Bernice Burgos is entering her next era, and she’s making sure fans get a front-row seat. The model and influencer recently opened up about wanting to reshape her butt and slim it down. Burgos said she’s been wanting the surgery for a minute, so she finally made the move and linked up with Dr. Ashkan Gavami to get it done.

RELATED: Bernice Burgos Doubles Down After Claiming She Earned Five Figures A Night While Bartending In NYC (VIDEOS)

Surgery Secured! Bernice Bergos Prepares To Step Into NEW Chapter

Bernice Burgos shared footage on TikTok from her visit with Dr. Gavami. The pair broke their plan to reshape her derriere and add some body contouring. Dr Gavami then walked Bernice through the process, saying he wanted to give her a “legging-tight look without the leggings. To get it done, he planned to use Quantum RF, a minimally invasive treatment that uses controlled radio frequency energy to tighten and improve its contour. Per Complex, the procedure heats the deeper layers of your skin to fire up collagen and elastin while breaking down fat cells, which your lymphatic system then helps flush out. Common areas for this procedure are usually the abs, thighs, and arms. The best part? No big cuts, no long downtime, making the healing process a little easier than typical surgical procedures.

@the.realberniceburgos glad it went successful guys 🫂#berniceburgos #bernice ♬ original sound – Bernice Burgos

The Internet Shares Mixed Reactions To Bernice’s Surgery Reveal

Once Bernice and Dr. Gavami’s video hit the internet, fans came through with a mix of reactions on TikTok. Some said Bernice has always been a baddie and is perfect just the way she is, while others wondered if removing or reshaping enhancements will become a new trend.

TikTok user @The road to enlightenment wrote, “to have surgery done when she is perfect why.” 

TikTok user @carlosjardyn wrote, “Literally the Bestttt surg in the game. ⭐️🫶🏽”

While TikTok user @Amahle Maasai wrote, “There’s beauty in imperfection.” 

Then TikTok user @honeydipgold wrote, “Ppl wanna do everything except workout.” 

TikTok user @meshamesh_unc_slayer wrote, “So now it’s a trend to get the bbl removed.” 

Another TikTok user @Blue wrote, “But your perfect sis.” 

TikTok user @Blah28 wrote, “She always in the gym she looks good already.” 

While another TikTok user @AtlChick wrote, “Bernice is beautiful and works hard for that body 💪🏾 I’m glad she’s addressing the things that she wants/needs to! Prayers for a speedy complication free recovery 🫶🏾” 

Finally, TikTok user @Shasha_NLA wrote, “Girllll u Gorgeous either way😍😍😍” 

Bernice Shares Update On Progress After Reshaping Procedure

Bernice hasn’t shared her full results yet, but she did a drop a video letting fans know she’s good. She said parts of her body was swollen, but from what she can see, everything looks nice and she’s loving her results.

@the.realberniceburgos thank You guys for the support 🥲🫂#berniceburgos ♬ original sound – Bernice Burgos

RELATED: Still THAT Girl! Bernice Burgos Has The Internet Gagging After She Shut Down Her 45th Birthday Skate  Party (VIDEOS)

Logan Paul
Tom Brady Called Me A ‘Bitch?!?’
I’ll Beat His Ass!!!

Published
March 4, 2026
2:32 PM PST

Whew, NFL fans weren’t expecting this shake-up! Just when it seemed like things were solid heading into the new league year, a major curveball has entered the chat. Reports are rolling in that Stefon Diggs is set to part ways with the New England Patriots. And, he’s already addressing it.

RELATED: Chef Who Alleges She Was Assaulted By Stefon Diggs Shares Statement As He Enters Not Guilty Plea (VIDEO)

It’s Up For Diggs In New England

According to Tom Pelissero of NFL Network and Mike Reiss of ESPN, the team informed Diggs on Wednesday that they plan to release him next week when the new league year officially begins. Not long after the news broke, Diggs took to his Instagram Story with a message that read, “THANK YOU for a h*ll of a year. We family forever,” tagging the Patriots and adding a heart emoji.

In a following Story post, Diggs shared a short clip of himself on the field. It was written with the text, “Until we meet again…8,” also accompanied by a red heart emoji.

Was Money The Reason Diggs Got Released?

Wait… what happened? Turns out New England’s decision to part ways with Stefon Diggs reportedly came down — at least in part — to the bag. The wide receiver was set to collect an additional $6 million next Friday. But instead of dragging it out, the Patriots reportedly gave him a heads-up about a week before free agency. The move is said to clear more than $16 million in cap space, making it clear this wasn’t just football — it was business.

What makes it even wilder? Diggs, 32, was only one year into a three-year, $63.5 million deal he signed last offseason. In his lone season with the team, he led New England with 85 catches for 1,013 yards and four touchdowns. He also added 14 receptions for 110 yards and another score during their three playoff games. So yeah… fans are definitely side-eyeing this one.

The Patriots informed four-time Pro Bowl WR Stefon Diggs they’re releasing him after the start of the league year next week, per sources. pic.twitter.com/cRKS8pJw9G

— Tom Pelissero (@TomPelissero) March 4, 2026

From Super Bowl Yards To Legal Battles

The 32-year-old wide receiver signed with New England last offseason and quickly built chemistry with quarterback Drake Maye. During the regular season, Diggs racked up more than 1,000 receiving yards and caught four touchdowns, playing a key role in the Patriots’ run to the Super Bowl. However, questions about his future with the team had been swirling due to a significant projected cap hit tied to his return.

Off the field, Diggs is also dealing with legal matters in Massachusetts. As previously reported, he pleaded not guilty to charges alleging that he assaulted his personal chef following a confrontation at his home in Dedham. As the Patriots prepare to move forward, it looks like Diggs is entering a new chapter — both professionally and personally.

RELATED: Game Day Ready? Social Media Users Are Sharing Mixed Reactions To Stefon Diggs’ Super Bowl Tunnel Outfit (VIDEO)

Zonnique Pullins recently reflected on her previous comments about her relationship with her mom, Tiny, and how becoming a mom changed her perspective.

RELATED: Whew! Watch Viral Video of Zonnique & Bandhunta Izzy Talking About How Their Child Has Impacted Their Relationship

Zonnique Pullins Reflects On Previous Comments About Her Relationship With Her Mom Tiny & How Becoming A Mom Changed Her Perspective

On Tuesday, March 3, Reginae Carter shared a joint post via her Instagram feed. Furthermore, the post featured a clip from her recent sitdown with Zonnique Pullins. In it, Carter asked Pullins if becoming a mom changed her perspective on her mom being “absent” during her childhood. This, due to Tiny being a member of the successful R&B group, Xscape.

In turn, Pullins explained that since she’s now in her mom’s position — being a member of her own girls group, the OMG Girlz, it has made her “a lot more understanding.” And now, she realizes that one is always going to feel like something was missing from their childhood.

“My feelings and how I felt as a kid — that’s validated. But now, I’m just more understanding because now I be wanting to go out… and as far as work… it’s so hard to work and have a kid,” she said.

Peep her full comments below.

More On Zonnique Pullins’ Previous Comments About Her Relationship With Her Mom, Tiny

As The Shade Room previously reported, in March 2023, Zonnique Pullins was a guest on the ‘Jay Hill Podcast,’ and about 30 minutes into her interview, she reflected on not having the typical “mommy-daughter” relationship due to her mom being so active in her career.

“When I was a kid, I was like ‘I wish my mom would come off the road and I want my dad out of prison.’ And after a while, it was my life… You just become numb to it… I don’t hold that against her that she was on the road and doing all those things,” she said in part at the time.

Additionally, Pullins went on to share that she also experienced “hurt” from her mom “being with Tip (T.I.) all the time.”

“Like even now, today, that’s how it is. They’re just tied to the hip… It’s like they’d rather go places with each other, so anytime he gotta go, she gotta go too,” Pullins said at the time.

Watch Pullins’ previous comments and recent comments by swiping below.

Social Media Weighs In On Her Changed Perspective

Social media users reacted to Zonnique Pullins’ current perspective and previous stance in TSR’s comment section.

RELATED: Zonnique Pullins Opens Up About “Hurt” From Mother Tiny’s Relationship With T.I.: “They’re Just Tied To The Hip”

The early 2000s had a strange way of slipping great thrillers past us. They arrived without hype or franchise weight, and then drifted out of conversation once the decade moved on. I remember catching some of these films on television, sometimes on a borrowed DVD, with no expectations at all. What stayed with me was how patient they felt. They trusted silence, uneasy pauses, and uncomfortable questions. They did not rush to explain themselves or soften their endings.

Watching them now feels different. Time has been kind to these stories because they were never chasing trends to begin with. This list looks back at five 2000s thrillers that did not get enough credit back then but have only grown stronger with age.

5

‘The Pledge’ (2001)

Image via Warner Bros

The Pledge approaches the serial killer thriller from a quieter, more unsettling angle. Instead of focusing on momentum or twists, the film stays with a retired detective who makes a promise he cannot undo. Jerry Black (Jack Nicholson) believes he understands the pattern behind a child’s murder, and once that belief settles in, it begins to shape every decision he makes. The investigation moves slowly, grounded in routine police work and long stretches of waiting, which gives the story a heavy sense of inevitability.

Over time, the case stops being about justice and turns into an obsession. Jerry isolates himself, neglects his own well-being, and rebuilds his life around a theory that may or may not be correct. The film gains power with age because it refuses closure. It shows how the need to be right can quietly destroy a person.

4

‘Insomnia’ (2002)

Image via Warner Bros

Insomnia places its tension in broad daylight, which immediately sets it apart from most crime thrillers of its era. Set in a small Alaskan town where the sun barely sets, the film centers on a seasoned detective, Will Dormer (Al Pacino), who arrives to solve a murder but quickly loses his sense of balance. The lack of sleep wears him down, and the case begins to blur with his own moral compromises.

As the investigation unfolds, the story becomes less about catching a killer and more about accountability. Dormer recognizes pieces of himself in the suspect, Walter Finch (Robin Williams). The film holds up because it treats guilt as something that corrodes slowly, not loudly. Its psychological focus feels even sharper today, especially in how it shows authority figures unraveling under pressure rather than standing above it.

3

‘Frailty’ (2001)

Image via Lionsgate

Frailty begins as a confession and slowly turns into something far more unsettling. A man arrives at an FBI office claiming his father was a serial killer guided by divine visions. From there, the film moves back into his childhood, where a quiet family life collapses after a sudden religious awakening. Bill Paxton plays the father, Frank Meiks (Bill Paxton), as a man who believes absolute faith excuses absolute violence, and that belief shapes every moment that follows.

What gives the film lasting strength is how carefully it handles doubt. The story never rushes to explain whether Frank is insane, inspired, or something in between. His sons respond differently, and those reactions carry into adulthood. With time, Frailty feels richer because it trusts the audience to sit with moral discomfort instead of resolving it cleanly.

2

‘Sexy Beast’ (2000)

Image via Fox Searchlight Pictures

Sexy Beast opens with calm before it introduces pure disruption. Gal Dove (Ray Winstone) lives a peaceful life in Spain after leaving crime behind, convinced he has earned his escape. That illusion shatters when Don Logan (Ben Kingsley) arrives, demanding Gal return for one last job. The plot itself stays simple, but the tension comes from personality, not mechanics.

Kingsley’s performance drives the film’s lasting impact. Don does not threaten through violence alone; he dominates through language, persistence, and humiliation. Each conversation becomes a power struggle. Gal’s resistance feels grounded because it comes from exhaustion, not bravery. Over the years, the film has aged well because it understands crime as a psychological trap. Leaving is harder than staying, and freedom, once disturbed, proves fragile and temporary.

1

‘A History of Violence’ (2005)

Image via New Line Cinema

A History of Violence starts with the appearance of an ordinary life that feels settled and earned. Tom Stall (Viggo Mortensen) runs a small-town diner, raises two children, and shares a quiet marriage with Edie (Maria Bello). When a violent incident turns him into a local hero, that stability begins to crack. Attention brings questions, and questions pull old assumptions into doubt. The film moves carefully, letting suspicion grow through everyday moments rather than dramatic reveals.

As strangers arrive claiming Tom is someone else, the story shifts from public violence to a private drama. The past does not return in a clean or cinematic way. It seeps into conversations, into marriage, and into how a family sees itself. Mortensen plays Tom with restraint and allows fear and anger to surface gradually. What makes the film endure is its refusal to separate violence from identity. Once revealed, it cannot be undone or neatly explained away.

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A History of Violence

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Release Date

September 23, 2005

Runtime

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98 minutes

Writers

John Wagner, Vince Locke, Josh Olson

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Bold and the Beautiful early weekly spoilers for March 9th through the 13th expects Taylor Hayes (Rebecca Budig) to betray Steffy Forrester (Jacqueline MacInnes Wood) and a war break out. Let’s dive into what’s coming up in Los Angeles.

Bold and the Beautiful Spoilers Wednesday, March 4th: Deacon and Taylor Give In to Passion

On Wednesday, March 4th, Deacon Sharpe (Sean Kanan) did what Taylor asked, took Sheila Carter (Kimberlin Brown) to bed and gave her an epic roll in the hay then heads over to Taylor’s office to tell her he did it and it didn’t help.

Deacon tells Taylor he tried to recommit himself to Sheila, but all he could think about was Taylor. Deacon and Taylor can’t resist each other and they kiss. A very hot, passionate kiss that could lead to them getting intimate soon.

Dylan (Sydney Bullock) makes a move on Will Spencer (Crew Morrow) now that he’s no longer Electra Forrester’s (Laneya Grace) man. This week, Dylan’s got her eye on Will and then her hands and then her lips. Dylan tells Will she has a way to make him feel better and plants a kiss on him.

B&B Spoilers Thursday, March 5th: Dylan Tells the Whole Truth and Sheila Thanks Taylor

On Thursday, March 5th, Dylan gives Will the whole truth. I expect this could be Dylan finally telling Will about all of Electra’s two-faced behavior, playing nice in front of Will then downright bullying Dylan when they were alone. Will might start to see Electra as more like Ivy Forrester (Ashleigh Brewer) after this.

Sheila still thinks Taylor saved her marriage and wants to thank her. Sheila shows up at Taylor’s office to tell her how amazing it was rolling around in the hay with Deacon. She tells Taylor they had the most amazing sex over and over. Deacon’s gonna be showing Taylor how hot he is in the sack pretty soon.

Hope Logan (Annika Noelle) presses Deacon to prioritize his happiness. Kick Sheila out and bring Taylor in. I think Hope and Deke Sharpe (Harrison Cone) are more intent on matchmaking after Steffy’s little control lecture at FC.

Bold and the Beautiful Spoilers Friday, March 6th: Will Floors Steffy with Shocking News

On Friday, March 6th, someone gets a surprise visit from Deacon. Will he come back to Forrester Creations to tell Hope that he and Taylor are going for it? Is it him dropping in on Taylor again? Maybe he’ll go see Steffy and Deacon promises to protect her mom.

Sheila’s singing Taylor’s praises. Deacon and Sheila must have really burned a hole in the bed seeing as she’s so happy and raving about their steamy night. Too bad her life is about to blow up and her heart’s about to be broken.

Will floors Steffy with shocking news. Will might spill to Steffy about Electra and RJ Forrester‘s (Brayan Nicoletti ) kiss. Or Will might quit Forrester Creations? Or both? We have models on set this week or next at Logan. Seems like Katie Logan (Heather Tom) is moving forward with the Logan launch.

And show despite Ridge Forrester (Thorsten Kaye) and Brooke insisting Eric Forrester‘s (John McCook) done. So, Katie might be getting a whole collection from Eric and Katie. This week, Ivy rants to Electra about how Dylan and Will aren’t proper at all.

Electra is tearing up and Daphne Rose Walton (Murielle Hilaire) is watching it all. RJ reflects on kissing Electra. Ivy keeps encouraging RJ, so he might try to kiss Electra again now that she and Will are officially split up.

Week of March 9th-13th on Bold and the Beautiful: Deacon and Taylor Make Love and Katie Launches Logan

During the week of March 9th through the 13th, a couple makes love for the first time. Taylor and Deacon is my guess. But them doing it right after he and Sheila go at it is ick. Ivy plays puppet master and pulls the strings for Electra and Will. She tries to keep them split.

RJ can’t get Electra off his mind, and Ivy encourages him. Dylan opens up to Hope about Will. This is risky because Hope is friends with Electra. Morgan Fairchild returns soon as Dottie and with her is Jim J. Bullock as Joseph. They were the jewelry people Steffy and Electra met with for the Forrester Creations jewelry line.

Katie pushes forward and launches Logan. We’ll find out Eric’s plans for Logan and his Forrester Creations return. Ridge’s bossiness again treating Eric like a child may cause more issues. Sheila’s world blows up soon. And when it does, will she go full villain again?

Things get hotter between Dylan and Will, at least until Ivy’s duplicity is revealed. Electra’s still distraught from her split from Will. Electra thinks Will one hundred percent betrayed her and chose Dylan over her. Plus, Ivy pressures her to move on with RJ.

Bill Spencer (Don Diamont) is still determined to get Katie’s company launched ASAP. And is definitely going to use Eric’s dress designs and put them into production because he said they’re Logan’s designs now. This could start a huge war with Ridge. That’s your Bold and the Beautiful early weekly spoiler outlook.

Tampa International has reportedly set the record straight after a social media post it shared said the airport was becoming crocs-and-pajama-free.

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Tampa International Shares Social Media Post Saying The Airport Was Becoming Crocs-And-Pajamas-Free

On Thursday, February 26, Tampa International’s account on X, formerly known as Twitter, shared a poster which stated that the airport has “seen enough” and “had enough.”

“It’s time to ban pajamas at Tampa International Airport,” the message continued. “After successfully banning Crocs and giving everyone the amazing opportunity to experience the world’s first Crocs-free airport, it’s time to take on an even larger crisis.”

Furthermore, the message shared that the “decision” could be “disruptive” to some travelers. However, “the madness stops today.”

“Help Tampa International Airport become the world’s first Crocs-free AND pajama-free airport. DO YOUR PART. SAY NO TO PAJAMAS AT TPA,” the message concluded.

The Airport Sets The Record Straight After Social Media Reacts

The airport’s tweet garnered 8.4 million views to date. Furthermore, disgruntled reactions flowed in via TSR’s comment section.

“Tampa International Airport regularly shares lighthearted, satirical social media content as part of our ongoing effort to engage with our followers. Today’s post about ‘banning’ pajamas was another playful nod to day-of-travel fashion debates. We encourage our passengers to travel comfortably and appreciate our loyal followers who enjoy the online humor,” the statement clarified.

Months Before Tampa International Said It Was Becoming Crocs-And-Pajamas-Free, It Shared THIS Message, Which Ruffled Social Media Users

According to the National Post, this isn’t the first time Tampa International Airport has shared a cheeky message sparking reactions. Back in July, it shared a tweet, which read, “The TSA will now let you keep your shoes on through security at TPA!!!!!* *unless you’re wearing Crocs…you should take those off and throw them away”

The message sparked a plethora of reactions from social media users, most of whom fiercely defended Crocs.

The TSA will now let you keep your shoes on through security at TPA!!!!!*

*unless you’re wearing Crocs…you should take those off and throw them away

— Tampa International Airport ✈️ (@FlyTPA) July 9, 2025

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UFC boss Dana White just delivered some of the rawest life advice we’ve heard from a celebrity in a long time — and he did it on a random sidewalk, no publicists in sight.

White was walking down the street when he ran into Peter Fouad, a street photographer with 1.7 million followers on TikTok who’s built a massive audience with a dead-simple concept.

Fouad catches celebrities off guard, asks them one question — what’s the best life advice you’ve ever received? — snaps a Polaroid on his Fujifilm camera, and lets them keep the print.

The resulting video, shared on February 28, has now racked up more than 1.7 million views. And White’s answer? It hit different.

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“What’s the best life advice you’ve ever received that you could share with someone like me or someone who’s watching?” Fouad asked.

White went right in: “Listen, if you’re miserable when you’re broke, you’re gonna be really miserable when you make some money, trust me.”

He continued: “The key to life is to be happy. Figure out what you like to do, get up and do it every day and be as happy as you can possibly be.”

Then came the line that really landed: “Some of the happiest times of my life was when I was broke. Money changes everything.”

When Fouad asked if money changes things for the better, White’s reply was blunt. “Not always.”

“If you’re happy when you’re broke, you should be happy when you have some money,” White added.

Fouad thanked White for being humble and taking the time to answer before handing him his Polaroid.

Dana White Is Worth More Than $600 Million

Here’s what makes the whole exchange so compelling. White isn’t some motivational speaker riffing on abstract ideas about wealth. According to Forbes, his net worth is estimated at more than $600 million.

He bought the Ultimate Fighting Championship (UFC) for $2 million back in 2001 and led the organization from near-bankruptcy to a multi-billion dollar global enterprise, according to CBS News. In 2016, the UFC sold for $4 billion.

Last year, Paramount-Skydance agreed to pay nearly $8 billion to stream UFC on Paramount+, as well as on broadcast television.

As such, White is credited with transforming MMA into a mainstream sport and co-creating the hit reality show The Ultimate Fighter.

So when he says some of the happiest times of his life were when he was broke — and that money doesn’t always change things for the better — that’s coming from a man who turned a $2 million investment into a multi-billion dollar empire.

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And now he joins a pretty stacked lineup of stars who’ve stopped for Fouad’s Polaroid treatment.

Some of the celebrities featured in his recent videos include Chris Rock, Sauce Gardner, Post Malone, A$AP Rocky, Lamar Odom and Grant Cardone.

The format works because it strips away all the usual layers between a celebrity and the camera. No scripted interviews, no media-trained responses. Just a question on the sidewalk and whatever comes out.

White’s appearance proved no different — no publicists, no teleprompters, no carefully crafted talking points.

MTV Is Saying Goodbye To ‘Jersey Shore’ After More Than 15 Years On The Air

What Can Watchers Expect From The Cast During The Final Season Of ‘Jersey Shore’?

Will Snooki’s Health Updates Be Part Of The Upcoming Season Of ‘Jersey Shore’?

Snooki Gets Support From Her Co-Stars

By Joshua Tyler
| Published 1 hour ago

New space science fiction shows rarely catch fire right away. Star Trek was infamously cancelled after three seasons due to low ratings, only to rise from the ashes in rerun syndication. Firefly was cancelled after a few episodes, only to spawn a movie so good it ended up near the top of our list of the best space movies of all time. 

But one space series did the impossible. It captured the cultural zeitgeist right away. In the now-forgotten era of binge-watching via post office-mailed Netflix DVDs, it became an obsession for sci-fi fans and normies alike.

That should have been a launching pad for a generational sci-fi franchise to rival Star Wars. Instead, it spawned a spinoff series so disastrous that everything it built evaporated into thin air, leaving behind nothing but the sweat of shirtless wrestlers.

This is Why Caprica Failed.

Battlestar Galactica Finishes On A High

When the reimagined Battlestar Galactica finished in March 2009, it had the two things a franchise needs: audience heat and critical credibility. During its run, episodes of the show aired in theaters to eager packed audiences. It was a watercolor topic of conversation and sucked in even people who weren’t into science fiction. 

The final run averaged 2.2M viewers in the U.S., and the finale spiked to ~2.4M, the show’s best number in years. Those may not sound like big numbers, but they were huge for a show airing on SyFy, a basic cable channel people otherwise ignored.

When Battlestar Galactica arrived on DVD, it became an even bigger hit as people bought box sets and binged the show all at once in the pre-streaming era. Battlestar popularized the idea of binge-watching, setting the stage for the streaming future that was to come. 

The BSG universe was perfectly poised to go bigger and become the kind of mega-media franchise that lasts for generations. Star Trek turned itself into a mega-franchise after being canceled three seasons in, and here was Battlestar Galactica riding a wave of success that should have made it much easier to propel to the next level. 

Instead, the follow-through came in stuttered moves that dispersed attention and trained fans to stop checking in. Only a few short years after its success, Battlestar Galactica was a dead franchise, a once-in-a-generation missed opportunity by SyFy’s parent company, NBCUniversal. 

How NBCUniversal Squandered Battlestar Galactica’s Potential With Its Next Show

NBCU/Syfy did produce companion pieces: Razor (2007) during the run and half-hearted DVD-only The Plan (2009) after, but the core “what’s next” arrived as Caprica in 2010. 

Ronald D. Moore, the genius solo creator of Battlestar Galactica, only served as a co-creator on Caprica. He shares the title with a man named Remi Aubuchon, who’d previously worked with Moore in the BSG writers’ room. By all accounts, it was Remi, not Moore, who was the real architect of the show. Which may, at least in part, explain why it’s so different. 

Set more than fifty years before the events of Battlestar Galactica, Caprica is about how human bureaucracy accidentally invents the society that will lead to its own extinction. Caprica focuses on two families, the Graystones and the Adamas, as cutting-edge technology collides with grief, religion, and ego. It results in the birth of the Cylons. The idea was for it to happen slowly, very slowly, over the course of the show. 

In practice, Caprica played out like a soap opera, with few sci-fi elements on screen.  The show was creatively ambitious but also tonally totally different. 

Caprica was a prequel about corporate intrigue set in a universe where audiences expected gritty space combat. It gave fans something with the Battlestar Galactica name attached to it that bore no resemblance at all to the franchise they loved. Imagine if, after Star Trek was cancelled in the 60s, CBS had decided to follow it up with a Star Trek police procedural set on Earth, and you’ll start to understand what a horrible mistake Caprica was. 

Caprica needed patient scheduling and a clear runway to overcome the hurdle of its premise. It didn’t get either. Critics tried to give it a chance, but despite praising its intellect, ultimately they admitted it was unreasonably slow, way too talky, and wildly uneven. Again, basically nothing like the tension-filled world of Battlestar Galactica.

Ratings slid from a mid-season high of 1.6 M to fewer than 900,000 viewers after a hiatus; Syfy then canceled the show and pulled the remaining episodes from its schedule, burning them off months later. Whatever audience was willing to follow learned the wrong lesson: don’t invest. 

After Caprica, NBCUniversal Stopped Caring

It was a failure so immediate and extreme that whatever faith there was in BSG evaporated. Still, a last-ditch attempt to salvage things was thrown together. 

After Caprica, the series Blood & Chrome was announced, and it sounded like the crowd-pleaser they should have made in the first place. It was to be about young Adama in a Cylon War setting. 

Unfortunately, NBCUniversal had already quit on BSG. Rather than a fast series order and a serious investment, the project arrived as a 10-part web series on Machinima in late 2012 and only later as a TV movie in early 2013. 

Battlestar Galactica needed a grand Star Trek: The Motion Picture-style blockbuster movie to push it to the next level. NBCUniversal gave it a low-budget web series. Producer David Eick publicly positioned Blood & Chrome as “always meant” for online, but that didn’t make it better; it just made it more insulting. 

Ronald Moore Killed His Own Creation

The truth is, much of the fault lies at the feet of Ronald D. Moore. Before you come at me with your pitchforks, let me say that I love Ron Moore. And I loved him long before Battlestar.

Moore was a huge part of the creative force behind the best parts of Star Trek: Deep Space Nine, and his work is simply incredible. But when he finished Battlestar Galactica, he basically quit on the franchise he’d birthed into being.

He’s admitted he was burned out. Burned out on space stuff. He spent a decade working on Star Trek, then created his own space show, and he just didn’t want to do space sci-fi anymore. 

The thing is, that’s what he’s good at, and that’s where his success always was. Nothing he’s done since has come close to reaching the level of quality achieved in Star Trek and BSG. He’s done a lot since then, just none of it in space.

Ron Moore had a once-in-a-generation opportunity, and when BSG finished, he decided he wasn’t going to do anything with it. The result was a show no one wanted in Caprica, followed by the evaporation of everything he’d worked so hard at creating. 

He could have been the next Gene Roddenberry, but instead, he’s spent his time since making things like time-travel romance, with no real cultural footprint.

SyFy Gets Turned Into A Wrestling Channel

While all this was unfolding, the channel that launched Battlestar Galactica was repositioning itself. Sci Fi Channel rebranded to Syfy in 2009 and leaned harder into broader-appeal reality/wrestling alongside genre.

Turning your science fiction channel into a wrestling channel was always a bizarre choice. It diluted the sense that “space opera lives here,” right when Galactica fans needed a dependable home for successors. Trade coverage and industry commentary at the time called out the shift, with cancellations clustered around quality scripted sci-fi. 

NBCUniversal Throws Ron Moore’s Sci-Fi Universe Away

Universal eventually began announcing Battlestar Galactica feature films. That sounds positive, but it wasn’t. They were all reboots and not continuations of the show. There was one with Bryan Singer attached in 2011, later Francis Lawrence in 2016, then Simon Kinberg in 2020. None of them actually happened.

What had happened was that NBCUniversal had clearly signaled to fans that the once-in-a-generation sci-fi universe Ron Moore spent 10 years building was being thrown in the garbage, and that if BSG ever came back, they’d be starting all over from scratch. Universal did the impossible, producing a hit sci-fi show. And then they decided to erase it and start over rather than continue to grow on that foundation.

Imagine if, instead of giving William Shatner’s Captain Kirk a movie, they’d recast him and redid all the same episodes again. Or instead of introducing a new show set in the same universe, in the form of The Next Generation, Star Trek had wiped the slate clean, created a new sci-fi universe, and slapped the old name on it.

Unfortunately, that’s now standard practice in Hollywood. A practice that accelerated beyond all reason after BSG. That mentality is why there has never been another long-running sci-fi universe like Star Trek or Star Wars, and why there will never be. Battlestar Galactica was perfectly poised to take that trip, but no one at Universal dared to make a real investment.