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First lady Melania Trump stunned observers on April 9, 2026, when she held an impromptu press conference at the White House to deny any connection to late convicted sex trafficker Jeffrey Epstein — and to reject rumors that Epstein introduced her to her husband, President Donald Trump.
“[The rumors] with the disgraceful Jeffrey Epstein need to end today,” Melania Trump said in a statement to the press on April 9, 2026. “The individuals lying about me are devoid of ethical standards, humility and respect. I do not object to their ignorance but rather I reject their mean-spirited attempts to defame my reputation.”
The first lady claimed she had “never been friends” with Epstein, who died by suicide in prison in August 2019 while awaiting trial on federal sex trafficking charges. (He was previously convicted of soliciting a minor for prostitution.)
She acknowledged that she and husband President Donald Trump “were invited to many of the same parties as Epstein from time to time” but insisted she “never had a relationship with Epstein or his accomplice [Ghislaine] Maxwell.”

Jeffrey Epstein Neil Rasmus/Patrick McMullan via Getty Images
Melania said she first “crossed paths” with Epstein in 2000 at an event she attended with her husband and that she “had no knowledge of his criminal undertakings” at the time. She also acknowledged replying to an email from Maxwell but dismissed it as nothing significant.
“My polite reply to her email doesn’t amount to anything more than a trivial note,” she stated. “I am not Epstein’s victim. Epstein did not introduce me to Donald Trump. I met my husband by chance at a New York City party in 1998. This initial encounter with my husband is documented in detail in my book, Melania.”
She added that “numerous fake images and statements” about her and Epstein have been circulating on social media and warned people to “be cautious about what you believe.”
“I am not a witness or a named witness in connection with any of Epstein’s crimes. My name has never appeared in court documents, depositions, victim statements or FBI interviews surrounding the Epstein matter,” she said.
Melania Trump’s speech appeared to catch the White House unaware. Following her remarks, MS NOW reported that the outlet had a “brief phone call” with President Donald Trump, who allegedly told them he had no prior knowledge of his wife’s plans to speak out on the topic. The publication alleged that “many” White House staffers were also “caught off guard” by Melania’s impromptu statement.
The president, however, backed his wife’s claims, telling MS NOW, “She didn’t know [him].”
Melania Trump’s speech drew a swift response from Jeffrey Epstein’s victims, who took particular issue with a portion where the first lady encouraged victims to give sworn testimony to Congress in a public hearing.
“Survivors of Jeffrey Epstein have already shown extraordinary courage by coming forward, filing reports and giving testimony. Asking more of them now is a deflection of responsibility, not justice,” a statement signed by 15 Epstein survivors read on April 9, 2026. “It also diverts attention from [former Attorney General] Pam Bondi, who must answer for withheld files and the exposure of survivors’ identities.” Their statement concluded, “[Bondi’s] failures continue to put lives at risk while shielding enablers. Survivors have done their part. Now it’s time for those in power to do theirs.”
The survivors also echoed criticisms that the Justice Department’s release of the Epstein files was handled haphazardly, with identifying information left unredacted in some cases and other important documents allegedly never being published at all.
President Donald Trump confirmed on April 2 that Bondi was leaving her role as attorney general to take “a much-needed and important new job in the private sector,” though multiple media outlets reported that she was fired due to the president’s displeasure with her recent job performance.
Late-night host Jimmy Kimmel also weighed in during the April 9, 2026, episode of Jimmy Kimmel Live!, questioning the timing of Melania Trump’s remarks.
“Why is this happening today?” Kimmel asked, making reference to President Donald Trump’s threats against Iran. “He spent the past six weeks trying to bomb this Epstein story out of the headlines. Two days after the ceasefire, she puts it right back on top.”
Kimmel wondered whether Melania did it on purpose, joking, “She must really hate him. I don’t know how else to explain it.”
He also referenced reports that White House officials were blindsided. “He didn’t know she was going to do it before she did it, which shows you just how smoothly things are running over there,” Kimmel added. “For whatever reason, she didn’t ask [her husband].”
He concluded: “She didn’t give him a heads-up. She just went right out in front of the cameras and fired away.”
In an April 10 interview with the New York Times, Donald Trump explained he didn’t suggest for his wife to hold a press conference about Jeffrey Epstein, but was aware it was happening.
“I said, ‘If you want to do that, you can do that.’ I said if she wants to do it — I didn’t recommend it, but … I let it be her, I said, if you want to do it,” Donald, 79, said in an interview with the Times.
He added that he thought Melania “did a good job” while also confirming that his wife did not know Epstein.
If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673). If you or someone you know is a human trafficking victim, contact the National Human Trafficking Hotline at 1-888-373-7888.
This story was compiled with the help of AI tools and edited by journalists.
Met Gala 2026 is almost here, and as always, the biggest question isn’t just what everyone will wear … it’s who will actually show up. Fashion’s most exclusive night typically hosts around 450 guests, and while the full list is tightly under wraps, several major names have already been confirmed, starting with this year’s powerhouse co-chairs.

Leading the night are Anna Wintour, Beyoncé, Nicole Kidman, and Venus Williams, a lineup that already guarantees major star power on the carpet. Beyond the co-chairs, the Met Gala’s host committee is stacked with celebrities, designers, and cultural icons, all expected to walk the red carpet.
Notable names include Doja Cat, Angela Bassett, Teyana Taylor, Sabrina Carpenter, Zoë Kravitz, Sam Smith, LISA, and Lena Dunham. Also making appearances are high-profile figures like Jeff Bezos and Lauren Sánchez, along with artists, models, and creatives across industries.

While the official guest list remains secret, speculation and past attendance suggest a long list of A-listers will likely hit the carpet. Names fans are already buzzing about include Rihanna, Zendaya, Kim Kardashian, Kylie Jenner, Kendall Jenner, Timothée Chalamet, Sydney Sweeney, Dua Lipa, Harry Styles, and Lady Gaga.
Also likely to appear are Gigi Hadid, Hailey Bieber, Cardi B, Billie Eilish, Miley Cyrus, Pharrell Williams, Rosalía, Nick Jonas, and Priyanka Chopra.
Fans tuning into the livestream can expect coverage from familiar faces like Emma Chamberlain, Cara Delevingne, Ashley Graham, and La La Anthony.

Beyond the fashion and star-studded arrivals, the Met Gala is also known for its highly strategic seating chart, and it’s not as simple as sitting with your friends. Attendees are expected to follow the assigned seating, regardless of relationships, meaning even spouses or close friends can be split up for the evening.
“We really try to think very carefully about who’s sitting next to each other,” Eaddy Kiernan, who worked on the seating chart, said. “Our ideal pairing would maybe be two people who we think will just get on like a house on fire, but who may not even realize that they have a lot in common. So with each person, we really do take time to think, ‘What will they talk about?’”
The goal is to spark unexpected conversations and maybe even a few iconic moments long after the red carpet ends.

Following last year’s “Superfine: Tailoring Black Style,” the 2026 theme is “Costume Art,” a concept inspired by the role of fashion within art history. According to curator Andrew Bolton, the exhibit will explore “the centrality of the dressed body” across thousands of years of art.
“What connects every curatorial department and what connects every single gallery in the museum is fashion, or the dressed body,” Bolton said. “It’s the common thread throughout the whole museum, which is really what the initial idea for the exhibition was, this epiphany: I know that we’ve often been seen as the stepchild, but, in fact, the dressed body is front and center in every gallery you come across. Even the nude is never naked. It’s always inscribed with cultural values and ideas.”
The exhibition, which will be on display from May 10, 2026, through January 10, 2027, will also debut a massive new gallery space inside The Metropolitan Museum of Art, showcasing everything from paintings and sculptures to historical and contemporary fashion pieces. Once the exhibit wraps, the mannequins will be preserved within The Metropolitan Museum of Art’s permanent collection, where they can be used again in future displays.

If you’re planning to tune in, the Met Gala 2026 red carpet will be livestreamed across Vogue’s digital platforms, including YouTube and TikTok. The stream kicks off at 6 p.m. ET / 3 p.m. PT on Monday, May 4, giving fans a front-row seat to all the arrivals, fashion moments, and surprises.
Hosting this year’s livestream are Ashley Graham, La La Anthony, and Cara Delevingne, while Emma Chamberlain returns as the red carpet correspondent, a role she’s become known for thanks to her candid celebrity interviews and viral moments.
By Jonathan Klotz
| Published

The “Brenassaince” is upon us, with Brendan Fraser’s biggest hit, The Mummy, somehow reaching the top 10 on HBO Max. FlixPatrol has the exact numbers, which show the classic action-adventure film as the fifth most-watched movie on the Warner Bros. streaming platform. Also starring Rachel Weisz and Arnold Vosloo, the 1999 blockbuster has stood the test of time.
After making a name for himself in comedies, including Encino Man and Airheads, Brendan Fraser was given the chance to be the dashing leading man in a big-budget action film. The Mummy is a reboot of the classic Universal monster movie from 1932, with Fraser as Rick O’Connell, a legionnaire who stumbles across Hamunaptra, the Egyptian City of the Dead. Weisz plays librarian Evelyn Carnahan, the reincarnation of Imhotep’s forbidden love, the reason he was cursed to live forever as an undead mummy.

Through the 1980s, Universal Pictures had wanted to remake The Mummy, which came closest with zombie maestro George Romero at the helm. At one point, Clive Barker was also attached to the project, but by 1996, the remake was scrapped. With Stephen Sommers in the director’s chair, a pulp remake moved forward, originally offering Tom Cruise the lead instead of Brendan Fraser, which is ironic now, given the failure of Tom Cruise’s own The Mummy film in 2017.
Fresh off the box-office success of George of the Jungle, Brendan Fraser was cast because he understood that the character of Rick did not take himself too seriously, leaning into the pulp-action feel of The Mummy. Audiences responded to Fraser’s take on the character, propelling The Mummy to the best non-holiday May opening and the ninth-best opening of all time. A total worldwide box office of over $400 million made it a simple matter for Universal Pictures to greenlight a sequel.

The Mummy was also a starting point for another big career. Dwayne Johnson had his first film role in The Mummy Returns as the villainous Scorpion King, making such an impact that he went on to star in a prequel, which then launched its very own action franchise.
Even after two more movies, with diminishing returns, one of Brendan Fraser’s career high-water marks remains The Mummy. No matter what role he plays, Brendan Fraser’s shadow will loom over the film, reflecting the public’s love for his swashbuckling portrayal of Rick.
By Joshua Tyler
| Published

Sci-fi master Robert A. Heinlein’s most famous book, Stranger in a Strange Land, is now more than fifty years old. It is so impactful that it inspired Elon Musk’s AI, Grok, named after a word invented for Heinlein’s book. And yet, despite its fame and high quality, Stranger in a Strange Land isn’t his best book, and it’s not his easiest read.
Unfortunately, because Stranger in a Strange Land had such an impact on culture, now anyone looking to explore Heinlein’s work usually starts by reading it. After finishing, those same readers often never pick up anything else he’s done.
Stranger in a Strange Land is a great book, but also narratively unsound, filled with wild ideas that may scare people away, and less of a story than most readers may be used to. For people new to Heinlein, having them start by reading Stranger in a Strange Land is a great way to make sure they’ll never read anything else he’s written.

I’ve been reading Heinlein books since I was far too young to actually be reading Heinlein, and he is, without question, my favorite author. I’m going to fix this problem by recommending other Heinlein books that are not only completely different but infinitely better as a way for new readers to gain entry into Heinlein’s world. Most of these come from earlier in his writing career, before he wrote Stranger. After it, Heinlein kept writing more books like, well, Stranger.
If you really want to read, enjoy, and understand the man once called The Dean of Science Fiction, start reading Robert A. Heinlein with these 5 books instead.

The Star Best was written by Heinlein as a novel for young adults, but it works well enough that older adults can enjoy it too. This was my first introduction to Robert A. Heinlein at an early age, and if you’re looking for an easy window into his worlds, this might be the book for you.
The Star Beast is the story of a boy named John Thomas who has a pet alien, brought into his family by a spacefaring ancestor. The pet, on the other hand, thinks it’s the one keeping humans. As it grows to adulthood (and reaches a prodigious size), John learns his pet is not just some puppy but an intelligent creature from a powerful race of spacefaring aliens, who want him back.

Tunnel in the Sky is much like Heinlein’s Lord of the Flies. A group of students is sent to an alien planet to practice their survival skills. They’re only supposed to be there for ten days, but no one ever comes to pick them up.
They band together to form a community, and the book follows one student who eventually becomes their leader, helping them all survive in a harsh and deadly environment. Years pass as things go from bad to worse when they discover a species of viciously deadly aliens threatening to wipe them all out.

This 1959 Hugo Award winner is the book that the Paul Verhoeven movie from the 1990s is based on, in theory. In practice, Starship Troopers, the book, has so very little in common with the film they made out of it, it’s almost a completely different thing.
Starship Troopers is hard-edged, military science fiction about a young soldier named Johnny Rico, thrust into the midst of a war with an alien race of bugs. He’s a member of the mobile infantry, ground troopers who fight in power armor.
In addition to telling a great war story, Starship Troopers contains many relevant political and military themes. Using Rico, Heinlein examines a range of social ills while still telling a great science fiction tale.

The Door into Summer is the story of an independent-thinking engineer and inventor (Heinlein’s favorite type of character) named Dan Boone, who builds a robotics company, only to be betrayed by his partners and stuck in cold sleep. He wakes up decades later and tries to rebuild his life in a strange future. Along the way, Dan rises and falls again, ends up at a nudist colony, before eventually giving up and going back into cold sleep again.
It’s a complex story about innovation, invention, and corporate intrigue. The Door into Summer handles some of Heinlein’s pet topics, tackling issues of sexual freedom with lots of time travel. It does all of that while still telling a great story. For me, this is Heinlein at his best, but you may not want to tackle this one until you’ve fortified yourself with some of his simpler works first.

Farnham is the Cold War era tale of a family hiding inside a bomb shelter when nuclear war breaks out. It’s brilliant, particularly early on, as Heinlein describes his little group of people, huddled inside their shelter while the world shakes around them.
Eventually, they leave the bomb shelter to discover they’ve somehow been transported somewhere else. Alone in a hostile environment without any of the technology they’re used to, the group tries to form a community and survive, only to discover a place where white men are slaves, and the world they knew is buried and gone forever.
Some groups view this book as controversial, claiming they see racist themes hidden within it. Whether that’s the case, I’ll leave for you to judge. Just keep in mind, while you read Farnham’s Freehold, the time period in which it was written. Context is king.
Bold and the Beautiful hints that with Miss Dylan being harassed right now, a lot of fans suspect it is Luna Nozawa (Lisa Yamada) who is terrorizing Melissa Dylan (Sydney Bullock). A whole pile of fans, and myself definitely included, never believe that she died. Because Luna was never shown dead. There was no closure.
And honestly, B&B has lied about character deaths several times. They had Kimberlin Brown out doing exit interviews and Tanner Novlan as well when Sheila Carter (Kimberlin Brown) and Finn Finnegan (Tanner Novlan) weren’t really dead. The show knew it and they were having the actors basically, you know, in my mind what sounds like giving out false info.
So, there’s also a lot of red flags about Luna being alive. And we’re going to talk about how she could have survived that hit and run, where she’s been all this time. And of course who has been helping her.
Let’s be real, from the moment Dylan got that strange phone call saying they had unfinished business. Everybody’s been wondering if it’s Luna back from the not so dead. If it is an existing or a past character, there’s really only a couple of people that have unfinished business with Dylan.
Of course, there’s Luna, who was supposedly run down by Dylan. Could be Ivy Forrester. But I think she’s focused on her walk of shame. Could be one of Luna’s grandmas, Sheila or Li Finnegan (Naomi Matsuda). And on the most recent episode, Electra Forrester (Laneya Grace) was walking out the door right as Dylan’s phone rang. So, it’s not her, even though she definitely has some unfinished business with Dylan.
So, we know that Luna was running around that night in Malibu. She was being chased by the LAPD and there was Taylor Hayes (Rebecca Budig), Sheila, Deacon Sharpe (Sean Kanan), Li, a bunch of others out there chasing her. That was after Luna had lurked outside of Will Spencer‘s (Crew Morrow) house and then snuck inside to talk to him.
And after the accident, Deputy Chief Baker reported that Luna was killed in the hit and run. And then we later found out it was Dylan. This happened when she confessed to Electra and Will and then they went over and told Finn and Steffy Forrester (Jacqueline MacInnes Wood). All of that said, it is quite plausible that she is alive and I’m going to tell you how.
So, we have to talk about, you know, how she could have survived the hit and run. So, remember that night outside Will’s place, Luna was hiding in the shrubbery. And then there was a girl that came up from the beach to use the outdoor shower at Will’s place.
You remember what a big deal they made out of people coming up off the beach and using the shower? Why make a big deal out of it? And since Luna’s death in the end of November, we haven’t seen anybody else outdoor showering. So, it was made a big deal out of for a very specific reason.
So, Luna watched this girl take a shower and she left her clothes, ran down to the beach in her bikini. And so Luna stole that girl’s clothes and she stashed her prison uniform nearby like in a little shrub and she runs off. So that girl was in her bathing suit and she probably came back looking for her clothes outside Will’s place.
And when she saw her clothes were missing, she could have easily poked around looking for them and found Luna’s prison jumpsuit and was like, “Okay, it’s better than being stuck in a wet bikini.” And she put it on from there.
Instead of Luna being the one in the road, it could have been this mystery girl that was run over by Dylan. Because we saw Luna running around. Then we saw headlights and we heard the crash. But that could have been Dylan running over the other girl and Luna flinching from the headlights, you know, ducking back. And then, you know, watching this happen, running off in shock.
And the police might have seen the prison jumpsuit and a mangled body. The face could have honestly been destroyed when she was run over and it was assumed that it was Luna that died based on the location, similar hair color. If I remember, that girl had long brown hair.
So, Lisa Yamada might have taken a nice long break from Bold and the Beautiful to go work on the Amazon Prime series that she’s been taping for the six months since Luna supposedly died. And we could get her back for May sweeps. So, if Lisa Yamada is back, that means Luna’s been lying low this whole time. And honestly, while they’re doing things, they might even have her still pregnant with Will’s child.
So, Luna could have lied to Will about the miscarriage And the prison might not have had an ultrasound to confirm a pregnancy loss. Luna herself might have thought she miscarried only it was just cramps and some spotting. If you’ve ever been pregnant, you know, crazy stuff happens to your body.
So, it’d be doubly wild if Luna turned up both alive and with a big baby bump. That would be insane. Very soapy, very big for May sweeps. But even without being pregnant, it would still be a huge shocker for Will’s rapist to turn up alive after all these months.
So, if Luna was alive, I think it would have been hard for her to stay out of sight since November without some help. So, that’s what I want to talk about next. Who could have been hiding Luna and helping her and making sure she didn’t get busted and that this death is, you know, accepted by everybody?

So, right off the bat, you have to consider Sheila. However, she might have refused to even take a call from Luna at first. Because Deacon was so angry at her betraying him when she lied and was sneaking around to see Luna both times before. So, that would have been a problem.
But once Deacon cheated on Sheila with Taylor and then dumped her, I think Sheila would absolutely be willing to help Luna. Because in the end, Sheila would have no reason to stay away from her once Deacon ditched her. So Sheila might be helping Luna. But since Sheila’s split from Deacon was so recent, I don’t think she’s the one that if Luna’s alive that has been hiding her this whole time.
So, I’m wondering if Luna has been with Remy Pryce (Christian Weissmann) this whole time. The timing works out. Because Deacon broke up with Remy a couple of weeks before Luna’s supposed death. And we found out they just brought Christian Weissmann on contract. Also, he did an interview talking about how Remy’s new storyline isn’t just about Deacon.
The actor said Remy has a connection to somebody on B&B and said they’re cut from the same cloth. Oh yeah, that’s a fit for him and Luna. And they were friends at one point as we saw on screen. Plus Remy is hiding some sort of secret when he’s back full time. He said that in the interview as well.
So, Luna might actually be the secret he’s hiding and the person cut from the same cloth. Given that she stalked Will and Remy stalked Electra, yeah, I can see him and Luna seeing eye to eye and they might have a trauma bond. I could see her sneaking to Remy’s place after watching that random girl get run over and Luna might have seen on the news that she’s presumed dead and thought, “Okay, this is my chance.” Remy probably wouldn’t turn Luna away. I mean, Deke Sharpe (Harrison Cone) had already moved out at that point and you know, he knows what it’s like to be a villain and to be arrested.
So, with the voice call and then the jump scare at Forrester Creations we’re supposed to get at the end of this week that makes Dylan scream could be Remy and Luna working together. And Sheila might be in the mix also. I have to say that she likes Remy and of course absolutely adores Luna. And after having lost Deacon and then Remy losing Deke. And Luna losing everything, I could kind of see those three maniacs forming sort of a bizarre quasi family, you know.
So, we should find out very soon if Dylan’s stalker is Luna, maybe with some help from Remy or maybe even Sheila. But looking back at the night Luna supposedly died and the big red flags they kept dropping about the beachgoers showering on Will’s deck and the girl’s hair looking like Luna, it all makes sense. I actually talked about this back in November when she first supposedly died. I talked about all of this and six months on it seems valid. So, we’re going to find out very soon.
Pete Davidson and Elise Hewitt are “figuring out what they want” in their relationship months after welcoming daughter Scottie.
“They are working things out,” a source with knowledge of the couple tells Us Weekly exclusively. “They are on their own timeframe and it’s up to them to make a decision about their future.”
The insider adds that both Davidson, 32, and Hewitt, 30, are “really dedicated to doing what’s right for the baby.” They are also “rooting” for each other “to be successful,” the source says, despite what they are going through personally.
Hewitt, for one, is “in a good place” professionally as she gets the hang of motherhood. The actress has “a lot of good new opportunities in front of her,” as does Davidson, the source explains. (Hewitt has several upcoming projects in the works, including movies Triton and We’re Already There.)

Pete Davidson and Elsie Hewitt Kevin Winter/Getty Images
Us confirmed in March 2025 that Hewitt and Davidson were dating after they were seen out together on multiple occasions. Hewitt later announced that she and Davidson were expecting their first baby. Their daughter, Scottie — named after Davidson’s late father, a firefighter who died in the 9/11 attacks in 2001 — was born in December 2025.
“They are figuring out their relationship,” the same source tells Us about where Davidson and Hewitt stand amid their whirlwind romance. “They want to make sure that the baby has what is best for her and her future.”
Hewitt has been offering fans an inside look into daughter Scottie’s first year via Instagram.
“My scottie girl is 12 weeks old today,” Hewitt captioned an Instagram post in March. “On the way to the hospital we wrote down our predictions for what time she’d be born. My guess was 3:05pm (my birthday, 03/05). After 23 hours of labor, that is the exact time she arrived. How crazy and cool is that?”
The model and actress has also been candid about deciding not to breast-feed Scottie.
“It’s important for me to say this: I feel fortunate not to have felt pressure to breast-feed from the people in my life,” Hewitt wrote in an open letter published via Elle magazine in February, referencing her relationship with Davidson. “My partner didn’t push me in either direction.”
Hewitt explained that her family and doctors also supported her decision, but she still felt some guilt.
“Whenever people asked whether I planned to breast-feed, I felt a flicker of hesitation or embarrassment, even when nothing judgmental was said. Truthfully, I still can’t always tell whether those feelings come from others or from me,” Hewitt wrote. “I notice how aware I am of reactions when I talk about feeding my baby. I enter these conversations with a quiet readiness to justify my choice, even though I don’t need to.”
“Real Housewives of Atlanta” alum Kim Zolciak has been embroiled in a custody dispute with her estranged husband, Kroy Biermann. Now, after previously having her parental rights limited, she has temporarily lost primary physical custody. This comes years after the couple initially filed for divorce in 2023.
Additionally, Zolciak is set to testify in her boyfriend’s divorce hearing, following reports that Biermann warned the woman about the “RHOA” alum.
![Kim Zolciak and Kroy Biermann attend the Grand Celebration event at Seminole Hard Rock Hotel & Casino Tampa. 03 Oct 2019 Pictured: Kim Zolciak and Kroy Biermann attend the Grand Celebration event at Seminole Hard Rock Hotel & Casino Tampa. Photo credit: Ralph Notaro / MEGA TheMegaAgency.com +1 888 505 6342 (Mega Agency TagID: MEGA520014_002.jpg) [Photo via Mega Agency]](https://media.theblast.com/wp-content/uploads/2025/05/MEGA520014_002-scaled.jpg)
According to TMZ, a judge has issued a ruling on Biermann’s previous emergency motion. He now has primary physical custody of the four minor children. Per the ruling, Zolciak will have limited parental time with them on every other weekend.
However, the estranged couple will continue to share joint legal custody of the kids. Still, Biermann will have the authority to make decisions about their education, religion, and non-emergency medical situations.
As the outlet highlights, Zolciak saw her custody rights limited in April. However, they were reinstated after she completed court-ordered therapy.

TMZ obtained court documents in April 2026 that showed Biermann had filed an emergency motion seeking primary custody. This came as the parenting plan they had in place saw both parents with two of the kids before essentially swapping. According to Biermann, “The children were rarely together as a group under this parenting plan.”
Additionally, the former NFL player claimed that Zolciak “acts in ways that are harmful to the children and contrary to their best interests.” He also accused her of being “both unstable and unfit,” and said she “is more selfishly concerned with her own image and her work options than with the opinions of experts and/or the best interest of the children.”
Biermann added, “This constitutes neglect of the minor children and is harmful to the progress and healing of the family unit.”

Zolciak issued a statement to TMZ regarding her loss of primary physical custody. The “RHOA” alum said, “The judge’s decision … is temporary until our return court date on May 21st, when we will have the opportunity for a full hearing.”
She added, “While I want this process to be over for my children more than anything, I am looking forward to our court date on May 21st when we will finally be provided with an opportunity to present the truth.”

Zolciak and Biermann have been embroiled in their divorce drama since 2023. For “RHOA” fans, the worst part is that the children are in the middle. One person on X reacted, writing, “Kim losing primary custody even temporarily is a big shift. Divorce battles are ugly, but kids shouldn’t be pawns. Hope they sort it out privately.”
Someone mentioned the duration of their divorce, saying, “This is the longest divorce ever..Where is Victor Newman, and flying to the DR to get a quick divorce like on Y&R?”
A different person wrote, “Wow, Kim temporarily losing primary custody to Kroy is wild even if it’s just for now. These high-profile splits always remind me how fast things can flip when stability for the kids is on the line. Hope they both put the little ones first moving forward. What do you think will happen at the May hearing?”
Lastly, another social media user speculated, “She’s not a bad mother. She’s just a compulsive spend-a-holic.”

Zolciak isn’t legally divorced from Biermann, and it’s unclear how much longer the process will take. However, in the meantime, the “RHOA” alum reportedly began dating Kyle Mowitz in the spring of 2025. Later in the year, they were spotted together, and on one occasion, she was seen leaving his home.
However, it’s also worth noting that Mowitz is currently going through a reported $100 million divorce from his wife, Jillian Green. Per Reality Tea, Green subpoenaed Zolciak on September 30 for questioning. Specifically, she was served the paperwork while waiting in the parking lot of her son’s high school.
Per the report, Zolciak will face questions about any financial assistance Mowitz has provided. This includes gifts, money, or loans. Additionally, she’s being asked to reveal all correspondence with him. Zolciak will also be required to hand over any supporting documentation for gifts.
Per US Weekly, a transcript from Green’s deposition shows that Biermann spoke to her about Zolciak and Mowitz. She stated that Biermann had called her about “Kyle and Kim’s involvement and his concern,” and that Zolciak would “financially … drain money from Kyle.”
He is also said to have shown Green proof that Zolciak had used resources provided by Mowitz.
In a perfect world, these sitcoms would live forever, running on endlessly like a favorite food you never get tired of. Unfortunately, all good stories must come to an end, no matter how much audiences wish otherwise. Still, in a purely hypothetical situation, some shows feel like they could keep going without ever losing their charm.
Whether it’s the camaraderie of the characters, the timelessness of the plots, or the bingeability of these shows, these sitcoms have become comfort watches that anyone could pick up on. With a staying power that’s hard to ignore, these shows have worked their way up to the audience’s hearts over time. Despite the changes, they still feel like a house that’s worth returning to. Without further ado, here are great sitcoms that have earned the right to run forever.
Set in the fictional town of Arlen, Texas, King of the Hill is a hilarious animated sitcom that follows the titular Hills and their neighbors’ lives. Hank Hill, a propane salesman, deals with the mundane day-to-day problems, from raising the sweet but unpredictable Bobby to keeping his wife Peggy happy.
King of the Hill is deserving of an open-ended run because of its relatable comedy that finds endless ways to comment on ordinary suburban life and routines. It relies on universal family dynamics and gentle social observation, both of which are timeless subjects. This enduring power is proven by its recent revival, which showcased King of the Hill‘s surprising staying power.
Animated sitcoms wouldn’t be where they are today without The Simpsons. The iconic family has become an American staple, representing suburban life in all its chaos and charm. But not all real-life suburbs are as fun and wacky as what the Simpsons go through. Whether it’s taking over Springfield Elementary or going up against a conniving mayor, The Simpsons proves that the suburbs can be just as interesting as any major city, and it all starts with the family at the center of it all.
The show also has a knack for social commentary. Despite its lighthearted premises, it often slips in observations about real-life issues into its storylines. It’s even reached the point where The Simpsons is known for its predictions. If the show were to go on forever, it would be fun to see how The Simpsons continues playing with that idea, keeping their episodes fresh and relevant as it bases itself on current events.
When It’s Always Sunny in Philadelphia first came out, it quickly established itself as a show full of ists: racist, sexist, ableist, and more. Simply put, it’s one of the most unapologetically offensive sitcoms to ever air on television. But it was also a product of its time. In an era where sitcoms were expected to live up to the Friends archetype, IASIP subverts that formula with an ensemble that thrives on brutally mocking each other daily. The camaraderie comes from their shared chaos — schemes to save Paddy’s Pub or fuel their own (often illegal) ambitions — which almost always end in them sabotaging one another.
Now, as the show heads into its 18th season, it’s clear IASIP was built for longevity. The jokes may not be as overtly offensive as before — and that’s a good thing — but the real chemistry has always come from the Paddy’s gang themselves. It’s a strange kind of comfort zone for anyone who enjoys something completely unhinged, and if it keeps going, it’ll be interesting to see how they maintain that same level of chaos as they grow older.
People can’t get enough of Ocean Avenue’s best burger joint. Bob’s Burgers is the ultimate working-class animated sitcom. Husband and father Bob Belcher (H. Jon Benjamin) is obsessed with running his burger business — not because he wants to be the best chef in the world (though he is an excellent cook), but because he needs to support his family. Despite their humble setup — living right above their eatery — the Belchers are full of life and joy, always finding ways to bring that spark into the mundane.
Throughout the series, Bob’s Burger Shop has undergone numerous closures and reopenings. Whether it’s a fire, an insect infestation, or even a massive sinkhole right in front of the restaurant, it just can’t seem to stay down. That longevity is also a symbol of the Belchers’ perseverance. Across its many seasons and counting, Bob’s Burgers could easily run forever, especially as the Belchers continue to grow and mature — as they’ve already started to in recent seasons. But it would also be great to see the gang learn to embrace family even more, especially when business gets in the way.
Football season is back — and not the American kind. Across the Atlantic, football, or soccer as the States would call it, is alive and well, and it’s all because of Ted Lasso. Thanks to Coach Ted Lasso (Jason Sudeikis), AFC Richmond slowly transforms into a well-oiled machine, even if they still miss a few goals here and there. The journey, of course, hasn’t been smooth. For one, the English aren’t exactly thrilled about having an American lead a sport their country practically treats as religion — and honestly, that skepticism is understandable.
Although Ted has already achieved much of what he originally envisioned for AFC Richmond, his story still feels far from over. The show also follows him through personal setbacks, many of which he only begins to confront as the series progresses. With a new season on the way, it’s clear Ted’s coaching career isn’t done yet. Yesterday it was the men’s team, today it’s the women’s club, and tomorrow? Maybe a junior team, where teenagers can humble adults like no one else. The possibilities are endless.
August 14, 2020
Apple TV
Declan Lowney, MJ Delaney, Erica Dunton, Matt Lipsey
Jamie Lynn Sigler believes in miracles after witnessing her son Beau’s health recovery following a month-long hospitalization – and she’s revealing the powerful comment he made to her as he was on the mend.
“He looked at me with such clear certainty a few weeks after he was sort of coming out of everything,” Sigler, 44, exclusively told Us Weekly for her recent cover story promoting her upcoming book, And So It Is…: A Memoir of Acceptance and Hope. “He said, ‘I went through this for you.’ I just looked at him and kind of nodded. He goes, ‘You needed to see me. You needed to see a body get better. You needed to see a miracle.’”
Sigler publicly revealed her Multiple Sclerosis (MS) diagnosis in January 2016. Although she was diagnosed at age 20 while filming The Sopranos, she kept her condition a secret for nearly 15 years in fear that it could negatively impact her acting career.
In August 2024, Sigler found herself as a hands-on caregiver for her then 10-year-old son when he was hospitalized and diagnosed with a rare autoimmune disorder called acute disseminated encephalomyelitis (ADEM). After 33 days in the hospital, Beau was able to return home.
“He’s a miracle, and he has changed, but it’s like this experience has just cracked him open,” Sigler shared with Us. “I don’t think there’s a week that goes by that I don’t have three or four random people text me or come up to me and be like, ‘I just met your son, Beau. He is just the most loving, wonderful human,’ and it’s from his experience.”
Ever since sharing her own health struggles with the world, Sigler has been praised by family, friends and fans for spreading awareness and going above the call of duty to uplift and inspire strangers in similar situations.
To this day, the actress may not realize the complete impact she has had.

Jamie-Lynn Sigler Gary Miller/Getty Images
“My husband [Cutter Dykstra] tells me all the time. He’s like, ‘That’s how people feel about you, Jamie, and it’s because of what you’ve been through. You’re so open. You’re so loving. You’re so there.’ … That’s the gift I want to give other people. Your pain doesn’t have to break you. Your pain can break you free. Your pain can open your heart.”
Nearly two years since Beau’s health scare, Sigler admits that her family is “still putting the pieces together,” but they have changed in positive ways.
“From this, we’re always grateful and present and really just feel lucky that we’re all here,” she said.
“I definitely had to call on strength that I didn’t even know I had. I had to find a voice that I’ve never used before. I radically opened myself up to help,” Sigler continued. “I remember just getting on my knees in just pure surrender like ‘God, I have nothing left. I need help.’ I have never felt more pain, but also more love and just really understanding what’s right on the other side of it. And I truly feel like everything in my life that I’ve been through prepared me for who I needed to be in those moments for my son.”
And So It Is…: A Memoir of Acceptance and Hope hits bookstores on Tuesday, May 5.
It’s been more than a decade since Tangled became one of Disney’s most beloved modern animated movies, and the film has only grown in stature since then. For a whole generation of fans, Rapunzel’s story remains one of those comfort watches that still hits, whether it’s the music, the lantern scene, or the movie’s surprisingly sharp emotional core. Now, director Nathan Greno is stepping back into animation with something very different. His new Netflix movie, Swapped, is a body-swap comedy, but Greno says the film has something much bigger going on underneath all the fun.
Speaking with Collider ahead of the movie’s release this week, Greno opened up about why Swapped was never designed to be just a silly premise. Instead, the director said the story began with a simple emotional idea: empathy. “The idea from the beginning was to tell a story about empathy, and to tell a story that deeply resonates with an audience, and especially for where we’re at right now, in our current climate,” Greno explained. “You know, I think people are quick to see differences in one another. So, while we didn’t want to make a message movie, per se, the idea was to make a big, fun, entertaining roller coaster of a film that has you walk away and kind of think about things on a deeper level, maybe within your own life.”
That balance seems to be the key to Swapped. Greno doesn’t want the movie to feel like homework, but he also isn’t pretending it’s just chaos for chaos’ sake. The film takes the classic body-swap idea and pushes it through an animal-led story, something Greno said came from wanting to avoid the usual “human becomes an animal and learns a lesson” setup. He explained:
“We’re like, let’s tell a story about empathy. What does that mean? We did a lot of research on empathy, walking a mile in someone else’s shoes. Well, that sounds like transformation. Well, the thing that we kept going to is, like, we’ve seen those. We’ve seen the human that becomes the animal, and the human learns the lesson: I was wrong. And so we go, well, how do we do it differently? Because, again, I think it’s not a bad thing to put out into the world, and everything’s been done, so how do you do it in a way that’s, like, unique and different, and something that surprises audiences?”
Greno added that going “all animal” opened the movie up in a major way, especially because the story plays with the relationship between the smallest and largest creatures in the valley. “For me, it was the animal aspect, going all-animal, was one way to get there. That was really exciting. On top of it, we had scale that we were going to work with, because how does the smallest creature in the valley relate to the largest one? And then, how do you do scale? And scale in animation is not the easiest thing to do.” The movie was also inspired in part by nature documentaries, which helped the team think more deeply about how audiences understand size, movement, and physical space in animation.
“Those nature documentaries were us really examining why in the world, when you look at even a photo of a small creature, and we could go, I know how big that is. Like, just looking at a photo with no background, I could tell how big a dog is, you know, we know these things and to capture that, that was a real challenge, but I really believe the team got there.”
Swapped also has a major cast behind it, led by Michael B. Jordan (Creed, Black Panther) and Juno Temple (Ted Lasso, Fargo), with Tracy Morgan (30 Rock, The Last O.G.) also part of the ensemble. Greno said both Jordan and Temple brought so much to the film that they changed what he thought certain scenes could be. Temple, in particular, unlocked emotional layers Greno didn’t initially realize were there.
“I kind of approach everything this way, just as a director, I’m open to ideas. We’re going in a direction, but I’ve worked with directors that are so-called perfectionists, and I guess it’s perfection to their own liking, but I think if you’re open, and you’re going in a direction, and you let people do their jobs. From the beginning, I’ll say with Juno, when she came on, there were scenes that I didn’t realize were as emotional. I was getting choked up as she was doing them, I was going, well, I didn’t… I thought this was sort of, like, kind of a sad… I didn’t know this was this sad. It was like, she brought so much to it, she had to take a break, and I was going, ‘Oh, that just changed everything.’”
Speaking separately with Collider’s Steve Weintraub, Temple said Swapped is a milestone for her in a way audiences might not expect. After years of live-action work in projects like Ted Lasso, Fargo, and Venom: The Last Dance, this is not only her first lead role in an animated feature, but her first real animated film altogether. She had briefly done voice work for a cartoon series before, but Swapped was the first time she had to fully live inside an animated character across an entire movie.
“I was like, ‘Wow! How exciting.’ I was just more like, ‘How cool. I haven’t explored that.’ I’ve had people in my life tell me that I would do a fun voice for kids’ films or for a cartoon,” explained Temple. “I was also thrilled by the script. I loved the script. And it’s actually my first animation film at all. I’ve done a voice in a cartoon for a series briefly, but I wasn’t in it that much. I only had to do two sessions for it. So, this was my first time actually really being a part of an animated film at all.”
For Temple, the pull of Swapped went beyond the novelty of trying a new medium, so when Weintraub pointed out that the movie’s message is largely about empathy and friendship, Temple concurred with his sentiment, but noted that there was another element to it, “And our environment, too! It’s about saving the planet.” Now it’s only a small quote, but it says a lot about how Temple sees the movie. Swapped may be built around a body-swap, Freaky Friday-style premise, but it’s a story with a bigger set of ideas underneath: how people treat each other, how they treat the world around them, and how much of life depends on learning to look beyond yourself.
Asked what she hopes little kids take away from the film, Temple pointed first to friendship, then to accountability, then to the planet itself. “I hope that they feel the absolute importance and need for friendship we’ll have throughout life. It doesn’t matter how old you are, where you come from, what you do, your friends are always going to be integral to making your life better, bigger, and more beautiful,” said Temple. “It’s just the truth. And I think also accountability is really key, and learning things when you’ve done things wrong and right are important to pay attention to both.” She continued:
“Also, it’s about not judging books by their cover. You don’t know what it’s like to be somebody until you’ve really listened to them, or you’ve really understood who they are. I know this takes it to a degree where we won’t necessarily ever experience being able to step inside of another person’s body — maybe we will in our lifetime, I don’t know, but I think that it’s a really beautiful metaphor for really being unjudgmental with other people who are different from you, because we shouldn’t do that. It’s useless. I also really hope it makes them excited about the big world out there and the greenness of the world that we should keep protecting, and all the animals that may not be around, if we don’t take care of them, when they’re grown up. As a storyline in itself, the idea of being able to get through difficult scenarios with your friends and then hopefully save the planet, pretty good messages.”
That answer neatly brings together the two sides of Swapped, which is the emotional body-swap metaphor and the adventure that’s built around Mother Nature. Between them, Greno approached the movie as a story about empathy, while Temple describes it as a story about friendship, listening, accountability, and environmental care. Put together, the film starts to sound less like a standard animated comedy and more like a big, accessible metaphor for the things kids — and adults, frankly — are constantly having to learn in real time.
Of course, believing in the movie’s message was only part of the experience, because Temple also had to adjust to a form of acting that put all the pressure on the one part of her performance she wasn’t entirely comfortable with — her voice. For an actor known for physically expressive live-action work, the recording booth was both freeing and slightly confronting. Temple told Collider:
“I think the most difficult thing was, initially, I really don’t love my voice. I find my voice quite annoying. I’m not great at listening to even my voicemails. So, I was a bit overwhelmed with that aspect of it. [Laughs] Then weirdly, at the opposite end of the spectrum, when I finished the job, I was like, ‘Actually, maybe my voice isn’t as horrific as I think it is. It’s also a tool.’ So that was kind of a weird sort of juxtaposition that went on with just that experience alone, which I’m very grateful for. But I think also, I haven’t mastered the art of being still yet. I’m quite a twitchy, moving-about person, which isn’t super awesome for voice recording. So, trying to master the art of being still with each session was really interesting.”
That is, weirdly, a very Swapped kind of realization. Temple went into the process feeling uneasy about something familiar, only to come out of it seeing that same thing differently. Her voice, the thing she found annoying, became a tool. The booth, which limited some of her physical instincts, became a place where she had to trust her imagination instead. That shift also changed how she understood animation as a collaborative art form. In live action, Temple said, she often comes in with physical beats mapped out in her head. She knows when a character should be still, when they should move, and when they should explode into something more chaotic. In animation, she had to release some of that control and let her performance become one part of a larger creative chain.
“I found it liberating that you don’t have to know what you have prepared for the day and hope it goes the way you sort of mapped it out. You can just go in and be a part of an imagination with somebody,” said Temple. “So playing like that and then seeing the animation come to life with your voice kind of navigating how your character is going to be able to walk into a space or fly into a space, or how fast they’re flapping is going to be when they fly, and things like that, is quite an amazing experience to witness, because you’re like, ‘Whoa! Whoa! That really matches that. That’s insane.’” She continued, saying:
“When you’re going to do your live-action performances, you’ve so mapped out in your head, ‘I want to be still at that moment. This is the moment she’s allowed to be absolutely crazy and dance around.’ Obviously, you have to let it all go, and if it doesn’t work, it doesn’t work, and you have to change it. You always have to be open to changing things. But I think that the walking into the space with a bunch of people, a bunch of creatives, just filled with imagination and bringing the imagination to life like that, is something really special.”
That idea of performance as shared imagination is also why Greno’s comments about the cast hit harder. He didn’t just hire actors to read lines into a microphone. He watched them reshape the film’s emotional center. Temple brought sadness and vulnerability to scenes he thought he already understood, while Jordan’s process changed the way Greno thinks about directing voice performances at all. He told Collider, “And then Mike… it’s Mike. I mean, Michael B. Jordan is, I mean… the way he records, I’ve never experienced anything like that, and it’s kind of changed the way I even direct now, when I’m going forward. It’s, like, his way of working and his way of, like, finding the truth within the lines. Both of them change the course of the movie 100%.”
Because Swapped is an animal body-swap movie, Weintraub had to ask Temple the obvious question: which animal would she want to switch places with for a few days? Her answer was immediate, then immediately rethought. “Leopard. No-brainer. But I know that I’m not a leopard. I know I’m not there yet. I think, truthfully, my dream would be a leopard. I think I’m actually a fruit bat.”
Temple’s self-assessment kind of sums up the way the movie is working with big animated comedy energy, but for Greno, the film is grounded in something personal. He said the film draws from his own experience growing up in a small factory town in Wisconsin, where his father — whom he loved and who has since passed away — encouraged him to stay close to home and follow the same path as everyone else. Leaving that world, Greno said, taught him that he didn’t have “the full picture” at all.
“There’s so much of this movie just is me telling my own story of, like, starting in a small town in Wisconsin. My father, I love my father, he’s passed away, but he was always being protective and saying, you know, basically, you can’t leave this island. It was a factory town, and it’s like, get a job at the factory like we all do in this town. And so, going out in the world and realizing, wait a second, I don’t have the full picture here at all.”
That personal connection is also what links Swapped back to Tangled, even though the two movies look very different on the surface. Greno said both films follow characters trapped inside a bubble who don’t yet understand what they don’t know, which mirrors his own experience of leaving home and discovering the wider world. “As different as… and I appreciate this, that you’re like, well, these movies are completely different,” he said. “They still are a character within a bubble that doesn’t know what they don’t know. And that is my story, is, like, me growing up in that small town and just kind of going out into the world and trying to figure it out. And I think you can put enough sort of elements, enough frosting on that cake, that it’s gonna feel different. But it’s an emotional story that I know very deeply. If you think about it in kind of the broadest of strokes, Tangled and Swapped have a lot in common, actually, with the protagonists.”
By the end of the conversation, Greno doubled down on the idea of empathy, which seems to be the film’s real north star. The animal world, the body-swap romp, the nature-doc inspiration, and the voice cast are all part of the packaging, but the core idea is much simpler, and that’s that people don’t know as much as they think they do, and perspective can change everything. “It’s definitely empathy. It’s this idea of we don’t know what we don’t know. Be open-minded to others, and just realize, we really do want the same things, and it’s a thing that I need to remind myself about, too. You don’t have everything figured out as you go through life. You gain more perspective and hopefully become a better person because of it.”
Swapped is now streaming on Netflix.
May 1, 2026
102 minutes
Nathan Greno
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
The Academy of Motion Picture Arts and Sciences has made some sweeping rule changes for the 2027 Oscars that will finally address some long-looming concerns and forever alter Hollywood’s biggest night. In one of the most seismic shifts to voting for acting nominees since the awards show’s conception, it will now be possible for the same actor to be nominated multiple times in the same category for different performances if both place within the top five vote-getters. Additionally, the barrier for international films to qualify just got far lower, no longer requiring an official selection from a country. Instead, winning a major award at an approved film festival as specified in the International Feature Film Award Qualifying Festival List is enough to be submitted for consideration. The Academy also took a hard stance on AI, outright barring generated performances and scripts from consideration.
March 19, 1953
Glenn Weiss, Alan Handley, George Seaton, Hamish Hamilton, Roger Goodman, Max Miller, Trevor Newman
Buz Kohan, Dave Boone, David Steinberg, Ed Driscoll, Hal Kanter, Jeff Cesario, Marc Shaiman, Jon Macks, Carol Leifer, Bruce Vilanch, Robert Wuhl, Dan Harmon, Phil Alden Robinson, Billy Crystal, Amberia Allen, John Hoffman, Mason Steinberg, Colleen Werthmann, Joelle Boucai, Greg Martin, Agathe Panaretos, Blaire Erskine, Louis Virtel, Jordan Rubin
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
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