George Clooney has a surefire way for staying out of trouble as a public figure in the age of social media: stay off of it.
In a profile for the Washington Post published on Friday, the Oscar-winning actor said he manages to avoid too much exposure to today’s 24/7 media cycle by not engaging on those platforms, which he acknowledges would be problematic “if I have three drinks at night.”
He also shared, “I don’t think you can be a star and be that available.”
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It was part of a larger conversation in which Clooney identified how certain movie stars that came before him like Gregory Peck and Paul Newman – both of whom were friends of his before they died – exemplified how to carry oneself in the spotlight.
“It doesn’t mean you can’t be goofy and do stupid things, but it means stand up for the things you believe in, carry yourself with a little bit of dignity,” the “Ticket to Paradise” star said. “And both of them had great humor about themselves.”
Clooney, who is being honored at the Kennedy Center this month alongside Gladys Knight and U2, among others, is active in humanitarian efforts in addition to his pursuits as an actor, producer and director.
Ethan Hawke, who directed Clooney in a voice role as Newman in this year’s HBO documentary “The Last Movie Stars,” observed that it’s no surprise he’s getting such a prestigious honor. (CNN and HBO Max are both part of the same parent company, Warner Bros. Discovery.)
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“It’s interesting that he’s getting the Kennedy Center Honors this year because Newman got it too. They fit in a long line of really responsible artists, people who make a contribution to American culture and are civic leaders,” Hawke told the Post. “Whether you like George’s politics, or admire where he gives his money and time, you have to admire his willingness to lead, and his willingness to care.”
Steven Soderbergh, whose 1998 masterpiece “Out of Sight” starred Clooney opposite Jennifer Lopez, said the actor is unique for not caring that his politics might compromise the reach of his stardom.
“The default mode really doesn’t lead you to a place of thinking about fairness, or defending people who can’t defend themselves. It’s great when people use that juice for those purposes, but that’s not the way the stream flows,” Soderbergh said of Clooney’s efforts through his Clooney Foundation for Justice alongside wife Amal, a human rights attorney.
“The stream flows in the direction of self-orientation and being in a mode of extracting whatever you can from this business, and whatever you can from the world at large. … He’s one of the few people who punches upward. That’s rare.”
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Clooney will be featured as part of the Kennedy Center Honors on December 28 at 8 p.m. on CBS.
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Building a spring capsule wardrobe sounds like a lofty goal. . . until you realize Walmart is quietly stocked with pieces that feel straight out of a downtown NYC mood board. While scrolling for affordable basics, I kept stumbling on finds that looked far more expensive than their price tags, all with that effortless, cool-girl edge. Naturally, I went down a rabbit hole.
From tailored trousers to easy layers and minimalist staples, these under-$30 picks strike that perfect balance of polished and undone. Think clean lines, versatile silhouettes and just enough trendiness to keep things interesting. If your goal is to look like you just threw your outfit on (but still get compliments), these hidden gems make it surprisingly easy.
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13 ‘New York Cool-Girl’ Spring Capsule Finds Under $30 at Walmart
1. Textured Classic: This is not your average cardigan. It’s a wardrobe staple that feels way more elevated, thanks to a puckered, ribbed texture and gold-tone buttons that feel subtly luxe. Wear it buttoned up as a top or layered over a tank.
2. Downtown Denim: Utility meets cool-girl silhouette in these under-$30 jeans. The carpenter pockets and relaxed barrel leg create that off-duty model vibe, while the slight stretch keeps them comfortable enough for all-day wear. Add sneakers or a kitten heel, and you’re set.
3. Flirty Layers: This top seriously brings the charm. With its ruffle neckline, smocked bodice and peplum hem, it feels playful without going over the top. The double tie front adds just enough detail to make it stand out in a sea of basics.
4. Throwback Cutoffs: Jorts are officially back, and Madden NYC’s pair makes a strong case for why. The relaxed fit, raw hem and soft stretch denim give them that perfectly broken-in feel. Style with a simple tank or an oversized button-down for a look that feels very now.
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5. Statement Sleeves: This top does all the talking. The exaggerated ruffle neckline and bow detail instantly dress things up, and the voluminous sleeves add a little drama in the best way. It’s the kind of piece that turns even jeans into an outfit.
If your spring wardrobe is feeling a little. . . meh, consider this your sign to refresh it without overspending. Walmart just rolled out a wave of new-season deals starting at just $7, and the selection is surprisingly chic. From easy dresses to wear-on-repeat tops and denim that actually feels current, these finds prove you […]
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6. Sporty Twist:A skort that actually feels cool? Yes, really. This one delivers with a playful bubble hem, adjustable drawstring and built-in shorts that make it as practical as it is cute. It’s comfy, a little unexpected and perfect for casual days.
7. Glossy Essential: Every capsule wardrobe needs a polished blouse, and this satin button-down is it. The glossy finish adds instant sophistication, whether you’re heading to the office or out for dinner. It’s one of those pieces that makes everything else look more expensive.
8. Breezy Crochet: Lightweight and breathable, this crochet top feels made for warm spring days. The open-knit design adds texture without feeling heavy, and the relaxed fit makes it easy to style solo or layered. Toss it over denim or wear it as a beachy cover-up.
9. French-Girl Tee: Stripes, but make them a little more fun. This is a classic tee, elevated with subtle puff sleeves and contrast trim that pops just enough. It’s an easy way to add personality to your everyday lineup.
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10. Polished Peplum: Clean lines meet thoughtful details in this spring-ready pick. Pintuck pleats and a softly flared hem give it a tailored feel, while the sleeveless cut keeps things fresh. It transitions seamlessly from daytime plans to evening outings.
11. Waist-Defining Staple:These paperbag trousers are all about the silhouette. The cinched waist creates shape, and the wide-leg fit keeps things relaxed and modern. Pair with a tucked-in tee or a fitted blouse for that effortlessly styled look.
12. Easy Elegance: Floaty chiffon always feels a little elevated, and this airy top features soft pleating and three-quarter sleeves that give it a refined finish without trying too hard. It’s an easy pick for workdays, dinners or anything in between.
13. Lace Detail: Romantic but still wearable, this lace blouse brings a polished touch to your lineup. The hollow-out detailing and lantern sleeves add texture and shape, while the buttoned V-neck keeps it versatile.
It’s never an exaggeration to say that Walmart has it all, but now it’s doubly true when it comes to spring fashion. The beloved retailer just dropped over 1,000 new spring arrivals, and the selection is seriously impressive. But, with that many fresh new pieces to scroll through, deciding what’s actually worth adding to your […]
“I see my settlement has been picked up by the press. I’m a sober working mom trying to buy peace,” the “Cheap Thrills” singer shared in an X post on Tuesday, April 7.
Sia continued, “I have primary custody of our son and since i am the only parent earning income i still have to pay California’s incredibly high child support.”
“This has been a horrific year but it taught me how to navigate incredibly difficult situations, prioritize my family and not absorb other people’s negativity,” she continued, going on to share a quote from poet Alexander Pope: “To err is human, to forgive is divine.”
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Us Weekly confirmed on Monday, April 6, that the “Chandelier” singer agreed to pay Bernad $42,000 per month for the care of their 2-year-old son, Somersault. According to court documents obtained by Us, Sia, 50, began the monthly payments on April 1 and will continue to pay the five-figure arrangement until Somersault turns 18.
As well as child support, Sia will pay for her son’s private school tuition, mutually agreed extracurricular activities, health insurance and mutually agreed uninsured health costs, per the documents.
Sia and Bernad will share joint legal custody of their son from May, according to the docs, and will split holidays. Sia will have Somersault on Mother’s Day, Easter and at Christmas. Bernad will have the little one on Father’s Day and various Jewish holidays, including Yom Kippur, Passover and Hanukkah. The exes will rotate custody for Thanksgiving, Halloween and other holidays.
Sia filed for divorce from Bernad in March 2025, just two years after they tied the knot in a ceremony hosted at fashion designers Domenico Dolce and Stefano Gabbana’s villa in Portofino, Italy.
Sometimes celebrities reunite after getting divorced — just so they can call it quits again (and again). Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from Us Weekly Deal of […]
The Australian singer cited irreconcilable differences in the divorce filing and requested legal and physical custody of their son.
Later in 2025, Bernad filed court documents requesting more than $250,000 a month in spousal support. Per the docs, Bernad said he’d been out of work since April 2025, when he “received a letter from Sia’s company providing me with notice that it would be terminating her funding” of their company, Modern Medicine. Bernad claimed he was living on “monthly payments from Sia” that expired in October 2025.
“I have no income, no real property, no retirement and very little funds in my bank account. I cannot maintain this litigation without a significant contribution by Sia toward my attorneys’ fees and forensic accounting fees. Sia has the greater ability to pay for both of our legal fees,” Bernad said in the docs. “I therefore ask the Court to level the playing field and order Sia to contribute no less than $300,000 toward my attorney’s fees and costs and $200,000 toward my forensic accounting fees and costs.”
Hulu is aiming for another successful year in 2026, and it’s already off to a strong start with the Season 2 debut of Paradise. The dystopian sci-fi thriller was created and written for television by This Is Us scribe Dan Fogelman, who also brought in his longtime collaborator and friend, Sterling K. Brown, to play the lead role of Xavier Collins. The first season of Paradise starts as a murder mystery before expanding with the shocking reveal that it’s set inside an underground apocalypse bunker, but Season 2 turns expectations on their head by showing that the outside world isn’t what viewers were led to think. Paradise wrapped up last week with a wild Season 2 finale that has fans everywhere wondering what could come next in Season 3.
The good news: Paradise has already been officially renewed for a third season, and Dan Fogelman has confirmed that it’s fully written. He also shared that Season 3 will serve as the show’s final chapter, even though Disney reportedly encouraged him to extend the story with additional episodes. Credit to any creator who chooses not to compromise their vision just to produce more content for a streaming platform. It’s now been over a week since the Season 2 finale hit Hulu, and Fogelman took to his personal Instagram to share the first photo from behind the scenes of production on Paradise Season 3, confirming that cameras are now rolling. This should allow the hit show to return with its third and final season sometime next year, likely in the same Q1 window that the first two seasons premiered in 2025 and 2026.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
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🏜️Dune
🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
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You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
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You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
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You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
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Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
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You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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What Happens in the ‘Paradise’ Season 2 Finale?
The Paradise Season 2 finale was packed with important details, but one of the most shocking things to take place was the death of Sinatra (played by Julianne Nicholson). Sinatra has been the head of the Paradise bunker since the start of Season 1, even operating at a level above the President and other officials. Now that she’s gone and the bunker is destroyed, the only thing left for Xavier Collins to do is find the supercomputer known as Alex and use it to save the world. Paradise may have been a murder mystery show at one point, but now it’s a full-on hard sci-fi series.
Check out the first two seasons of Paradise on Hulu and stay tuned to Collider for more updates and coverage of the series.
Netflix is off to a hot start in 2026 when it comes to its big original movies. Starting with the acclaimed Emily Henry rom-com adaptation, People We Meet on Vacation, critics and audiences have both mostly been on board for what the streamer is serving up of late, from the Matt Damon and Ben Affleck heist thriller The Rip to Alan Ritchson‘s gritty sci-fi thriller War Machine, and the Peaky Blinders sequel film, The Immortal Man. This month will look to keep the success going with a new giant shark disaster flick, Thrash, and the tense survival thriller Apex, led by Charlize Theron and Eric Bana. It’s in May, however, when one of the platform’s most anticipated features will finally swim onto screens.
Remarkably Bright Creatures is slated to swim onto Netflix exactly one month from now with a cast anchored by Sally Field, Lewis Pullman, and Alfred Molina. However, only two of those three will be appearing on-screen. Field leads the trio as Tova, a widow spending her days cleaning the local aquarium during off-hours, when she meets a couple of unexpected friends in the form of a young man seeking family, played by Pullman, and a cantankerous octopus, voiced by Molina. The story is adapted from Shelby Van Pelt‘s debut novel of the same name, which burst onto the scene in 2022 and became an overwhelming success through word of mouth, with over 3.5 million copies sold to this day and a staggering run of over 65 weeks on the New York Times bestseller list. In anticipation of the film’s arrival, a new trailer has been released, teasing the heartfelt journey between the trio as they rediscover their sense of wonder together.
Much of the footage is narrated by Marcellus the octopus, who, for the most part, isn’t fond of humans from what little of their lives he’s seen from his tank. However, he experiences more appreciation for Tova than any of them, and he takes an interest in her budding bond with the wayward Cameron (Pullman). Initially, they don’t start on the right foot, given that Cameron is positioned as her replacement at the aquarium. With time, though, they each discover there’s more to each other’s stories. Tova uses the aquarium as a place of respite after not just losing her husband, but also her son, while Cameron is merely seeking work while he tries to find his long-lost dad. Marcellus is smart enough to deduce that they’re both suffering from a similar void in their lives, yet, perhaps, they’re the perfect people to fill it for each other. They slowly become the found family they both lack, pushing each other outside their respective bubbles, with a little assistance from their slimy eight-armed pal.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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‘Remarkably Bright Creatures’ Cast Brought Heart and Levity to the Story
Where the Crawdads sing director Olivia Newman directed Remarkably Bright Creatures and co-wrote the screenplay with John Whittington. In front of the screen, Newman had a bounty to work with in addition to the starry main trio, including Colm Meaney, Joan Chen, Kathy Baker, Beth Grant, and Sofia Black D’Elia. In an interview for Collider’s Exclusive Spring Preview series, however, she attested that the Norma Rae and Thunderbolts stars were some of her personal favorites for how they meshed together and managed to bring surprising humor to the very heartfelt story of loss, grief, and finding connection.
“Working with Sally and Lewis was a career highlight for me. They are both so present and open as actors and had this incredibly organic chemistry that made every scene come to life in the most unexpected ways. They are both deeply committed actors, willing to go to their most vulnerable places, but also to find joy and humor at any moment. I don’t think I have laughed as much every day as I did working on this film with the two of them!”
Remarkably Bright Creatures swims onto Netflix on May 8. Check out the new trailer in the player above.
People reported on Tuesday, April 7, that Dakota, 33, apparently tattooed “TFP” inside his mouth on Valentine’s Day in February, as Taylor, 31, claims that he exhibited “increasingly possessive” behavior in the lead-up to her season of The Bachelorette airing. (The season, which was ultimately canceled by ABC, was due to premiere on March 22.)
Dakota allegedly got the tattoo hours after Taylor posted a promotional post for The Bachelorette season 22 and showed it off to costars and on camera, per People.
Taylor said she “was shown” an image of Dakota’s lips, tattooed with her initials, on February 17, People reported, citing the court documents. She said he later “confirmed” the tattoo through a text message exchange.
“Considering his increasingly possessive and erratic behavior, and considering the fact that we were not in a relationship, this was extremely alarming,” she wrote in Tuesday’s filing, per the outlet. “My initials are now permanently tattooed on the body of a man who has been abusive toward and possessive of me.”
According to Taylor, Dakota also sent her text messages in mid-February reading, “I want you forever” and “I still love and want you,” in the weeks leading up to The Bachelorette premiere on ABC.
Us Weekly has reached out to Dakota’s representative for comment.
Taylor Frankie Paul is bolstering her defense against Dakota Mortensen amid their ongoing custody battle following an alleged domestic dispute earlier this year. Taylor, 31, claimed that Dakota, 33, sent her a “request for sex” following their alleged February domestic violence altercation, according to an exhibit filed in court on Tuesday, April 7, seen by […]
Taylor filed for a temporary protective order against Dakota on Tuesday, weeks after he was granted his own protective order — and temporary custody of their 2-year-old son, Ever — on March 20.
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The exes appeared in court virtually on Tuesday to discuss visitation rights. Taylor was granted eight hours of supervised visitation time with Ever until their protective hearing on April 30. The judge is expected to reevaluate the TikTok influencer’s parenting time restrictions during the April 30 hearing.
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ABC pulled Taylor’s season of The Bachelorette on March 19, just days before it was set to air, after footage emerged of a 2023 domestic violence incident involving the Mormon Wives star and her ex.
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The video was published by TMZ just days after it was reported that production on season 5 of The Secret Lives of Mormon Wives had paused amid allegations of a fresh domestic dispute between Taylor and Dakota in February. Utah’s Draper City Police Department confirmed to Us in March that it had an open “domestic assault investigation” involving the exes, with allegations “made in both directions.”
If there’s one streamer you should subscribe to in April, it’s Hulu. The Disney-owned platform is adding so many high-quality films and shows this month that you won’t have time to watch anything else. At the top of Watch With Us‘ binge-watch list is Malcolm in the Middle: Life’s Still Unfair, which reunites most of […]
‘Pizza Movie’ (2026)
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Some films might reject the stoner comedy label, but Pizza Movie fully embraces it. Jack (Gaten Matarazzo) and Montgomery (Sean Giambrone) are a pair of unpopular freshmen roommates who try an experimental drug in their dorm room. They only expected to get high, but it triggers a bizarre shared trip that breaks reality down around them and threatens to damage their minds from its intensity.
One of their classmates, Lizzy (Lulu Wilson), winds up in the same predicament. That’s why she’s forced to join the guys as they attempt to bypass the dorm’s Resident Advisors. The only thing that can break them out of this bad trip is pizza, but their drug-induced visions make it difficult to go more than a few steps at a time before experiencing something off the wall.
It’s not often that Hulu gives us a front-row seat to history. ABC News’ ongoing coverage of the Artemis II mission is being shared via Artemis II: Mission to the Moon on Hulu, which has the latest updates as the flight gets closer to the moon. NASA’s Reid Wiseman, Victor Glover, and Christina Koch, as well as the Canadian Space Agency’s Jeremy Hansen, are the first crew to break away from Earth’s orbit since 1972.
While this crew won’t be landing on the moon, they will be performing an important test of the Orion spacecraft to see how it performs during its lunar flyby. This is to pave the way for the Artemis IV mission, which is aiming to put astronauts on the moon’s South Pole in 2028. If all goes smoothly, in three years, humanity will once again set foot on the lunar surface.
Artemis II: Mission to the Moon is streaming on Hulu.
‘The Testament of Anne Lee’ (2025)
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Despite having awards season potential, The Testament of Anne Lee was completely shut out from the Oscars. That’s unfortunate, because Amanda Seyfried delivered a dynamic performance as Ann Lee, the founder of the Shakers religious movement in the 18th century. This is a musical that also lets Seyfried show off the power of her voice.
The film chronicles Lee’s life alongside her brother, William Lee (Lewis Pullman), as it dramatizes the experiences that turned Lee off to sex forever. That eventually leads her to an epiphany that humanity needs to avoid marriage and sex to move past the original sin. While Lee has her followers, her divine mandate isn’t popular with outsiders, and it may get the Shakers brutalized or even killed.
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