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‘High Potential’ Finally Spotlights a Fan-Favorite Character in This Must-Watch Episode

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Michael Hyatt as Dottie in High Potential Season 2

Last week’s episode of High Potential left off with the major cliffhanger reveal that the man (John Pyper-Ferguson) who’s been following Arthur (Mekhi Phifer) was the person who abducted Roman 16 years ago. In this episode, it’s revealed that his name is Eric Hayworth, and that he was previously in Special Forces for the military. Not much else is revealed about Hayworth yet, except that he was hired to abduct Roman by an extremely dangerous woman named Willa Quinn. Meanwhile, this episode sees the return of Dottie (Michael Hyatt), Morgan’s (Kaitlin Olson) instructor from the training academy. The episode starts with a murder attempt being made on Dottie’s life, and Major Crimes working to solve the case while she’s unconscious in the hospital.

This episode, titled “If You Come For the Queen,” focuses primarily on Dottie’s case, which later connects to another case that Major Crimes is investigating. Daphne (Javicia Leslie) finally gets her first solo storyline this episode, as it’s revealed that Dottie was her training officer, and they used to be very close. Daphne takes the lead on Dottie’s case in what is an excellent, character-centered episode with a number of powerful storylines.

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In ‘High Potential’ Season 2, Episode 14, Major Crimes Investigates an Attempt on Dottie’s Life

Michael Hyatt as Dottie in High Potential Season 2
Michael Hyatt as Dottie in High Potential Season 2
Image via ABC

Daphne and Morgan are assigned to Dottie’s case, while Karadec (Daniel Sunjata) and Oz (Deniz Akdeniz) investigate a murder. While working on Dottie’s case, Daphne tells Morgan that she and Dottie were very close during the five years they worked together, even after Daphne made detective and Dottie became a full-time instructor at the academy. Dottie pushed Daphne to take the sergeant’s exam and move forward in her career, but Daphne was hesitant to try to get a promotion after watching the discrimination that Selena (Judy Reyes) and Dottie have had to deal with for years as women of color in the police force. Daphne and Dottie got into an awful fight over this, and they haven’t spoken since.

Dottie was getting a massage at her regular spa during the attempt on her life, so Morgan and Daphne check out the spa and ask around. This takes them to Dottie’s classroom, where Morgan and Daphne catch their first suspect: one of Dottie’s students, Officer Hoff. Hoff broke into Dottie’s classroom to keep her from reporting him for a mistake, but he didn’t hurt her. Dottie wakes up, and she starts consulting with Morgan and Daphne on the case. Morgan looks at Karadec and Oz’s case, and she figures out that their victim, Luke Knight, went to the same spa as Dottie. Dottie checks herself out of the hospital early, and she joins Major Crimes to work on her and Luke’s cases.

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Daphne and Dottie go to the spa to ask around, while Karadec and Oz question people from Luke’s gym. Karadec speaks with Luke’s boss, Phyllis, who tells them that Luke was new, but that he had already landed some major clients. Karadec and Oz suspect Luke’s work rival, Voz, from whom Luke poached a high-profile client. Daphne and Dottie speak to Kirk Hartwood, the owner of the spa, who tells them that Luke has never been a guest at the spa – and that everyone working at the spa has an alibi placing them there during Luke’s death. Dottie collapses and has to go back to the hospital, where she and Daphne finally talk things through. They’re still at a standstill, though, because Dottie has a lot of hope for Daphne’s future, and Daphne thinks that there’s no point in taking the exam after Selena was unfairly passed over for her promotion.

Later, Morgan realizes that both Dottie and Luke’s cases are connected through a Strangers on a Train-type murder. Two people got together and agreed to kill the target that the other wanted dead, so it couldn’t be traced back to them. The Major Crimes team suspects that Voz was on one end of the pact, and that he got someone at the spa to kill Luke. As it turns out, Kirk has been using a black market supplier for the IVs to save money, and he has been giving them spa sensors in return. The supplier is Phyllis, who made a murder pact with Voz: Phyllis would kill Luke for stealing Voz’s client, and Luke would kill Dottie for Phyllis. Dottie reveals that she joined a sorority in college, and Phyllis was supposed to be her Big Sister. Phyllis went overboard on the hazing, so Dottie turned her in. Phyllis was charged with a felony, and her whole life fell apart after that. As a Black woman, she never got a second chance, and she blames Dottie for reporting her back then.

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Kaitlin Olson and Daniel Sunjata in 'High Potential.'


The One Thing ‘High Potential’ Must Get Right in Season 2 Is Morgan and Karadec

Season 2 can’t afford to drop the ball on this pivotal relationship.

Recently, Phyllis was turned down when trying to remove her felony record, reminding her of everything she lost. Phyllis is already on the run by the time Major Crimes realizes that she put the hit out on Dottie, but the Major Crimes team finds her. Daphne talks to Phyllis one-on-one, and she empathizes with her, saying she knows what it’s like to always have to prove herself. She encourages Phyllis to accept her arrest, and she does. Later, Daphne and Dottie have a touching conversation at the station. Dottie tells Daphne that she pushed her to keep her from letting outside pressure get her down, and Daphne tells her that she understands.

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‘High Potential’ Season 2, Episode 14 Parallels Daphne and Ava’s Storylines

At the start of the episode, Ava (Amirah J) tells Morgan that she got into the design class that she applied to. Ava is very excited, until she sees a post online from a classmate that says she only got it because of her race. Morgan supports Ava as best as she can, but she acknowledges that she can’t fully understand what Ava is going through. Later, Ava goes to the station to talk to Daphne. They get derailed by Dottie’s collapse, but at the hospital, Ava tells Daphne what happened. Daphne empathizes with Ava and relates to her, and when Ava asks whether she should stick with the class, Daphne tells her to follow her heart.

Daphne doesn’t feel content with the advice that she gave Ava. Later, after solving Dottie’s case, she talks to Ava again from a new perspective. Daphne had been feeling disheartened since watching Selena get passed over for a promotion that she deserved, which only further convinced her not to even bother taking the sergeant’s exam, even though Dottie wanted her to. After reconciling with Dottie, though, Daphne decides that she wants to lean more into Dottie’s advice. Daphne tells Ava that they can’t control what other people say about them, and that she needs to do what feels right for her, no matter what people think. This encourages Ava, making it seem like she will likely continue with the class. It also bodes well for the possibility of Daphne taking the sergeant’s Exam in the remainder of Season 2.

High Potential airs Tuesdays at 9:00 p.m. ET on ABC.

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Kyle Cooke Denies Dating Ava Dash, Reacts to Amanda Batula Dating Rumors

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Kyle Cooke
I’m Not Dating Ava Dash…
and Amanda Ain’t Dating West Wilson!

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Liza Minnelli says late costar Gene Hackman was 'downright rude' on set of “Lucky Lady”

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Minnelli and Hackman starred alongside Burt Reynolds in the 1975 dramedy, in which their characters form a love triangle.

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Blumhouse’s Ridiculous 6-Part American Crime Show Is a 10/10 One-Night Binge

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As a genre, true crime has dominated television for years. Massive documentary hits like Netflix’s Making a Murderer and HBO’s The Staircase proved just how captivated audiences can be by real-life criminal cases. But as the genre has grown more popular, networks and studios have increasingly looked for ways to tell these stories outside the traditional documentary format, creating scripted series that allow writers and actors to explore the personalities and circumstances surrounding the crimes in greater detail.

That was the approach NBC took in 2022 when it teamed up with Blumhouse Television to produce The Thing About Pam, a limited series based on one of the strangest murder cases in recent American history. Rather than presenting the story as a grim procedural, the series leaned into the bizarre nature of the real-life events and the outsized personality at the center of the case. The result was a show that blended crime storytelling with dark humor and an almost Coen Brothers–style sense of absurdity. The tonal gamble didn’t work for everyone, but four years later, The Thing About Pam remains a fascinating look at a real-life story that was already stranger than fiction.

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What Is ‘The Thing About Pam’ About?

The Thing About Pam is based on the real-life murder of Betsy Faria (Katy Mixon) in Troy, Missouri, a case that quickly spiraled into one of the most convoluted investigations in recent memory. When Betsy is found stabbed to death in her home in 2011, suspicion immediately falls on her husband, Russ Faria (Glenn Fleshler). Despite a lack of convincing evidence and the fact that he had a strong alibi, Russ is ultimately convicted of the crime, largely due to a deeply flawed investigation.

At the center of the story is Pam Hupp, played by Renée Zellweger, a seemingly friendly acquaintance of Betsy who becomes increasingly entangled in the case. As the investigation unfolds, Pam’s role begins to look far more suspicious than anyone initially realized. Over time, prosecutors and investigators begin uncovering a web of lies and manipulations that point to a far more disturbing truth behind Betsy’s death. The series also features a strong supporting cast, including Judy Greer as prosecutor Leah Askey and Josh Duhamel as defense attorney Joel Schwartz, as the case becomes increasingly bizarre.

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What sets The Thing About Pam apart from most true-crime adaptations is its unusual tone. Rather than presenting the case strictly as a grim procedural, the series often leans into the absurdity of the situation, from the baffling and botched investigation to the unusual personality of Pam herself. That tonal choice set the show apart, in both good ways and bad. At times, it risked feeling like it was adopting the darkly comedic style of shows like Fargo while telling the story of a very real murder. Still, the strange twists of the case, and Pam Hupp’s outsized personality, help explain why the creative team leaned into a more stylized approach. And much of that tone ultimately works because of Renée Zellweger’s bold performance at the center of it all.

Renée Zellweger Delivers One of Her Boldest Performances in ‘The Thing About Pam’

Looking at Renée Zellweger’s impressive resume, it might be surprising that her first real foray into television came through a network true-crime series. But Zellweger herself was introduced to the story of Pam Hupp while listening to Dateline’s popular 2019 podcast of the same name. As she explained in a 2022 interview with Entertainment Weekly, the case was so strange that it immediately drew her in. “You can’t quite believe the facts that surround the case,” she said, describing the story as an “escalating absurdity.” That sense of disbelief ultimately became central to her performance.

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Zellweger commits fully to the role, leaning into Pam’s strange blend of seeming totally relatable while also being incredibly manipulative and unpredictable. It’s a performance that feels very different from the other real-life figures she has portrayed in the past, including Judy Garland in Judy, which earned her the Academy Award for Best Actress. Pam Hupp is not a tragic icon or beloved public figure, but someone far messier and far more baffling. That challenge results in a deliberately heightened performance that matches the show’s unusual tone. The Thing About Pam also marked a milestone in Zellweger’s career: not only was it her network TV debut, but she also served as an executive producer, helping shape the tone of the series while anchoring it on screen.

Looking back four years later, The Thing About Pam remains one of the more unusual entries in the ever-growing world of true-crime television. Its willingness to blend dark humor with a real-life murder case remains controversial, but the show’s attempt to capture the bizarre nature of the story, and the odd person at the center, gives it a distinct identity among a crowded field of true-crime adaptations. For viewers who missed it the first time around, the six-episode limited series makes for a quick and compelling binge.

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7 Superhero Video Games You Can Score on Amazon Right Now

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Save the City … Finish the Villain

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“Jeopardy” roasts Timothée Chalamet with 'ballet and opera' category

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The “Marty Supreme” actor said “no one cares about” the forms of entertainment in a talk with Matthew McConaughey.

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Kandi Burruss & Ex Todd Tucker’s Restaurant On The Hook for Six-Figure Settlement with Ex-Landlord

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Kandi Burruss & Ex Todd Tucker’s
Restaurant On The Hook for Six-Figure Settlement!!!

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Kyle Cooke Addresses Claims He Cheated on Amanda Batula

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Summer House’s Kyle Cooke responded to claims that he cheated on estranged wife Amanda Batula prior to the end of their four-year marriage.

During an appearance on the Tuesday, March 10, episode of Watch What Happens Live with Andy Cohen, the host, 57, rehashed how Amanda, 34, said on the reality series last month that “women have been sliding into her DMs to share evidence that you’ve hooked up with them.”

Kyle, 43, responded, “It’s tough. [There’s] so much noise, but I feel bad she’s had to deal with that. Look, I can tell you, I was not, like, physically or emotionally unfaithful.”

Podcaster Danny Pellegrino, who joined Kyle on the WWHL episode, then directly asked him, “What are all these pictures out there then? Why were you getting so close to take pictures with [other women]?”

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Kyle Cooke Breaks Silence After Amanda Batula Split


Related: Summer House’s Kyle Cooke Breaks Silence After Amanda Batula Split

Summer House star Kyle Cooke is speaking out following his split from wife Amanda Batula. “I think people will be surprised but also happy to see that Amanda and I are in a good spot,” Cooke, 43, told “Hollywood Raw” podcast host Adam Glyn in a video shared via TikTok on Thursday, January 22. “Obviously […]

A blank Kyle replied, “Pictures? I mean, the pictures I’ve seen are with people that are my friends.”

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Kyle’s comments come after Us Weekly exclusively reported on Tuesday that the former couple are “on good terms” and “friendly” following their split, which was announced via a joint statement in January. A source told Us that the duo “communicate often about the dogs” they own, Reese and Ryder.

Kyle and Amanda are yet to file for divorce, with a second insider telling Us that they “want to keep a divorce amicable and keep it very mature.”

Kyle Cooke Chokes Up Thanking Amanda Batula at ‘Summer House’ Season 10 Premiere Party


Related: Kyle Cooke Chokes Up Thanking Amanda Batula at ‘Summer House’ Party

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Summer House star Kyle Cooke made sure to give a shout-out to estranged wife Amanda Batula at the season 10 premiere party, less than one month after the pair announced their separation. “Through all the ups and downs, you stood by my side,” Kyle, 43, shared at the Wednesday, February 3, event after getting emotional […]

One month after the pair’s split was announced, Amanda raised claims of Kyle cheating during an episode of Summer House. “Every time you go out I get DMs telling me that you were up to something suspicious,” she told Kyle. “I don’t even bring them all up to you anymore because it’s just constant.”

The episode also saw a producer ask Amanda if she believed that Kyle had been cheating on her, which drew the response, “I don’t know. I’d like to think not. But he has in the past. There have been plenty of rumors about it. Who knows? Only Kyle.”

Fans have watched the pair’s rollercoaster relationship unfold via the Bravo reality TV show over the years, including 2018’s cheating drama when Kyle confessed to being unfaithful while he was drunk. Amanda forgave Kyle at the time before he proposed to her later that year and they tied the knot in September 2021.

During Kyle’s WWHL appearance, Cohen also quizzed Kyle on Amanda’s Summer House episode quip, aired earlier on Tuesday, which saw her tell the cameras, “Now I can leave him and I got a watch out of it.” (Kyle gifted Amanda a Cartier watch during Tuesday’s episode).

Kyle laughed before responding with, “I did catch that. I mean, look, if we were actually in the process of splitting up last summer, there’s no way she would’ve said that, that was a joke. She earned that [watch]. That was the highlight of my summer, to see her smile … I would’ve bought her three watches if I could just relive that moment.”

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It's Their Life: A Bon Jovi movie is on the way

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Jon Bon Jovi and company are the latest rock icons to get the biopic treatment.

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This 10/10 Horror Cult Classic Just Gets Better With Age

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Following Diablo Cody’s success with the 2007 film Juno, the writer sought to complete her next project. Her hyper-specific dialogue made the film a sensation and was quoted years after its release. Her next film, sadly, was not met with as much fanfare. In 2009, Cody wrote Jennifer’s Body, a critique of the male gaze set in a high school.

Even though the film was directed by Karyn Kusama, who would go on to direct The Invitation and executive produce Yellowjackets, her work on Jennifer’s Body would largely be unappreciated until years later. The horror film was massively mismarketed as a teen drama when it was actually a satirical, deliciously bloody look at gender roles. Jennifer’s Body has the same witty dialogue as Juno, but instead follows a teenage girl who, after being sacrificed to the devil, comes back as a man-eating succubus. Many audiences misread the film the first time around, but it is finally getting a chance to live again on Tubi.

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‘Jennifer’s Body’ Would Be a Smash Success if It Came out Today

In 2009, conversations about gender still had a long way to go. While feminism had its place in pop culture, Jennifer’s Body went over many critics’ heads. Viewers were distracted by its campy tone and did not pay attention to the resonant themes at its bloody center. It didn’t help that the film’s marketing campaign seemed to try to capitalize on Megan Fox’s popularity with a younger male audience, which is precisely one of the film’s central critiques. It was marketed toward a young male audience, which missed the film’s intent.

Fox plays Jennifer Check, a high school student who is only appreciated for her sex appeal. One night, a touring band takes advantage of her in a Satanic ritual meant to grant them fame. It goes horribly awry, and instead of being sacrificed, Jennifer turns into a demon who can only survive by consuming the flesh of boys.

The relationship between Jennifer and her best friend Needy (Amanda Seyfried) is another element that was geared more to a female audience, but was misunderstood upon its release. The film also depicts the complexities of female friendships, which an audience over-sexualizing Fox would naturally miss out on. Needy and Jennifer’s relationship is extremely specific to the female experience. Though Jennifer becomes a cannibalistic monster, she initially refuses to cross the line of killing her best friend. Jennifer’s Body also deals with the spectrum of sexuality, which is not always depicted in mainstream films.

At the time, the project was unfairly compared to Twilight, which had only come out the previous year. This story was not a supernatural romance at all, but a horror film about the ramifications of taking away women’s bodily autonomy. Despite its outrageousness, the film’s subtleties were wildly misconstrued. It is tragic that had the film come out today, it likely would have been embraced with open arms. If anything, it has become more relevant than ever in the current cultural landscape. Now, fans have the opportunity to give the film a second chance by streaming it on its current home, Tubi.

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Collider Acrostic — The Collider Movie Quiz!

Can you answer these movie questions, wherein each correct response begins with a successive letter of the word “Collider”?


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01191246_poster_w780.jpg

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Release Date

September 18, 2009

Runtime
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107 minutes

Director

Karyn Kusama

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Producers

Brad Van Arragon, Daniel Dubiecki, Jason Reitman

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Benny Blanco Receives Offer to Profit Off His Feet

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Benny Blanco
Offered Help to Launch Foot Focused Account
After Flaunting Toes!!!

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