Former NBA star Glen “Big Baby” Davis has broken his silence over securing an early prison release after serving 17 months behind bars for fraud.

“They tried to hold me down,” Davis, 40, said in a video posted via X shortly after his release on Thursday, March 12. “You know what I’m saying? But I’m back, man. I’m back, baby.”

Davis was originally sentenced to 40 months behind bars in May 2024 for allegedly filing false medical claims with the NBA Players’ Health and Benefit Welfare Plan. The basketball player has always maintained his innocence.

Former U.S. Attorney Damian Williams announced in November 2023 that more than 20 people — including Davis — were convicted of a scheme that allegedly generated more than $5 million in illegal profits with fraudulent chiropractic and dental receipts.

“Moments ago, a Manhattan jury convicted former NBA players Ronald Glen Davis and William Bynum of a criminal scheme to defraud the NBA Players’ Health and Benefit Welfare Plan,” Williams, 45, said at the time.

The former U.S. Attorney went on, “While many of the more than 20 defendants convicted in this case were well-known NBA stars, their conduct was otherwise a typical fraudulent scheme designed to defraud the NBA’s health care plan and net the defendants over $5 million in illicit profits. Today’s conviction exemplifies that despite notoriety or success in sports or any other field, no one is exempt from criminal charges if they engage in fraud.”

Davis is now required to spend four months living in the Long Beach Residential Reentry Management Office, a halfway house, to help him successfully transition from imprisonment to living among the general public.

“He used his time [in prison] productively while serving his sentence and took many programs during that time,” Davis’ attorney, Brendan White, said to The Athletic on Friday. “He’s ready to become a productive member of society again.”

Davis will take part in financial management classes and undergo drug treatment, as required by his sentence. He is scheduled to be released from the Long Beach Residential Reentry Management Office on July 9.

The former NBA player was originally set to begin his 40-month prison sentence on September 1, 2024, but a judge allowed him to delay serving his time until October 22, 2024.

Davis’ attorneys requested the delay so the athlete could finish filming a documentary about his life. His attorneys argued that money generated from the film could help Davis pay back the $80,000 he owed in restitution.

His lawyer previously described Davis’ dire financial situation during a sentencing hearing in May 2024, revealing that he’d asked her for $800 so he could pay his phone bill.

Related: Former NBA Star Patrick Beverley Breaks Silence on Assault Charge Arrest

Former NBA star Patrick Beverley has opened up about his November 2025 assault arrest. “Like, a part of me understands [the controversy], right?” Beverley, 37, said in a new video addressing his arrest. “If I’m outside looking in and I’m reading something — you know, big bold headline, mug shot — I get it. But […]

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“I’ve been struggling because basketball was taken from me,” Davis told the judge at sentencing. “That’s all I know. I was [an] expert at that. But when I lost basketball, I lost myself.”

Davis played college basketball for the Louisiana State University Tigers from 2004 to 2007 before turning pro. He played for the Boston Celtics for four years, during which time he was part of an NBA Championship team in 2008.

He later spent time with the Orlando Magic and the Los Angeles Lakers before being sidelined with left ankle surgery in September 2015, per ESPN. Davis attempted a comeback with the St. John’s Edge of the National Basketball League of Canada before retiring in 2019.

Hit-maker Taylor Sheridan released his latest Paramount+ series this week to mostly positive reviews and typical viewership success. The new show, titled The Madison, was initially supposed to be a sequel to Sheridan’s career-defining hit, Yellowstone. However, closer to The Madison‘s release, it was revealed that the show would not be a part of the Yellowstone universe. One possible reason is that Sheridan has severed ties with Paramount, signing a lucrative deal with NBCUniversal that will commence in a few years. However, his tenure at Paramount has been nothing but extraordinary. Sheridan not only delivered Yellowstone but also created a handful of other hit shows, many of which have aired multiple seasons over the years. His work, to put it simply, is sustaining an entire streaming platform. This is clear from even the briefest of glances at the Paramount+ viewership charts, which typically feature multiple Sheridan titles vying for the same positions. Now, one of his most acclaimed series has passed a major milestone.

The series was released five years ago in 2021, and for it to still be drawing audiences even though it ran for only 10 episodes is quite remarkable. It served as the first of Sheridan’s two official prequels to Yellowstone, and traced the origins of the Dutton family’s Montana ranch. It followed the great-grandfather of John Dutton III, played by Kevin Costner in Yellowstone, as he journeyed across the Wild West with his family. The show featured several protagonists, but was primarily told from the perspective of Elsa Dutton, the grandmother of Costner’s character. Sheridan is largely known for his work in the neo-Western genre, but this gave him an opportunity to do what he had always wanted: to make a sprawling, old-fashioned Western. He was given a reported budget of nearly $170 million to realize his vision. It starred Sam Elliott, Tim McGraw, Faith Hill, and breakout star Isabel May as Elsa. The show also featured cameos from Tom Hanks, Billy Bob Thornton, and Sheridan himself.

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Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!

Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.

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Taylor Sheridan’s Yellowstone Universe Is Set to Expand

The show we’re talking about, of course, is 1883. It is now sitting at a “Certified Fresh” 89% score on the aggregator website Rotten Tomatoes, where the critics’ consensus reads, “1883 can feel too overdetermined to be a properly rough-hewn Western, but viewers will want to saddle up for Sam Elliott’s commanding star turn.” 1883 was followed by the second Yellowstone prequel, the equally beloved 1923. A third show, tentatively titled 1944, is in the works. According to FlixPatrol, 1883 has now spent more than 50 days on the domestic PVOD charts over the last year. Stay tuned to Collider for more updates.

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Release Date

2021 – 2022-00-00

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Network

Paramount+

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Showrunner

Ron Burkle

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Fans of Landman, Tulsa King and Mayor of Kingstown are gearing up to watch Taylor Sheridan‘s new TV show The Madison — but how is it connected to his Yellowstone franchise?

Paramount+ offered a glimpse at the upcoming show in January, which introduced the fictional Clyburn family. After originating from New York City, the Clyburns relocate to the Madison River valley of southwest Montana for emotional recovery following a tragedy that shattered the family.

Michelle Pfeiffer and Kurt Russell lead the cast of the highly-anticipated series, which also includes Patrick J. Adams, Elle Chapman, Matthew Fox, Beau Garrett, Amiah Miller, Ben Schnetzer and Kevin Zegers. Rebecca Spence, Alaina Pollack and Danielle Vasinova make up the rest of the cast — with a guest appearance from Will Arnett.

While the plot of The Madison likely doesn’t sound familiar, the show has been in the works for a number of years. It originated as a Yellowstone spinoff after Sheridan’s critically acclaimed series premiered in 2018 to resounding success.

Related: What to Know About Yellowstone’s ‘Madison’ Spinoff — Including Cameos

Paramount’s Yellowstone is over but the TV universe continues to grow with several long gestating spinoffs — including The Madison. The popular franchise, which premiered in 2018, introduced viewers to the fictional Dutton family, owners of the largest ranch in Montana. While some viewers came for Kevin Costner‘s portrayal of family patriarch John Dutton — […]

Paramount Network officially greenlit an untitled Yellowstone follow in May 2023 after announcing the OG show’s end. ViacomCBS president Chris McCarthy confirmed to The Hollywood Reporter that the spinoff would star Matthew McConaughey, which came in the midst of Yellowstone lead Kevin Costner not returning for the second half of the final season to shift his focus to directing and acting in Horizon: An American Saga.

Followers of the show were familiar with speculation that Costner, 71, and Sheridan, 55, had a falling out over the direction of the show. Sheridan, for his part, slammed claims he was at odds with Costner.

The McConaughey spinoff was titled 2024 — with Yellowstone stars Kelly Reilly, Cole Hauser and Luke Grimes potentially reprising their roles. One year later, the project was dead and got replaced with The Madison.

Reilly, 48, and Hauser, 50, are now expecting to be at the center of Paramount’s Dutton Ranch. CBS, meanwhile, has its own spinoff with Grimes, 42, titled Marshals, which premieres on March 1. Amid various delays and changes, Yellowstone fans are also still waiting for the previously teased 6666 spinoff — which was set to follow Jimmy Hurdstrom (Jefferson White) during his time at the Four Sixes ranch in Texas.

Related: A Guide to ‘Yellowstone’ and Its Many Spinoffs Amid Ongoing Delays

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Since Yellowstone debuted in 2018, the story of the Dutton family has had enough potential to inspire six spinoffs (and counting) to add to the Paramount Network roster — but with that has come delays. Yellowstone focuses on a powerful family that runs the largest contiguous ranch in the United States. Amid their success, the […]

Sheridan previously addressed his multitude of ongoing projects — including those not connected to Yellowstone.

“Because Paramount trusts me and gives me the time to go shoot 10 to 14 days for a television episode, we can treat it like a movie, and it looks like a movie,” Sheridan told Deadline in January 2022. “We can take the time to rehearse it and light it and build these set pieces. And if I call them and say, ‘I need two helicopters in one day,’ they just go, ‘Alright.’”

He added: “At the end of the day, to go to some of these locations where most people have never been, where you’re opening up a new world, and all of these places or characters in the story, to me, it’s fascinating.”

News broke in October 2025 that Sheridan’s programming would be going through more changes now that he closed a film and TV deal with NBCUniversal. The five-year overall deal for film, TV and streaming is set to begin January 1, 2029, after Sheridan’s TV deal with Paramount — which goes through 2028 — officially ends.

Paramount will retain the rights to Yellowstone and the other franchises Sheridan created under his deal with the company, so he is expected to create brand new IP for NBCUniversal. Sheridan’s move comes after Paramount’s recent merger with Skydance. The change led to the exit of Paramount Global co-CEO Chris McCarthy, who worked closely with Sheridan.

The Madison premiered Saturday, March 14, on Paramount+.

Calling a single beauty product iconic is a bold statement, but certain items truly deserve the label. Case in point: Clinique’s Black Honey Almost Lipstick. The universally flattering shade has been a makeup bag staple for decades, and it also happens to be the go-to shade for the equally iconic Julia Roberts. The Academy Award-winner was one of the first to put Black Honey on the map, and to say she was onto something would be an understatement.

In the emotional and beloved ‘90s film Stepmom, there’s a scene in which Roberts, who plays the stepmom of a young Jena Malone, hands her a lipstick to try on, and it’s none other than Black Honey. That one sweet scene helped turn the berry-toned lip color into an overnight pop culture beauty reference. All these years later, the must-have shade is still going strong.

Get the Clinique Almost Lipstick in Black Honey for $21 (was $25) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Clinique’s Almost Lipstick in Black Honey is beloved for its sheer and buildable formula, as well as its unique color that seems to adapt to your natural lip tone. The soft berry shade manages to look both subtle and polished at the same time. It’s more pigmented than lip balm but not as much of a commitment as a true lipstick, making it the perfect choice for easy, everyday wear.

Related: What’s Amanda Seyfried’s Secret to Perfectly Pink, Plump Lips? This $35 Matte Lipstick

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In a beauty landscape filled with overlined lips, glossy finishes and viral plumping tricks, Amanda Seyfried’s approach feels refreshingly understated. Her signature lip look isn’t about chasing volume — it’s about enhancing what’s already there with the right color and texture. That philosophy was on full display when the 40-year-old actress broke down her routine […]

The formula glides on smoothly, and the end result is a natural-looking, glossy finish. Build it up for a more dramatic effect or opt for just one swipe for that coveted “clean girl” look. It suits so many skin tones, so it’s not surprising that it’s managed to withstand the test of time and amass an even larger following over the years.

“Absolutely obsessed with this lipstick,” wrote one five-star reviewer. “Totally worth the price. The color is gorgeous and enhances my natural lip tone in such an effortless, flattering way. The formula feels smooth and luxurious—the perfect thickness without feeling heavy or sticky.”

According to reviewers, Black Honey is as close as it gets to a one-shade-fits-all lip product: “I’m a firm believer that Black Honey looks good on anyone and everyone because the beauty of it lies in how sheer it is,” said another reviewer. “It’s buildable if you want a brighter look, but light enough with one swipe to just give your lips a little life to them. It really is the perfect ‘your lips but better’ look.”

You don’t have to rewatch Stepmom on repeat to bask in your favorite ‘90s beauty nostalgia. Add the timeless lip shade to your Amazon cart and bring Roberts’ go-to shade to your makeup bag ASAP.

Get the Clinique Almost Lipstick in Black Honey for $21 (was $25) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more tinted lip balms here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

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Related: Finally! Jennifer Aniston’s Everyday Pink Lipstick Is Back in Stock

When you find your ultimate lipstick color, it’s difficult to ever stray from it. Just ask Jennifer Aniston — that’s how the actress feels about a very specific shade of Charlotte Tilbury lipstick. According to Marie Claire Australia, Aniston keeps her makeup pretty simple. “If I could only have five makeup products in my makeup […]

RuPaul’s Drag Race producer World of Wonder is asking for fans to help out the show’s first-ever eliminated queen, Victoria “PorkChop” Parker, following a health crisis.

“Recently, Victor [Ray Bowling], or we affectionately know him as ‘PorkChop,’ has experienced a serious health setback and was hospitalized after eating a hamburger from a major grocery chain and is now facing a number of ongoing medical challenges,” a note shared by World of Wonder via Instagram read. “Shortly after eating the hamburger, he started vomiting, had diarrhea and was severely dehydrated [which] lasted 72 hours. 911 was called and he was immediately transported to the hospital via ambulance.”

The note — which was signed by the “PorkChop Care Team” — was posted by World of Wonder on Friday, March 13, along with a link to a GoFundMe fundraiser for the drag queen, 56. (As of publication, the fundraising appeal has raised $4,300, with a goal of hitting $6,000.)

“Quite recently, I, Victor — affectionately known as PorkChop — have faced some very serious health setbacks,” PorkChop wrote on the GoFundMe page. “After preparing a frozen hamburger patty from a major retailer, I became extremely ill. Within 24 hours, I was taken by ambulance to AV Medical Center, where I spent the next week bed-bound. During my stay, I received intensive care, including antibiotics, dozens of tests, and the start of physical therapy.”

Related: ‘RuPaul’s Drag Race’ Stars’ Health Scares and Tragedies

RuPaul’s Drag Race’s universe of vibrant and talented drag queens has endured numerous heartbreaking losses and health scares over the years. When Drag Race loses one of its own — or if there’s a performer in crisis — the global community of queens has shown tremendous compassion in honoring their colleagues. Queens can always count […]

Porkchop went on, “After a full week of testing, my doctors diagnosed me with Hyponatremia (an intestinal infection), Acute Kidney Injury, Atrial Fibrillation, and Hypertension. I was finally discharged on March 8th with strict instructions for bed rest for 14-21 days, a visiting nurse, physical therapy, in-home support care, and many prescriptions.”

PorkChop shared encouraging news that she is expected to make “a full recovery,” though she acknowledged that “the journey ahead will be challenging.”

“I am slowly relearning how to walk, and ongoing physical therapy is essential to help me rebuild my strength,” PorkChop explained. “My most urgent need is a medical mobility scooter, which would greatly improve my quality of life and allow me to regain some independence. Being able to get outside, especially to the large park in my neighborhood, would be a huge boost for my mental and physical health as I heal.”

The Drag Race alum continued, “Sometimes, a small act of kindness can make a world of difference. I have spent many years bringing joy to others, and now I find myself in need of support. I hope you will keep me in your thoughts and consider making a donation to help me on my road to recovery. Your generosity will mean more than words can express. Thank you from the bottom of my heart.”

As of publication, World of Wonder has given the largest single donation with $1,500 while Drag Race season 6 winner Bianca Del Rio contributed $1,000.

Alongside sharing the medical update on PorkChop, World of Wonder sent well wishes and encouraged donations to the GoFundMe campaign.

“Sending all of our love to Victoria ‘PorkChop’ Parker, who has experienced a serious health setback and was recently hospitalized,” World of Wonder wrote via Instagram. “Please consider donating to Porkchop’s GoFundMe to help support our legendary queen on her road to recovery.”

PorkChop made history as the first-ever contestant eliminated in Drag Race history in 2009. Having since become a fan favorite, PorkChop later starred with RuPaul in the 2021 TV movie The Bitch Who Stole Christmas and appeared on Netflix’s AJ and the Queen.

In the past, weekend nights were often seen as the “death kneel” for television shows. Because most people had plans for the weekend, there really wasn’t much incentive to stay home and cut on the TV. That is, until HBO came onto the scene, and made Sunday nights practically must-see TV, especially for fans of the thriller genre. The network’s first big thriller hit was Oz, and HBO has only perfected the art of the prestige thriller ever since we were treated to a prison social experiment that is still tough to watch.

Thrillers on HBO weren’t made for cheap jump scares, as these shows truly kept you on the edge of your seat, keeping you guessing constantly about what was going to happen next. Whether it’s following along in a mind-bending gothic tale, or solving a whodunit with a detective who’s going through mental anguish, these prestige thrillers are the reasons why HBO can be considered the king of the genre. So, without further ado, let’s dive into the HBO thrillers that will keep you guessing for months on end.

‘Perry Mason’ (2020–2023)

Image via HBO

You normally wouldn’t look at a series like Perry Mason and think of it as a thriller. Normally, legal dramas operate on the “case of the week” formula, which produces predictable outcomes that normally tilt in the favor of prosecutors. Perry Mason took a different path. Instead of relying on what was familiar, the show acts as a high-stakes, noir thriller that often times keeps its viewers guessing.

Created by Rolin Jones and Ron Fitzgerald, Perry Mason follows the titular character (portrayed by Matthew Rhys) on his rise to being the famed defense lawyer that we all know and love. So, the HBO version acts as an origin series, and a thrilling one at that. You see, Perry Mason was a down-and-out private investigator, and this is the version that we get with its noir mystery structure, and not letting us in on “who” is committing the crime, perfectly keeps viewers on their toes, and putting on their detective hats in order to help Perry solve the crime. If you haven’t checked out Perry Mason, we highly recommend you do, as you won’t be disappointed.

‘Big Little Lies’ (2017–Present)

Much like the aforementioned Perry Mason, when you look on the surface of Big Little Lies, you would be hard-pressed to think that this is a show that could come within 50 feet of being considered a “thriller.” You don’t get dark alleys here. You get granite countertops. There are no “shadowy figures,” just a group of moms that look as though they make the PTA tremble in fear. But, looks can be deceiving, and if television has taught us anything, it’s that the suburbs provide the perfect setting for a thriller.

Based on the novel written by Liane Moriarty, and adapted for HBO by David E. Kelley, Big Little Lies follows a group of women who become entangled in a homicide investigation at an elementary school fundraiser. The level of suspense that was built is a masterclass of how you combine a “whodunnit” with a “who was it.” We all know there was a murder, but we don’t know who died, and who was the one that did the murder; nor do we know if any of the women we follow are responsible for this person’s death. Originally created as a miniseries, the mystery in Season 1 was so good that HBO greenlit Season 2, which was just as compelling as the first season.

‘The Night Of’ (2016)

Image via HBO

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When we think of a great thriller, we normally discount ambiguity; but, in a nutshell, that is the central ingredient in baking a tension-filled cake. Ambiguity can be a dangerous weapon, which was perfectly illustrated in the 2016 miniseries The Night Of. Based on Peter Moffat’s 2008 BBC series Criminal Justice, this thrilling miniseries stars John Turturro as John Stone, a lawyer who is hired to represent Nasir Kahn (Riz Ahmed), a Pakistani-American college kid who winds up being accused of murder.

While we know the set-up, we don’t know what happened before, nor during the murder. Kahn has a massive gap in memory, and viewers are left to piece together what exactly happened the night a woman was murdered on Manhattan’s Upper West Side. We are as much in the dark about that night as Kahn is, and the writers did a phenomenal job of using the “blackout” narrative to thrill us and keep us on the edge of our seats. What can we really trust here? Can we trust Kahn? Can we trust the “facts” of the case? We don’t know, and this presents a claustrophobic atmosphere that feels heavy and intense, which is what makes The Night Of such an enthralling thriller.

‘Mare of Easttown’ (2021)

Image via HBO

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A great mystery thriller keeps its audience guessing until the very end. Then, when they think they have all the answers and have solved the mystery, the show throws a huge curveball that the viewer didn’t see coming. That’s what makes Mare of Easttown such a gripping mystery thriller. Created by Brad Ingelsby, the miniseries stars Kate Winslet in an absolute brilliant performance as Marianne “Mare” Sheehan, a police detective who is tasked with solving the case of a young girl who’s been missing from her suburban Philadelphia town for a year.

While she’s trying to solve the case, Mare is going through a truly harrowing time in her personal life. She’s going through a divorce, she lost her son to suicide, and is embroiled in a custody battle with her son’s girlfriend over custody of her grandson. She’s just having a time in life, which is also what makes Mare of Easttown so tantalizing. It’s a series that perfectly blends the classic “whodunit” trope with character-driven emotion. Her personal life is a mess, and it’s begun to affect her skills as a detective, given the town has begun to doubt her skills. Mare of Easttown lures its viewers in with comfort, but it’s all a ruse that slowly brings the audience into a case with high-stakes that’s also filled with raw emotional intensity. So for anyone who questions whether Mare of Easttown should be considered a crime thriller, watch it, and you won’t question it anymore.

‘The Leftovers’ (2014–2017)

Image via HBO

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So, here’s a scenario. You’re at work one day, and then, all of a sudden, you notice that a few of your co-workers suddenly disappear. You don’t know where they went, as all you know is they’re gone. You get off work, and turn on the news, only to discover that many more people have just suddenly “departed” the world. So now, you have a lot of questions, as does the rest of the world. This is the central premise of the underrated series The Leftovers, adapted from Tom Perrotta‘s 2011 novel of the same name.

Here, we follow the survivors of the “Sudden Departure,” in which, three years before the events of the series, 2% of the world’s population suddenly vanished. Now, some may think that 2% isn’t a lot, but the population of the world is (currently) over 8 billion, and two percent of that is 160 million people. That is a lot of humans gone in a flash; and while The Leftovers is technically a supernatural drama, the series carries a lot of suspenseful energy, and you’re left wondering what happened to 160 million people who just went “poof” into thin air. The Leftovers act as a mystery box that, try as you might, you can never seem to open, which is why it should definitely be included here.

‘Tokyo Vice’ (2022–2024)

Image via HBO Max

The Yakuza are gangs that no one wants to mess with. These are members of organized crime syndicates based out of Japan who are known for their super strict codes of conduct, and they take this code very, very seriously. Now, imagine an American journalist (Ansel Elgort) going to Tokyo to investigate the Yakuza, and you have the makings of one of HBO’s most underrated crime thrillers.

Tokyo Vice follows Jakes Adelstein (Elgort), a journalist from Missouri who moves to Tokyo and investigates the corruption of the city’s underworld. To guide him through this treacherous world, he teams up with Hiroto Katagiri (Ken Watanabe), a detective with the Tokyo Metropolitan Police Department who acts as a father-figure to him. Tokyo Vice takes the standard “fish out of water” trope and completely turns it on its head. Adelstein is an outsider and sticks out like a sore thumb in modern Tokyo. This makes the audience worry about Jake as he goes deeper into Tokyo’s dangerous underworld run by the Yakuza, and the series keeps the viewers on their toes as the situation gets more and more dangerous. One slip up could cost him his life, and that gives Tokyo Vice a thriller aspect that is very much underappreciated.

‘Sharp Objects’ (2018)

Image via HBO

The unreliable narrator is such an interesting trope in the thriller genre, and nowhere was this put to greater effect than in the 2018 Southern gothic miniseries, Sharp Objects. Based on the 2006 novel written by Gillian Flynn, Sharp Objects is a powerful psychological thriller that basically weaponizes the mental state of its characters. This is where the central character of the series, Camille Preaker (Amy Adams), comes into focus. Preaker, who is an investigative reporter, has an alcohol problem, and in the first episode, we learn that she was recently discharged from a psychiatric hospital. Dealing with inner demons, she returns to her hometown in Missouri to investigate the murder of two young girls; but once she returns home, she finds herself under the watchful eye of her mother, Adora Crellin (Patricia Clarkson), which ultimately forces her to confront her demons.

Because Preaker is dealing with alcoholism, the viewers can’t really rely on her narration of the events of the series. Granted, the events she’s describing to us could be real, but her life is so filled with trauma and emotional pain, that we, sadly, have to question the validity of what she’s witnessing, because we’re seeing the events of Sharp Objects unfold through her eyes. This is a series in which you have to pay attention to everything you’re watching, from the multiple manipulators to the town itself, you are on the edge of your seat the entire time you’re watching, and it doesn’t let up for a second.

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Sharp Objects

Release Date

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2018 – 2018-00-00

Network

HBO

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Showrunner

Marti Noxon

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Directors

Jean-Marc Vallée

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Zendaya coyly addressed rumors that she recently tied the knot with longtime love Tom Holland as she stopped by a Las Vegas wedding chapel this weekend.

A24, the producers of Zendaya and Robert Pattinson’s new movie The Drama, opened up a wedding chapel in Vegas for one day on Saturday, March 14, to promote the film. Zendaya’s costar Alana Haim dropped in to perform DJ sets, though the biggest shock came later in the day.

Zendaya surprised one lucky couple during their nuptials by peeking her head through the chapel doors. The Euphoria star could be seen in Instagram Stories wearing a gold band on her left hand as she congratulated the happy couple on their wedding.

Later, Zendaya signed the couple’s marriage license as their official witness. As she signed her name on the document, Zendaya teased that the newlyweds were getting her “last name reveal.”

Related: Are Tom Holland and Zendaya Married? Breaking Down the Claims

The internet is in a frenzy over claims that Tom Holland and Zendaya have secretly tied the knot. It all started when Zendaya’s stylist, Law Roach, claimed at the Actor Awards in March 2026 that the couple had privately gotten married. The viral interview led fans to closely analyze photos of the Spider-Man costars’ ring […]

All of the rumors about Zendaya and Holland’s wedding kicked off at the 2026 Actor Awards on March 1 when the actress’ stylist Law Roach was asked about his client’s impending nuptials.

“The wedding has already happened. You missed it,” he told Access Hollywood on the red carpet.

Asked whether he was breaking news about the wedding, Roach replied, “It’s very true.”

Us Weekly reached out to representatives for Zendaya and Holland at the time.

Zendaya’s mother, Claire Stoermer, reacted cryptically to the marriage rumors by sharing Roach’s interview via her Instagram Stories, along with a laughing emoji and the caption: “The laugh…”

Just over a week later, Zendaya attended Louis Vuitton’s Paris Fashion Week show on March 10, where she was spotted with a gold band. The ring appeared to be a white gold Clash de Cartier design and was particularly noticeable since Zendaya’s Jessica McCormack engagement ring was absent.

Zendaya confirmed she was in a relationship with her Spider-Man costar Holland, 29, in 2021. Multiple media outlets reported in January 2025 that Holland had popped the question to Zendaya over the holidays.

Tom’s father, Dominic Holland, confirmed the engagement in a Patreon blog post later that month, revealing that his son asked Zendaya’s dad, Kazembe Ajamu Coleman, for permission to propose.

“He had purchased a ring. He had spoken with her father and gained permission to propose to his daughter,” Dominic wrote in January 2025. “I on the other hand was woefully ill-prepared, almost as though I wasn’t taking it seriously. I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”

Dominic went on, “And even though show-business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention. With us an example, with [Dominic’s wife, Nikki Holland] helming this family and my ‘wisdom’ on tap and a study in getting things mostly wrong and yet somehow right at the same time, I am completely confident they will make a successful union.”

Tom and Zendaya will soon reunite on the big screen in Spider-Man: Brand New Day, opening on July 31.

Age of Attraction didn’t air every potential age gap romance — with one contestant revealing that her search for love as a virgin at 38 was cut.

Ashley Marie took to TikTok after the Wednesday, March 11, premiere on Netflix, saying, “I was on Netflix to do a show — Age of Attraction — I know what you’re thinking right now. Wait, we didn’t see you. Sadly, my story was cut so I’m gonna spill a little tea here.”

The offscreen contestant recalled filming the show after she turned 38 years old.

“When it comes to my dating life, I’ve obviously been single for as long as I can remember,” she shared. “I’m just a big believer that when you know, you know. I don’t want to waste time trying to fit a square peg into a round hole.”

Related: ‘Age of Attraction’ Cast Revealed: Meet the Singles in Age-Gap Romances

Nick Viall and Natalie Joy‘s Netflix dating show, Age of Attraction, follows singles looking for love in age-gap romances — and the cast has finally been revealed. Netflix released the official trailer on Wednesday, March 4, with the hopefuls explaining why they were trying the new approach to finding The One. “I have dated guys […]

Ashley noted she “did not apply to be on the show,” adding, “[Someone] else was reached out to over social media and they’re like, ‘I’m married but you have to be my friend Ashley.’ And on my 38th birthday, I got a text that said, ‘Don’t hate me but I just gave your name to a casting director.’”

She continued: “If it was any day other than my birthday, I’m honestly not sure I would have even answered. But once you get to a certain age and you really want to be married and have kids — birthdays can be a little bit tough. That biological clock reminder is like time is ticking and you have to find someone soon.”

Ashley prayed about the decision before joining. “I was like, ‘All right, got it. This is where you want me to go then open the door. If it’s not, please close it,’” she said. “I can’t say yet if I’m dating anyone from the show or if I’m still single. I will say I made two very strong connections on my end and for me it was a very healing process because it had been so long since I had felt for a guy. I was starting to actually think did I break something? Can I still have feelings?”

In the video, Ashley noted there is “probably one thing about me that has really affected my dating life,” adding, “I’m gonna start to talk about it more but it’s something that I haven’t really talked about in a really long time outside of my close circle. That is that I’m a virgin, [and] waiting for marriage. I know. Take it in. I am going to continue to share my story — both in my personal and dating life — because I feel like it’s such a lonely time to be 39 and single and no kids. Hopefully it will help people feel like you’re not alone in this phase.”

“Nervous about sharing what I did at the end. Spilling some tea about my time on Age of Attraction, the new dating show on Netflix,” Ashley captioned the post. “Going on a dáting show isn’t exactly something I thought was in my future but life tends to take us down unexpected paths. I was very prayerful about the decision and trusted that God would take me where he wanted me to go.”

The new dating show is hosted by real-life couple Nick Viall and Natalie Joy, who have their own 18-year age gap. According to the official synopsis, “Age is thrown out the window when singles search for their soulmates, but will the years come between them?”

Divided into three parts, the first batch of episodes showed the initial connections that were formed before individual couples made promises to each other. After a visit to the Promise Room, each couple were finally able to discuss their age gap — and decide if they wanted to keep exploring their chemistry.

Age of Attraction zeroed in on six couples who moved into the same apartment building after making a commitment. They then had to weather new challenges as their new normal set in, which led to one shocking split.

Later in the season, family members will visit each couple to give their opinions on each match. They will then make a decision about whether they want to pursue a future together or if their age differences create too much of an issue.

New episodes of Age of Attraction hit Netflix on Wednesdays.

Being such a hot commodity in the industry for over 40 years, James Cameron is frequently a studio’s dream choice to helm a major project, whether as a producer, screenwriter, director, or all three together. Cameron, whose interests range from historical fiction to comic books, has been attached to a litany of movies throughout the years, some of which never materialized and others that ended up in the hands of other directors. In an alternate world, the selective and patient Cameron, who has only directed four narrative films in the last 30 years, would have put his stamp on properties such as Planet of the Apes and Wicked. Among his list of unrealized films, his most enticing abandoned project was the attempt to assemble a superteam to bring Marvel Comics’ crown jewel, X-Men, onto the big screen in the 1980s and ’90s, which never came to fruition due to the precarious nature of Hollywood dealmaking.

James Cameron and Kathryn Bigelow’s Plans for an ‘X-Men’ Movie Were Abandoned

Following his breakthrough with The Terminator and Aliens, James Cameron represented dollar signs, and studios entrusted him with the opportunity to handle something that, ironically enough, seemed to be adverse to the screen: a comic book adaptation. Revealed by long-time X-Men writer Chris Claremont in a 2012 panel at Columbia University, the original mutant movie, years before Bryan Singer‘s adaptation in 2000, was initially attached to Cameron as a producer, his then-wife Kathryn Bigelow as director, Bob Hoskins as Wolverine, and Angela Bassett as Storm, roles that would be played by Hugh Jackman and Halle Berry, respectively. This was Claremont’s dream lineup, remarking, “I would have been happy as a clam.”

Upon establishing his own production company, Lightstorm Entertainment, Cameron was ready to serve as his own boss and generate numerous projects for him and his collaborators to direct. Things looked to be set into motion when Cameron set up a meeting with Marvel Comics guru and mascot Stan Lee about a film adaptation. During the meeting, the tides irreversibly shifted when Lee interrupted the negotiation by saying to the director, “I hear you like Spider-Man.” This kicked off a new round of spirited discussion, and it presumably got Cameron’s wheels turning about his unrealized Spider-Man treatment.

Kathryn Bigelow, fresh off her eventual cult classic vampire thriller, Near Dark, a film that mirrors X-Men in its portrayal of non-humans marginalized by society, had a treatment for the Marvel property. According to Claremont, the treatment was “eaten alive” by executives he called “idiots,” who were more interested in adapting Spider-Man. These deals were nearly impossible to finalize, as Marvel, which was facing bankruptcy in the ’90s, was selling off rights to their characters to many studios, including Universal, the now-defunct Carolco (with which Cameron had a partnership), and 20th Century Studios, which ultimately acquired the X-Men rights. Claremont held no ill will towards Singer’s film or the casting of Jackman and Berry, but he still fancies what Cameron’s vision would have looked like.

The Failed James Cameron ‘X-Men’ and the History of Superhero Movies in Development Hell

Long before the dawn of the Marvel Cinematic Universe and Disney’s acquisition of Fox, a studio’s legal department was just as essential to getting superhero movies off the ground as the writers’ room. Today, the behind-the-scenes drama and managerial decisions are widely understood by the public, so much so that they can be running gags in the uber-meta Deadpool & Wolverine. Property protection determines the fate of every comic book adaptation, and even the mighty James Cameron was left creatively compromised by Carolco’s failure to acquire rights to X-Men or Spider-Man, which ultimately led to the studio’s discontinuation. Since then, movies in an extended universe getting postponed or stuck in development hell, evidenced recently by Marvel’s never-ending production of Blade, have been a staple for the genre. With so much financial backing at stake, studios are quick to get cold feet with a current project when a more enticing character origin story opens up.

Bryan Singer’s X-Men was an overall success, performing well at the box office and satisfying critics. Because superhero movies were viewed as disreputable to many, the didactic commentary on race and class issues in the film lent it an aura of prestige. While it’s hard to argue against the 2000 film’s casting, the prospect of Bob Hoskins, who fit the bill for Wolverine’s short stature and pugnacious energy in the comics, and Angela Bassett, an actor of immense gravitas fitting for Storm, in an X-Men film by James Cameron and Kathryn Bigelow is the alternate universe audiences deserve in the next multiverse saga. Back when superhero movies were envisioned as sheer genre exercises, sci-fi, horror, and thriller masters in Cameron and Bigelow could’ve made a mean, lean, and technically virtuosic showcase.

X-Men is available to stream on Disney+ in the U.S.

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Release Date

July 13, 2000

Runtime

104 minutes

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Director

Bryan Singer

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Producers

Avi Arad, Lauren Shuler Donner, Ralph Winter, Richard Donner

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