It’s no mystery that next month will mark the 136th anniversary of Agatha Christie‘s 1890 birth. To celebrate the grande dame of mystery, streamer BritBox is preparing a bevy of Christie adaptations, new and old, to be released on her birthday, September 15. That includes not only a treasure trove of classic movies, but also the North American debut of an all-new series.
BritBox is organizing its Christie adaptations into curated “eras” of the author’s life, one for each week of the month: that includes “A Taste for Poison,” “Secrets & Spies,” “Destination: Murder,” “Murders in the Village,” and “Her Darker Side.” With those weeks will come eight classic Warner Bros. films from the vault. They include 1961’s Murder She Said, 1963’s Murder at the Gallop, and 1964’s Murder Most Foul and Murder Ahoy!, all starring Margaret Rutherford as Miss Marple; 1965’s The Alphabet Murders, with The Odd Couple‘s Tony Randall as Hercule Poirot; 1983’s A Caribbean Mystery, with first-ever EGOT winnerHelen Hayes as Marple; 1982’s Murder Is Easy, with an all-star ensemble that includes Bill Bixby, Lesley-Anne Down, Jonathan Pryce, and Olivia de Havilland; and 1985’s Thirteen at Dinner, with Peter Ustinov as Poirot and Faye Dunaway in a dual role.
The all-new release for September 15 is Tommy and Tuppence. Thomas and Prudence “Tuppence” Beresford are a duo of married detectives who starred in four novels and one short story collection between 1922 and 1973. Unlike Christie’s other creations, the Beresfords aged in real time; they’re in their twenties when they’re introduced in The Secret Adversary in 1922, and they’re past retirement age in 1973’s Postern of Fate. In the new six-episode series, starring Josh Dylan (Masters of the Air) and Antonia Thomas (The Good Doctor) as the title pair, the characters are adapted into a contemporary setting.
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Collider Exclusive · TV Medicine Quiz Which Fictional Hospital Would You Work Best In? The Pitt · ER · Grey’s Anatomy · House · Scrubs
Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.
🚨The Pitt
🏥ER
💉Grey’s
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🔬House
🩺Scrubs
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01
A critical patient comes through the door. What’s your first instinct? Medicine under pressure reveals who you actually are.
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02
Why did you go into medicine in the first place? The honest answer says more about you than the one you’d give in an interview.
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03
What do you actually want from the people you work with? Who you want beside you under pressure is who you are.
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04
You lose a patient you fought hard to save. How do you carry it? Every doctor who’s worked a long shift has had to answer this question.
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05
How would your colleagues describe the way you work? Your reputation on the floor is usually more accurate than your self-image.
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06
How do you feel about hospital protocol and procedure? Every institution has rules. What you do with them is a choice.
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07
What does this job cost you personally? Nobody works in medicine without paying a price. What’s yours?
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08
At the end of a long shift, what keeps you coming back? The answer to this question is the most honest thing about you.
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Your Assignment Has Been Made You Belong In…
Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.
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Pittsburgh Trauma Medical Center
The Pitt
You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.
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You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
You find purpose inside the work itself, not in the chaos surrounding it.
You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.
County General Hospital, Chicago
ER
You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.
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You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
You care about patients as individual human beings, not as cases to solve or dramas to live through.
You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
ER is television about endurance. You have it.
Grey Sloan Memorial Hospital, Seattle
Grey’s Anatomy
You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.
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You feel things fully and form deep attachments to the people you work with.
Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
It’s messy at Grey Sloan. You would not have it any other way.
Princeton-Plainsboro Teaching Hospital, NJ
House
You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.
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You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
You work best when the stakes are highest and the standard answer is wrong.
Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
The only way forward here is to think harder than everyone else in the room. That is exactly what you do.
Sacred Heart Hospital, California
Scrubs
You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.
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You are warm, self-aware, and funnier than most people in your field.
You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.
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What Other Christie Adaptations Are Available on BritBox?
If you can’t wait until September 15, BritBox is also spotlighting their current Christie adaptations. That includes the classic series Marple (with Geraldine McEwan and later Julia McKenzie) and Poirot (with David Suchet). They’re also spotlighting their most recent series, including Why Didn’t They Ask Evans?, Murder Is Easy, and Towards Zero.
BritBox will release a bevy of Agatha Christie adaptations, including the all-new series Tommy and Tuppence, on September 15. Stay tuned to Collider for future updates.
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