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“Botched” patient Jordan James Parke dies at 34 after possible cosmetic procedure, arrests made
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Parke called himself the “Lip King.”
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Lizzie McGuire star Robert Carradine is dead at age 71 after a decades-long battle with Bipolar Disorder.
Carradine’s family confirmed the news of his death on Monday, February 23.
“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away,” they told Deadline in a statement. “In a world that can feel so dark, Bobby was always a beacon on light to everyone around him. We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s valiant struggle against his nearly two-decade battle with Bipolar Disorder. We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”
An official cause of death has not been confirmed.
Hilary Duff’s breakout role on Lizzie McGuire yielded years of success for the actress that continues today, while her costars chose slightly different paths. The sitcom — starring Duff (Lizzie McGuire), Lalaine (Miranda Sanchez), Adam Lamberg (Gordo), Jake Thomas (Matt McGuire), Hallie Todd (Jo McGuire) and Robert Carradine (Sam McGuire) — aired from 2001 to 2004 and […]
Robert’s brother Keith Carradine told the outlet that the family wanted to shed light on what they called the actor’s “valiant struggle” with Bipolar Disorder.
“We want people to know it, and there is no shame in it,” he explained to Deadline. “It is an illness that got the best of him, and I want to celebrate him for his struggle with it, and celebrate his beautiful soul. He was profoundly gifted, and we will miss him every day. We will take solace in how funny he could be, how wise and utterly accepting and tolerant he was. That’s who my baby brother was.”
Robert got his start in the acting word by appearing in projects such as Mean Streets, Coming Home, The Long Riders and brother David Carradine’s series Kung Fu before landing his breakout role as Lewis Skolnick in the 1984’s hit comedy Revenge of the Nerds.
The actor was introduced to a new generation fans after being cast on Disney Channel’s Lizzie McGuire in 2001, starring as Hilary Duff’s dad, Sam. He reprised his role in the 2003 Lizzie McGuire Movie and was set to appear in the Disney+ revival series before it was ultimately scrapped in 2020. Lalaine, Adam Lamberg, Hallie Todd and Jake Thomas also starred.
Earlier this year, Thomas, 36, opened up to Us Weekly exclusively about the bond he shared with his on screen parents.
“Bobby Carradine and Hallie Todd, who played my parents. They have always been and will continue to be like an aunt and uncle to me,” he shared, noting that the trio would still see each other from “time to time.”
“They’re basically like family at this point, from going through an experience like that that was so influential in my life and in everybody else’s lives too,” he continued. “It makes us, in a way, a family that can never be separated.”
Robert’s other TV credits included ER, The Practice, Nash Bridges, Dark Skies, NYPD Blue and many more.
He still had multiple projects in post-production at the time of his death, including The Cowboy Killer, The 3 Killer Pigs, Pay to Die, and The Driver, which have all yet to be released.
Robert is survived by his three children, whom he shares with ex-wife Edie Mani, his grandchildren, brothers, nieces, nephews and “anyone who had the honor of having him in their life,” per Deadline.
In this chaotic game of meme-creation, the cast of 56 Days Dove Cameron (Schmigadoon!, Descendants), Avan Jogia (Resident Evil, Zombieland: Double Tap), Karla Souza (How to Get Away With Murder) & Dorian Missick (Southland) do their best to make each other laugh!
These films went from 16:9 all the way down to 4:3 (proverbially). How many of these movie-to-TV titles do you know?
Welcome to the Collider TV Quiz! Every Monday through Friday, we’ll give you an opportunity to prove your knowledge in the world of television trivia. We’ll be using the most prestigious, scientifically accurate method for separating 4K devotees from Cathode ray couch potatoes: multiple choice. Sign in to your account to track your daily progress, and don’t forget to play our daily Movie Quiz for even more trivia challenges!
Whether it’s characters or catchphrases, series regulars or guest stars, prime-time hits or late-night gems, a show from 1930-something or a show simply called thirtysomething… we’ll cover it all. So you’ll need to flip through channels upon channels of the useless factoids you’ve accumulated over the years in order to tune in to the correct answer. Today’s challenge: Since we also launched the Collider Movie Quiz yesterday, we thought this would be a great time to remember some feature films that were adapted for the ol’ rabbit ears, so to speak. Click “Start Quiz” below for the cold open!
Hilary Duff’s breakout role on Lizzie McGuire yielded years of success for the actress that continues today, while her costars chose slightly different paths.
The sitcom — starring Duff (Lizzie McGuire), Lalaine (Miranda Sanchez), Adam Lamberg (Gordo), Jake Thomas (Matt McGuire), Hallie Todd (Jo McGuire) and Robert Carradine (Sam McGuire) — aired from 2001 to 2004 and consisted of two seasons and 65 episodes. Duff also played the leading lady in the beloved Lizzie McGuire Movie in 2003 alongside several of her castmates and some new faces.
The show maintained such popularity in the years after its end that Disney+ announced a revival in August 2019. Duff agreed to reprise her role in the sequel series, which was set to follow Lizzie as she tried to figure out life in New York City.
“Lizzie has also grown up, she’s older, she’s wiser, she has a much bigger shoe budget. She has her dream job, the perfect life right now working as an apprentice to a fancy New York decorator,” the Younger star revealed at the D-23 expo at the time. “[She has] the perfect man, who owns a fancy restaurant [and is] getting ready to celebrate her 30th birthday.”
Duff elaborated on her excitement around revisiting the character via her Instagram Stories. “I don’t really have words. It’s crazy. I really missed her,” she said. “I think now is a great time for her to come back in her thirties. She’s everybody’s best friend, and I can’t wait to go on this next chapter with her.”
Todd, Carradine, Thomas and Lamberg later joined the project, while the “So Yesterday” singer teased what fans could expect from the revival.
“Her having a completely different life than Hilary — she doesn’t have kids — I thought it would be a really fun experience to go through it with her,” she exclusively told Us Weekly in November 2019. “I think it’s going to be a really good mix of giving everyone what they want from the show in the past, and also a new fresh show and her at 30, which looks completely different.”
The series hit a roadblock in January 2020 when creator and showrunner Terri Minsky quit. Duff later complained about “limiting the realities of a 30-year-old’s journey under the ceiling of a PG rating” and asked to move the show to Hulu. However, the A Cinderella Story actress announced in July 2020 that she and the streaming platform had “pressed pause” to regroup on their vision.
Duff confirmed in December 2020 that the revival was not moving forward.
“I’ve been so honored to have the character of Lizzie in my life. She has made such a lasting impact on many, including myself. To see the fans’ loyalty and love for her, to this day, means so much to me. I know the efforts and conversations have been everywhere trying to make a reboot work but, sadly and despite everyone’s best efforts, it isn’t going to happen,” she announced via Instagram. “I want any reboot of Lizzie to be honest and authentic to who Lizzie would be today. It’s what the character deserves. We can all take a moment to mourn the amazing woman she would have been and the adventures we would have taken with her. I’m very sad, but I promise everyone tried their best and the stars just didn’t align. Hey now, this is what 2020s made of.”
In August 2022, Duff further opened up about the scrapped project to Women’s Health. “[Lizzie] had to be 30 years old doing 30-year-old things,” the “Coming Clean” singer explained to the magazine. “She didn’t need to be doing bong rips and having one-night stands all the time, but it had to be authentic. I think they got spooked.”
Scroll down to see what the cast of Lizzie McGuire has been up to.
Anna Kepner
Stepbrother Charged With Her Homicide Aboard Carnival Cruise, Family Says
Published
Teenager Anna Kepner was killed on a Carnival Cruise during a family vacation last November … and now her 16-year-old stepbrother has been charged with her homicide, according to court documents.
An emergency filing from last Friday obtained by TMZ say her stepbrother was charged with homicide as a minor in connection with Anna’s asphyxiation death in her stateroom aboard the Carnival Horizon on November 7.
Anna was on a Caribbean cruise vacation with her dad, stepmom and three stepsiblings when she died. A housekeeper reportedly discovered Anna’s body underneath her bed — and the ship returned to Miami, Florida, the next day, as the FBI launched an investigation.
In the court docs, the legal team for Thomas Hudson, the stepbrother’s father, says the Kepner family revealed his son’s charges via social media on Feb. 3. The doc reads …. “According to social media from the Kepner family … the Petitioner/Father’s son, TH, was charged by the United States Attorney in the Southern District of Florida for the [redacted] and homicide of Anna Kepner.”
TikTok/@fl.anna18
The emergency filing is part of a custody fight between Hudson and Shauntel Kepner, who are the parents of Anna’s stepbrother. Hudson has asked for sole custody of Kepner’s other stepsibling, identified as BH.
In early February, TMZ reported the stepbrother was arrested by the U.S. Marshals Service and dragged before a judge for a closed-door hearing in a Miami federal court. Since the stepbrother is considered a juvenile, his criminal case has been sealed.
The FBI and U.S. Attorney’s Office for the Southern District of Florida have not publicly commented on the Kepner case.
A key figure in Hollywood is against Netflix‘s billion-dollar acquisition of Warner Bros. Discovery, Inc. (WBD).
James Cameron, one of the highest-grossing film directors of all time, penned his grievances about the deal in a recently unveiled letter to Utah Senator Mike Lee.
The creator of the “Avatar” franchise argued that allowing Netflix to take over Warner Bros. Discovery’s film studio and streaming assets would negatively impact Hollywood and the era of theatrical releases.
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James Cameron Stands Against Netflix’s Acquisition Of Warner Bros. Discovery
In a newly released letter dated February 10, 2026, Cameron urged Sen. Lee to join him in opposing Netflix’s acquisition of WBD. The renowned director penned a lengthy letter filled with his arguments against the purchase of the film studio and its streaming assets.
Cameron began by noting his “44-year directing career has been focused on making movies for theatrical exhibition.” On that note, he argued “that the proposed sale of Warner Bros. Discovery to Netflix will be disastrous for the theatrical motion picture business that I have dedicated my life’s work to.”
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Cameron, per the letter obtained by CNBC, noted that seeing movies in theaters is a key part of American culture and “being one of our biggest exports, in purely economic terms.” He strongly believed that letting Netflix have its way would not only destroy a decade-long tradition but also lead to significant losses.
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The ‘Titanic’ Director Says The Merger Will Change The Movie Industry For The Worse
Cameron stressed that Netflix’s business model was “at odds with the theatrical film production and exhibition business, which employs hundreds of thousands of Americans.” He believed many would lose their jobs if the streaming platform acquired WBD.
The director explained that WBD was one of the few remaining major movie studios, releasing about 15 theatrical films each year. If the merger went through, it would “restrict the choices of film-makers looking for studios to invest in their projects, which will in turn reduce jobs.”
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Additionally, Cameron argued that the merger would “remove consumer choice by reducing the number of feature motion pictures that are made.” He noted that the US is still the world leader in movies, but if Netflix took over Hollywood through the acquisition of WBD, that status would “change for the worse.”
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The Oscar Winner Questioned The Platform’s Promises
Cameron reiterated that Netflix should not be allowed to acquire WBD because it would lead to losses in theatrical releases. He called out the platform’s written testimony, in which showrunners vowed to keep Warner Bros. films in theaters for a 45-day window.
Cameron questioned whether those promises would hold after the acquisition, pointing out that Netflix’s “pledge to support theatrical releases (a business fundamentally at odds with their core business model) is likely to evaporate in a few years.”
On that note, Cameron claimed “the theatrical experience of movies could become a sinking ship” if Netflix took over WBD. He stressed that the acquisition shouldn’t be treated as a future problem because “once they own a major movie studio, that is irrevocable.”
Netflix Announced Its Acquisition Of WBD In December 2025
News of Netflix’s move to take over Hollywood first arrived in December 2025, with the streaming giant dropping the bombshell update on X. The Blast covered the story, reporting that the organization had framed the takeover as an opportunity to expand its creative universe.
According to the streaming platform, its merger with WBD would allow it to offer more value for viewers “by uniting Netflix’s member experience and global reach with Warner Bros.’ renowned franchises and extensive library.” Netflix co-CEO Ted Sarandos echoed similar sentiments in a statement.
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Sarandos claimed the acquisition would help Netflix accelerate its longtime mission of entertaining the world and connecting people through great stories. His partner, Greg Peters, agreed, noting that the acquisition would help improve their offer to consumers and accelerate their business’s growth.
Matt Damon Called Out Netflix’s Movie Policies
A month after the acquisition news broke, The Blast reported that Matt Damon had shed light on how Netflix’s movie policies were changing traditional storytelling. He addressed the issue while promoting his new movie, “The Rip,” with Ben Affleck.
According to Damon, the platform’s movie structure, especially for action films, did not follow the typical flow. Instead, Netflix prioritized viewers’ engagement by featuring explosive scenes in the first five minutes and repeatedly reiterating the plot in dialogue.
Damon noted that Netflix preferred this route because its viewers were mostly watching the movie while multitasking and could easily be distracted. His comments implied that the streaming platform preferred simplicity and a fast pace over the traditional drawn-out plots.
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Though Streep’s character died between the first and second films, the actress has said she’s “up for anything” where “Mamma Mia 3” is concerned.
The new “Bachelorette” star recently shared some personal news on social media that she has been “struggling” with her mental health.
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Taylor Frankie Paul Shares Recent Mental Health Struggles On Social Media
Taking to Instagram, Taylor Frankie Paul posted a series of photos documenting her recent struggles with mental health, including a cluttered home, screenshots of texts of her checking in on friends, and a main image of her smiling through tears.
She coupled the photo dump with a lengthy caption detailing her struggles with mental health, despite how things may appear on the surface.
“I guess an upside of struggling mentally is you start to sense and see the signs of others feeling the same,” Paul’s caption began. “We’re out here just checking in on each other when we can, and when we don’t respond, it’s not taken personally because we get it.”
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“Just be mindful that sometimes that person checking in is the one needing help… and that one took me time to learn,” the reality star continued. “I sometimes ask myself what’s the point of all this sharing this sh—t and I tell myself it may be as simple as making someone feel less alone and if it helps just a few people than it’s worth it.”
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Paul’s Announcement As The New Star Of ‘The Bachelorette’ Was Met With Mixed Reactions
On March 22, Taylor Frankie Paul will make her debut on the 22nd season of the long-running ABC reality dating series and will make history as the first non-‘Bachelor’ alumna to lead the franchise.
“She has three kids and two baby daddies,” Behar said shortly after Paul’s casting announcement. “Will these bachelors line up to be baby daddy number three?”
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The Reality TV Star Previously Shared Her Thoughts On The Reaction To Her Casting
In a November 2025 interview with The Hollywood Reporter, Paul noted the mixed reaction from the show’s fans, but shared that she was still up for the challenge.
“I have our audience and fan base that are so supportive [from] ‘Secret Lives.’ I didn’t know the extent of Bachelor Nation, I’ll say. And their audience, they’re [a] diehard fan base,” she said. “I didn’t really know, because I’m not really into reality TV. Obviously, some people were like, ‘Ah, why did she get it?’ Or [they were] super excited. So definitely a mixture of what I saw.”
Paul told the outlet that she hopes that diehard fans of “The Bachelorette” will at least give her a chance before they count her out.
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“I feel like it’s very fair to see some things and be like, ‘Oh, not a fan,’ if you’re looking at just very few things. What I will say is maybe tune in to make sure you’re really getting a read on who and how I am,” she said. Because if [you’ve] not really seen anything [I’m in], then you maybe only know my news headlines, which maybe aren’t the prettiest ones.”
“I feel like if you were to ever watch me, hear my story, I think I come off a little bit differently than people would just assume,” Paul continued. “I think maybe just give me a shot and see, and then at the end, if you’re still like, ‘Nah,’ then that’s up to them. But until then, I would just maybe give me a shot at just seeing who I am, really. That would be my only ask.”
‘The Secret Lives Of Mormon Wives’ Is Gearing Up For Season 4
The ladies of #MomTok are officially returning for a fourth season, as the new season was announced on February 18, a little over a month before Taylor Frankie Paul makes her “Bachelorette” debut.
Per Variety, the entire cast will return for the new season, but cast member Demi Engemann has been removed from the season’s cast photo and key art images, given her fallout with the majority of the cast.
“The stakes for #MomTok are at an all-time high as their sisterhood faces the forces of their expanding fame,” the season’s description reads, per the outlet.
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“When Taylor is announced as “The Bachelorette,” and Jen and Whitney head to “Dancing with the Stars,” competition creates chaos, temptations arise, and tradition turns upside down. Up against unraveling marriages, personal demons, and family secrets, they must choose to lean on each other or face their fates untethered and alone on the world’s stage.”
All episodes drop on Hulu on March 12.
Paul And The Rest Of The Cast Have Been Given More Control Of The Show
According to Deadline, due to the overwhelming success of the show and the cast’s high-profile opportunities outside of it, the cast of “The Secret Lives of Mormon Wives” has all been given executive producer titles, with the exception of Demi Engemann and her relative estrangement from the cast.
Fans will have to wait and see if the new control behind the scenes will amp up the show’s drama in the future or produce a more toned-down version.
Jennifer Lopez marked a major milestone, celebrating her twins Emme and Max’s 18th birthday with an intimate lunch at San Vicente Bungalows.
The singer and actress honored the occasion with a heartfelt Instagram tribute, reflecting on their birth and the unbreakable bond they share.
As the twins step into adulthood, Jennifer Lopez has opened up about motherhood, presence, and preparing for the next chapter as her “wonder twins” begin their journey forward.
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Jennifer Lopez Marks Twins’ 18th Birthday With An Intimate Celebration At San Vicente Bungalows
Jennifer Lopez marked a major milestone this weekend, celebrating her twins’ 18th birthday with a special lunch at San Vicente Bungalows, the ultra-private members club in West Hollywood.
The singer and actress, 56, looked radiant as she arrived with Emme and Max in a classic Ford Bronco. Lopez chose a pink satin lace dress, layered under a textured white coat, and finished the look with embellished heels and sleek, straight hair.
The birthday duo kept things relaxed, Emme in loose-fitting jeans and a camouflage hat, and Max in a striped shirt, sweatpants, and a cap.
Lopez, who shares her twins with ex-husband Marc Anthony, also honored the occasion with an emotional Instagram tribute describing them as “kind-hearted, generous, and loving.”
See images from their birthday outing here.
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The Actress Shared A Video Montage Of Her Children
Lopez posted a heartfelt video montage filled with moments from their lives, from newborn days and childhood memories to recent family outings.
In her caption, Lopez recalled the snowy New York night they were born, describing it as magical and life-changing.
She wrote about feeling as though she was holding “two angels sent straight from heaven above,” saying motherhood transformed her forever.
Reflecting on their 18th birthday, she expressed disbelief at how quickly time had passed and praised her children for their kindness and loving nature.
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Jennifer Lopez Calls Her Twins ‘Coconuts,’ Promises Their Bond Will Stay Strong As College Plans Begin
Affectionately calling them her “coconuts,” Lopez spoke about the tight bond they’ve shared over the years.
She promised that no matter how grown they become, their connection will remain strong, writing: “We have been on this journey together. We have always had each other to hold on to and be that steady presence in the middle of any snowstorm. And I promise you…no matter how big you get, that’s how it will always be.”
She ended the tribute with personal messages to each twin, celebrating them as her “wonder twins.”
The milestone comes as Lopez has previously acknowledged their transition into adulthood. During an appearance on “Live with Kelly and Mark” last October, she revealed they had begun touring colleges, admitting the prospect of an empty nest felt surreal.
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Still, she emphasized that creating a warm, welcoming home has always been her priority.
“Always making a home that they want to come back to… that was the goal for me since they were born,” she explained. “When I go home, it feels good. It smells like home, it tastes like home.”
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The Actress Reflects On An Emotional Moment Her Twins Asked Her To Be More Present During COVID
Emme and Max occasionally step into the spotlight alongside their mother, Lopez. Most recently, they joined her onstage on New Year’s Eve during her Las Vegas residency.
In October, the twins also appeared with Lopez at the New York City premiere of her film “Kiss of the Spider Woman,” posing together on the red carpet.
Lopez smiled proudly as she stood between them. Emme wore a red velvet blazer paired with a black satin shirt and trousers, while Max chose a multicolored jacket layered over a burgundy sweater with khaki slacks.
Later that month, Lopez shared a more personal reflection during an appearance on “The Howard Stern Show.” She revealed that during the COVID-19 pandemic, when she was home more consistently, her children opened up about wanting her to be more present.
“They spoke to me, [and] they’re like, ‘You’re not a regular mom. You’re not here every day. You don’t drop us off and pick us up like the other [moms],’” Lopez recalled, explaining that they were around 10 years old at the time.
The conversation, she said, made her realize just how much they needed her presence in their daily lives.
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Jennifer Lopez Says Her Twins Care More About Dinner At Home Than Her Hollywood Fame
Although Lopez has shared many milestone moments with Max and Emme, she recently acknowledged that her career and home life remain largely separate.
In an interview with E! News in December, the “Maid in Manhattan” actress said her children are far less interested in her Hollywood schedule than in having her present at home.
“They’re like, ‘Work, come home, be home for dinner.’ That’s more what they’re concerned about,” she said.
As the twins prepare for adulthood, Lopez has expressed optimism about their future. Speaking again to E! in October, she reflected on being 17 and 18 herself and said she feels that same sense of anticipation for her children, adding that “they have the world at their feet.”
For sci-fi fans looking for a quick binge-watch session, there are plenty of excellent shows with less than five seasons. And for those looking for a longer commitment to enjoy over the course of several months, there are also many with more than five. But when it comes to science fiction, for some inexplicable reason, five seasons—the exact number of seasons that several of the genre’s best TV series have—seem to be the sweet spot.
From campy classics, like Quantum Leap, to shows which aired their final season far more recently, like Stranger Things, the number of legendary sci-fi shows with exactly five seasons is too large to be considered a pure coincidence. Not so short that they can be watched in a single sitting, but also not so long that watching the pilot feels like a huge commitment, they’re right in the delightful middle ground.
1
‘Quantum Leap’ (1989–1993)
There are plenty of cheesy ’80s sci-fi shows that somehow still hold up, and Quantum Leap is easily one of the most iconic. Starring the always-incredible Scott Bakula and Dean Stockwell, this cult classic combined sci-fi with humor, romance, and social commentary masterfully throughout its entire run, delivering a timeless experience that’s aged like fine wine.
It’s the kind of brilliant sci-fi series that kept coming up with inventive ways of refreshing itself, which made its five-season run consistently exciting—and ensured that it went out with a bang instead of fizzling out like many shows of its kind often do. Well-acted, nostalgic, and often surprisingly dramatic for a series that so often has pretty silly premises, it may not be perfect, but it sure provides a good time.
2
‘Orphan Black’ (2013–2017)
Bolstered by Tatiana Maslany‘s masterful star-making performance as several characters, Orphan Black is one of the greatest Canadian TV shows ever made, let alone Canadian sci-fi shows. It’s not just the quality of its lead performance: This is one of those rare sci-fi shows that are perfect from start to finish, the kind that only kept getting better with each passing season.
For people who love clone and doppelgänger science fiction, Orphan Black is a must-see. It’s a wild ride full of pulsating suspense, layered character work, and thought-provoking themes and commentary on the moral and ethical implications of human cloning. It’s a deeply complex show that never lets its innovative premise run out of steam, and by the time it came to an end, it had already solidified itself as one of the highest-quality sci-fi shows of the 2010s.
3
‘Spider-Man: The Animated Series’ (1994–1998)
The very first Spider-Man animated TV series started airing in 1967, and since then, the Wall-Crawler has become one of the most familiar faces in the realm of animated superhero fare on the small screen. It wasn’t until 1994, however, that audiences were exposed to just how great Spidey shows could truly be, all thanks to Spider-Man: The Animated Series.
It’s the second highest-rated Spidey show on IMDb, and it isn’t hard to see why. The animation is vibrant and has aged well, the rogues gallery that Spider-Man faces throughout the show’s run was top-tier, and the several story arcs that each season contained were always an entertaining delight. It truly feels like a comic book run pasted on the small screen in all the right ways.
4
‘X-Men: The Animated Series’ (1992–1997)
It was X-Men: The Animated Series which proved in 1992 just how great Marvel cartoons could really be. To this day, it’s still widely regarded as one of the most perfect superhero shows ever made, and it’s the whole reason many people fell in love with the X-Men from childhood. It’s not just nostalgia: This is children’s television at its very best.
The show is perfectly episodic while still feeling like a larger adventure overall, supported by some excellent visuals and voice acting. Sure, it may look and feel a bit dated here and there, but that only adds to its charm the vast majority of the time. All in all, it’s still the best possible introduction to superheroes for kids, and just as engrossing of a show for grown-ups who love Marvel.
5
‘Fringe’ (2008–2013)
Before Lost had come to a close, J. J. Abrams jumped to co-create another sci-fi series: Fringe. Whereas many people think that Lost was a series that started out amazing and then got weaker as it went on, the opposite seems to be the case with Fringe. Following a more episodic, less coherent first season, the show only kept getting better and better as it went on.
It’s one of the most criminally forgotten sci-fi shows of the 2000s and 2010s, an X-Files-inspired gem that never overstayed its welcome. With its dense mythology, mind-bending plots and twists, strong character arcs, and resounding final season, it’s one of the most entertaining network science fiction series of the 21st century.
6
‘Stranger Things’ (2016–2025)
What started out as just a cozy, nostalgic, mysterious sci-fi series that paid homage to the movies and pop culture of the ’80s soon became one of the biggest media juggernauts at Netflix’s disposal: Stranger Things. There’s no denying that the final season left most fans pretty disappointed, but there would also be no point in denying that this was one of the most pop-culture-defining sci-fi shows of the 2010s and 2020s.
That’s why this is one of those sci-fi series that shouldn’t be remade, underwhelming fifth season notwithstanding. The technical aspects are nigh-faultless, the performances are mostly phenomenal, and the overarching story is as engaging as it is mysterious. Wearing its influences out on its sleeve, Stranger Things proved that the streaming giant could do some fantastic stuff with the sci-fi genre.
7
‘Person of Interest’ (2011–2016)
Yet another piece of evidence that network sci-fi television can be absolutely exceptional when placed in the hands of the right team, Person of Interest is far and away one of the best genre shows of the 2010s. Touching on themes of technology and surveillance that feel even more timely today than they did back then, it’s essential viewing for sci-fi fans even now, a decade after its conclusion.
The series remained amazing throughout its entire run, but it’s its fifth and final season in particular—one of the highest-rated seasons of television on IMDb—that really seals the deal: This is one of the best sci-fi shows of the 21st century thus far. Deep, mysterious, and as emotionally engaging as it is thought-provoking, it’s everything that science fiction should aim to be.
8
‘Samurai Jack’ (2001–2017)
Genndy Tartakovsky‘s magnum opus, Samurai Jack, may not be overt science fiction as often as many of its peers, but it’s nevertheless one of the greatest time travel series ever made—animated or otherwise. Full of striking visuals, adrenaline-pumping samurai action, and the kind of enthralling world-building that Tartakovsky is such an expert at, it’s one of the best animated series of the century so far.
The show was originally canceled after only four short-lived seasons, having left its story without a conclusion. 13 years later, however, Tartakovsky came out with a darker, more mature fifth and final season that enshrined this as one of the best five-season sci-fi shows ever. It’s the kind of animated show that everyone should watch at least once in their lives.
9
‘Babylon 5’ (1993–1998)
It wasn’t just science fiction: American network television as a whole had a “before Babylon 5” era and an “after Babylon 5” era. In a way practically unprecedented for American broadcast television at the time of its airing, the series was designed as a “novel for television,” where each pre-planned season would contain episodes envisioned as “chapters.” This kind of serialized science fiction storytelling had practically never been seen before on American network television, and the genre hasn’t been the same since.
Sure, as a ’90s sci-fi series with a relatively low budget, Babylon 5 looks, sounds, and feels a little dated in certain spots; but this is nevertheless one of those low-budget sci-fi shows better than their big-budget counterparts. The writing is top-notch, the visuals have a timeless charm to them, and the story arc of each season is just as enthralling as the last and the next.
10
‘The Twilight Zone’ (1959–1964)
Saying that The Twilight Zone is one of the most groundbreaking sci-fi shows ever made, and probably the most influential, is such a truism that it goes without saying. Rod Serling‘s creation is a masterclass in how to make a sci-fi anthology series, a show so phenomenal that it contains several of the greatest sci-fi anthology episodes of any show in history.
Inventive, fresh, and sometimes eerily prophetic, The Twilight Zone is just as fun and thought-provoking today as it was back during the ’50s and ’60s. Not all of its episodes hit, as can be expected of any anthology show; but the ones that do are absolutely unforgettable, with some of the coolest production values and writing of any show the genre has ever seen. Five seasons were all that was needed to make this a generation-defining masterpiece.
The Twilight Zone
- Release Date
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1959 – 1964
- Directors
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John Brahm, Buzz Kulik, Douglas Heyes, Lamont Johnson, Richard L. Bare, James Sheldon, Richard Donner, Don Medford, Montgomery Pittman, Abner Biberman, Alan Crosland, Jr., Alvin Ganzer, Elliot Silverstein, Jack Smight, Joseph M. Newman, Ted Post, William Claxton, Jus Addiss, Mitchell Leisen, Perry Lafferty, Robert Florey, Robert Parrish, Ron Winston, Stuart Rosenberg
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