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Forget Dune, This Overlooked Sci-Fi Book Is the Space Opera Streaming Has Been Waiting For

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Streaming services are always looking for the “next great thing,” something that will keep their subscribers engaged and, hopefully, bring in new subscribers. It’s where they look to find it that differs from project to project. HBO turned to video games for The Last of Us. Apple TV+ expanded on film’s MonsterVerse franchise for Monarch: Legacy of Monsters. Prime Video has taken a page from J.R.R. Tolkien for The Lord of the Rings: The Rings of Power. Long story short, there’s no shortage of places to turn to for any genre. With HBO delivering Dune: Prophecy later this year and Apple TV’s Foundation Season 4 still waiting on a premiere date, the space opera is a genre that never gets old, and a 13-year-old sci-fi book, Ancillary Justice, might just be the answer.

‘Ancillary Justice’ Tells a Tale Over Two Timelines

Ann Leckie‘s Ancillary Justice opens on Nilt, a remote ice planet. It’s on Nilt that the novel’s protagonist, Breq, finds and rescues a drugged and beaten Seivarden Vendaai, who once served as lieutenant aboard Breq’s starship, the Justice of Toren, 1,000 years earlier. Only Breq is, or at least was, the Justice of Toren. Breq is an Artificial Intelligence, and for over 3,000 years she was the spaceship, while concurrently controlling thousands of “ancillaries,” brain-dead human bodies whose sole purpose was to serve as disposable soldiers. But 19 years prior, the Justice of Toren was destroyed, forcing Breq to reside in a single human body, ironically in sole control of only one ancillary.

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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

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🏜️Dune

🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

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  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

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  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

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  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

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  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

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  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

The rest of the story plays out in a dual timeline: in the present day, where Breq, aka One Esk, is on a quest for revenge; and 19-years ago, in her final days as the Justice of Toren. Both timelines occur within the Radch empire, an expansionist regime aggressively annexing planets, killing or assimilating survivors, prepping the latter to serve as ancillaries. The regime is overlooked by Anaander Mianaai, the Lord of the Radch and AI that occupies thousands of bodies between 13 royal palaces. It’s Mianaai that has earned the ire of Breq, who holds her responsible for the destruction of her spaceship form, which plays out in the flashback timeline around the planet Shis’urna. She is on Nilt in the present to find Arilesperas Strigan, who has a Garsedd alien gun that can be used to assassinate Mianaai. What follows is a broad, expansive tale of class divisions, independent versus collective thought, identity, redemption, and revenge.

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‘Ancillary Justice’ Has What It Takes to be the “Next Great Thing”

The covers of the three books that make up the Imperial Radch trilogy.
Image via Orbit Books

Ancillary Justice is smart, wide-reaching, and has everything it takes to be the “Next Great Thing” for a streamer looking to fill their space opera niche. Its dual timeline is something that has been proven to work for a streaming series, as evidenced by a show like Monarch: Legacy of Monsters. The idea of an expansionist empire, one looking to conquer and assimilate, has shades of the infamous Borg of Star Trek. As for the quest for revenge? Take your pick.

But there are two aspects of the novel that would bring something different to television. One is the idea of AI being a protagonist. It’s far too easy to make AI the bad guy, and, let’s face it, it’s a concept that’s been beaten to death. And while AI is both the protagonist and antagonist in the novel, the idea of that AI gaining conscience and breaking off to fight itself is a fascinating perspective. Additionally, exploring that idea of collective versus individual thought is rife with possibilities.

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The second is the notion of gender that is presented in the book. In Radchaai culture, gender isn’t used as a distinguishing characteristic, so “she/her” pronouns are applied to all characters, universally. It’s an aspect of the series that makes the universe unique compared to several other space operas. Ancillary Justice has the makings of an epic series that leans toward the introspective, a character-driven project as opposed to senseless spectacle. Yet within Ancillary Justice, and the two follow-up books that make up the Imperial Radch trilogy, there is potential for grand, effects-driven moments as well. Although the series has been optioned in the past, it’s never made it to production, which is a shame, as the award-winning novel would be a sure-fire success for any streamer willing to take a chance on Ancillary Justice.

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