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Guy Ritchie has developed his own unique niche in television. The British multihyphenate is known for witty, fast-paced dramas that keep viewers engaged from the moment they press play until credits roll. Ritchie usually focuses on action-heavy shows and movies, giving them his signature once he’s done. The writer-director has been courted by every streaming service, from Netflix to Prime Video and Paramount+. For the latter, he executive-produced the gritty crime thriller MobLand, which, despite lacking those Guy Ritchie qualities, still feels like one of his best works yet. MobLand enlists some of the best British acting talent to bring a truly deranged crime tale to life.
It’s been over six months since fans saw a new episode of MobLand, but that doesn’t mean that the show has escaped television’s consciousness. Data from FlixPatrol shows that the show is back on Paramount+’s streaming chart after several weeks of absence. This return coincides with the release of Ritchie’s latest project, Young Sherlock. The Prime Video drama has become a streaming sensation as fans of the iconic detective watch a younger Guy Ritichiefied version of the character. Young Sherlock is the number one TV show on Prime Video globally, which might have inspired first-time viewers to check out another one of Ritchie’s projects. The timing could not be more perfect because another season of MobLand is coming soon, and it’s bigger than the first.
King Friday XIII and Other Regal Characters — The Collider TV Quiz!
It’s Friday the 13th. What better day to bone up on your knowledge of King Friday XIII and other television royals?
Filming for MobLand Season 2 is ongoing. The series has expanded its scope beyond London, with some cast members spotted filming in Spain. However, London remains at the heart of the show as Harry Da Souza continues to fix everyone’s problems while hiding his own. The MobLand Season 1 finale flipped the character’s dynamics and alliances shifted, setting Season 2 on an even more explosive path. Series actor Emmett J. Scanlan explained Season 2’s scale in an interview with Hello Magazine, saying
“If you liked Season 1, penned incredibly by Jez Butterworth, then Season 2 is Season 1 on steroids! It is insane, it’s bananas. I loved Season 1, I loved reading it and getting lost in that world. I think Season 2 is even better. The scripts are fantastic.”
MobLand was created by Ronan Bennett, with Butterworth serving as director. Ritchie directed some episodes of Season 1. Pierce Brosnan (Conrad), Helen Mirren (Maeve), Mandeep Dhillon (Seraphina), Paddy Considine (Kevin), Daniel Beets (Brendan), and Anson Boon (Eddie) portray the unhinged Harrigan family that Harry works for. Other cast members include Joanne Froggatt as Jan, Harry’s wife, and Teddie Allen as Gina, Harry’s daughter.
All episodes of MobLand Season 1 are streaming on Paramount+. Stay tuned to Collider for more updates.
March 30, 2025
Paramount+
Daniel Syrkin
Pierce Brosnan
Conrad Harrigan
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“Asking for a friend…” contestant Brandon Perce captioned his Instagram post directed at Draper.
Authorities in Pennsylvania have decimated a drug trafficking ring they claim was being run out of a storefront set up to look like a coffee shop.
On Friday, March 27, Operation Cocaine and Coffee led to the arrests of 17 individuals and the seizure of crack cocaine, fentanyl, marijuana, ecstasy pills, cash, 27 firearms, four pounds of pure cocaine and 130 pounds of marijuana.
According to investigators, the Cumberland Coffee and Snacks in North Philadelphia was a faux business that acted as a cover for a street-level drug ring. The exact address was not provided by authorities.
Several longtime, “senior figures” in the Philadelphia criminal world were part of the operation, Pennsylvania Attorney General Dave Sunday announced on Sunday, March 29.
The Pennsylvania State Police, Philadelphia Police Department, and other law enforcement agencies were involved in the takedown of “the Louis Alexander Drug Trafficking Organization.”
Alexander, 56, was identified as the drug ring’s leader and his bail has been set at a whopping $750,000.
The 17 defendants “face a variety of charges, including felony counts of corrupt organizations, possession with intent to deliver, and illegal possession of firearms,” according to a press release on the operation. “Many are incarcerated following arraignments.”
Also charged were Carl Gates, Kendal Wilson, Gloria Alexander, Isaiah Washington-Trotty, Tyrone Scott, Marcus Clark, Isaiah Gallashaw, Cedric Carter, Paul Johnson, Eric Crawford, Corey Smith, Steven Birton, Tammika Billups, Domanick Pope, Calvin Gambrell, and Philip Smith.

A collage of mugshots from Operation Cocaine and Coffee Pennsylvania State Attorney’s Office
The statement said that 16 of the codefendants were busted in 30 locations during the execution of search warrants, including in neighboring New Jersey. Police said the last suspect turned themselves in but failed to specify who that was.
“Today marks a new day for North Philadelphians who were, for far too long, exposed to a group of criminals who did not hesitate to carry firearms to protect their lucrative trade — distributing poisons,” Sunday said. “For years, with our partners, we assembled cases against each and every charged defendant so when we took action, it would be the end of this criminal enterprise.”
Authorities said the drug peddling posse plagued the community with “absolute harm” for more than a decade and is believed to have ties to violent crime.
Some of the defendants are in their 50s, 60s and 70s, Sunday noted.
Authorities said the group had been a blight on the community for more than a decade.
“The criminal organization has remained like weeds as families and homeowners have moved in and out of residences in the area,” Sunday said.
Tayler Byrd is turning the page, and fans are here for it. Nearly a year after her rocky split on “Temptation Island,” the reality star is making headlines again, this time for her love life. Byrd recently took to TikTok to reveal a new relationship, surprising followers with a video that quickly sparked reactions across social media.

Tayler Byrd’s journey on “Temptation Island” was anything but smooth. Her relationship with Tyler Breshears began unraveling early in the experience, as his attention noticeably shifted toward fellow contestant Kay Carlson. While the situation didn’t escalate into headline-grabbing chaos like some of the show’s more infamous moments, the emotional disconnect was clear.
Host Mark L. Walberg spoke with Netflix about the relationship, to which he explained, “In Tayler’s case, when she said, ‘I’m not worthy of being loved,’ that’s when I get my dad vibe on.”
“I’m like, ‘Look, I know you don’t feel it right now, but that’s a lie, and we’re going to work through that so you know the truth,’” he continued. “When Case came back, I wasn’t trying to say, ‘Hey, here’s your hookup,’ but I was saying, ‘This is a subtle reminder that you aren’t unlovable, and if nothing else, I love you. I got you.’ That’s an example of where we step out of the format a little bit. That was unexpected.”
From cozy moments with Kay Carlson to private confessions, Tyler’s focus had clearly moved on, and Byrd eventually followed suit.

As her relationship with Tyler faded, Byrd found herself exploring a new connection with Yamen Sanders.
The two spent significant time together, building a bond that gave viewers hope she might leave the island with a fresh start. Byrd even chose Sanders for her final overnight date, signaling just how strong their connection had become.
“I mean, it’s funny, things between her and me were a slow burn for the most part, but they started getting pretty nice there towards the end,” Sanders said during a reunion last year. “There were definitely some emotions involved, and we really enjoyed each other.”
Despite that spark, Byrd ultimately chose herself.
In a move that resonated with fans, Byrd decided to leave “Temptation Island” on her own, officially ending things with Tyler and prioritizing her personal growth.
Although she and Sanders maintained a connection after the show, Byrd’s decision made it clear she wasn’t willing to settle, and was focused on what was best for her moving forward. “We enjoy each other’s company, we talk every day, and we are seeing where things go,” Sanders said during the reunion.
Now, nearly a year later, Byrd is embracing a new chapter and a new romance. In a recent TikTok, the reality star is seen dancing solo in a leopard-print bikini before pulling another woman into the frame. The two appear smiling, hugging closely, and walking off together, subtly confirming Byrd’s new relationship.
The video quickly gained traction, with fans flooding the comments section in support. “Wait I missed a chapter,” one user said, seemingly referring to the fact that Tayler is part of the LGBTQ community. “Wait I missed a chapter. Loving this for you!!!” another echoed.
Others expressed how happy they are for the reality television star, with one user writing, “Yesss momma! Happiness looks so beautiful on you!” Another said, “You know what HELL YES Tayler.”
Her TikTok bio also now has a rainbow emoji, indicating she is, in fact, part of the LGBTQ community.
Byrd’s relationship reveal comes as she’s also celebrating a major personal milestone. The reality star recently rang in her 32nd birthday with a getaway to Mexico, soaking up the sun and embracing a carefree, celebratory vibe.
The reality star shared a photo dump from her Mexico getaway, giving followers a glimpse into her sun-soaked celebration. In one shot, Byrd posed against a rocky beach backdrop in a red patterned dress, serving vacation glam while accessorizing with gold jewelry and a woven tote.
Another snap captured a dreamy oceanfront view at sunset, complete with palm trees, calm waters, and a thatched-roof structure in the distance.
William Shatner is alive and well. The veteran actor took the time to debunk fake news circulating about him online, assuring his fans that he isn’t dying of cancer while also shutting down other false claims. Shatner called out the source of the unfounded rumors and warned fans to take stories about him with a grain of salt unless they come directly from him.

On April 2, the “Star Trek” actor took to social media to alert his followers to a few fake stories circulating online about him. As he noted, he wanted to post on April 1 but feared followers would take it as an April Fool’s Day joke.
“There is a page on @facebook that is using AI to create horrible fake news stories about me,” Shatner wrote, adding the page he was referring to: Beanstalk Functions. The actor added, “This is the downside of AI and yellow journalism. While it can be a wonderful tool in the right hands, it can be used as a weapon in the wrong hands.”
On X, Shatner wrote, “My daughter came over to tell me her daughter heard that I had brain cancer.” He accompanied the post with a photo of himself that his daughter took as proof that he is doing well, saying he’s “fit as a fiddle.”
In his post, Shatner included screenshots of the news stories from the Beanstalk Functions page. One post read that he was “diagnosed with stage IV glioblastoma.” Another was an AI-generated photo of the actor on a hospital bed, smiling. Another post read, “Erika Kirk Insults William Shatner: ‘Sit down, you 60-year-old rock star’.”
“None of these stories are true but they apparently seem genuine enough for fans to repost them across social media and send messages of support to me and my family all while the culprits behind the account make money,” Shatner wrote.
The Beanstalk Functions profile claims it’s a Cape Town, South Africa-based events company. “We are here to help you Celebrate, Innovate, and Decorate,” it read.

In his post, Shatner said that he has alerted Facebook Support, but they won’t take the page down. Hours later, however, the Facebook page was no longer available.
The actor did some deep research and said the stories from Beanstalk Functions were linked to a website hosted on Next.js. He contacted Guillermo Rauch, the CEO of Vercel, which oversees Next.js, asking him to “remove the posted fake AI stories” created by Beanstalk Functions. However, he was told, “the company cannot see a reason” to remove them, as he shared on X.
Shatner pointed out Vercel’s Terms and Conditions, citing sections about fraud, scams, and HIPAA violations. “I guess a fake story revealing I supposedly have brain cancer doesn’t fall under HIPAA?” the actor wrote.

While he isn’t battling cancer, Shatner recently had surgery on his shoulder. As The Blast reported in early March, he had a nasty fall while out riding his horse. He explained that his horse went too fast, which sent him flying off her back.
Shatner, who did many of his own stunts in his decades-long career, said he tried to lessen the impact as he went down, but he still sustained an injury. “I started to roll, but hit the dirt with my shoulder. So I wrecked my shoulder,” he explained.
After the surgery, Shatner updated his followers on social media, saying that the procedure went well.
Shatner is showing no signs of slowing down. On March 22, the veteran actor celebrated his 95th birthday, sharing a photo of himself smoking a cigar on social media. “At 95, I’m still smokin’! I’ve learned two things: Never waste a good cigar. Never trust anyone who says you should ‘act your age,’” he captioned the post.
Shatner remains active and will be on the “William Shatner Live on Stage” tour this April. After a screening of “Star Trek II: Wrath of Khan,” the actor will share anecdotes from his long career and engage with audiences. He is also currently working with some of the biggest names in heavy metal on his upcoming album.
Dolly Parton’s still got it.
Parton, 80, looked fabulous while modeling her Dolly’s Joleans collection in a campaign for Khloé Kardashian and Emma Grede’s Good American. In one shot, the singer showed off her figure in a denim crop top featuring a plunging neckline and subtle floral design. She teamed the look with high-waisted jeans finished with the same pattern on the side of her legs.
Parton tied her Canadian tuxedo together with a sartorial denim shirt. She accessorized with a red bandana belt, long cherry nails, a statement silver bracelet, and a diamond ring. Parton added even more glam to her look with dangling earrings.
For glam, the country music star donned hot pink and purple eyeshadow, black eyeliner and long lashes. Parton tied her makeup together with bronzed and blushed cheeks and lined, pink lips. Her blonde hair was parted to the side and styled in a voluminous blowout.
In another photo, Parton changed into a bandana-print blouse and dark blue bootcut jeans while holding a record.
Parton also rocked a navy blue top with a lace-up front and a dainty pattern. She rested her hand on a guitar in the photo.
“I’ve always believed clothes can hold memories,” Parton said of the collection. “Denim’s been with me through every chapter of my life. It’s comfortable, it’s confident, and it never goes out of style.”
She continued, “With this new Dolly’s Joleans collection, we took a little bit of my past and gave it new life for today. When someone puts these on, I want them to feel bold, beautiful, and completely themselves.”

Grede, 43, also gushed about working with Parton. “With every season, our collaboration with Dolly has evolved while staying grounded in authentic western details and Dolly’s loved aesthetic,” she said. “This third collection reflects what makes Dolly an icon: confidence, individuality, and a fearless approach to personal style. We’ve translated those qualities into Spring ‘26 pieces that feel fresh and modern, with a touch of Southern charm.”
Fans can shop Parton’s line on Goodamerican.com.
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The “It Ends With Us” costars are due in court in May.
Horror is a pretty saturated genre, and a lot of it is, well, not great, meaning that it can take some digging to find the real gems. With that in mind, this list looks at some great horrors from the last ten years that many readers might not have seen yet. While they’re not that obscure, they typically didn’t find the box office success or wide viewership that they deserve.
The titles below lean toward indie horror, particularly ones that prioritize atmosphere over jump scares, psychological unease over spectacle, and ambiguity over easy answers. They span a range of styles and tones, from the identity fractures of Possessor to the loneliness of The Blackcoat’s Daughter and the grotesque emotional metaphor at the heart of Hatching.
“I can feel something watching us.” Oddity is a lean, low-budget horror from Irish filmmaker Damian McCarthy, the brains behind the upcoming Hokum starring Adam Scott, and it’s a marvel of narrative economy. The plot revolves around Darcy (Carolyn Bracken), a blind medium investigating the brutal murder of her twin sister (also played by Bracken). She arrives at the remote house where the crime took place with a collection of strange and seemingly cursed objects. Slowly, each of them reveals what really happened.
As she begins to probe what really happened, the house itself becomes a site of creeping dread. Bracken’s phenomenal dual performance anchors the movie, and the plot keeps swerving in unexpected directions. It subverts genre expectations repeatedly; here, the human characters are more evil and dangerous than any specter. All this builds up to a brilliant ending boasting one of the most effective closing shots in recent years.
“I see things… and I don’t know if they’re real anymore.” In Censor, a film censor (Niamh Alger) working in 1980s Britain becomes increasingly disturbed by the violent content she reviews. When she encounters a film that seems to mirror her own traumatic past, she begins to lose her grip on reality altogether. This is another slender, efficient horror, clocking in at just 84 minutes long, but filled to the brim with striking images and rich food for thought.
The visual style plays a crucial role, using color and texture to differentiate (and eventually merge )different layers of reality. In many ways, Censor is a horror movie about horror movies, and the filmmakers clearly have a deep knowledge of and affection for the genre. They draw on countless cinematic references, and do a fantastic job of recreating the grimy look and feel of the old-school video nasties. All in all, a smart, dark, psychological movie that should please genre aficionados.
“This is not a game… and it will not forgive mistakes.” In A Dark Song, a grieving woman (Catherine Walker) hires an occultist (Steve Oram) to help her perform an elaborate and dangerous ritual in a secluded house. She hopes to summon her guardian angel so that she can speak with her dead son. But as the ritual progresses, the psychological and physical toll begins to mount, revealing the true cost of what they are attempting, as well as possible deception by the medium himself.
Rather than being melodramatic, this is a more grounded take on ritual magic tropes. The horror builds slowly, rooted in the idea that they may have ventured too far into something they do not fully understand. The dynamic between the two central characters provides most of the narrative momentum. Their relationship is fraught with tension, constantly shifting between cooperation and hostility, keeping the audience guessing til the end.
“Don’t you want to be with me?” Some critics completely panned this movie, which is way too harsh. Oz Perkins‘ directorial debut is a solid, compelling horror, even if not a groundbreaking one. It’s about two students (Kiernan Shipka and Lucy Boynton) who are left behind at a boarding school during winter break, while a third young woman (Emma Roberts) travels toward them under mysterious circumstances. As the timelines begin to converge, something sinister emerges.
The plot admittedly retreats some classic story beats, but the atmosphere is rich and immersive enough to compensate. The cold, empty spaces of the school create a sense of isolation that permeates every scene. The sound design is effective, too, using a minimal store and weaponizing subtle noises and long stretches of silence. Plus, the narrative structure itself is intricate and ambitious, deliberately withholding information to disorient the viewer and let them draw their own conclusions.
“She’s perfect… she’s mine.” This Finnish gem is a satirical, absurdist riff on body horror. The main character is Tinja (Siiri Solalinna), a young gymnast struggling to meet her mother’s expectations. The plot kicks into gear after Tinja discovers a mysterious egg, which she nurtures until it hatches into a strange creature. The creature grows into a human-sized, bird-like monster, which begins to mirror the girl’s inner turmoil in increasingly disturbing ways.
From here, the movie’s tone shifts between domestic drama and grotesque horror, creating a sense of unease that never fully resolves. Indeed, the relationship between mother and daughter is central, with the monster acting as a manifestation of unspoken pressures and fears. The visuals convey this perfectly. The creature design is particularly striking, becoming a physical expression of the protagonist’s psychological state. All this adds up to an intelligent movie with clear themes, yet one that never lets the message eclipse the frights.
“There’s nothing there… but it keeps calling me.” Rebecca Hall carries most of this one single-handedly as Beth Parchin, a grieving widow who begins to uncover disturbing secrets about her recently deceased husband (Evan Jonigkeit) while living alone in the lakeside home he built. In the process, she starts to experience strange visions and encounters that suggest something is still waiting for her. The house itself becomes a puzzle, filled with hidden spaces and mirrored structures that reflect the protagonist’s unraveling state of mind.
The set design and cinematography reinforce this. The film plays with negative space, literal darkness, as a source of terror, creating images that seem to shift the longer you look at them. That said, the highlight is Hall. Her performance is layered, intelligent, and three-dimensional, making Bell far more realistic and interesting than your average horror protagonist. She’s a gripping mix of vulnerable and defiant.
“You’re not in control anymore.” Possessor was the sophomore directorial effort from Brandon Cronenberg, son of David. In it, a corporate assassin (Andrea Riseborough) uses advanced technology to inhabit the bodies of others, carrying out high-profile killings while manipulating her hosts from within. Over the course of the story, her missions become more complicated, and the boundary between her identity and those she possesses begins to blur.
That premise could’ve become overly pulpy, but Cronenberg executes it with considerable style. The imagery is surreal and intense, frequently drenched in blood and gore. Here, the director crafts a world where violence feels intimate and invasive, with each act leaving a residue that cannot be easily erased. In other words, Possessor uses body horror in a deeply conceptual way. Like the best work by Cronenberg Sr., this movie delves deep into emotional detachment, the vulnerability of the body, and the dehumanizing side of technology.
“I will act against you in wrathful hostility.” Mad God is the ridiculously ambitious magnum opus from animator and effects artist Phil Tippett, famous for his work on Star Wars and Jurassic Park. It’s a stop-motion horror in which a lone figure descends into a nightmarish underworld filled with grotesque creatures, endless machinery, and scenes of constant suffering. The film unfolds with minimal dialogue, relying instead on its imagery to convey meaning.
The lack of a conventional plot allows the film to operate on a more symbolic level, with each sequence contributing to a broader sense of existential dread. On the aesthetic side, the stop-motion animation creates a tactile, oppressive world where every frame is filled with detail and decay. In an era of CGI and computer animation, it’s a rare treat to experience something so physical and handcrafted. While certainly not for everyone, Mad God will reward those who embrace its dark, dream-like sensibility.
“We don’t stop playing because we get old, we get old because we stop playing.” This gem out of New Zealand is driven by the remarkable dynamic between Geoffrey Rush and John Lithgow. Rush plays Stefan Mortensen, an elderly judge who suffers a stroke and is forced to spend some time in a care home. There, he is subjected to the tyranny of fellow resident Dave Crealy (Lithgow), who masquerades as confused and harmless by day but torments the home by night.
Both performers are fantastic here, Lithgow in particular. His Crealy is a truly heinous antagonist, demented, manipulative, and seemingly unstoppable, yet far from a caricature or cartoon. Through these characters, the film examines tough, relevant themes around aging, abuse of power, and the courage to resist bullies. The plot keeps you on your toes, pivoting in unexpected directions and charting a wholly new course for horror storytelling.
“There’s something wrong with this body.” In The Autopsy of Jane Doe, a father-and-son team of coroners (played by Brian Cox and Emile Hirsch) receive the body of an unidentified woman (Olwen Kelly) and begin a routine autopsy. However, while examining her, they uncover increasingly bizarre and impossible details, suggesting that the body is anything but ordinary. Each discovery during the autopsy adds a new layer of mystery.
The majority of the story takes place within a single location, which director André Øvredal uses to tremendous effect, turning the morgue into a space of relentless mounting tension. In many ways, the movie is simple, consisting of just one setting and a handful of characters and clocking in at just 86 minutes, yet each of these limited elements is arranged into the exact right place. Ultimately, it’s a smart, creepy, and even frequently funny horror that gleefully subverts the usual supernatural tropes.
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From Monster and Fox to Pearl and Galaxy Girl, here’s everyone who’s won the bizarre singing competition.
General Hospital reveals the not Nathan West (Ryan Paevey) was finally identified as his twin brother, Cassius Faison. And of course, we know that Nathan was a good guy, a really good guy. But what about his twin Cas? Is he the evil twin? Or was he just raised by someone evil? Cesar Faison, of course.
We’re going to talk about what we know about Nathan’s mystery twin brother and whether Cassius is Faison 2.0 or maybe Nathan 2.0 and he isn’t quite so bad. And honestly, maybe the answer lies somewhere in between and the answer may actually be shifting.
So, this week we finally found out as we suspected pretty much from the moment Ryan Paevey came back that Nathan was a fake. And General Hospital finally confirmed it six months after they brought Ryan back. And it all happened when Jenz Sidwell (Carlo Rota) summoned not-Nathan to Wyndemere and then called him his real name, Cassius Faison.
That entire conversation with Sidwell delivered a whole treasure trove of information. He told Cassius he’s done a great job fooling everyone into believing he’s Nathan. It was also clear from that conversation that he works for Sidwell, not vice versa, nor are they partners.
And then there was a new interview I saw with Ryan Paevey that confirms that Cas is a henchman. He said that he’s working for Sidwell and for their big boss Ross Cullum (Andrew Hawkes). And we found out from General Hospital that Cas has been working for Sidwell for a good long while.
Also, it’s interesting that it was Cas’ own idea for him to take over his twin brother’s life and get back inside the PCPD and get close to a lot of people in Port Charles. And so, Sidwell was praising him for coming up with the idea and actually carrying it off so well.
So, it looks like Cas is in deep with Sidwell and Cullum and between them they’re infiltrating every aspect of Port Charles. They got the piers. He’s in with the police. Sidwell has influence with the political system. And on top of completing Faison’s final project, all of that, they’re going to have control over so much of Port Charles.
And another twist that showed us how ruthless Cas can be was about the frame job because it turns out that he helped Sidwell frame Laura Spencer (Genie Francis) and Sonny Corinthos (Maurice Benard) for Hank Dalton‘s (Daniel Goddard) murder. That’s why he showed up there the night Laura had car trouble. Even worse, Cassius appreciated Sidwell poisoning Maxie Jones (Kirsten Storms) because he said it made it easier for him to take over Nathan’s life without her there scrutinizing him.
So, these obviously are red flags pointing to Cas being a bad guy, especially since he’s working for uber villains Cullum and Sidwell. But in the end, I don’t think Cas is going to wind up all that bad. Right now though, he is. So, also in the recent interview, Ryan Paevey admitted that Cas is bad. But said not the same way as Faison is.
Also of interest is Ryan said he was specifically hired to play Cas, not Nathan. So in case you thought this was a last minute twist, it wasn’t. This was planned by the General Hospital writers since last year. And it’s also disturbing that Cas agreed with Sidwell that Britt Westbourne (Kelly Thiebaud) needs to be dealt with for compromising the Cold Fusion project.
And Cassius definitely scares Britt. She knew who he was. She knew that was not Nathan right from the start. So, I’m sure he was part of the crew that saved her from the hook death and has been part of them using Britt to complete Faison’s project. And unless they are doing some kind of retcon, Cassius and Britt wouldn’t have grown up together.
Liesl Obrecht (Kathleen Gati) was the one who mostly raised Britt trying to keep her away from her dad, although she knew Faison was her father and that he was a really bad guy. And Britt was around him more as an adult and more before he finally died. And Faison though seems to have raised Cas alone. So, there’s definitely more questions there.
Ryan Paevey said Cassius did not grow up in a nice family like his twin brother did. And Ryan said Cassius was never loved or even liked. I mean, Faison’s not exactly warm and fuzzy. And something about pretending to be Nathan has surprised Cas because everybody liked Nathan. Now Cassius is feeling what it’s like to be liked.
Something he never has before. Not only that, over and above like people loved Nathan. So there’s all this positive new emotion and new life experience that Cas is soaking up. I think it’s life-changing. Ryan said that at first playing Nathan was just useful to his bosses Sidwell and Cullum.
So, it started out as a convenient thing. But more than that, Cassius is legit getting attached to both Lulu Spencer (Alexa Havins Bruening) and James West (Gary James Fuller). That’s official. And of course, that’s his nephew, not his son.
And that’s part, I think, of why Cas pushed back a little on Sidwell about getting into the PCPD and getting this information about Marco Rios’ (Adrian Anchondo) murder because Cassius wants to make sure he gets to keep living Nathan’s life because he’s enjoying it more and more by the day.


Ryan Paevey said that Lulu and James are going to be a point of vulnerability for Cas because he worries about Lulu and James and legit wants to protect them. And that’s strange because Cassius has never cared about anybody but himself because he never had a reason to. But he’s already lying for them.
Of course, he knows that Lulu’s son, Rocco Falconeri (Finn Carr), shot Cullum. But he lied right to Sidwell’s face and is letting him think Jason Morgan (Steve Burton) did it. And Cassius is pressuring Lulu to stop looking for Jason and says, “Just just let it go so we can protect Rocco.” But really, that’s moving Cas’s own agenda forward.
But Lulu is going to push back on Cas this week. And she gets mad because she thinks he’s saying that it was somehow Britt and Jason’s fault what happened. So, we’ll see if this gets Lulu wondering what’s up with not Nathan. You know, for instance, Lulu might ask why Nathan hasn’t wondered where he’s been the past seven years, why he hasn’t looked into it since he’s a cop.
Lulu might now find that lack of interest quite strange when she starts thinking about it. Plus, Cassius has slipped up in that trapped in blizzard comment about his dad making him memorize the periodic table of elements.
She could just go back to Nina Reeves (Cynthia Watros) and ask, “Did your dad have this thing about the periodic table?” And of course, you know, Nina would say, “No, of course not.” And Nathan loved Britt. That was his sister. And Cassius apparently doesn’t give a damn about her, doesn’t seem to even care about keeping her alive.
So, I think we’re going to see Cassius increasingly torn between Cullum’s agenda and what he wants for his own life, which is to keep being Nathan indefinitely so he can keep Lulu and James, keep being loved. And enjoy things he’s never had in his life. So far, it does look like Cas started out pretty bad.
But I think wearing Nathan’s skin has him soaking up these good vibes that are going to change him. And I think Cassius may get a chance to redeem himself and prove that he can be a good man, too. I mean, never as good as Nathan. But definitely not as bad as Faison.
I’m also excited to know how Nathan and Cas were split up because Liesl hid Nathan with her sister Madeline Reeves (Donna Mills) and actor Ryan Paevey said we’re soon going to get a glimpse at the real Cas when he’s not around people who think he’s Nathan and not around his two bad bosses who know who is.
So, I think this reveal honestly came way too late because I think almost every fan had figured out by this point that that wasn’t Nathan. So, it really wasn’t much of a surprise other than finding out his name is Cassius and that he’s a henchman, not a boss. I think it would have been a lot more shocking had they dropped it a couple of months ago. But I am super excited to see where it goes from here.
Trim is new to the hip-hop scene, but she’s not ducking any smoke from critics. Since going viral and declaring herself the new “Princess of Rap,” she’s faced a wave of criticism and comparisons to Nicki Minaj. From her style to her cadence, and even after dropping a pop snippet, many have accused her of copying Nicki’s entire vibe. Now, she’s addressing the chatter.
On Tuesday, Trim was stopped by paparazzi and asked a few questions. When asked about being compared to Nicki Minaj.
Trim responded, “You know, it’s a compliment. When you’re compared to legendary people, it’s bound to happen when you’re legendary yourself. So I take it as a compliment. Shout out to Nicki.”
When asked about the Barbz, Nicki Minaj’s fanbase, and how they’ve been receiving her, Trim said she feels like they secretly show her love, even through criticism. She added that she takes the hate as love, saying they love her and she loves them right back. Trim was also asked if she purposely tries to sound like Nicki Minaj, to which the rapper quickly responded no. She emphasized that she uses her voice as an instrument, noting that it’s naturally enhanced by her Charleston, South Carolina accent. She might be new to the hip-hop scene, but she already has her eyes on some big collaborations. During the interview, Trim said she hopes to work with Nicki one day, along with Future, Beyoncé, Drake, Young Thug, and more. She added that she’s open to anything and is looking to tap into different eras and genres
Despite all the talk, Trim is staying focused on the music. She recently took to social media to preview a snippet of her upcoming track, ‘Chrome Barbie,’ alongside a chrome version of the Barbie logo.
The teaser quickly reignited comparisons online. One person wrote, “Her voice sounds like Nicki, but she does not rap like Nicki not even lyrically. No shade, but I fw Trim. Someone else commented, “Sounding this good at 19??? Lmao, just pass her the baton. It’s time to uplift and mentor younger artists.”
Folks flooded The Shade Room Teens comment section as they weighed in on what Trim has been up to. See some of the reactions below.
Instagram user @tymvri wrote, “This is the most nicki answer she could’ve gave 😭😭 I like her!! She gets a pass from me. Just stay on the barbz good side and we goooood mamita”
Instagram user @shelie_bandz added, “Honestly hearing her speak it doesn’t sound forced you can tell she uses the same voice in her songs!!”
While Instagram user @Ishardaysa wrote, “Actually I’m calling the cops to report identity theft..”
Instagram user @thaarealplayyaaa.k wrote, “The voice change oh yea this Nicki coded 😭😭”
Instagram user @thebuttastick wrote, “Oh I see what them barbs was saying now… the Barbie logo is INSANEEEEE not saying the pink lady owns it…but let’s be SO HONEST AND FOR REAL”
While Instagram user @lialenae wrote, “i support whoever don’t support trump 💁🏾♀️😭 So i like chrome Barbie”
Instagram user @amoney2fye_ wrote, “She tough at life IDC IDC IDC 🔥😂”
Instagram user @princessdondada._ added, “sorry can y’all wrap her era up”
While Instagram user @chongkenny wrote, “Why are yall hating on a 19 year old ??? Yall gotta do better and stop being so angry and hateful with the world.”
What Do You Think Roomies?
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