Buffy Cancellation Saved Franchise, Nobody Wants To Admit It

By Chris Snellgrove
| Published 37 seconds ago

Recently, Buffy the Vampire Slayer fans received devastating news: Hulu killed the upcoming reboot of the popular supernatural series. The fandom reaction to this news has generally been very grim, and many are sharpening their stakes and wondering who to blame. Buffy legend Sarah Michelle Gellar helped aim their ire at one unnamed executive, someone who never cared for the original show and allegedly took great delight in killing the reboot.

However, news of the cancellation made me let out a breath I didn’t even realize I was holding. The blunt truth is that we’ve gotten tons of awful television revivals in recent years, including The X-Files, Charmed, and Star Trek: Picard. Buffy’s own reboot getting canceled means our memories of a nearly perfect television show will remain unstained by what looked to be an awful revival. Plus, the cancellation means fans won’t have to face a very sobering truth: a reboot would be nothing without the involvement of canceled Buffy creator Joss Whedon.

Another One Bites The Dust

A year ago, the future seemed uncharacteristically sunny for Buffy the Vampire Slayer. Hulu had ordered a pilot for a revival with the name Buffy: New Sunnydale, and it had some serious talent behind it. The script came courtesy of Nora and Lilla Zuckerman, who are best known for writing episodes of Poker Face, one of the greatest female-led series in modern television. The pilot was directed by Best Picture Oscar winner Chloé Zhao. Most importantly, original Buffy star Sarah Michelle Gellar was returning to reprise her iconic role.

While Hulu ordered some changes to the pilot, everyone involved was generally confident that the show would proceed, resulting in an order for a full season. At the eleventh hour, the streamer canceled the show, and Gellar later blamed an unnamed executive for this decision. The executive seems to be Disney Television Group President Craig Erwich, a man who oversees the Hulu Originals division. Right now, Buffy fans want to drive a stake into his heart. But I can’t help but feel that Erwich just helped all of us dodge a bullet (or maybe it was a crossbow bolt).

Not Getting The Gang Back Together

The first reason I think a Buffy the Vampire Slayer reboot was doomed to failure is that Sarah Michelle Gellar was the only member of the original cast to return for the pilot. That might have changed if the show had gotten ordered to series, but right now, she was the only connection to the original show. The connection also wasn’t very strong: reportedly, one of the changes Hulu requested for the pilot is giving Sarah Michelle Gellar a beefier role.

As great as Gellar is, the original Buffy succeeded because it was an ensemble show, and any genuine attempt to revive the original series would need to revive most (ideally, all) of the ensemble. Otherwise, you’re just watching a single popular actor going through the motions in a completely different television show. Weirdly enough, I think the best analog for how bad a Buffy reboot would be is the short-lived Frasier revival at Paramount. It brought back Kelsey Grammar, but he was surrounded by new characters, a new setting, a new job, etc. The network learned the hard way that fans want the whole ensemble back, not just the title character.

Personally, I wouldn’t want a Buffy reboot that is comprised almost entirely of new characters. It’s really the worst of both worlds. There would be a bunch of new people that old fans don’t really care about because they want to see more of Xander, Willow, and Giles. Meanwhile, the reboot would dangle Sarah Michelle Gellar in front of us without giving her much in the way of purpose or even screentime.

Hulu Was Right: The Buffy Reboot Was Really, Really Bad

According to the leaked script reviewed by Variety, the Buffy reboot pilot originally only had Sarah Michelle Gellar get a one-line cameo at the very end. After rewrites, she got more screentime, but her role will definitely upset the fandom. You see, Buffy now works for a major insurance company, and she has to return to Sunnydale because of a sudden high number of claims. On one hand, this new job proves that the Slayer was able to move on and finally live a normal life. On the other hand, it’s kind of depressing imagining the woman who repeatedly saved the world ending up as just another cubicle drone.

Most of the pilot focused on the new character Nova, a recently called Slayer who has to fight vampires with the help of her own Scooby Gang. She lives in Sunnydale, and modern residents know about the city’s shady supernatural history. But that knowledge won’t protect anyone because all the vampires Buffy seemingly defeated in the series finale have been reawakened, and they have all come back hungry.

Personally, I think this pilot sounds like a very lame retread of the Buffy the Vampire Slayer concept. Specifically, it sounds like a retread of Season 7, which teased that Dawn would be getting her own Scoobies before dropping that plotline like a hot potato. Speaking of Season 7, this pilot picks up decades later, but it does so in the worst possible way. There seems to be no solid explanation for why the vampires are back, nor is there any explanation for where all the other Slayers are since Buffy awakened them. In this way, the reboot makes all of Buffy’s actions and sacrifices in her own series finale completely meaningless!

Lost Without Joss

We’ve established most of the reasons why the Buffy the Vampire Slayer reboot would have sucked: a major lack of Buffy, a complete absence of other cast members, and a plot that ruins the earlier show’s lore. However, the reboot was also doomed for a reason that most fans aren’t really ready to admit. Namely, the new show was being made without controversial Buffy creator Joss Whedon. Without his unique voice, the reboot was doomed from the very beginning.

Whedon isn’t involved with the reboot because he got canceled, seemingly for very good reasons. Ray Fisher claimed that Whedon was verbally abusive on the Justice League set, and costar Gal Gadot alleges that Whedon threatened her career so she would comply with his demands. Buffy and Angel star Charisma Carpenter also claimed Whedon was abusive, saying that her pregnancy made her fat and callously asking if she planned on keeping the baby. Her statements were supported by other Buffy actors who agreed that Whedon created a hostile work environment, including David Boreanaz, Amber Benson, James Marsters, and Eliza Dushku.

Hovering over all of this was the bombshell revelation from Joss Whedon’s ex-wife (Kai Cole) that, despite Whedon being such an avowed feminist, he had cheated on her with multiple women, including fans and Hollywood colleagues. He even had at least one affair with an unnamed actor on Buffy the Vampire Slayer. Cole’s letter came out amid the #MeToo movement, which went a long way towards canceling Whedon. His cancellation was complete once Ray Fisher and Gal Gadot made their allegations, and even though no charges were ever formally filed, his career had a stake driven right into its heart.

All of this is to say that Joss Whedon was exposed as a hypocrite, and even though it took decades, it was rewarding to see him face justice for his alleged actions. However, nobody can deny that Whedon’s quirky humor and particular style of writing were the secret sauce that transformed Buffy the Vampire Slayer into such a cultural phenomenon. The reboot ultimately found itself in a terrible position: if they brought Whedon back, Hulu would be accused of condoning his alleged abuse. But by refusing to bring him on board, the streamer ended up with a script that fell so far short of the original show they killed the reboot altogether.

Here Lies Buffy Summers

The Buffy the Vampire Slayer reboot is dead, and that’s a good thing. Instead of getting another crappy reboot, this franchise will remain an artifact of the late ‘90s and early aughts. We can enjoy streaming old episodes, dusting off our DVDs (remember those cool menu animations?), or even reading the surprisingly great comic books. In this way, Buffy will live as long as fans have nostalgia for its powerful pop culture impact.

Sarah Michelle Gellar and others are hoping to shop this reboot pilot around to other networks or streamers, but I’m hoping this thing stays dusted. Everything we know about the reboot makes it look like it would have been a sloppy, shoddy parody of everything fans loved about the original show. Plus, if there’s anything we’ve learned about Buffy the Vampire Slayer, it’s that nothing good happens when something comes back from the dead!