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Bold and the Beautiful spoilers for next week have Sheila Carter (Kimberlin Brown) creeping and spying on Deacon Sharpe (Sean Kanan) and Taylor Hayes (Rebecca Budig).
And Daphne Rose Walton (Muriel Hilarie getting spicy with Carter Walton (Lawrence Saint-Victor). RJ Forrester‘s (Joshua Hoffman) getting spicy with Electra Forrester (Laneya Grace). There’s spice all over the place and Ivy Forrester‘s (Ashleigh Brewer) getting creepy. We have the latest B&B spoilers for the week of March 23rd. Let’s dive into what is coming because next week looks wild.
All right, let’s first chat about Electra and RJ. So, at the end of this very short week of episodes on Bold and the Beautiful, because we had those two preemptions for March Madness, we saw Electra and Dylan (Sydney Bullock) facing off in the Forrester Creations showroom.
And Electra accused Dylan of invading her world, torturing her, and worming her way into Will Spencer‘s (Crew Morrow) life. Electra told Dylan, “Do the right thing. Leave Forrester and never come back.” And she told Electra that Steffy Forrester (Jacqueline MacInnes Wood) offered her this job.
She didn’t go looking for it. And then Electra clapped back that Dylan can’t stay out of her way. And Electra said that she should have said no a long time ago. I am annoyed that Dylan didn’t directly tell Electra she knows she kissed RJ. She’s still sitting on that secret while trying to, you know, kick Dylan back into homelessness.
And then Dylan overheard Daphne and Ivy getting into it about her manipulating Electra and Will into a breakup. And I’m sure that Ivy will deny what Dylan overheard. Probably verbally attack her. And I expect Ivy to try and turn it around on Dylan for not being proper or appropriate in that she shouldn’t even be there, you know.
And I do wonder if Dylan might then go to Daphne and ask what is going on and exactly what Ivy did because honestly, Dylan’s not going to get any answers from Ivy. I’m sure she’ll just get aggressive with Dylan and be hateful.
Meanwhile, Ivy’s plot is moving forward to push Electra onto RJ and make sure she will never ever get back with Will. So, Ivy told RJ this week that Electra is available for the right guy since she and Will split. And Ivy trash talked Will to RJ and then was flattering RJ and pushing him to pursue Electra.
And of course, Ivy griped about Dylan working at Forrester now. And poor Electra is going to see Dylan throwing herself at Will. And you know, basically Dylan’s a villain. All this. Ivy was yapping about not being proper.
And I do think she’s going to encourage RJ to try and get Steffy or Ridge Forrester (Thorsten Kaye) to fire Dylan. Honestly, I wouldn’t be surprised if Ivy also tried to get Will fired. And Steffy already told Ivy and Electra to stop it, but they show no signs of stopping it.
So, next week over at the Forrester mansion, Ivy is smirking at the progress she has made with her plan. And it looks like Electra invites RJ over to the Forrester home because she and Ivy live there with Donna Logan (Jennifer Gareis) and Eric Forrester (John McCook).
And Electra and RJ are taking selfies in their bathing suits. And like some creepy creeper, Ivy is lurking nearby, watching them, and smirking very pleased with herself. And I think that’s quite inappropriate, not proper at all.
And then next week, Ivy is pushing Electra at him, saying that RJ has so much going for him. And there is some heat as RJ tells Electra that she looks amazing. And she tells RJ that he looks amazing, too. And Electra is smiling and she’s looking all smitten and making big eyes at him.
So, RJ and Electra are obviously spending more time together. Looks like there are big sparks there. And I think it’d be nice if Daphne finally spoke up about what Ivy is doing because it is absolutely disgusting and despicable.
Now, we know Will is still in love with Electra, but I imagine he will see those selfies that she’s taking with RJ because, you know, one of them or both of them will post them online. And of course, Will saw her and RJ kissing and now this.
So, he thinks that at this point, and I think rightfully so, Electra is the one who actually betrayed him, not the other way around. And so we could see Will leaning into Dylan’s crush on him since Electra has broken his heart and is now basically flaunting another man on social media. And Will and Dylan have kissed a couple of times.
And of course, she is determined to win Will over. But she still might spill what she overheard. I think it’d be amazing if Dylan told Steffy, but I think she might more likely tell Hope Logan (Annika Noelle) and ask what she thinks. But Daphne really needs to open her mouth and let this out.
Also in next week, Bold and the Beautiful spoilers, Daphne seductively tells Carter he’s not going anywhere with what she has planned for him. It’s sexy time for the newlyweds. So, wonder if we’re going to have a little Carter and Daphne baby on the way soon.
But the wildest spoiler for next week on B&B is about Sheila, Taylor, and Deacon. And if you remember, Steffy told Deacon and Taylor they were done. She told him this up at her mom’s office, and she said, “Say goodbye. It’s over.” And you know, Steffy is basically Ridge’s mini me.
Very high-handed, very bossy, acting like she is parenting her mom. Kind of the same way Ridge is parenting Eric, and it looks like her ultimatum is going to be ignored. So, next week, Bold and the Beautiful spoilers have Sheila over at Steffy’s Malibu Beach House where, if you remember, Taylor Hayes lives.
And Sheila is knocking on the door and has a bunch of flowers in her hand, calling out asking if anybody is home. Meanwhile, upstairs, we’ve got Deacon and a half naked Taylor sitting in her bed.
She’s stripped down to her bra and panties. And they’re white, by the way, because I think they’re trying to emphasize white. She’s the good girl. You know, the black bra and stuff. Sheila’s bad.

So, next week, Deacon tells Taylor that they tried as hard as they could. And Deacon says, “No one will keep them apart.” And then Taylor and Deacon start making out. And this is back to that B&B spoiler for March. It’s finally manifesting in the very last few days of the month.
The spoiler said that one couple makes love for the first time. Definitely looks like it is Taylor finally getting frisky with Deacon.
But Sheila isn’t going away. I mean, she knows she’s not supposed to be at Steffy’s house anyway. But that’s not going to stop her.
Like, she keeps showing up at Taylor’s office when she’s not supposed to be there and has been asked not to do it. So, Sheila even is peeking in the window panel that’s next to the door. That is stage three creeper behavior. She and Ivy are both just being creepy creepers this next week.
But the shocker is Taylor’s about to hit the sheets with Deacon. That’s bad enough. But even worse, Taylor is getting frisky with Deacon at Steffy’s house after that ultimatum that she hit Taylor with. And B&B’s latest promo wants us to think that Sheila is about to walk in on Taylor and Deacon.
Now, we do know that Sheila finds out about them. So, maybe she lets herself into the house like when Brooke Logan (Katherine Kelly Lang) walked right into Thomas Forrester’s house and up into his bedroom and saw him in bed with her daughter Hope. So, this could be a replay of that.
But I think it would be far more interesting if Steffy answers the door and either tells Sheila to kick rocks and keeps the flowers or maybe she goes up to tell Taylor she’s got a visitor. Either way, I think Steffy might find her mom in bed with Deacon.
So, looks like a hot hot week on Bold and the Beautiful. Check back soon for our full spoilers for the week of March 23rd through the 27th, plus our weekly B&B predictions coming soon.
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The streamer features shows with versions of the future filled with space tourism, cannibalism, and cultural collapse.
Of all the characters that deserve the chance of a second adaptation in HBO’s upcoming Harry Potter series, Sirius Black is high on many people’s lists. It will be at least two years until we first see how the series chooses to reinvent one of the most intricate characters in the novels, with the movies unable to dedicate enough time to his brief, three-book run. Of course, Black was played in the movies by the great Gary Oldman, and remains one of his more memorable cinematic performances.
However, the peak of Oldman’s career came after his time in the Wizarding World, when he finally took home the Academy Award for Best Actor for his portrayal of British wartime prime minister Winston Churchill in director Joe Wright‘s Darkest Hour. One of six nominations the film earned at the 90th Academy Awards, Darkest Hour also picked up a second prize for Best Makeup and Hairstyling, awarded to Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick. Set in the early days of World War II, the film follows Oldman’s newly appointed prime minister as he faces the tough decision to either negotiate with the opposition or forge a legacy for himself that will be remembered forever.
At the box office, Darkest Hour was a huge success, no doubt thanks to the positive discourse around Oldman’s lead performance. Against a reported budget of $30 million, the movie grossed a huge $150 million worldwide, split between a $56 million domestic haul and $94 million from overseas markets. Almost a decade since the film’s theatrical debut, anyone looking to watch this WWII biopic will have to hurry, as Darkest Hour is officially leaving Netflix on May 1, 2026.
The years since its Academy Awards success haven’t been kind to Darkest Hour, due mainly to many thinking it was chosen to win Oscars in the place of more deserving nominees. However, at the time it was released, Darkest Hour was nothing short of a critical darling. Scoring a “certified fresh” rating of 84% on review aggregator Rotten Tomatoes, the consensus from critics on the site reads, “Darkest Hour is held together by Gary Oldman’s electrifying performance, which brings Winston Churchill to life even when the movie’s narrative falters.”
Darkest Hour is set to leave Netflix on May 1, 2026. Make sure to stay tuned to Collider for all the latest streaming stories.
November 22, 2017
125minutes
Joe Wright
Anthony McCarten
Paulina Porizkova is showing off her stunning figure in a vibrant red bikini ahead of her 61st birthday.
Taking to Instagram on Thursday, April 9, Porizkova flaunted her abs in the swimwear as she shared an empowering message about aging.
“I’m trying on this new super cute summer bikini and I’m reminded how far I’ve traveled in self-acceptance. I will be 61 tomorrow,” she said via the social media clip. “And I understand that this might sound crazy to you, but 40 years ago when I was 21 and when I was at the height of my career and supermodel-dom, that was when I felt the most insecure.”
Porizkova explained that there were several factors in her younger years that caused her to be insecure.
“[It was] partly because [of] the endless comparisons to other models by the people who employed me. I never seemed to be good enough,” she explained. “And of course, partly because my self-worth was entirely tied to my looks.”
Porizkova said she was leaving behind the insecurities to embrace her current age.
“So today I’m trying on this cute summer bikini and I flex muscles that I’ve been working my cellulite butt off for. And not necessarily so I can look best in this bikini, but to feel my best in this sixth decade,” she said.
She then joked, “You know, actually? Who am I kidding? I kicked my workout up like 10 notches because I do want to look my best this summer, but not necessarily in a bikini… in a wedding dress.”
Porizkova has often been candid about aging, beauty and body positivity via her social media posts.
Last month, Porizkova stripped down to lingerie for a shoot she shared via her Instagram, telling her followers that “good light and posing” is the secret to looking great.
“Smoke and mirrors, folks. That’s how you make it look good for a moment,” the model captioned the March 12 post. “The truth is, gravity takes its toll. But! Gravity has also built your strength so you can hold your head higher than ever.”
In July 2025, Porizkova shared another sizzling lingerie snap via her Instagram and spoke about the effort she’d put in to maintain her figure.
“This is 60 years of sometimes healthy eating, sometimes not,” she captioned the post. “60 years of sometimes working out, sometimes not. 60 years of doing the right things followed by doing the wrong things and over again and again.”
Porizkova added that she’s still learning things in life, even when she thinks she’s “figured” everything out.
She continued, “The beauty of 60 is that now I understand the importance is IN the lesson, not passing the exam.”
Mick Fleetwood is celebrating love once again, as he marries for the fifth time. The Fleetwood Mac drummer has been married four times before to three different women, with his last divorce finalized in 2015. Now, he appears to have found happiness again, embracing a new chapter with his longtime partner, Elizabeth Jordan.
Mick Fleetwood is celebrating his marriage to Elizabeth Jordan, sharing the news on social media. On March 28, the 78-year-old drummer took to Instagram to share a few snapshots, writing that he was enjoying his honeymoon in the South Pacific.
One of the photos shows the couple, who appeared to be dressed in their wedding attire, posing for a snapshot with Fleetwood concealing their faces from the camera with his fedora. In another photo, the newlyweds were captured mid-kiss, with Jordan’s back facing the camera. Two other photos showed the musician enjoying the view and the crystal blue waters.
It isn’t known when the wedding occurred, but as musician Mike Lawson revealed on Threads last year, as reported by the Daily Mail, they were engaged in March 2025. “Mick Fleetwood just texted and said he is marrying his girlfriend of five years, Elizabeth. How cool, finding love and making that commitment is beautiful. Congrats!” Lawson wrote.

According to reports, Fleetwood and Jordan have been together since 2023, making their relationship public at the Grammy Awards, where the drummer performed a tribute to her late Fleetwood Mac bandmate, Christine McVie, who died of a stroke in 2022.
Jordan is a licensed realtor based in Hawaii and owns a property management company with properties in New York, California, and Maui. Moreover, she serves as the director for the Mick Fleetwood Foundation, a non-profit organization that Fleetwood launched in 2023 to promote and fund music education in schools.

Fleetwood has had a well-documented romantic history, with the latest union with Jordan marking his fifth marriage.
His first wife was Jenny Boyd, whom he married in 1970 and divorced six years later. However, the couple reconciled briefly, marrying for a second time in 1977 and divorcing again in 1978. They share two daughters, Amy and Lucy.
Fleetwood had an affair with bandmate Stevie Nicks while he was married to Boyd, with the drummer describing that time as “very bright and crazy” in his 2014 memoir “Play On: Now, Then, and Fleetwood Mac.” Nicks also acknowledged the affair publicly, admitting that the song “Sara” was about Fleetwood.
In 1988, Fleetwood tied the knot with Sara Recor, who was one of Nicks’ closest friends. The drummer had an affair with Recor while he was with Nicks, which strained the friendship. However, the two later reconciled. Fleetwood and Recor divorced in 1995.
Fleetwood’s third wife was Lynn Frankel, marking his fourth marriage. They married in 1995 and welcomed twin daughters, Tessa and Ruby, in 2002. They separated in 2013, and their divorce was finalized in 2015.
Many fans were surprised to hear about Fleetwood’s marriage and expressed their reactions on social media.
“I don’t think there’s a reasonable limit for rock stars,” one wrote, noting the drummer’s fifth time getting married. “People who marry that many times are the ultimate optimists. Congrats to them,” another added. “Still a good looking man and she is very pretty. Best of luck to both of them,” one wrote.
“He will never break the chain,” one user commented, referencing Fleetwood Mac’s classic song, “The Chain.” “Fifth time lucky!” said another.
Fleetwood Mac was formed in London in 1967, with the original lineup consisting of founder and vocalist Peter Green, drummer Mick Fleetwood, guitarist Jeremy Spencer, and bassist John McVie. Green left the band in 1970, and McVie’s wife, Christine McVie, joined as a keyboardist.
Fleetwood Mac moved to the U.S. in 1974, and Stevie Nicks and Lindsey Buckingham joined that same year. With the latest additions, the band found a new voice. Their 1977 album “Rumours,” which was a massive commercial and critical success, remains one of the best-selling albums in history.
Fleetwood Mac was inducted into the Rock & Roll Hall of Fame in 2012, cementing their status as one of the defining bands of their generation.
At a time when Netflix wasn’t taking risks, Altered Carbon had the makings of a sci-fi classic. Adapted from Richard Morgan’s book of the same name, the series showcases a cyberpunk future where the rich have become so powerful that not even death can stop them. This dark sci-fi series shows the worst-case scenario of how bodily autonomy can be disregarded — bodies are just flesh vessels to be used and discarded. Altered Carbon had a lot of potential, like so many Netflix series, but faded into purgatory. However, another show is just as relevant thematically while somehow being an even darker depiction of sci-fi.
Pivoting off the success of CD Projekt Red’s video game, Cyberpunk 2077, Netflix released an anime set in the same world. Cyberpunk: Edgerunners ran for 10 episodes and maintains all the hallmarks of the most emotionally traumatizing anime. With the use of animation, the series plumbs the depths of darkness that Altered Carbon could only dream of.
Just as Altered Carbon demonstrates the dangers of the uber-rich, Cyberpunk: Edgerunners wastes no time in showing the dystopian landscape of a world controlled by corporations. This is established early on in Cyberpunk 2077 when the protagonist V saves a woman wealthy enough to pay for the privatized Trauma Team, while others cannot. Even so, viewers don’t need to have played the game to understand Edgerunners, and in many ways, it hammers home the themes even better.
Edgerunners follows David Martinez, a poor teenager in Night City, a city run by corporations. His mother, Gloria, works as a paramedic, but that isn’t enough to help her son pull himself up by his bootstraps. David is looked down on at his private school because he can’t afford the upgrades to his school software. Things take a turn for the worse when Gloria is killed in a drive-by shooting, and their lack of funds directly impacts her quality of care.
In a thinly veiled criticism of capitalism, David’s only recourse is to become an Edgerunner. Arming himself with cybernetic upgrades, he becomes a mercenary for hire in a world that doesn’t accept anything but the ultrarich. As David tries to make his way in the world, he falls in with a found family, including Lucy, a netrunner.
David finds his place, but Night City is still unforgiving. Edgerunners makes no secret about its disdain for corporations and demonstrates how capitalism victimizes everyone. The series is a 10/10 when it comes to storytelling, but its animation is where the series really shines. Edgerunners benefits from the mesmerizing animation style as David goes through love, loss, and sacrifice. The visual beauty of the series accompanies the futile actions of the characters. As viewers fall in love with these nuanced people, they are all subjected to the inhumanity of living in Night City.
Edgerunners takes the fascinating lore of ripperdocs, cybernetic implants, and cyberpsychosis, elevating it beyond its original form. The first season is short and sweet, but viewers can catch it on Netflix before the release of Season 2.
2022 – 2022
Netflix
Mike Pondsmith, Yoshiki Usa, Masahiko Otsuka
Cyberpunk
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There’s no doubt about it: Pants are beyond versatile and can look effortlessly stylish — but a tight, restricting silhouette can quickly erase those benefits. So, when I saw lululemon’s new sweatpant-like jean, my heart skipped a beat. Can there really be a pant style that is both chic and comfortable? Yes.
The EasyFive Wide-Leg Pant doesn’t make you choose between elegance and ease, offering a trendy low-rise waist and flattering design. But the real standout star is the fabric. The cotton-blend offers a hint of stretch, resulting in an unrestricting, billowy feel. The result? A silhouette that moves with you — and one that’s undoubtedly coming after your yoga pants.
Get the EasyFive Low-Rise Classic Wide-Leg Pant for $148 at lululemon! Please note, prices are accurate as of the publishing date but are subject to change.
Petite and tall shoppers will also be pleased to know that the cut comes in three lengths, delivering the perfect fit. Four colors — navy, ivory, tan and black — also allow for peak wardrobe versatility. Plus, five carefully-placed pockets keep all of your belongings safe and secure.
Thanks to the unfussy design, the lululemon pants are simple to dress up or down. Style the bottoms with tennis shoes and a baseball cap for a laid-back look, or reach for strappy kitten heels and a tube top for something more elevated.
The pants’ fabric, fit and versatility aren’t just winning me over; reviewers are just as obsessed. “Best pants ever,” raved one shopper. “Rip to my wallet when I buy every color.” Another fan said, “These pants are amazing . . . ‘I love them’ is an understatement.”
The lululemon EasyFive Wide-Leg Pant is officially one of the hottest styles on the market — case closed. If you don’t want to miss out, snag a pair ASAP. After all, who wouldn’t want sleek, stretchy, do-it-all pants?
Get the EasyFive Low-Rise Classic Wide-Leg Pant for $148 at lululemon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more pants here and don’t forget to check out all of lululemon’s best sellers for more great finds!
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“It is the honor of an entire lifetime to host a night celebrating the literal hardest working people in showbiz,” the singer shared in a statement.
In the popular consciousness, John Wayne is primarily viewed as a cultural figure first and foremost, and an actor second. Wayne, despite winning a late-career Academy Award for True Grit, relied on familiar beats and recurring character archetypes as an actor, a formula that certainly won’t impress audiences raised on transformative method acting and naturalism in the modern age.
His best performances, including his refreshingly tender and wistful turn as a boxer acclimating himself to his Irish roots in The Quiet Man, see him subverting his unabashed patriotism and mighty heroism, which are routinely deployed in countless Westerns and war epics. No director utilized Wayne’s prodigious stature better than John Ford, and the director’s most ingenious casting of the star was in his St. Patrick’s Day classic.
Separating the art from the artist is a tricky act of compartmentalization when chronicling the filmography of John Wayne, whose staunch nationalist politics were often inextricable from his portrayal of American excellence. The harshest reflection of Wayne’s notorious history of racism is in his Westerns, which frequently demonize the existence and minimize the plight of Native Americans. Still, no matter how self-conscious he was about maintaining a squeaky-clean, government-approved image, Wayne’s most trusted collaborators knew how to imbue his persona with darkness and complexity. Howard Hawks and John Ford operated within the familiar Western genre, but films such as Red River and The Searchers were biting deconstructions of Western protagonists that plunged into the dark psyche of America’s core regarding violence and racism.
With The Quiet Man from 1951, Ford stripped away Wayne’s unflinching poise and fortitude, despite his character, Sean Thornton, being a retired professional boxer. Born in Ireland but raised in America, Sean returns to his birthplace, Inisfree, to purchase his family’s old farm. However, his return home is not entirely festive, as he encounters the cutthroat politics of the local land barons and the domineering presence of Will Danaher (Victor McLaglen), over his free-spirited sister and love interest to Sean, Mary Kate (Maureen O’Hara). The film, which earned Ford his fourth Academy Award for Best Director, is a visual feast, with Winton Hoch’s photography of the Irish countryside and the luscious green fields representing the apex of Technicolor. Ford became the poet laureate of the American West, but his Irish roots were rarely explored with such passion as in The Quiet Man, which embraces the rambunctiousness and elegiac beauty of the culture.
Sean Thornton can brawl his way out of any skirmish, as displayed in the rollicking, extended climactic fistfight with Will throughout town. His burly stature is intimidating to the Irish natives, but he is no match for the fiery spunk of Mary Kate, the rare female character to upend the prowess of her male counterpart in a Ford movie. The Quiet Man is Ford’s utopia of a tight-knit community that’s unafraid to indulge in booze, pick a fight, but still love each other altogether. Frequent stock company player Maureen O’Hara symbolizes Ford’s ideal woman: a plucky redhead whose enigmatic aura makes her autonomous from all her surroundings. Wayne allows Sean to be openly smitten and hesitant around Mary Kate, making this perhaps Wayne’s most vulnerable and relatable performance. The actor’s subtle gestures and restraint embody the feeling of being unable to quit someone, even if you know they only bring turbulence.
After a series of Westerns like Stagecoach and Fort Apache, Ford dropped Wayne into uncharted territory in this romantic dramedy about societal etiquette and strict tradition. Between his distinct voice and gait, Wayne was a portrait of life unto himself, but in The Quiet Man, he never felt smaller. In various interactions with eccentric locals and priests, Sean is on his heels, oblivious to the otherworldly nature of a place of heritage that he thought he understood. This quality taps into Wayne’s effortless ability to appear aloof, a quality that always complements his lanky build. Rather than exerting brute force, the Duke was much easier to romanticize when he allowed himself to be naive and bumbling.
No one understood John Wayne’s strengths and vices better than John Ford, who fleshed out his worldview in the actor’s most soulful role. Radiating charm throughout The Quiet Man, a traditional viewing experience on St. Patrick’s Day, Sean Thornton is an avatar for Ford’s vision of the modern man — one defined by hard-nosed masculinity and wistful romanticism.
Of all the exciting returning shows in 2026, few were as hotly anticipated as The Boys. Prime Video’s gory superhero satire has been stunning audiences since it first arrived in 2019, and has picked up a total of four Primetime Emmys, alongside many other awards and nominations. A blood-soaked disassembly of modern American attitudes to celebrity worship, the series finally returned for its final season this past Wednesday, hoping to bounce back from a divisive fourth season.
And bounce back it has, with Season 5’s opening episode earning a huge 9.1/10 on IMDb. On review aggregator Rotten Tomatoes, Season 5 has already earned a near-perfect 98% score, although that is subject to change as more opinions are submitted. The consensus on the site reads, “The Boys stays true to its form and completes its mission with ample panache, narrative pay-off, and an excess of blood and guts to deviously glorious effect.”
Perhaps the most unsurprising of all The Boys Season 5’s early success comes on the streaming charts, where it has already flown straight to #2 in the global and U.S. Prime Video ranks. However, another superhero series stands between The Boys and the top spot, with Robert Kirkman‘s violent animated series Invincible continuing its impressive run at the summit. A synopsis for Season 5 reads:
“In the fifth and final season, it’s Homelander’s world, completely subject to his erratic, egomaniacal whims. Hughie, Mother’s Milk, and Frenchie are imprisoned in a “Freedom Camp.” Annie struggles to mount a resistance against the overwhelming Supe force. Kimiko is nowhere to be found. But when Butcher reappears, ready and willing to use a virus that will wipe all Supes off the map, he sets in motion a chain of events that will forever change the world and everyone in it. It’s the climax, people. Big stuff’s gonna happen.”
In Nate Richard‘s review of The Boys Season 5 for Collider, he agreed with most that the show has returned to form for its final outing. “Prime Video has been holding the series finale back for now, which makes perfect sense, but if the last episode can maintain the quality of the previous seven, The Boys Season 5 may just be one of the show’s best,” Richard wrote, adding, “It has all the gore, dark comedy, action, and vulgarity that you would expect, while also never veering too far out of control ahead of the final hour. In the words of Billy Butcher, Season 5 is bloody diabolical.”
The Boys is available to stream on Prime Video. Stay tuned to Collider for more streaming stories.
2019 – 2026-00-00
Eric Kripke
Eric Kripke
The Boys
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Lewis explained to the audience that she and Barrymore “came up in the same time, so I would see scripts or lose parts to Drew” over the years.
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