Horror continues to have a banger of a year, and now, as we gear up to head into the spooky season, fans of the genre are excited to see what new terrifying twists and turns await in the fall months. One new horror movie coming our way is Littermates, by Scott Tinkham and Michael Woloson.The film puts two survivors in an impossible situation, and Collider is thrilled to bring you an exclusive first look at the trailer ahead of its Fantastic Fest debut. The film introduces us to Liam (Joey Bader) and Mel (Kaylee McGregor), two survivors who find themselves in the cottage of Chester (Oliver Woolf) in the English countryside. He takes care of them, teaching them to communicate, and as they test Chester and his rules, they begin to understand what actually happened to them.
Littermates is described as follows: “As sirens, smoke, and distant threats press closer, Liam and Mel go about their days relearning the simplest tasks inside Chester’s carefully controlled world, while earning “nifties” for good behavior that can be traded for small comforts like karaoke, hot tub time, dance parties, and favorite meals. However, unlike Liam, Mel is far less willing to accept the boundaries of the cottage, growing increasingly drawn to the woods, the locked gate, and the larger world Chester insists is too dangerous to enter. When Mel’s curiosity pushes past Chester’s rules, the fragile order of the cottage is tested, exposing the fear, loyalty, and unanswered questions holding their makeshift family together.”
The new trailer for the film features Bader and McGregor continually looking at each other, saying repeatedly, “I’m sorry this happened to you,” with a flash of scenes from the film. A tennis court, both of the two survivors fighting for their lives, lots of shots of the wilderness, and more. Will Mel and Liam make it out? How did they get to Chester’s to begin with? All of that is left up to our imagination in the trailer for Littermates, and it does keep you on edge!
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Collider Exclusive · 8 Questions · 2 Minutes What Is Your Biggest Horror Nightmare? Elm Street · Chucky · Scream · The Conjuring
Every great horror franchise is one very specific fear wearing a mask. One waits until you fall asleep. One makes certain nobody believes you. One is already inside your group of friends. And one is in the house with your family right now. Eight questions decide which of them was built for you.
😴Elm Street(Freddy Krueger)
🧸Chucky(Child’s Play)
📞Scream(Ghostface)
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🕯️The Conjuring(The Warren Files)
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01
What actually frightens you, when you are honest about it? Every horror franchise is one fear, dressed up and handed a knife.
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02
It is very late and you are alone. What do you do? Everybody has a ritual for this. Yours says more than you think.
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03
The first sign arrives. How do you react to it? There is always a warning. There is usually nobody listening.
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04
How much of this do you think is your own fault? The best horror always leaves that question slightly open.
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05
What would actually keep you alive in a horror film? Somebody always survives. It is rarely the person you expect.
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06
Who do you want in the room with you? Almost nobody survives a horror film completely alone.
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07
It is over. What do you carry out of it? Horror never really ends at the credits. It just stops filming.
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08
The lights go off tonight. Which thought finds you? Eight questions in, this is the one that decides your nightmare.
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The Lights Just Went Out Your Nightmare Is…
Four franchises, four completely different ways of getting underneath
your skin. This is the one built out of your particular fear, why it works so well on you, and what
it would leave behind.
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A Nightmare on Elm Street · Since 1984
Elm Street
Your nightmare does not wait outside the door. It waits for you
to close your eyes, which you are going to have to do eventually, because nobody has ever
won that particular argument.
Freddy is horror’s cruellest idea: a threat that lives in the one place you cannot
guard, cannot lock, and cannot avoid forever.
You are the person who lies awake running through it again. Your own mind is where this
starts and where it does the damage.
These films understood exhaustion as a horror engine. The kids on Elm Street do not lose
because they are weak. They lose because they are tired.
You can lock every door in the house. You still have to sleep.
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Child’s Play · Chucky · Since 1988
Chucky
Your nightmare is not really the thing itself. It is the face of
the person you tell, and the way they decide, very kindly, that you have imagined all of it.
Chucky works precisely because he is absurd. That is the trap: the more accurately you
describe him, the less anybody is going to believe you.
You know the specific loneliness of being right while everyone around you is being
reasonable at you.
The franchise is at its best when the adults in the room are the real obstacle, and you
have met those adults.
By the time somebody finally believes you, you will have handled most of it on your own.
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Scream · Ghostface · Since 1996
Scream
Your nightmare has your number, knows your name, and has almost
certainly been inside your house before. The worst part is that you already know them.
Scream is the only one of these where the monster takes the mask off and turns out to be
somebody who was at the party.
You watch people. You notice the small wrong notes in a conversation, and you have never
entirely been able to switch that off.
The franchise made the rules of horror part of the plot, which means the survivors are
the ones paying attention. You would be paying attention.
Everybody is a suspect, including the person who just offered to walk you home.
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The Conjuring · The Warren Files · Since 2013
The Conjuring
Your nightmare is not really about you. It is about the people
asleep down the hall, and the fact that you are the one who moved them all here.
The Conjuring films are domestic horror. The house, the family, the perfectly ordinary
room that quietly stops feeling ordinary.
Your fear is protective rather than personal. What frightens you is failing somebody,
not being hurt yourself.
This is the one franchise where belief is the weapon. The people who come through it are
the ones who are not alone and refuse to be.
Whatever is here did not come for you. It came for the household, and you are the one
standing in the hallway.
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2026 Is a Great Year for Original Horror
The film was executive produced by Haley Nicole Johnson, who is one of the reasons why we have the new film Obsession. Much like Littermates, the film had its United States premiere at Fantastic Fest in Austin, Texas, last year. With Johnson producing both, could this be setting up Littermates to be the next big thing in horror? We don’t know yet, but the trailer does have enough to have us intrigued by what Tinkham and Woloson have in store for us.
You can see what happens to Liam and Mel in Littermates, in theaters on November 6. More information on each entry can be found on the official Fantastic Fest film guide.
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