching) Taylor Swift’s new music video for “Opalite” to find Easter eggs, we had ulterior motives. In one scene, the megastar wore a yellow cat sweatshirt with a red collar sticking out — and a bedazzled, flower claw clip. Hey, we can’t help it if our eyes like shiny things! So, we hunted down a similar flower claw clip that can add sparkle to an everyday look. Bonus: It’s only $9 on Amazon!
Swift’s claw clip features five sparkling flowers, so it’s unique to what we typically toss in our hair. The Anbala Floral Claw Clip with Rhinestones gives a similar vibe, though, as it combines flowers and shine. Plus, for only $9, we can’t resist adding (another) cute clip to our collection.
Get the Anbala Floral Claw Clip with Rhinestones for $9 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
The Anbala clip comes in white and blue iridescent options, with the former being closer to Swift’s accessory. It features flowers and butterflies that are amped up with rhinestones. Even if you’re feeling casual, this claw clip adds a little something.
The clip is a generous size, too. It’s 3.4 inches long and 1.8 inches tall, so it can handle thick, curly strands that need more support. Bonus: The claws have rounded edges, so it won’t painfully dig into your head like others might.
The Anbala clip is a new offering on Amazon — perhaps just as new as the “Opalite” music video! Early reviews, though, say that it can hold a lot of hair while remaining comfortable. When you add in the pretty shine from the rhinestones, this versatile hair accessory can take you from lounging at home to a night out (or maybe a mall date, which is where Swift wore hers).
Get the Anbala Floral Claw Clip with Rhinestones for $9 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more claw clips here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
Calling the iconic crime/drama series The Sopranos one of the greatest shows of all time is far from a controversial opinion. It’s arguably not even an interesting one anymore because, by now, everyone is well aware of how it excels. It was a huge hit during its run between 1999 and 2007, helping to define HBO as the powerhouse network/production company it still is to this day. Since its initial airing, it’s maintained a level of popularity and cultural relevance, whether watched on physical media or streaming services.
Its greatness means that trying to rank all six seasons (or seven, considering the final season ran for 21 episodes instead of the usual 13 and was split into two: 6A and 6B) is a surprisingly difficult task. It should be noted that every season of The Sopranos is fantastic, and the show, at its worst, is still better than most others at its best. What follows is a ranking of all seasons — counting 6A and 6B as separate from each other — starting with the great and ending with the masterful.
Sorry, Season 6A, but one season of The Sopranos has to be considered the weakest. This is still excellent television, in any event, kicking off the final (and very dramatic) season of the show in style. This collection of 12 episodes is at its best towards the beginning, with the opening episode featuring a shocking event that puts ruthless protagonist Tony Soprano (James Gandolfini) in jeopardy. He spends the next two episodes stuck in a series of surreal coma dreams while his family and associates come to terms with the fact that he may not pull through.
Once this particular storyline is resolved, the rest of GA does occasionally feel a little directionless. The subsequent nine episodes may just suffer in comparison to the superior first three episodes and the excellent 6B, which aired one year later, because, otherwise, they still make for compelling television. There’s probably no other multi-season show out there that has a “worst” season this good, so in no way should this low ranking suggest that 6A is bad or even skippable. It’s still great TV. It’s just that the other seasons are even greater.
Naturally, Season 1 is where it all began for The Sopranos. While numerous characters came and went throughout the show, thanks to the frequent and often surprising deaths, plenty of them make a great first impression in Season 1 and stick around until the show’s conclusion. Right away, The Sopranos makes it clear that the people who audiences will get to know aren’t exactly the nicest or most heroic out there.
Season 1 introduces Tony’s family life and sees him beginning therapy, which he continues on and off throughout the show. The main conflict is between Tony and Junior (Dominic Chianese), his uncle, as both want to be the new boss of the DiMeo crime family after the previous boss, Jackie Aprile (Michael Rispoli), passes away. Season 1 has a more comedic tone than later seasons, and while those aren’t without humor, they don’t lean quite as heavily into near-sitcom territory. It’s an incredibly strong foundation for future seasons to build on, and despite being largely brilliant, newcomers to the series should know that the best is yet to come.
Season 4 is notable for somewhat slowing the pace of The Sopranos. Initially, it might feel like this makes it a little less exciting or interesting than earlier seasons, but its willingness to be more of a slow-burn ultimately makes it stand out from the other seasons of the show. Season 4 of The Sopranos feels more grounded and melancholic than the more explosive first three seasons. In fact, some may find they have to finish the show and let the memory of it all marinate for a while before properly appreciating its fourth season.
While many seasons involve Tony Soprano clashing with a central antagonist who’s similar to him but more ruthless, Season 4’s central storyline is the disintegration of his marriage to Carmela (Edie Falco). Still, for numerous episodes, Ralph (Joe Pantoliano) does a good job of being a more traditional thorn in Tony’s side. The season peaks with its finale, “Whitecaps,” which focuses on the family drama side of The Sopranos in a more visceral and devastating way than any episode before or since. The mafia business takes something of a backseat to the familial drama, but Season 4’s destination more than justifies the occasionally slow-paced journey there.
In many ways, Season 3 of The Sopranos is comparable to Season 4, though perhaps it’s a little more eventful. It lacks an episode quite as devastating as “Whitecaps” or the final episode of the second season, “Funhouse,” but is remarkable for its consistency. Season 3 can seem like a large blur, but when the episodes are as great as they are, it’s obviously good consistency.
Well, there is one standout episode that ultimately gives Season 3 a slight edge over the also excellent Season 4: “Pine Barrens,” perhaps the show’s most famous episode. Its plot and overall feel make it reminiscent of a great Coen Brothers movie, but with characters with whom viewers are already familiar. Paulie (Tony Sirico) and Christopher’s (Michael Imperioli) chaotic and darkly comedic failed execution of Russian mobster Valery (Vitali Baganov), one of The Sopranos‘ most memorable guests, is the stuff of legends and the highlight of a still remarkably strong television season. Season 3 also features the death of the infamous Livia Soprano, a pivotal point in Tony’s journey.
For as fantastic as Season 5 of The Sopranos is, it should be noted that it gets off to a slightly rough start. The beginning of the season sees various mobsters released from prison, attempting to re-enter their lives of crime and throwing Tony’s crew’s routines out of balance. Chief among these new characters are Phil Leotardo (Frank Vincent), a major antagonist throughout Seasons 5 and 6, and Tony Blundetto (Steve Buscemi), Tony Soprano’s cousin.
For a while, all the new characters feel a tad overwhelming; considering Blundetto is supposed to be Tony’s cousin, it’s weird that he never got mentioned in the first four seasons. However, it doesn’t take long for Season 5 to find its feet, representing the show at its very best. The final stretch is especially incredible, especially the final two emotional episodes, including the now-iconic “Long Term Parking.” Season 5 expertly paves the way for the conflict that ends up playing out during the extended final season, making it crucial and highly rewarding despite the devastation it brings.
If Season 6A had fans a little worried about the final season’s ability to conclude The Sopranos, Season 6B surely put those fears to rest. Season 6B is an essentially perfect final nine episodes for the show, featuring an escalating conflict between the DiMeo crime family and the rival New York crew that results in an eventual all-out war and numerous shocking casualties on both sides.
6B represents the show at its most dramatic and surprising, which is fitting, considering it’s the show’s ending and obviously had to conclude on a high note. Season 6B also can’t be brought up without mentioning the show’s infamous finale, “Made in America.” It was not what people were expecting, and the show’s final moments were undoubtedly controversial. However, viewers who sit with it for a while and think about it will surely come to terms with the conclusion and realize that it’s genuinely great. If not, they’ll at least agree it’s unforgettable and bold, and at the end of the day, that at least has to count for something.
The second season of The Sopranos saw Tony at last established as boss of the DiMeo crime family, a position he’d retain for the remainder of the show. However, Season 2 was where the show established that it’s not always great to be king, because Tony’s struggles exceeded those he grappled with in the first season. Continued family drama, a chaotic new antagonist in the form of Richie Aprile, and the slow realization that one of his closest friends may be ratting on him to the FBI all made Tony’s existence a living hell.
Although bleaker than its predecessor, Season 2 still retained a level of dark comedy when needed. It feels remarkably well-balanced and is consistently well-paced, building to a great penultimate episode and an even greater final episode, “Funhouse,” a turning point for The Sopranos and quite possibly one of the greatest TV episodes ever. From front to back, Season 2 represents The Sopranos at its best, and seeing the show as a whole represents television at its best. Season 2 can easily be regarded as one of the best TV seasons of all time.
1999 – 2007
HBO
David Chase
Tim Van Patten, John Patterson, Alan Taylor, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Andy Wolk, Danny Leiner, David Nutter, James Hayman, Lee Tamahori, Lorraine Senna, Matthew Penn, Mike Figgis, Nick Gomez, Peter Bogdanovich, Phil Abraham, Rodrigo García
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Timothée Chalamet and Zendaya return as Paul and Chani.
Mystikal has pleaded guilty to third-degree rape in connection with his 2022 arrest. He appeared in a Louisiana courtroom on Tuesday, March 17, officially entering his plea after prosecutors downgraded the charge from first-degree.
The 55-year-old rapper, whose real name is Michael Lawrence Tyler, faced 10 criminal charges, including first-degree assault. USA Today reports a first-degree rape charge can mean life in prison, while a third-degree conviction carries up to 25 years. On July 30, 2022, authorities arrested Mystikal after a woman at the emergency room accused him of rape and battery. The incident also led to nine other charges, including battery and false imprisonment. During his March 17 hearing, prosecutors filed “nolle prosequi” notices, officially dropping those charges and deciding not to pursue them further.
According to PEOPLE, Mystikal now faces up to 20 years in prison. The court set his sentencing date for June 15. The musician. became a lifetime registered sex offender after his 2003 sexual assault conviction, which led to his arrest and charges at the time. After his 2003 battery conviction, he served six years in federal prison and was released in 2010.
The Ascension Parish Sheriff’s Office announced his arrest in August 2022 after authorities responded to a local hospital about an assault. At the hospital, detectives interviewed the victim, who reportedly suffered minor injuries. The incident reportedly started with a financial dispute at Mystikal’s home. Police ended up searching his home in Prairieville, Louisiana, home and reportedly found evidence supporting the victim’s account. Sheriff’s Detective Garret Keith also told prosecutors that an examination found wounds consistent with rape.
Before his current case, Mystikal served six years in federal prison for a 2003 sexual battery conviction and was released in 2010. In 2017, he faced new charges and spent 18 months in jail before getting released on a $3 million bond.
What Do You Think Roomies?
The Real Housewives of Miami has been put on pause for the second time in its history.
A source confirmed to Us Weekly on Wednesday, March 18, that Bravo is not moving forward with an eighth season of RHOM at this time. The most recent seventh season wrapped up in October 2025 with a shocking three-part reunion where “friend of the housewives” Adriana de Moura accused costar Julia Lemigova of cheating on her wife, Martina Navratilova, with a “Haitian mortician.” (Lemigova, 53, subsequently admitted that she’d already told Navratilova, 53, about having “a certain situation” prior to the season 7 reunion.)
Us has reached out to Bravo for comment.
The Real Housewives of Miami was first paused after the conclusion of its third season in 2013. Peacock revived RHOM for season 4 in 2021 before the series moved to Bravo for its two most recent installments.
Bravo’s decision to pause the reality series comes two weeks after Andy Cohen addressed the future of the franchise on Radio Andy.
“I love Miami,” Cohen, 57, insisted in February. “I think we’re looking at how to keep it as fresh as possible and that’s kind of the only story. You have to remember! We’ve got … nine Housewives going right now, so what you don’t want is something sitting on the shelf so long.”
The Real Housewives executive producer went on, “I always think there’s a benefit in waiting. If there’s no rush to get it on the air, I always think there’s a benefit in waiting, and then when it comes back, everyone’s like, ‘Oh my god! How great it’s finally back.’”
Cohen suggested at the time that Miami might have a similar trajectory as The Real Housewives of New York City, which was temporarily benched while Bravo worked out a new cast. (Filming resumed on RHONY earlier this month with popular cast members Sai De Silva, Erin Lichy and Jessel Taank, plus newcomers Hailey Glassman, Erika Hammond and Daisy Toye and the return of Carole Radziwill as a “friend of the Housewives.”)
“It’s been at least a year since that last [RHONY] reunion, at least, and there was a period [with] Atlanta seasons that was a year, or something like that,” Cohen pointed out on Radio Andy. “This happens sometimes in the Bravosphere that there’s maybe a longer wait for news … so that’s where we’re at [with Miami] right now.”

Alexia Nepola and Marysol Patton on “The Real Housewives of Miami” season 5. Courtesy Peacock / Courtesy Everett Collection
The seventh season of The Real Housewives of Miami aired between June and October 2025, as Alexia Nepola, Lisa Hochstein, Guerdy Abraira, Larsa Pippen, Lemigova and newcomer Stephanie Shojaee were joined by “friends” de Moura, Marysol Patton and Kiki Barth.
While the season 7 reunion aired, Alexia’s estranged husband, Todd Nepola, filed a $10 million defamation suit against Bravo for allegedly using his name and likeness without authorization, per People. TMZ reported in December 2025 that Todd, 53, filed to dismiss his lawsuit against Bravo with prejudice.
Amid the lawsuit drama, Alexia, 58, exclusively opened up to Us in November 2025 about where she stood with Todd. (Us reported in March 2025 that Alexia and Todd were “still together” despite reaching a deal to finalize their divorce. They tied the knot in December 2021.)
“We are speaking. Yes, we’re on speaking terms,” Alexia told Us while attending BravoCon 2025 in Las Vegas. “I prefer it that way because I like to be good with people. Life is too short and fragile, and I like things to be good. I need to feel good about myself.”
All seven seasons of The Real Housewives of Miami are available to stream now on Peacock.
Jerry O’Connell‘s days doing podcasts are likely over following his viral appearance on Bill Maher‘s “Club Random” podcast, where he made some eyebrow-raising remarks.
The actor revealed that his wife, Rebecca Romijn, and their daughters got “physical” with him after he made comments about former U.S. Vice President Kamala Harris‘ 2024 campaign.
Jerry O’Connell’s confession has since been met with mixed reactions, prompting him to announce that he’s quitting podcasts.

O’Connell has declared that he is quitting doing podcasts following his recent appearance on Bill Maher’s “Club Random” podcast, where he revealed his wife and kids got “physical” with him because of a comment he made about the Democratic party and Kamala Harris on election night in 2024.
“Okay. @ClubRandom_ was my last podcast. Can’t do anything right. @x is mad at me. My family is mad at me,” the actor wrote on X in response to a post claiming Maher made fun of him for attending one of Harris’ rallies and being a donor.
It remains to be seen if O’Connell is for real about his decision to quit making podcast appearances, as he said in the same post that the only podcast he’ll “ever do again” is the “Pardon My Take” podcast, where he’ll discuss fantasy football.
But then, Meghan McCain encouraged him to give himself grace, as it’s not easy to speak publicly on politics, before telling him not to “say no to the possibility of coming on” her own show someday.
“Okay, I’ll do @MeghanMcCain pod BUT THAT IS IT. And @PardonMyTake,” O’Connell replied.

In his viral appearance on Maher’s podcast, O’Connell detailed how his wife Romijn and their children “became physical” with him after he made a critical comment about Kamala Harris’ emergence as flagbearer of the Democratic party before she lost to now-President Donald Trump.
“I said something along the lines of ‘There was no planning. This is what they get. There should have been a primary.’ I said something along those lines, you know, like I was just spitballing ideas,” the actor recalled, per The Blast.
He continued, “It was a shock. My wife and daughters, without saying anything, became physical with me. They were filled with rage.”
“So if I am being careful with you in how I say things, yes, I live in California. I live with not one, not two, but three people who, if I made any kind of joke, they’d become very angry with me,” O’Connell added.

Elsewhere in his chat with Maher, O’Connell revealed that his wife only becomes affectionate with him when she is high.
The conversation started as he told the comedian to get “higher than you’ve ever been on any episode” and blow smoke in his face, to which Maher said he’ll be “happy” to. However, the focus then switched to O’Connell’s habit.
“I don’t smoke myself, but I live with someone who does — vapes, actually,” he said, referring to his wife, Romijn.
He added: “The only time my wife finds me appealing is intimate with me … the only time my wife — what’s the word? — touches me is if my wife takes a hit off that pen.”

O’Connell and Romijn have been open about how their marriage works, once sharing that finding the “humor” in everything is the secret to their long-lasting relationship.
During an interview with the Daily Mail, Romjin said, “I guess we just keep on laughing. Keep it light. You have to lighten up about everything. You have to be able to move on quickly.”
However, O’Connell noted that his method is actually to avoid conflict with the actress, saying, “If there’s an argument brewing, I try not to engage.”
Romjin didn’t agree with him, joking that he’s “not very good at that,” but O’Connell insisted, “I’m very good at that! I disengage!”
He further explained that whenever tensions rise, he gives his wife some space by leaving their home.
“I ran out! If I think a fight is happening, I run! My wife is also a Scorpio. It’s a different situation,” O’Connell stated.

One thing’s for sure, O’Connell loves his wife, and they seem to have unconventional ways of getting things done at home.
The “Big Bang Theory” actor previously opened up about how her threats to refuse him intimacy pushed him to quit smoking for good.
In his February appearance on the “Work In Progress” podcast with Sophia Bush, O’Connell explained that he struggled with nicotine addiction for decades and that he tried to stop the habit to no avail.
However, when he finally turned to hypnosis, he hadn’t “had a ciggy in, like, 14 years,” crediting his wife for instigating the whole thing.
“My wife said she would not touch me if I smoked, and that lasted about two months,” he recalled, per The Blast. “I thought it was a joke. Then, after, like, two weeks, there was no physical contact. After about three and a half weeks, I was like, I gotta do something.”
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The actress was inspired by the rhyme “Something old, something new, something borrowed, something blue” for the Los Angeles premiere of “The Drama.”
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