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Every Rachel Zegler Movie, Ranked by Rewatchability

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Rachel Zegler has quickly become one of Hollywood’s most exciting young stars. She made a stunning debut in Steven Spielberg‘s West Side Story and followed it up with major roles in big-budget franchises. Despite a brief filmography, Zegler’s star power and undeniable vocal talent have always been highlights in all her movies. She recently made a splash with her Oliver Award-winning performance as Evita in the West End musical, which will soon come to Broadway. She also has several projects lined up including the musical Octet, directed by Lin-Manuel Miranda.

In this list, we take a look at how rewatchable her movies are. From her debut film to her blockbuster film, this list does not only look at Zegler’s role in the movies, but the movies as a whole. We’ll take a look at which movies offer the most essential viewing experiences and which ones are less compelling.

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6

‘Y2K’ (2024)

Rachel Zegler, calling someone, as Laura in Y2K
Image via A24

Set on New Year’s Eve in 1999, Y2K follows a group of high schoolers who attend a party on the night before the new millennium, only to find themselves fighting for their lives when the Y2K computer bug causes all technology to become sentient and attacks humanity. Rachel Zegler stars as Laura in the film alongside Jaeden Martell and Julian Dennison.

Despite its genre-blending nature and fun premise, Y2K is a messy film that does not know what it wants to be. While the film has a specific, nostalgic aesthetic and features a collection of absurdist gags that some viewers may enjoy, the film struggles mix its comedy and horror genres. The film is also unsure how to mix the high school comedy story and the sci-fi aspects of it. So, it naturally ranks the lowest in rewatchability. The film also bombed at the box office and was barely noticed by the audiences. Zegler is still the main draw in this film though.

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5

‘Snow White’ (2025)

Rachel Zegler in Snow White
Image via Disney

Snow White reimagines the classic 1937 animated film. This film follows Snow White (Rachel Zegler), whose beauty threatens and enrages her wicked stepmother, the Evil Queen (Gal Gadot). After being forced to flee into the forest, Snow White finds refuge with seven dwarves and must eventually face her stepmother to reclaim the kingdom.

Putting aside all the off-screen controversies surrounding the film, Snow White is objectively a lackluster Disney film. With its flat story and uncanny visuals, it lacks the magic of the animated film and fails to trigger any sense of wonder. Rachel Zegler still shines with the limited amount of material she’s given. She has a showstopper song titled “Waiting on a Wish” that utilizes her beautiful voice. The same cannot be said of her screen partner, Gal Gadot, who constantly fumbles her musical numbers. Its target audience may choose to watch better Disney live-action films or even stick to the 90-year-old original film.

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4

‘Shazam! Fury of the Gods’ (2023)

Shazam! Fury of the Gods follows Billy Batson (Asher Angel) and his foster siblings, who transform into adult heroes, led by Batson’s Shazam (Zachary Levi). This time, they face off against the Daughters of Atlas, Hespera (Helen Mirren), Kalypso (Lucy Liu), and Anthea (Zegler) as they try to revive the God’s Realm and destroy the Earth in the process.

Depending on your affinity to DCEU or superhero movies in general, this Shazam sequel could be the most irritating film or one of the more entertaining offerings of the genre. Directed by David F. Sandberg, it has a certain degree of visual flair and some fun action sequences. The family aspect of the film remains the film’s biggest strength and Zegler’s character Anthea is probably the most realized one among the ensemble cast. It’s still a fun movie to watch when you don’t think about the bigger picture of the shared DC Universe and that makes it more rewatchable than a couple of Zegler’s films.

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3

‘Spellbound’ (2024)

Rachel Zegler in Spellbound
Image via Netflix 

Spellbound follows Princess Ellian of Lumbria (voiced by Rachel Zegler), who must embark on a quest to break the spell that has turned her parents into monsters and divided her kingdom into two opposing halves, the Kingdom of Light and the Kingdom of Darkness. The film boasts a star-studded voice cast that includes Nicole Kidman, Javier Bardem and John Lithgow.

Featuring a timeless story and music by Alan Menken, Spellbound has all the elements to be a massive hit, but unfortunately the film was only released on Netflix. With its lukewarm reviews, the film failed to make any ripple outside the Netflix charts. The film however has a rich, colorful animation and vibrant original songs. Zegler’s role as the princess leans to her strength: her singing voice. On top of that, she’s able to convey so much through her voice, making her character so appealing. For families and children, this Netflix animated film could be immensely rewatchable, if they finally stopped rewatching KPop Demon Hunters.

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2

‘The Hunger Games: The Ballad of Songbirds & Snakes’ (2023)

Lucy Gray Baird (Rachel Zegler) looking shocked in ‘The Hunger Games: The Ballad of Songbirds & Snakes’.
Image via Lionsgate

The Hunger Games: The Ballad of Songbird & Snakes follows a young Coriolanus Snow (Tom Blyth), decades before he becomes the President of Panem. In the 10th Annual Hunger Games, he is selected to mentor one of District 12’s female tribute, Lucy Gray Baird (Zegler). The film shows Snow’s descent into darkness as he strategizes to ensure Lucy Gray’s victory and his ruthless ideas that become staples in the Games.

This Hunger Games prequel is a welcome return to the dystopian world created by Suzanne Collins. The film was met with strong box office performance and a positive reception from audiences and critics. Snow’s compelling arc and Lucy Gray’s fascinating and enigmatic journey make it always entertaining to revisit. The film offers the usual Hunger Games thrills but also ends it in an unexpected, ambiguous note for one of the characters. Once again, Zegler is given a space to flex her singing talent, with several songs in this film. The Hunger Games: The Ballad of Songbird & Snakes won Zegler a People’s Choice Award and is currently her highest grossing film.

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1

‘West Side Story’ (2021)

Rachel Zegler as Maria looking back on a dance floor in Steven Spielberg’s West Side Story (2021)
Image via 20th Century Studios

West Side Story centers on the forbidden love between Tony (Ansel Elgort), a member of the Jets gang, and María (Zegler), the sister of the leader of the rival Puerto Rican gang, the Sharks. Despite all the warnings from both sides of the gangs, Tony and Maria’s romance blooms until it meets its tragic end. The film is a remake of the 1961 film, and the story itself is inspired by Romeo & Juliet.

Steven Spielberg‘s West Side Story is Rachel Zegler’s debut film. She is widely praised for her performance and powerful singing voice, earning her a Golden Globe. The film itself is a vibrant adaptation of the stage musical. The elaborate musical numbers are a constant draw in every viewing. It is filled with stunning visuals courtesy of Spielberg’s longtime collaborator Janusz Kaminski and the director’s masterful direction and long shots. Many audience and critics even deem it superior to the original film. Even though it bombed at the box office, it is still one of the best films released in the past few years.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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West Side Story

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Release Date

December 10, 2021

Runtime
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156 minutes

Writers

Tony Kushner

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