Related: These ’90s-Inspired Sandals on Amazon Will Be Your New Obsession
Advertisement
Chris Evans has found himself in the spotlight after offering a rare glimpse into his personal life since becoming a father.
The “Avengers” actor has been married to Portuguese actress Alba Baptista for three years and has kept most of their relationship out of the public eye.
However, Evans has also been making headlines for more than one reason, following his much-discussed appearance in the “Avengers: Doomsday” trailer earlier this year.

Recently, the “Captain America” star reflected on how fatherhood has changed his attitude towards work.
“I have a daughter now. You need a really good reason to want to go to work now. My priorities have shifted a bit.” Evans shared during an appearance at Fan Expo Boston 2026, as seen in a clip.
Fans may recall that Evans welcomed his daughter, baby Alma Grace Baptista Evans, with his wife, Baptista, last October, as confirmed by The Blast. The happy news came just weeks after the couple celebrated their second wedding anniversary.
The pair tied the knot in a private Cape Cod ceremony in September 2023, just months after they became Instagram official.
Shortly after their wedding, Evans spilled the tea, revealing that he and Baptista were married and had not one, but two wedding ceremonies.
The actor explained that they held a wedding on the East Coast and another in Portugal, Baptista’s home country, per The Blast.
The “Gifted” actor reflected on how special both parties were, also noting how stressful it has been to plan two separate events. Evans proudly flaunted his wedding ring while speaking at the New York Comic Con event.

Although he shared details of their nuptials, the Marvel star has kept his relationship private.
Evans and Baptista were rumored to be together since January 2022; it wasn’t until November that a source confirmed the relationship to People Magazine.
“They are in love and Chris has never been happier. His family and friends all adore her,” the informant revealed at the time. After months of speculation, the Hollywood star surprised fans by sharing a video on his Instagram story in January 2023.
The video showed the lovebirds in multiple clips as they pranked each other in various spots around the house. In the video, it appeared Baptista was getting used to the Hollywood stars’ tricks. The caption read “A look back at 2022, heart emoji,” thus confirming the pair’s involvement.
The couple continued to let fans in on their romance, with Evans sharing romantic videos on Valentine’s Day, and Baptista showing up to support him at the premiere of his movie, “Ghosted.”

Although Evans and Baptista continue to enjoy marital bliss, fans didn’t initially approve of their relationship. Many criticized the actor for marrying someone much younger than him.
“The only thing I’ll say about the Chris Evans/Alba Baptista news is their age gap is virtually the same as the one between me and my son (I’m 40, he’ll be 23 soon), so I find it gross as f-ck and have lost a lot of respect for Evans,” one fan wrote, per The Blast.
Others, however, noted the backlash was double standards, citing Nick Jonas and Priyanka Chopra as an example.

Evans’ personal life aside, the beloved Hollywood hunk was the subject of intense chatter following his return to the Marvel Cinematic Universe in the “ Avengers: Doomsday.”
After the trailer was released last month, wild theories surfaced about the actor’s physical appearance. The Blast reported that while fans were excited about his return to the MCU, the noticeable change in his looks was hard to ignore.
“I’m sorry, did Chris Evans just have his first glowdown?” one comment on social media read.
Evans, however, has never commented on whether he has had any procedures done.
The discovery of a hidden gem featuring two big stars you never imagined would have ever crossed paths is one of the true virtues of the streaming era. Nobody has time to watch every single movie at the multiplex, and finding it at home used to be tougher than it is now. That’s why it’s great to stumble across a neat little crime movie that has no sprawling criminal empires or glamorous gangsters. Instead, everything happens in dingy Brooklyn bars, cramped houses and freezing streets where violence feels less like spectacle and more like an occupational hazard.
Released in 2014, The Drop paired an up-and-coming A-lister with perhaps the most iconic actor of the prestige television era in one of his final performances. It wasn’t a major theatrical phenomenon, but time has been extremely kind to the movie, which remains one of the smartest and most understated crime dramas of its era. Hardy is about to return to MobLand, which may explain why it has recently been charting globally. As for the story?
Lonely bartender Bob Saginowski and his hardened employer, Cousin Marv, run a bar that is used as a “drop” — a covert scheme that funnels cash to local gangsters. But when they find themselves caught in a robbery gone bad, and on the hook for a debt they can’t repay, both men have to make the dangerous choice between loyalty and survival.
The movie comes from screenwriter Dennis Lehane, adapting his own short story Animal Rescue, and director Michaël R. Roskam. The cast is led by Tom Hardy (Havoc) as Bob Saginowski, James Gandolfini (The Sopranos) as Cousin Marv, Noomi Rapace (Prometheus) as Nadia, Matthias Schoenaerts (The Old Guard) as Eric Deeds, and John Ortiz (American Fiction) as Detective Torres.
Made for approximately $12.6 million, The Drop grossed $18.9 million worldwide, including $10.7 million domestically. So it wasn’t exactly a runaway hit, but it did well enough and, of course, found its true audience at home. Its real legacy was from critics. The Drop currently boasts an excellent 88% critics’ score alongside a 76% audience rating on Rotten Tomatoes, while critics particularly praised its writing and ensemble, with Hardy and Gandolfini earning much of the attention, unsurprisingly.
The Gandolfini connection inevitably gives the movie some Sopranos DNA, but Hardy’s Bob is what makes it genuinely special. You think he’s a weak man, but then when it comes down to it, you find yourself asking, has everyone misunderstood the man he truly is?
The Drop is currently available to rent or purchase digitally in the United States, including through Fandango at Home.
September 12, 2014
106 minutes
Michael R. Roskam
Dennis Lehane
Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!
Shopping is literally my job, which means I spend a good chunk of every day scrolling through new arrivals, tracking launches and figuring out what’s actually worth your money. This month’s lineup includes everything from beauty products I’ve already been testing to fashion finds, home upgrades and kitchen gadgets I can’t stop thinking about. While I see hundreds of new products every month, these are the August drops that genuinely stood out from the rest.
I’m already loving Drunk Elephant’s new serum foundation, while Croc’s new ballet flats went straight onto my wish list, alongside exciting new releases from BrüMate, Charlotte Tilbury and Ninja. Whether you’re looking to refresh your beauty routine, get a head start on fall fashion or simply treat yourself to something new, there’s plenty here worth adding to your cart. Prices start at just $18, making it surprisingly affordable to shop some of the August launches that earned my editor stamp of approval.
1. My Favorite: Jelly shoes are having a major fashion moment, and this new arrivals makes the nostalgic trend feel surprisingly grown-up. More than 400 pairs were bought in the past month, and they’re currently 30% off.
2. Hydration Hero: Finding a tumbler that’s both stylish and genuinely practical isn’t always easy, but the BrüMate Resa one checks every box. The leakproof design, oversized 35-ounce capacity and cup holder-friendly base instantly earned a spot on my wish list.
3. Denim Upgrade: Abercrombie keeps proving why it’s one of my favorite places to shop for denim, and these Curve Love Ultra Barrel Jeans are no exception. The flattering fit, crisp ecru wash and on-trend silhouette make them an easy yes for late summer and fall.
4. Grill MVP: YETI knows a thing or two about durable gear, so I’m not surprised the brand is expanding into cookware. This pre-seasoned carbon steel griddle works on everything from stovetops to campfires, making it a smart pick for outdoor cooking enthusiasts.
5. Beauty Obsession: I’ve been reaching for Drunk Elephant’s new Kamo Triple-Peptide Serum Foundation nonstop lately. It gives me the full coverage I want with a natural finish, and I love that the peptide-infused formula helps my skin look firmer over time.
6. Easy Glam: If there’s one beauty shortcut I can always get behind, it’s an eyeshadow stick. Charlotte Tilbury’s newest launch delivers long-lasting, crease-proof color that looks just as good for everyday wear as it does for a night out.
7. Dinner Game-Changer: If you’ve been thinking about upgrading your air fryer, I’d keep this new Ninja launch on your radar. The DualZone design cooks two dishes simultaneously, while the glass containers let you keep an eye on everything as it crisps.
8. Color Saver: I spend good money on my hair color, so I’m always looking for products that help make it last. Amika’s Color Protect treatment promises to preserve vibrancy while strengthening hair at the same time.
9. Candle Crush: If you know me, you know I can never have too many candles. This new Capri Blue launch immediately landed on my wish list thanks to its gorgeous velvet-soft vessel and signature tropical-fruit-and-sugared-citrus scent.
10. Stay Snatched: Contour products can be intimidating, but Tarte’s new Snatch Stick makes the process sound refreshingly simple. Just swipe, blend and you’re left with a more sculpted, lifted-looking complexion.
11. Lash Lift: I’ve been testing Grande Cosmetics’ new GrandeWRAP for the past few weeks, and the results have completely won me over. My lashes look noticeably longer, more separated and stay that way all day without smudging.
12. Soft Skin Pick: I had high expectations for Summer Fridays’ body butter launch, and somehow it exceeded them. My skin feels noticeably softer after every use, and I can’t get enough of the warm pistachio milk fragrance.
13. Balletcore Buy: I never thought I’d call a pair of Crocs chic, but these new ballet flats may have changed my mind. The crisp white shade and slim Mary Jane silhouette make them an unexpectedly cool alternative to traditional flats.
UsNow Summer Sale Alert: These Chic Fashion Finds are over 30% off – Plus Free Shipping
Welcome to summer with our biggest sale of the year. This summer’s chicest dresses, tops and swimsuits are all over 30% + free shipping. Inventory is limited so hurry before they’re gone.
Before Brooklyn Nine-Nine made him the face of the NYPD, the late Andre Braugher took the airwaves by storm as Baltimore Detective Frank Pembleton in the critically acclaimed Homicide: Life on the Street. The ’90s police drama ran for seven seasons on NBC between 1993 and 1999, ultimately rounding out with a feature-length conclusion. For years, Peacock has been the streaming home of this powerhouse procedural, but if you thought it would be that way forever — think again. In less than a week, Homicide leaves the streaming platform on August 18, 2026. No big announcement was made, but eagle-eyed fans who’ve been binging through the ‘90s classic have noticed the sorry truth.
Homicide: Life on the Street is one of the most cleverly written cop dramas out there. Inspired by the non-fiction book Homicide: A Year on the Killing Streets by David Simon (who not only wrote several episodes of the show but would later create The Wire), the NBC program followed several homicide detectives as they investigate routine murders across Baltimore. But where Homicide elevated itself beyond the popular cop dramas of the time was that it always knew how to make both its detectives and those they find on the streets real people with real problems. Rather than spending entire episodes on melodramatic personal subplots, the series wove the personal struggles of Pembleton, Bayliss (Kyle Secor), Howard (Melissa Leo), Munch (Richard Belzer), Giardello (Yaphet Kotto), Lewis (Clark Johnson), Crossetti (Jon Polito), Bolander (Ned Beatty), and Felton (Daniel Baldwin) — the show’s original cast — into every major case, though as an accent that further enhanced the world rather than a soapy distraction from it.
While the program aired over 30 years ago on network television, it remains one of the most profound pieces of work on the subject. Homicide, especially those early seasons, captures the unsatisfying nature of detective work and how one cannot escape the physical and emotional demands of the job, with many cases left unresolved. “Three Men and Adena” is perhaps the best example of this, as Pembleton and Bayliss attempt to coax a confession out of a local arabber Risley Tucker (played by Moses Gunn in his final on-screen role), who was the last to see Adena Watson alive. Whether you believe Tucker did it or not, it’s the realistic ambiguity, the not knowing, that haunts the viewer when the credits roll. Rather than focus on car chases and gunplay, Homicide spent its energies entirely on the investigation itself, with characters like Braugher’s Pembleton wrestling with the philosophical (and sometimes religious) implications of what he sees every day. Baltimore as a city also becomes a major character, as the on-location shooting of Homicide makes the world feel breathable and lived-in rather than something filmed on a sound stage or back alley — frankly, it’s only improved with age.
Magnetic and downright irresistible on the screen, Braugher carried the brunt of the series alongside his equally capable castmates, laying the groundwork for what would eventually become “prestige police television.” Like many of the initial characters created for the show, Frank Pembleton was based on a real-life Baltimore detective, though Braugher’s character departed from his off-screen counterpart over time. By the third season, Homicide began to reinvent itself, but staples like Pembleton and Munch — who would become a television icon — remained with the program for the majority of its run. Braugher left the show ahead of the final season, though he returned for Homicide: The Movie to help wrap things up.
There are plenty of reasons to revisit Homicide before Peacock axes the classic series. Aside from the exceptional work by Braugher himself, who put on a full theatrical display, guest appearances from stars like Robin Williams (among many, many others) result in some exceptionally meaty material. If you’re tired of cop shows and roll your eyes whenever CSI, NCIS, or Law & Order is on, this is the procedural you’re going to want to tune in for instead. Sure, it technically exists in the same world as the latter franchise, but Homicide was always a program that ran on a different level.
Homicide: Life on the Street (and Homicide: The Movie) is available for streaming on Peacock through August 18, 2026.
House of the Dragon Season 3 is over, leaving us with a two-year wait before we can pick up the story of Rhaenyra Targaryen (Emma D’Arcy) and her struggle for power. As always, some of us will fill the time by re-reading George R.R. Martin‘s A Song of Ice and Fire series, or rewatching HBO‘s Game of Thrones for a taste of Westeros. We can also pick up other series, but the world of fantasy is vast, and finding stories that connect with our specific tastes can be a struggle — especially if we want to avoid major spoilers in the process. The five book series below have all the right things in common with House of the Dragon, and they’ll resonate with fans at this point in the story.
Game of Thrones was comprised primarily of political drama and palace intrigue, with most of the warfare taking place off-screen, and the magical, fantastical elements looming as a distant threat. House of the Dragon actually balances these ingredients much more evenly — at this time in Westeros, dragons are a tangible part of every day life, and war is front and center in the story. The series below are similar in that their plots are driven by politics, espionage, and human relationships, without sparing anything in the way of action.
If you love the idea of flying but hesitate over dragons’ fiery breath and viciousness, Rebecca Roanhorse‘s Between Earth and Sky trilogy is for you. This is an epic fantasy series, but rather than medieval Europe, its setting is inspired by pre-Columbian Native American culture. The story jumps between several point-of-view characters much like Game of Thrones, giving us a wide view of this world and all its wonders without sacrificing personality and heart. We follow a sailor with magical powers named Xiala, a mysterious blind young man named Serapio, and the unlikely young Sun Priest Naranpa as their stories slowly converge.
Between Earth and Sky was published between 2020 and 2024, and is comprised of three books — Black Sun, Fevered Star, and Mirrored Heavens. The series has won several prominent awards, including the Hugo for Best Series last year upon its completion. You can find all three books now in print, digital, and audiobook formats.
Memory, Sorrow, and Thorn by Tad Williams was a major inspiration on Martin when he first wrote A Game of Thrones, and the similarities are pretty glaring when you first pick it up. This series follows a teenage boy named Simon who works as a servant in a castle called the Hayholt, the capitol of the most powerful kingdom on the continent. He yearns for adventure, but when he is thrust into it, he finds it to be more than he bargained for.
The scope of the series expands naturally as it goes on, eventually painting an incredibly vivid picture of this fictional land, Osten Ard. Williams is brilliant at introducing a magical power or monster that the reader wasn’t expecting, then undercutting the awe by questioning what exactly this magic can do for the world. Tolkien’s influence is clear in the worldbuilding, as Williams writers dragons more like Smaug and less like Balerion. However, the other magic of this world more than makes up for it, so die-hard dragon fans should not skip this one.
There are four books in the original Memory, Sorrow, and Thorn series, but Williams has since completed a sequel series called The Last King of Osten Ard, with the last volume published in 2024. All of them are available now in print, digital, and audiobook formats.
Whatever you love about the fantasy genre, there’s something in The Realm of the Elderings series for you. This 16-book-long epic by Robin Hobb is actually a collection of four trilogies and one quadrilogy, all following related stories in the same setting over the course of years. The first trilogy, Farseer, follows a royal bastard named FitzChivalry growing up in Buckkeep Castle. He’s not exactly allowed to be a part of the court — or the royal family — yet he’s not allowed to stray too far either, lest he become a threat. All the while, a bizarre wave of naval incursions grows, until Fitz finds himself coming of age in an all-out war with magical powers he doesn’t quite understand.
The story is heartbreaking but impossible to put down, even when it drastically changes perspectives in subsequent trilogies. Hobb has a gift for writing about nature, trauma, and the inner lives of her characters. She utilizes various forms of psychic links between humans and animals throughout the story, and much like Martin, her magic comes at so high a cost it may not be worth using at times. This is a must-read for fans of dragons, but also fans of fantasy politics and the optics of power. All 16 books are available now in print, digital, and audiobook formats.
Die-hard fans of A Song of Ice and Fire should put the Elric of Melniboné series on their TBR lists simply because it was one of the biggest influences on Martin growing up. The series was written by Michael Moorcock, but it did not begin as a set of door-stopper novels. Elric first appeared in a story published in 1962 in the magazine New Edge Sword and Sorcery, and his stories were scattered across other magazines, novelettes, and novels for years. Fortunately, now is a great time to pick up the series, as it has been collected into four volumes published by Saga Press in 2022. They are available now in print, digital, and audiobook formats.
The titular hero, Elric is the 428th Emperor of Melniboné, an island nation of advanced sorcerers, dragon-riders, and despots. For generations, Melniboné has preyed on the surrounding nations of ordinary humans, but Elric is uncharacteristically sympathetic to their plight. Born anemic and physically weak, Elric needs magical drugs to stay alive and project strength to seize the throne, and his enemies never stop scheming against him. Enacting reforms will be nearly impossible in this world of entrenched violence, even if Elric is willing to sacrifice his health and lifespan to make it happen.
All that may sound a bit familiar. Martin’s extinct dragon-rider civilization Valyria clearly took a lot of cues from Melniboné, and there are several prominent Targaryen characters modeled after the tragic hero Elric. In his memoir Dreamsongs, Martin drew a distinction between “high fantasy” like Tolkien’s Lord of the Rings and “heroic fantasy” like Robert E. Howard’s Conan the Barbarian. Elric falls somewhere in the middle, and arguably, A Song of Ice and Fire does as well.
Finally, Fonda Lee‘s trilogy The Green Bone Saga is a must-read for fans of fantasy that balances power with authentic politics. The three volumes of the series — Jade City, Jade War, and Jade Legacy — were published between 2017 and 2021, introducing fans to the island of Kekon and its magical jade. Those with the right genetic predisposition can gain enhanced physical abilities by wearing jade, but tradition mandates that they go through intense training first, then swear themselves to a clan.
At first glance, this setting has little in common with House of the Dragon. It’s an industrial world which recently weathered a “Many Nations War” analogous to World War II, and the isolationist island of Kekon is clearly inspired by East Asian culture. However, the struggles for power within jade clans and between them would resonate with any Targaryen claimant, and the impossible choices these characters face would make any Hand of the King blanch.
The Green Bone Saga trilogy is available now in print, digital, and audiobook formats, along with a prequel novella and a collection of short stories set in the same world. The A Song of Ice and Fire series is available now in all three formats as well, and House of the Dragon is expected to conclude with one more season on HBO and HBO Max.
August 21, 2022
HBO
George R.R. Martin
Clare Kilner, Geeta Patel
Gabe Fonseca
Fabien Frankel
Ser Criston Cole
Many celebrities have shared some spooky supernatural stories based on their encounters with the paranormal.
Succession star Sarah Snook said she spotted a ghost in London’s Theatre Royal Haymarket while performing Oscar Wilde’s The Picture of Dorian Gray in 2024.
“I do feel like I saw one. I saw somebody get up, and I was, like, ‘Oh, cool. They’re getting up and leaving. They must need to go to the toilet.’ But I look back and they were not there,” she told The New Yorker in an interview published in March 2025. “They were in a very white, kind of Victorian play-dress, a big floofy white dress and a bow. I did ask the people who run the theatre, and they said that it’s haunted, but they’ve never seen that ghost.”
And breakout country star Dasha, whose song “Austin” went viral on TikTok earlier that year, claims she not only had a brush with a ghostly apparition – she actually grew up with a spirit in her house.
Speaking to “Taste of Country Mornings with Wood and Nicole” in July 2024, the singer explained that her family once rented a “super haunted house,” which bore a tragic history.
“This family had died like 200 years ago when it was built of, like, some crazy fever, and this little girl had died in my room and I had no idea,” she related.
Although Dasha herself never saw the child’s ghost, her stepsister reportedly did, describing her as wearing “a white nightgown” and sitting on Dasha’s bed. She even claimed the little girl turned and looked at her.
Luckily for Dasha, her stepsister did not reveal this spooky information until the family moved out. “Thank God,” noted Dasha. “Or else I never would have stepped foot in that room!”
Scroll down for more stories about stars encountering the unexpected:
Hayden Christensen loves to spend time with his 11-year-old daughter, Briar Rose, no matter the activity.
“I have a young daughter, and I love watching shows with her,” Christensen, 45, told MTV UK at the 2026 D23: The Ultimate Disney Fan Event on Friday, August 14. “Her favorite ones right now are Liv and Maddie and Henry Danger, so I enjoy getting to watch those with her.”
Christensen, who shares Briar with ex Rachel Bilson, also deviates from the Disney Channel and Nickelodeon when his little girl isn’t present.
“I recently got into The Agency with Michael Fassbender,” he gushed on the red carpet of the hit Showtime series. “It’s really good.”
Christensen stepped out on Friday to reveal his upcoming role in season 2 of Ahsoka. Disney confirmed during its annual fan expo that Christensen will play Force ghost Anakin in the Star Wars series.
Christensen, of course, famously played Anakin Skywalker, a young Darth Vader, in the intergalactic franchise, though Briar hasn’t caught up on the Star Wars films yet.
“She’s not aware that her dad is one of the biggest villains of all time,” Bilson, 44, exclusively told Us in 2020. “When that [time] comes, I don’t know how that’ll probably fare in school because nobody will mess with her!”
Two years later, Christensen revealed that Briar was finally aware of his Star Wars past because she was his “first lightsaber training partner” for Disney+’s Obi-Wan.
“She knows Daddy’s Darth Vader, [but] she’s never seen Daddy as Darth Vader,” he revealed on The Tonight Show Starring Jimmy Fallon in 2022. “I’m still waiting a little bit, you know, until that happens. I might show her the prequels soon, but still, there’s some scenes we might have to fast forward through.”
Christensen and Bilson dated from 2007 to 2017, welcoming Briar in 2014 before their eventual split. The now-exes have since remained committed to amicably coparenting their daughter.
“Ours is, like, a unique version of it. We do a lot of stuff together — a lot,” the Hart of Dixie actress said on a January episode of the “Let’s Be Honest” podcast about her dynamic with Christensen. “We have been able to keep it very copacetic and nice for [Briar]. We weren’t ever married so we … figured out our own way. [My advice for other coparents] is communication and sometimes you have to compromise a lot.”
Bilson continued at the time, “I’m really close to his family and it’s been almost 19 years or something, which is a long time [ago]. It feels like [water under the bridge].”
Gwyneth Paltrow and her 22-year-old lookalike daughter, Apple, are soaking up the summer in style.
“Summer, so far so good,” Paltrow, 53, wrote via Instagram on Friday, August 14, sharing a carousel of the mother-daughter duo’s sunshine-filled getaway.
The Oscar-winning actress rocked a plunging black one-piece while lounging on a sun deck with Apple, who sported a red-and-white striped bikini.
Paltrow, who shares Apple and 20-year-old son Moses with ex-husband Chris Martin, and her daughter have always shared a close bond.
“It’s been a major transition. I didn’t know what to expect, but I knew it would be hard because Apple and I are so close and were together all the time,” Paltrow exclusively told Us in October 2022 before her firstborn went off to college. “But I had no idea. It was like the worst heartbreak I’ve ever [felt]. I felt like the love of my life broke up with me for weeks. It was terrible.”
She continued at the time, “Now, I’m getting more used to it and it also helps to see her happy and well-adjusted. That makes a huge difference. And she just came home for October break, so that was good. I’ll see her for Thanksgiving.”
Apple, who has since graduated from Vanderbilt University, has even been fortunate enough to borrow her mom’s most iconic wardrobe pieces.
“I’ll sneak into her closet and steal little things,” Apple admitted to Interview magazine in April 2025. “My absolute favorite stuff is her old Calvin Klein from the ’90s. I have a lot of it and it’s the best thing in the world. Going into her archive closet is just heaven on earth. She lets me steal stuff because she’s like, ‘I saved it all so that you could steal it.’”
Apple further noted, “Then she’s always like, ‘You have to be so careful.’ [Back in the day, she would wear] a cheetah print coat, hair clips, sunnies and some cool wedged sandals. I love that.”
Cindy Crawford’s daughter, Kaia Gerber, is looking back on her allegedly haunting childhood — literally.
“My mom gave me holy water to go to set,” Gerber, 24, began during a Friday, August 14, interview on the “Mitch Churi Chat Show,” referring to her stint on American Horror Story season 10. “She was like, ‘I don’t want you to get possessed.’ I was told I was possessed as a child.”
Kaia, the daughter of supermodel Crawford, 60, and husband Rande Gerber, further claimed that she was “haunted [her] whole life.” (Crawford and Rande, 64, also share son Presley, 27.)
“I do feel I attract beings from other dimensions in a very casual and chill way,” Kaia quipped, alleging that she “actually did” have an exorcism to ward off alleged evil spirits. “Do you know how they did the exorcism? They played a didgeridoo all over me! That’s how they did the exorcism. … That actually did happen. I’ve never talked about it, but it actually did happen.”
Kaia added, “I’m all healed.”
Kaia, who did not further address her apparent childhood possession, has since followed in her mom’s footsteps in Hollywood. After finding her own success as a model, Kaia made the leap to acting with roles in Palm Royale and Ryan Murphy’s AHS and The Shards.
“Fame was something that I was born into, so I didn’t experience what it was like to become famous,” Kaia told Vogue in a profile published earlier this month. “I, kind of, thought that my way of being raised was the most anonymous it could get under the circumstances, and then I met Homer [Gere]. Like, there are no photos of him as a child online, whereas my entire childhood and teenage years are on the internet. I can only imagine. I’m 24 but…very interviewed.”
Homer, Kaia’s costar in The Shards, is the son of exes Richard Gere and Carey Lowell. (Richard, 76, was famously married to Crawford from 1991 to 1995.)
“Twenty minutes into knowing each other, I was like, ‘Should we just acknowledge the fact that our parents were married?’” Homer, 26, recalled to Vogue of meeting Kaia on set of The Shards. “She was like, ‘Yeah. Cool.’ And that was it.”
As for Kaia, she immediately noted how similar Homer was to his character.
“I think Homer has Robert’s charisma without his cruelty. I looked around [at the cast when we met], and I said to the group, ‘You guys are all so much like your characters. That’s so interesting, since I’m nothing like mine,’” she said. “They all looked at me, and they go, ‘Hmm. No, I don’t think you’re the exception.’ Susan is a lot more like me than I want to admit.”
Rep. Alexandria Ocasio-Cortez is addressing the political “backlash” she is receiving after going public with her decision to freeze her eggs.
“One question that I received earlier is do I regret coming out publicly about this due to all of the political negativity and the larger political context, and especially this idea that, for me, I’m quite young in my career — especially when it comes to politics — so would the backlash around this have any future impact on my career and do I regret it for those reasons,” Ocasio-Cortez, 36, said in a video shared via her Instagram Stories on Saturday, August 15.
“And the answer to that simply is — no. I was born a woman. Period,” she continued. “And I have no control over that, and I wouldn’t want to change that. And the way I feel is any negativity or judgement that I would receive at any point is negativity that I would receive for being a woman whether I shared this information or not, and so I might as well help others.”
The Democratic congresswoman representing New York City’s 4th congressional district announced she had made the personal decision to start freezing her eggs one week earlier, on August 8.
“I want to share with you all a decision that is very personal that I have made that has taken me time to consider, weigh and save up for,” she said via her Instagram Stories at the time. “And it is of a sensitive matter and a personal matter and usually I keep my private life quite private, but I have made the decision to start freezing my eggs.”

Ocasio-Cortez, considered a potential future frontrunner for the Democratic party’s presidential nominee, has since received a slew of backlash from conservative Republicans and right-wing internet personalities for her choice to freeze her eggs and decision to share the journey publicly.
On Saturday, the congresswoman said that, unfortunately, she is used to the endless and often sexist and misogynistic scrutiny she’s endured since entering office in 2019. (The congresswoman became the youngest woman ever elected to the House of Representatives after defeating Republican nominee Anthony Pappas.)
“Another element of this as well is that ever since I was 28 years old, when I first won my primary largely unexpectedly to the national media, I have been subject to personal scrutiny and dissection ever since — for years,” she explained. “And it’s no secret to anyone that it’s been done in a way that is just simply not something that my male colleagues have been subject to, and when you go through that level of national scrutiny the first time it can be very unsettling. But I’ve gone through this so many times and for so many years — and it’s not to say that it’s fair, or right, or isn’t hurtful – but I have the privilege of being more resilient to this kind of negativity than someone going publicly that hasn’t.”
She added, “And what I find interesting, I think, sometimes with this negativity is that a lot of people think that, you know, who engage in it, they think that there’s no issue with them engaging in discourse about me, but when I take control of my life and I participate in that discourse and I open it proactively for people and shape it in a way that creates community and space for other women in a similar position — and other people in a similar position and other couples in a similar position – to feel less alone, that’s when people have an issue. It’s fine if I’m just being subject to it, but once I participate in it that’s when people get upset.”
In the end, the congresswoman reiterated that she is a woman and is refusing to “ignore that fact when no one else does.”
“It’s not to be obnoxious about it and it’s not to be whatever, but it’s to just live in the world and I want to be able to live in the world as myself,” she continued. “When I first decided to run for office, I made a deal with myself and it was that I would do this as long as I could remain myself and the day that I could no longer do this and be myself is the day that I leave. And part of this process is me being myself — this moment. And I don’t want to do this while not being me.”
She continued, growing somewhat emotional, “That’s my bargain. No one can make that determination but me and my loved ones and I’m very grateful that my friends and my family are the friends and family and loved ones that I’ve had before all of this ever even happened. And I’m also incredibly grateful for all the friends I’ve made since and all of you all that have created a tremendous community — not for me but for each other.”
At the heart of the appeal of so many great crime shows is a sense of macabre intrigue, a morbid curiosity that invites viewers to revel in the dark depravity of human behavior. It doesn’t matter whether the series focuses on complicated and compromised detectives investigating a deranged serial killer or an ordinary man’s descent into the corruption, violence, and power of the drug trade, the wicked immersion in human evil is compelling to say the least.
Ranging from monumental smash hits of network television to streaming sensations, novel adaptations, and even underrated cult classics, these crime TV series all excel at delivering stories that grow increasingly dark with each passing episode. Striking a balance between entertainment value, thematic depth, and confronting bleakness, these shows stand not only among crime television’s best titles, but among its most addictive and impressionable as well.
One of HBO’s most criminally underrated series in the past decade, Sharp Objects combines a gruesome murder mystery with nuanced and piercing character drama while capturing a mesmerizing atmosphere of Southern Gothic eeriness. Based on Gillian Flynn’s novel, it unfolds as a crime reporter, still recovering from her own issues of abuse and addiction, travels to her hometown to investigate the murder of two young girls. As she wrestles with the increasingly disturbing crime, she must also confront re-emerging demons from her childhood.
Powered by Amy Adams’s outstanding lead performance, Sharp Objects never loses grasp of its dramatic might even as the intricacies of the case and the intensifying family conflict continuously deliver shocking twists and turns. With a final scene that is sure to leave all who view it in a state of petrified dissonance, Sharp Objects grows darker and bolder as each episode pries deeper into Camille’s traumatic past and how it clashes with the violent atrocity she is investigating.
Given that The Wire starts as a brutally realistic descent into the Baltimore drug trade, it is difficult to say the series truly grows darker throughout its five-season run. However, it undeniably becomes increasingly hopeless and depressing as it drastically expands its scope to analyze the systemic issues in a vast range of societal institutions that plague the city, ranging from corruption in the police force to the shifting, self-interested priorities of city hall, and even to the ineffectiveness of the public school system.
While enrapturing, its tone is undeniably bleak, especially as it combines its all-encompassing scale and its penchant for authenticity with profoundly human characters. Seasons 4 and 5 do become particularly confronting as well, with the series expanding to explore the lives of school kids embroiled in the drug war and the career-minded immorality of journalism that reduces reporting crime in the city to an entertainment spectacle. As a whole, The Wire is one of TV’s most astonishing masterpieces and a quintessential viewing experience, but its relentless tonal intensity and cold realism do make it challenging to watch.
While it was underrated when it was airing, The Shield has come to be celebrated as one of the most absorbing and intense series of the 2000s. Produced by FX, it revolves around the Strike Team, a police unit operating in a crime-riddled region of L.A. under the command of Vic Mackey (Michael Chiklis), who encourages the use of illegal and brutal methods to enforce the law while finding ways to profit from street crime.
Its first episode is renowned for its jaw-dropping ending that reveals the immorality and corruption of the Strike Team in no uncertain terms. The series only grows darker and more harrowing from there, delving into every detail of the main characters’ complex psyches of moral bankruptcy and self-justification while touching on their own personal dilemmas that range from familial dysfunction to issues with sexuality. Impressively, The Shield is at its darkest in its final season as the characters face dire consequences for their crimes, with its sense of real-world recompense painting a morbid portrait of justice in modern society as reputations and public image play a more significant role than punishing those who have done wrong.
As is the case with any spin-off of an all-time classic, Bates Motel is an intriguing combination of original ideas and respect for the original story, in this case, Alfred Hitchcock’s genre-defining classic, Psycho. Serving as a prequel, the five-season series follows Norman Bates (Freddie Highmore) and his mother, Norma (Vera Farmiga), in their murderous escapades as they manage the Bates Motel.
While earlier seasons feel misguided, viewing Norman and Norma as anti-heroes to a certain extent, the series does begin to indulge in its dark and twisted allure in time. It is no coincidence that as the series grows more depraved, it also becomes more transfixing and wickedly delightful. By Season 5, Bates Motel has bridged the gap between its lackluster opening and the events of Psycho to be one of the most psychologically twisted yet grotesquely absorbing treats of crime television as well as a hard-hitting highlight of small-screen horror.
While its exceptional first season is a clear standout of the anthology series, each installment of True Detective runs with a similar formula as they start vague and eerie before delving deeper into both the gruesome details of the crimes and the complexity of the detectives investigating them. Whereas many mystery shows start with a sinister inexplicability only to grow more comfortable and simpler as major clues are revealed, True Detective excels at only growing darker and more disturbing as new details of the crimes emerge.
Season 1 is perhaps the greatest example of this television has ever seen, a moody Southern Gothic slow-burn thriller that sees an occult killing expand into a web of corruption, power, and sexual depravity revolving around major figures in the Louisiana region. Ensuing seasons, while not quite as potent, are similarly adept at opening on an isolated crime that becomes tied to a wider conspiracy. Through not only the nature of the criminal actions, but the way in which the stories unfold as well, True Detective is brilliant at ensuring its unfurling mysteries grow increasingly darker with each episode.
Taking a completely original approach to a familiar crime premise, The Fall revolves around a police officer’s hunt for a serial killer in Northern Ireland. However, while Superintendent Gibson’s (Gillian Anderson) meticulous and often obsessive investigation of the case is a core focus of the series, so too are the experiences and plotting of the murderer, with Jamie Dornan co-starring as Paul Spector, a man launching violent attacks on professional women in Belfast while hiding under the guise of a harmless and ordinary family man.
The series’ unique approach imbues it with a piercing, energized air of dread and intrigue from the outset. Seeing how Spector plans and executes his killings only imbues Gibson’s investigation with a greater sense of urgency, and the series masters the art of extracting tension even when the audience knows far more about what is going on than the characters. By Season 3, The Fall is firing on all cylinders as a relentlessly suspenseful and viciously dark crime series powered by two outstanding lead performances.
Co-created by David Simon—the co-creator of the aforementioned The Wire—We Own This City is a sprawling and intricately layered descent into true crime as it examines the corrupt practices of the Baltimore Police Department’s Gun Trace Task Force. Based on Justin Fenton’s nonfiction book, the six-part miniseries is framed as an FBI investigation into the unit’s illegal activities, with Sgt. Wayne Jenkins’s (Jon Bernthal) history with the squad as both a recruit and a commander being the major focus.
Its intense time-jumping narrative style does make it difficult to grasp on first viewing, but We Own This City excels as one of the most incisive and essential crime series of the past decade. Not only does it address the integral issue of police corruption with incredible depth and detail, but it also analyses America’s failed campaign in the War on Drugs, how trust between the public and integral social institutions has been dismantled, as well as the cultural issues that make combating police malpractice so difficult. With each episode broadening the story’s scope while deepening the examination of its core issues, We Own This City only grows bleaker and more damning as it goes on.
One of the most noteworthy television successes in Netflix’s brief history so far, Ozark toes a delicate line between ferocious crime drama and enthralling thrills throughout its gripping four-season run. A huge reason why the series works so well and maintains such a propulsive sense of momentum is its ability to constantly up the stakes while delving into darker and more unnerving threats surrounding the Byrde family.
It follows financial advisor Marty Byrde (Jason Bateman) as a poor business decision from a partner lands him in debt to a Mexican drug cartel. When he conceives a plan to smuggle drugs into the country through the Missouri Ozarks and use local businesses to launder money, he and his family are sent to the region to oversee the criminal operation. Between clashing with local crooks, evading the clutches of law enforcement, and answering to the cartel, Ozark sees the Byrdes thrust on a relentlessly suspenseful and increasingly sinister journey of violent crime where any misstep could bring about a swift demise for the entire family.
An astonishing feat of network television that was not appreciated enough when it was on the air, Hannibal broke new ground for free-to-air censorship with its ultra-stylized gore, violently twisty storytelling, and its pervasive air of darkness and dread. Based on characters created by Thomas Harris, the NBC series unfolds as Will Graham (Hugh Dancy), an FBI profiler with a unique ability to empathize with serial killers, works with the bureau’s Behavioral Science Unit on an active case. Due to concerns for Graham’s well-being, forensic psychiatrist Dr. Hannibal Lecter (Mads Mikkelsen) is assigned to monitor him.
In addition to its exceptional performances, gorgeous though gruesome production, and its creative dare, Hannibal soars through the complex evolution of the relationship between Graham and Lecter. By the third and final season, the series’ murder mystery component is playing second fiddle to its intimate focus on the depraved nuances and animosity of the two men’s bond. Growing darker in both a thematic sense and in terms of its creative fervor for explicit gore, Hannibal starts off deliciously depraved and only intensifies from there.
One of the most famous arcs in television history, Walter White’s (Bryan Cranston) morbid descent from being a suburban family man and high school teacher to becoming a ruthless, cruel, and brutal crime lord makes for arguably the best story the small-screen has ever seen. It also makes for one of the darkest, with Breaking Bad’s tone drifting from thrilling entertainment to bleak and confronting character drama over the course of its five-season run.
While there are noteworthy milestones in Walter’s journey of corruption and amorality—from watching Jane (Kristin Ritter) overdose to actively poisoning a child to manipulate Jesse (Aaron Paul)—the series as a whole tracks his gradual decline in a linear fashion. Complimented by an abundance of volatile twists, plenty of passages of unbearable suspense, consistently magnificent performances from all involved, and Vince Gilligan’s uncompromised vision for the series, Breaking Bad excels as one of the greatest and darkest shows television has ever seen.
2008 – 2013-00-00
AMC
Vince Gilligan
Vince Gilligan, Michelle Maclaren
Weekend Open Thread: Ann Taylor
Datadog: Best Of Breed For Multiple Reasons
Communication cards help banking customers access services or report scams
Oil Price Today (August 11): Crude oil rises to $88 after Trump’s compensation demand dents Hormuz opening. Here’s why
Amazon Sundays: Closet Care Before Fall
Revolut wins French banking licence, creates second EU banking hub
Why Did Nvidia Stock Fall on Monday Despite a $500 Billion Wall Street AI Deal?
5 Things You Must Know About Jorge Messi, the Father and Longtime Agent Who Shaped Lionel Messi’s Career
Ben-Gvir’s crocodile project halted but abuses at Ketziot Prison continue
The Church of England’s ruinous reparations racket
Saudi Arabia used 86% of missile stockpile defending Iran attacks
SEQ Code: The Three Letter Boarding Pass Code That Could Give You The Worst Seat
Myanmar says over 300,000 Rohingya refugees verified for repatriation as exodus enters ninth year
What’s An EDT? The Rise Of ‘Extreme Day Trips’ As A Travel Trend
Crypto Made a $9.6 Billion Record, But It’s Hiding a Crucial Truth
USDC and USDT Now Own 84% of Crypto Card Spend as the Euro Retreats
Can You Wear Double Cloth Gauze Clothing To Your Office?
The House Article | Burnham still needs to sell devolution to the public
Analyst Expects XRP’s Strongest Price Reversal Ever, but Polymarket Disagrees
Is Clarity's delay a blessing in disguise?: State of Crypto
You must be logged in to post a comment Login