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One lucky man has Amy Adams and her family to thank for saving his life.
The actress recently shared a wild story about the time she saved a man’s life while spending quality time with her loved ones.
The incident occurred in Santa Monica, and Amy Adams drew on her medical knowledge from her time on the short-lived TV show “Dr. Vegas.”

During a recent interview, Adams reflected on her time starring as a nurse on the CBS show, noting that she had shadowed an emergency room doctor to prepare for the role. Thanks to this experience, the actress was well prepared when an accident occurred in Santa Monica.
According to the entertainer, she and her family were leaving their favorite restaurant when they noticed a group of people panicking. “They’re yelling, ‘He’s dying!’ and my husband’s like, ‘That’s blood,’” Adams shared on the “SmartLess” podcast, noting she told her beau, Darren Le Gallo, to stay with their daughter, Aviana.
Meanwhile, the actress sprang into action with her father and rushed over to the group, where they discovered a man had been stabbed in the neck. Adams and her dad grabbed the towels they were going to use at the beach to apply pressure on the man’s neck before her TV medical knowledge kicked in.

Adams recalled remaining calm and composed throughout the ordeal, giving instructions to de-escalate the situation. “I’m sitting there somehow going, ‘You need to calm your pulse rate. Take a deep breath in.’ I literally was just so focused,” she said, adding
“I was like, ‘The more you struggle, the faster you’re going to bleed. Just lay down. Let’s elevate this.’”
The “Enchanted” star’s efforts saved the man’s life, and he had the opportunity to express his gratitude a year after the incident. Adams noted that she was in a restaurant when a stranger approached her to ask about the stabbing incident.

When the man approached the TV personality, he didn’t introduce himself as the person she and her father had saved. Instead, he acted like a stranger who heard about their heroic act and wanted to confirm the story.
After Adams confirmed the incident had happened and wondered how the man knew, he then revealed the scar on his neck. The actress recalled being pleasantly surprised by his identity, while the latter got emotional as he thanked her for saving his life.
“He was like all teary, and he had his son with him. It was so crazy,” the actress said. As for how the man got stabbed, Adams said she didn’t know the full story. Nonetheless, she heard the victim and his friends had bumped into an old college friend and had some drinks before the man “just freaked out.”

Adams’ life-saving role as a nurse on the short-lived TV show marked one of the many jobs she took to make a name for herself in Hollywood. In a 2014 interview, she opened up about her difficult rise to fame, noting she was “a mess.”
She described the many years she spent trying to survive in Los Angeles as “painful, to say the least,” recalling how she took “everything from day player to guest star to small parts in movies.” But these roles were not enough to ensure her survival.
Adams, per E! News, confessed that she was under “a lot of pressure” and almost quit acting because she was starting to dislike who she was becoming. Fortunately, her perseverance paid off, and the spotlight began to notice the actress in her early 30s.

One of the projects that put Adams in the spotlight was 2002’s “Catch Me If You Can,” in which she played Leonardo DiCaprio’s love interest. The Blast reported in 2022 that the TV personality had reflected on her experience working with the actor.
She confessed that she was once one of DiCaprio’s biggest admirers, but her feelings for him cooled after meeting him. “Nothing really kills a crush faster than working with somebody,” Adams explained, clarifying that she didn’t mean it in a bad way.
According to the actress, her fantasy of DiCaprio was ruined after getting to know the real him. Additionally, she had no time to think about a crush while dealing with the pressure of the spotlight after their movie became a hit amongst fans.
Seasoned action director Michael Bay has delivered some truly breathtaking spectacles to the big screen between films like 1996’s The Rock, which pitted Sean Connery and Nicolas Cage against rogue soldiers on Alcatraz, and, of course, the long-running Transformers franchise. While critical opinions on Bay’s work has varied from film to film, what cannot be denied is that a Michael Bay action epic will do wonders at the box office, resulting in the divisive filmmaker continuing to crank out blockbusters year after year.
But in 2005, two years before taking over the world with the first Transformers film, Bay released The Island, a thought-provoking science fiction thriller that, in a rare occurrence for the director, flopped hard at the box office, earning only $35 million at the U.S. box office on a budget of $126 million. Although the film had stiff competition that summer — films like Star Wars: Episode III – Revenge of the Sith, Batman Begins and War of the Worlds also released weeks prior — many, including Bay himself, were surprised at the financial outcome.
Featuring an all-star cast including Ewan McGregor, Scarlett Johansson, Sean Bean, and Djimon Hounsou, and a high-concept premise, The Island begins in the year 2019, after a global contamination has rendered the air outside unbreathable, but one island has somehow evaded the event. The remaining population, isolated in a high-tech compound, all await the weekly lottery which picks at random one person to go live on The Island.
What the residents don’t know is that everything they know is a lie — The compound is actually miles underground, the world outside is perfectly habitable and all the residents are actually clones of the rich and famous. The winners of the lottery are selected to be killed and have their organs harvested for donation to their original sponsors, who are blissfully unaware of their illegal clone counterparts.
To the film’s credit, the big questions this idea asks are not ignored. The characters take time to discuss the implications of whether or not these clones are in fact people. While some, namely Dr. Merrick (Bean), the head of the operation, claims they have no souls and are simply tools, the fact that the film’s perspective is told via the clones presents a different picture. The film’s slow-burn opening puts the audience in the shoes of Lincoln Six Echo (McGregor) as he goes about his daily routine while questioning what he thinks he knows.
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Because Bay spends the first half of the film in Lincoln’s mindset, not only does this trick allow the audience to sympathize with his plight and agree with him, but it also makes the audience want to know more about the world they are in. The viewers are airdropped into an established world without explanation, making the moment where Lincoln discovers the truth about his existence a satisfying answer rather than an exposition dump.
The film also handles its complex moral debate with an interesting mindset. While Merrick’s operation is wildly illegal and questionable, the fact remains that what he is doing is saving lives and allowing the sponsors a longer life and the opportunity to cheat death. Even though that opportunity is killing life that was only created for the purpose of being killed anyway. The film hammers this home when Johansson’s Jordan Two Delta discovers that her sponsor was in a car accident and has a young son. Although Jordan and Lincoln obviously do not want to die, their survival means a death sentence to their original sponsors.
But the film also touches on the human experience in a unique way. Merrick’s original intention was to simply create organs copied off the sponsors for donation, but after trial and error, realized that the only way he could was to create life. This blinds Merrick to the idea that the clones are anything more than a means to an end, but also shows that only life experience and being human can create anything at all. Like most great allegories, these ideas are discussed within the film, but also inspire greater debate after the credits have rolled.
While The Island may not have done well at the time of its release, the film stands out among Bay’s filmography as a think piece of humanity, ethics and survival. Those that see Bay’s films as nothing more than mindless action should not overlook his forgotten sci-fi entry as it shows Bay’s prowess as a storyteller.
July 21, 2005
136 Minutes
Roberto Orci, Caspian Tredwell-Owen, Alex Kurtzman
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Jennifer Aniston has been serving swimsuit inspiration for decades, and one of her most unforgettable vacation looks is still that dreamy Capri-blue bikini she wore while soaking up the sun in Europe. The timeless triangle silhouette, vibrant blue hue and effortless styling felt equal parts classic and carefree. Years later, it’s still the kind of vacation outfit that makes you want to pack a suitcase and head straight for the Italian coast.
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Bella Hadid is reminding fans that chronic illness doesn’t disappear when the cameras stop flashing.
While the supermodel is known for dominating runways around the world, her latest social media update offered a stark look at the painful reality she continues to face behind the scenes.
From extreme exhaustion to struggling with everyday tasks, Bella revealed that another Lyme disease flare-up has left her feeling physically and mentally drained despite years of treatment and determination.

Bella Hadid shared an emotional update on Thursday, revealing that she is once again battling a severe Lyme disease flare-up.
Posting a tearful selfie to her Instagram Stories, the 29-year-old admitted she has followed treatment plans recommended by numerous doctors, yet her symptoms continue to persist.
Despite sleeping for around 11 hours each night and taking daily naps, she said nothing has brought relief, adding simply, “IFYKY.”
The flare-up has affected even the simplest parts of her daily routine. “And no I didn’t go on a walk because I was out of breath walking to the kitchen,” she confessed, illustrating just how debilitating her current condition has become.
Bella also joked about convincing herself she had developed a dozen other illnesses while describing intense brain fog that has left her feeling mentally scattered.
Still, she found one reason to celebrate after managing to shower without fainting, calling it “a really big accomplishment” and humorously suggesting someone reward her with a cookie.

Alongside her health update, Bella Hadid reshared messages that reflected the emotional challenges of living with an invisible illness.
One post explained how intimidating it can be to discuss chronic illness publicly while highlighting the enormous effort required simply to get through another day with an exhausted body and mind.
She also posted another photo of herself resting in bed, joking that her cozy poncho made everything feel “a lil better.”
Her openness continued with another repost addressing chronic illness humor, poking fun at the frustration of people commenting that “it’s always something” when dealing with a condition that, by definition, never truly goes away.
Bella also admitted that medical anxiety has become part of her reality. Sharing a post by influencer Alexandra Wildeson, she wrote, “The medical anxiety is soooooo real. Thank you for putting every one of my thoughts and daily situations into one swipe. The truuuuuth!”
The model has documented her Lyme disease journey for years, alongside her mother, Yolanda Hadid, and brother Anwar Hadid, who have also been diagnosed with the illness.

Bella’s health update caused concern among her fans, who all wished her well. Seeing how her post had spread fear among her fanbase, the supermodel shared another post to ally their fears.
She wrote, “Hi, I’m sorry if I worried anyone. I know it sounds jarring but in full truth it’s my reality so it’s something I’m able to cope with to a capacity now.”
Bella added, “I’m sorry if I startled anyone. This truly is an every day ebb and flo, for me for the past 15 years. I just had an overwhelming amount of emotion over not being able to do the things my mind is capable of setting, but my body is not capable of doing.”
In her conclusion, Bella looked forward with hope, noting, “Every day is a new day and tomorrow I’m hoping for, God willing, a better one. I love you guys so much. Thank you for all your support. I wasn’t expecting it, but I’m truly grateful. I love you guys so much.”

Bella Hadid has been equally candid about the emotional impact her health struggles have had on her mental well-being.
On World Mental Health Day last year, she reflected on living with anxiety and depression for years, explaining that the emotional burden often feels overwhelming despite the success surrounding her career.
“It can sometimes feel all-consuming, paralyzing, and invisible to the outside world, leaving you in tears before starting your day, wondering why your mind feels so heavy when life around you seems so bright,” she wrote, per The Blast.
Bella also admitted she often questioned how someone whose life appeared so fortunate could still carry so much emotional pain.
Over time, however, the fashion model said she came to understand that those struggles were not something to be ashamed of. “I learned that this is not a weakness – it’s a part of me,” she explained.
In her final words, Bella encouraged anyone facing similar battles to remember they were not alone, reminding followers that she loved and supported them.

Bella Hadid’s battle with Lyme disease has unfolded publicly for years, with her family standing beside her throughout the process.
Last September, she shared photographs showing herself undergoing hospital treatment, while Yolanda later offered an emotional glimpse into the reality of watching her daughter continue fighting the chronic illness.
Calling neurological Lyme disease an invisible disability that is difficult for others to understand, Yolanda admitted the hardest part had been watching Bella endure so many setbacks.
As The Blast reported, the doting mom praised her daughter as “relentless and courageous,” saying she admired her determination to keep pursuing better health despite countless disappointments and unsuccessful treatment protocols.
Yolanda also described Bella as both a “survivor” and a “warrior,” expressing her pride in Bella’s resilience.
Over the course of the last 30 years, filmmakers of the stature of David Fincher and Christopher Nolan have gifted cinephiles around the world with some of the greatest psychological thrillers of modern times. Whereas a regular thriller is all about external stakes and physical danger, a psychological thriller is more about character-driven moral conflicts and mind games, most of the danger coming from the characters’ own interiority.
Whether it’s a crime thriller about a desperate father looking for his kidnapped child, an action thriller about a superhero fighting crime, or even a horror thriller about a kid who can see dead people, the best psychological thrillers that the big screen has seen since 1996 are true icons of the genre. If we get films that are even half as good for the next 30 years, fans of psychological thrillers will be able to consider themselves very lucky.
After his exceptional work in his native Canada, Denis Villeneuve made the jump to Hollywood with Prisoners—such a masterful thriller that it’s no wonder he’s had such an immensely successful career in the United States since. With a stacked cast and a perfect script that leads all the way to one of the most perfect final movie shots of the 21st century, it may very well be one of the greatest kidnapping thrillers ever made.
All of the tension and suspense in Prisoners comes from its powerful thematic exploration of loss and grief, as well as from the internal mental degradation of its characters, making it a perfect example of an incredible psychological thriller. Perfectly paced, psychologically deep, and profoundly atmospheric (in no small measure thanks to Roger Deakins‘ flawless camerawork), it’s one of the best outings of Villeneuve’s career.
The Sixth Sense wasn’t M. Night Shyamalan‘s first film, but it sure was the one that made him a household name, as well as the one that established the signature tropes that characterize his work today. It’s also the only film of his that has ever obtained a Best Picture Oscar nomination, and for good reason: It truly is one of the best horror thrillers of the late 20th century.
The film is generally best-remembered for having one of the best twist endings of any movie, but that’s by no means the only thing that it has going for it. It’s also a thematically profound and tenderly moving exploration of grief, trauma, and human connection, bolstered by a trifecta of outstanding performances by Bruce Willis, Toni Collette, and Haley Joel Osment. Tense, creepy, and endlessly rewatchable even once you know the twist, it’s a masterclass in both psychological horror and psychological thriller filmmaking.
For years, Christopher Nolan has been widely regarded as the king of Hollywood blockbusters. But even the greats have to start somewhere, and in Nolan’s case, the movie that put him in that aforementioned throne was the masterful The Dark Knight. Still hailed by many as both the greatest comic book movie and the greatest superhero movie to date, The Dark Knight stands out because it’s far more than just a superhero movie: It’s a proper action thriller masterpiece through and through.
Gritty, realistic, and packed with some of the most suspenseful and impressively-filmed set pieces in all of Nolan’s filmography, The Dark Knight is one of the most thrilling movies of all time. Further bolstered by Heath Ledger‘s Joker, far and away one of the most memorable movie villains of the 21st century, this action masterpiece is proof that there’s plenty of creativity and originality to be found in the superhero movie genre.
It was The Departed that finally earned Martin Scorsese the Best Director Academy Award that he had deserved for decades, and for good reason. It’s one of the most intense gangster movies of all time, a crime thriller with one of the best ensemble casts and some of the best writing that the genre has seen at any point during the last three decades.
There are plenty of external sky-high stakes and threats in The Departed, but what makes it one of the best psychological thriller masterpieces of the 2000s is how the bulk of its narrative revolves around paranoia, identity crises, and cat-and-mouse tension. Brilliantly edited, shot, and paced in ways that one might expect from virtually any Scorsese project, it’s a magnetic work of thriller filmmaking.
Every generation has a master of the thriller genre, and there’s a very strong argument to make that David Fincher is the genre’s kind today. He’s the mind behind Fight Club, one of those must-watch ’90s cult classics, based on the novel by Chuck Palahniuk. Though it was originally a commercial and critical failure upon release, it found a second life and a cult appreciation upon its home video release.
Anyone even slightly familiar with Fight Club, as well as with the mind-blowing third-act twist that completely recontextualizes the entire narrative, will know precisely why this is one of the most psychologically intense thrillers ever made. It’s a brilliant critique of modern consumerist culture and male toxicity which has aged like fine wine, so great that breaking the first rule is pretty much obligatory in this case.
If there was any South Korean filmmaker who would one day be able to bring home the first Best Picture Academy Award ever won by an international motion picture, it had to be someone of the stature of Bong Joon Ho. Indeed, Parasite is nothing short of historic, but it also happens to genuinely be one of the best dark comedy movies of the 21st century thus far.
It’s one of the most masterfully genre-bending masterpieces of modern times. It works as a dark comedy every bit as well as it does as a psychological thriller, as a social drama, and as a powerful allegory for class disparities in South Korean society. It’s intense, vibrantly paced, full of excellent performances, and complete with one of the most breathtaking third acts that South Korean cinema has ever had to offer.
The Coen brothers have made several of the most exceptional thrillers of modern times throughout the entirety of their careers, and it’s no coincidence that one of their best is also the one that became their first film ever to win the Best Picture Oscar, No Country for Old Men. Blending the syntax and tropes of both the neo-Western and neo-noir genres, they crafted a deeply hard-hitting tale about the dangers of modernization and the dark side of progress.
No Country is one of the best neo-noir thrillers of the last 50 years, with a relentless sense of cat-and-mouse tension and a philosophical complexity that make it an undeniable psychological thriller, even if it contains elements of several other genres. It’s a bleak, masterfully paced exploration of the very concept of fate, bolstered by Javier Bardem‘s Anton Chigurh, another one of the 21st century’s greatest villains.
As if any more proof were needed that the Coen brothers’ psychological thrillers have dominated the genre over the course of the last 30 years, there’s also Fargo, praised by some as the duo’s greatest film. It’s the type of ’90s thriller that holds up better than most of today’s movies, a delectably quirky and humorous yet undeniably bleak and violent neo-noir unlike any other we’ve seen since 1996.
It’s a film all about how a cascade of bad choices shatters ordinary lives—both externally and psychologically—, brilliantly subverting the tropes of the traditional crime thriller in all sorts of genius ways. Balancing irresistible suspense and hilarious absurdity consistently over the course of just under an hour and 40 minutes can’t be easy, but then again, the Coens have never been ordinary filmmakers.
Bong Joon Ho isn’t the only exceptional South Korean master of the thriller genre in town: There’s also Park Chan-wook, whose Venceance Trilogy as a whole is one of the greatest thematic trilogies in the history of cinema. There’s really no question regarding which installment of the series is the best of the bunch, though. It has to be Oldboy, almost universally praised as the greatest movie in Park’s stacked filmography.
It’s the second chapter of one of the best R-rated movie trilogies ever, itself one of the best R-rated thrillers of the 2000s by far. It’s brutally shocking to the point that it’s definitely not for the faint of heart, but those who enjoy action thrillers that challenge their stomachs ought to watch this one at least once in their lives. It’s one of the most gripping revenge thrillers in history, balanced with a psychological tragedy that’s tremendously effective.
Conversations about psychological revenge thrillers can never possibly be complete without talking about Memento. Well before he sat on the throne of Hollywood blockbuster filmmaking, Christopher Nolan was but an up-and-coming indie filmmaker, and Memento was the masterpiece that truly put him on the map. As one of those rare thriller movies without any flaws, it’s no wonder why it’s still referred to by many as Nolan’s best movie to date.
What’s not to praise about this absolute masterpiece? Nolan’s reverse-chronological writing is some of the best of his career, his airtight direction is every bit as admirable, Guy Pearce‘s lead performance is criminally underrated, and the structure of the film is challenging without ever feeling confusing. Endlessly rewatchable and emotionally engrossing, Memento is the peak of what the psychological thriller genre has had to offer over the course of the last three decades.
Let’s face it, first-person shooters are a dime a dozen nowadays. They’re made en masse, collectively plastered all over digital storefronts, and many of them lack any real substance or meaningful impact. There are hundreds of FPS games out there, mainly because, as far as games go, they’re easy to make and don’t require a whole lot of innovation. Sure, some of them try to do things differently, and some of them have a bit more to them, but for the most part, it’s considered a lazy genre.
This isn’t always the case, though. The FPS genre wouldn’t be nearly so popular if it weren’t for the huge collection of titles that made it what it is today. Beginning back in the 1990s, the FPS genre has come a long way. In the last quarter century or so, some have come out that have completely shattered all expectations, and have done better than anyone ever expected them to. These are the best FPS games of the last 25 years.
Superhot is an independent FPS game with one heck of a gimmick: time only moves when you do. What this means is, if you’re standing still, all the enemies will, too, and their bullets will hover in the air. Once you move, time resumes its normal progression. Players will absolutely need this tool because it only takes one shot to die, meaning it’s not just a first-person shooter — it’s a puzzle game on top of that. Every move must be carefully thought out before it is executed.
It might not be the prettiest game to look at — in fact, there isn’t much of anything to look at. It’s incredibly minimalistic, featuring blank, featureless white walls, humanoid-shaped enemies with no discernible features, and rough impressions of objects rather than meticulously detailed models. But truth be told, it doesn’t need any of these things. Graphics schmaphics. The core element here is the gameplay, which is so simple, yet insanely entertaining. There are no other shooters like this one out there, which is why it became quite a trending topic at the time of its release.
Tom Clancy’s Rainbow Six: Vegas 2 is the last single-player experience to come out in the Rainbow Six franchise, which is based on the Tom Clancy novel of the same name. It was also the most recent game to come out before the primarily multiplayer Siege, which remains an extremely popular game and a competitive e-sport. Something about the Vegas subseries just hit different, though. For one, it was the first installment to include a third-person cover system, meaning you had a dedicated button to take cover and change the view to third-person, allowing you to assess your environment more and take safer shots.
The game’s story is set during a massive terrorist attack on Las Vegas, with the international counter-terrorism unit Rainbow sent to stop it. Players take on the role of Bishop, a team leader, and can play either alone or with friends in co-op. They’ll also be able to control a team of two other operators, Michael and Jung, via a series of commands. Players can order their team to breach doorways in various ways, move to a specific location, shoot at a specific enemy, disarm bombs, throw grenades, or even ascend or descend a wall by rappelling. There may be only seven missions, but they’re all fairly long, and the game is not only fun but also fairly challenging, encouraging players to think tactically rather than resorting to the typical run-and-gun that many shooters favour.
F.E.A.R. was pretty revolutionary for its time, as it was one of the first games to seamlessly blend a first-person shooter and a horror game all into one coherent experience. The player takes on the role of an operator for F.E.A.R., which stands for “First Encounter Assault Recon.” The main goal of this government organization is to locate and neutralize any paranormal or unexplained threats that may threaten the public. In this instance, it’s the vengeful ghost of a little girl named Alma.
However, the experience also includes actual gunfights between rogue soldiers. The game can switch from fast-paced action to creeping, slow-paced horror in the blink of an eye. Make no mistake, either; this game was lauded for being genuinely scary. Alma became an iconic character in the horror gaming community, and the game went on to spawn a few sequels, though the original remains the strongest entry. There really isn’t another shooter out there that had the ambiance of this game, which is why it’s still remembered fondly by many.
The first Titanfall game was a multiplayer-only experience and felt more like an experiment. Players controlled a soldier in a world of the future, where space travel has become normalized. These soldiers are highly trained and capable of freerunning and using parkour, making combat a very three-dimensional experience. However, that wasn’t where the game truly stood out. Players could also, at certain times, summon their customized titan, a giant mech that they could embark and disembark from at will.
The first game was solid, but lacked any substance beyond the multiplayer. Titanfall 2 turned everything that made the first game fun and added so much more to it. For one, it had a campaign that was surprisingly awesome. Not only were players able to use their mechs in single-player missions, but they also had unique abilities like time travel, which crafted a surprisingly complex narrative. Titanfall 2 is brilliant in all the right ways, yet it is highly underrated.
Far Cry 3 is widely considered to be where the franchise peaked. The games have always been about survival against criminal gangs or warlords, a theme that the third one follows. This time, it takes players to the fictional Rook Islands, which are located somewhere in Southeast Asia. During a skydiving trip, Jason Brody, his brother, and his friends accidentally land off-course, becoming captured by a band of pirates led by Vaas Montenegro. Escaping the pirates, Jason now has to rescue his friends, using a variety of weapons and skills to do so.
Where this game really shines is in its narrative. Actor Michael Mando serves as both the voice and likeness of Vaas Montenegro, who is one of the finest villains ever created in a video game. He’s often been described as a psychopath, and he seems perfectly aware of this comparison; in fact, he actually seems to embrace it. His speeches about the definition of insanity, combined with his random outbursts of anger, make him extremely fun. He’s kind of creepy, but so deliciously evil that it’s hard not to love him. Even without Vaas, though, this game would still be pretty good. The open world of the Rook Islands is beautiful; there are tons of interesting characters, fun weapons to use, and some great places to explore. Far Cry is still going on, but it’s unlikely they’ll ever be able to top its third entry.
Borderlands 2, like its predecessor, allows players to take on one of four different roles. They can play as Zer0, an assassin; Maya, a magical gunslinger called a Siren; Salvador, a short but beefy guy able to dual-wield any two weapons; or Axton, a classic commando. Like the first installment, the game takes place on the planet Pandora, where a lot of treasure hunters flock to in search of a mythical hoard of goodies known as The Vault.
Borderlands 2 is another FPS game with one phenomenal villain, this time in the form of Handsome Jack. Like Far Cry 3, the game is open world, lets players drive vehicles, and has a lot of RPG elements. However, where Borderlands 2 really shines is in its weapons. There are billions, literally billions, of possible weapons to pick up. Sure, a lot of them look the same, but their attributes are randomly generated, so no experience of the game is going to be the same every time. It’s loud, crazy, explosive, and hilarious, and it’s fantastic.
The Call of Duty franchise isn’t exactly high art. It hasn’t been known for producing thought-provoking pieces of fiction, and has been criticized for churning out a new game every year that is basically the same every time. However you feel about it, the original Call of Duty: Modern Warfare 2 definitely deserves a spot on this list. It doesn’t do anything too remarkable with itself, and its gameplay is pretty much the same as the rest of the series. Sure, they added a new co-op challenge mode called Spec Ops, but that’s about it.
Still, it’s one of the few Call of Duty games where the campaign is praised for being just as good as the multiplayer. The storyline follows a Russian invasion of the United States, with players taking on the role of a US Army Ranger caught in the middle of it. Players also take on the role of a special forces operator working behind enemy lines to bring the leader of the Russian invaders to justice. Believe it or not, there are some surprisingly emotional moments in this game. Besides that, though, the cinematic scale is excellent, the visuals are crisp and way ahead of their time, and the multiplayer included a lot of maps that remain fan favourites. It’s simple, but it works.
Half-Life is a franchise synonymous with incompletion, as the story never got a proper conclusion, even 20 years later. Half-Life 2 wasn’t exactly the last installment in the series, but it was the best. The thing about Half-Life is that they’re not just about running and gunning; they also involve solving environmental puzzles, platforming, and exploring, along with the action. It’s also a series with really good physics, to the point that it kind of feels like it’s trying to show off how good its engine can be.
Anyway, the series is about Gordon Freeman, an engineer with the company Black Mesa, who must fight off an alien invasion using a variety of weapons at his disposal. It looks kind of outdated by today’s standards, but the game remains a pretty active entity. Thanks to an extensive community, numerous mods have been made of the game that eventually became their own stand-alone titles. There’s so much that this game did for the medium that it would be impossible to list it all here. Of course, it’s entertaining, but it’s revolutionary to boot.
BioShock had a couple of different influences. Mainly, it was inspired by the System Shock series of FPS games, but it also took inspiration from Ayn Rand‘s novel, Atlas Shrugged. Though this is a linear FPS game, it does feature some RPG elements. The story follows Jack, a man of the 1960s who survives a mysterious plane crash over the ocean. Seeking solace, he arrives at a lighthouse, which lets him descend into the underwater city of Rapture.
Rapture was formerly a utopia, intentionally cut off from the rest of society. Unfortunately, a genetic material harvested from sea slugs known as ADAM causes an epidemic of addiction, which was only made worse when a revolution occurred in the city, turning it into a desolate wasteland. Mindless survivors still wander the ruins, and remnants of a thriving society survive. In this game, players don’t just shoot guns; they cast spells, too, through the use of special “plasmids.” It’s a little bit of fantasy, a little bit of steampunk, and a little bit of sci-fi, with a narrative that is utterly unparalleled. Almost everyone knows its iconic plot twist by now, which continues to floor players all across the world. This game is, by all accounts, perfect.
Halo is one of the most genre-defining first-person shooter franchises in history, beginning back in 2001. While the first two games were incredible, the third one has got to be the best. A lot of new things were introduced here. The game introduced Forge mode, a sandbox mode where players could design and modify their maps based on existing ones, with a surprising level of customization. It also added a lot of new weapons and vehicles to play around with.
While the story did conclude the first arc of the Halo universe, we know now that it wasn’t really the end, because the franchise is still on. Like the previous game, the story is basically about Master Chief, a genetically modified super soldier called a Spartan, as he fights a war with the Covenant, an alien coalition intent on destroying humanity in the 26th Century. Halo 3 is another game that is pretty simple in every way, yet it still has a lot of unique quirks to it. The game remains popular even to this day, and is a legendary Xbox 360 title with an impressive legacy, which is why it’s arguably the greatest FPS game of the last quarter century.
2022 – 2024
Paramount+
Kyle Killen
Jonathan Liebesman, Craig Zisk, Dennie Gordon, Roel Reiné, Debs Paterson
Justine Juel Gillmer
The past ten years have seen massive development in many areas, including increased popularity in new forms of entertainment, especially anime. What started as a niche medium in the West has now exploded into a worldwide sensation that almost everyone consumes. While there are popular masterpieces like One Piece and Naruto, the last ten years have introduced fans to a slew of modern classics.
Anime has only gotten better and more popular over the past decade, which is why this list will rank the greatest anime shows from the past ten years. Based on elements such as story, writing, animation, entertainment value, originality, influence, popularity, fan opinion, critical acclaim, and overall quality, these ten series are the highlights of the past ten years. This list will include any anime that came out from 2016 to the present day.
Dr. Stone marked seven years of shōnen excellence. After the world is suddenly enveloped in a mysterious green light that petrifies all humans, humanity stands still for thousands of years. But when Senku is unpetrified, he starts rebuilding society one step at a time, but not without a few surprises along the way.
Dr. Stone may not be a typical battle shōnen, but it is one of the most unique concepts of the past decade, with each season improving upon the next. Through science and the unrelenting progression of human desire and knowledge, this anime represents the best of humanity and its combined effort to make the world better. Dr. Stone is a triumph of the human spirit and a marvellous new anime that everyone needs to watch.
Everyone loves to laugh, but anime humor is very hit or miss, with a Western audience finding it hard to enjoy. However, one of the most universally beloved anime comedies is Grand Blue Dreaming. Iori moves to a seaside town for university, staying with his cousins. However, after being roped into the diving club, he spends most of his time drinking and enjoying the ocean view.
After a long wait, fans finally got the second season they deserved, officially reviving interest in this phenomenal comedy series. Grand Blue isn’t just drinking and jokes, but it also features a profound story with genuine moments of self-discovery and reflection. This emotional weight, added to its hilarious style and eccentric characters, makes Grand Blue a must-watch comedy.
While it was a collection of shows and the free time the pandemic brought that created the modern anime boom, one anime in particular exploded the most: Demon Slayer. After a demon named Muzan killed his entire family, leaving only him and his demonized sister, Tanjiro sets out to kill Muzan and hopefully reverse his sister back into a human.
Fans have criticized its story, but Demon Slayer is one of the most popular anime series of all time, and arguably the most influential of modern shows. Its style and animation feature some of the best anime has to offer, delivering stunning visuals and stellar fight scenes. Demon Slayer has built a legacy out of its visually stunning nature, easily being a highlight of the past ten years.
After announcing that the final season would air in 2026, Golden Kamuy announced a final project in 2027 that will actually conclude this historical story. When a soldier hears about a stash of hidden gold, he teams up with an Ainu girl to find her people’s treasure. The map is tattooed on dozens of criminals, creating a mad dash to find them before the military does.
The historical genre has made an unexpected resurgence in recent times, and Golden Kamuy is one of the best, offering an authentic look back while also including a modern flair. From endearing characters to bizarre fight scenes and hilarious moments, Golden Kamuy is one of the weirdest and funniest action anime, delivering an over-the-top adventure that doesn’t get in the way of its masterful writing.
If Demon Slayer isn’t the most popular or influential anime of the past ten years, then it is definitely Jujutsu Kaisen. After Yuji accidentally swallows the fingers of an ancient demon, he is thrust into the world of sorcery. Some want to execute him, and others want to use him in their evil schemes, but all he wants to do is use his newfound powers to save as many people as possible.
Jujutsu Kaisen is a worldwide phenomenon that earned its reputation through incredibly fluid animation and gorgeous fight sequences. As one of the greatest modern action anime, it excels in its imaginative powers and creative battles. It may not be the best anime this decade produced, but it is one of the most popular, influential, and engaging, serving up nothing but some of the most entertaining episodes the medium has to offer.
As mentioned, historical anime are getting more popular, and one of the most recent masterpieces this genre gave fans was The Apothecary Diaries. Maomao works as an apothecary at a brothel, but when she is kidnapped and sold to the royal palace, she uses her medicinal and detective skills to solve mysteries around the imperial court.
Not many modern anime shows get as many episodes and seasons as The Apothecary Diaries, which already has 50 episodes in three years, with a new season and movie coming out at the end of 2026. This volume of episodes only proves how popular and engaging this anime is, delivering episodic mysteries, slice-of-life moments, fascinating plot developments, and an overall story that uses its characters exceptionally.
While it initially ended with one season, Trigger just announced that Cyberpunk: Edgerunners would receive a second season, bringing back one of the most vibrant series of the 2020s. After David’s mother dies, he decides to join a gang with his cybernetically advanced spine to seek revenge for her death. However, all he gets is more trauma and tragedy.
Cyberpunk: Edgerunners is full of life and dripping with style, using its magnificent world-building to make the city feel like its own character. Heartbreak is around every corner, and this tragic anime doesn’t pull any punches, creating a gut-wrenching yet beautiful experience. As one of the best cyberpunk anime series, it delivers a gripping story with over-the-top animation and a colorful style.
This list features not one, not two, but three historical anime series, highlighting how great this genre is becoming, and the greatest it has to offer is Vinland Saga. A group of Vikings murders Thorfinn’s father, and while the child seeks revenge, he first joins their Viking crew to get strong enough. However, he will learn many life lessons along the way, even questioning his purpose.
Featuring some of the best character development in anime, Vinland Saga breaks down its characters and slowly builds them back up using philosophical theories, personal goals, and overarching themes. One season, fans are enjoying its thrilling action and sprawling war plot, and the next, they are witnessing a beautiful, grounded masterclass of storytelling. Vinland Saga is a modern masterpiece that will be one of the greatest anime series ever when it ends.
The 2020s are highlighted by a handful of anime, including Jujutsu Kaisen and Frieren: Beyond Journey’s End, and the latter in particular is a masterpiece of the past ten years. Frieren and a couple of pupils set off on a nostalgic quest along the same route she went with her initial party to kill the demon king. Going to speak to those fallen, their adventure is full of ups and downs.
Frieren: Beyond Journey’s End proves that a show doesn’t need constant action and high stakes to retain attention, rather focusing on the side quests and simple days of an adventure. It proves that stopping to sniff the roses isn’t just filler, but a calming and compelling plot that feeds into core themes and motifs. Frieren: Beyond Journey’s End is a masterful fantasy anime and a staple of the 2020s.
It was difficult to decide whether 2016 or 2017 should be the cutoff for this list, but since the former includes Mob Psycho 100, it had to include that year. Shigeo is the world’s strongest psychic, but he just wants to live an average life. However, since he suppresses his emotions, his psychic powers explode, making life more difficult for him, his friends, and his enemies.
The past decade has included some real heavy hitters, but none hit harder than the champion of the past ten years, Mob Psycho 100. It isn’t just the best anime since 2016; it is one of the greatest anime series of all time, and it earns this status through its endearing characters, compelling development, staple comedy, stunning animation, creative fights, and imaginative directing.
2016 – 2022
Tokyo MX
Katsuya Shigehara, Kenichi Fujisawa, Yohei Shindo, Hiroshi Takeuchi, Tsuyoshi Tobita, Takashi Kawabata, Shohei Miyake, Yoko Kanamori, Toshiyuki Sone, Tomoaki Ohta
Hiroshi Seko
Setsuo Ito
Shigeo ‘Mob’ Kageyama (voice)
Takahiro Sakurai
Arataka Reigen (voice)
There is an unspoken Hollywood adage: With a long-running franchise, comes a more ridiculous retcon. Retcons themselves can be a useful storytelling tool when they’re used to expand a universe or add new layers to beloved characters. Without retcons, there would never be X-Men: Days of Future Past and a Creed trilogy. Even the Fast & Furious franchise would be dead decades ago if they did not retcon Dominic Toretto into globe-trotting heist masterminds. However, most of the times, retcons are just simply lazy excuses when the filmmakers ran into a storytelling obstacle. And yes, unfortunately, the Toretto family is guilty of some of the worst ones.
The movies on this list, except for one, are part of enduring movie franchises. These movies have the responsibility to continue and therefore, make increasingly weird choices in order to do so. These retcons include undoing hard-earned victories or resurrecting obviously dead characters, and these choices frustrated fans and even left lasting scars on some of Hollywood’s biggest franchises.
With all the villains from the previous movies being either locked up or turned into one of the family members, Fast X introduces Dante Reyes, played by Jason Momoa as the big bad for the final installments of the physics-defying franchise. Dante is revealed to be the son of drug lord Hernan Reyes, the villain defeated in Fast Five. Dante was present in the events of that movie and has spent the last decade meticulously planning revenge against Dominic Toretto and his family.
While not impossible, this retcon is hilarious because during their recon in Brazil, Dom and his crew never even noticed the hulking son of their main target. Dante himself is a larger-than-life character so it feels difficult to suspend disbelief that he is part of the Reyes family. He could very well be his own man. Momoa’s performance is entertaining, and arguably one of his best yet, but this is just another example of the series trying to reach for straws. The franchise has increasingly relied on surprise connections to create new villains, and by this point the formula was becoming predictable. In their defense, it’s the tenth film in the long-running franchise after all.
The first Spider-Man established that Uncle Ben’s death was caused by a criminal Peter Parker (Tobey Maguire) selfishly allowed to escape. That tragic mistake formed the foundation of Peter’s guilt and ultimately inspired him to become Spider-Man. Spider-Man 3 rewrites this history by revealing that Flint Marko (Thomas Haden Church), who later becomes the Sandman, was actually the man who fired the fatal shot.
Sam Raimi‘s Spider-Man movies, albeit great and influential, follow a formula. The villain has to have a personal connection with Peter and later, Mary Jane becomes the damsel in distress. In this third film, there are too many coincidences, and Sandman being the person who killed Uncle Ben, is the biggest offender of them all. The reveal feels unnecessary because Sandman was already a sympathetic and complex villain without being connected to Uncle Ben. Instead of enriching the story, the retcon makes the universe feel smaller as though New York City only consists of ten people max.
The first Kingsman film features one of its most shocking moments when Harry Hart (Colin Firth) is shot directly in the head by the big bad, right after defeating a congregation of crazed villains. His death serves as a turning point for Eggsy’s (Taron Egerton) growth, forcing the young recruit to step into the role of hero. Instead of committing to it, Kingsman: The Golden Circle reverses this by revealing that Harry survived thanks to advanced medical technology developed by the American Statesman organization.
The retcon damages the emotional weight of the original film because Harry’s death was supposed to matter. It demonstrated that the superspy world is dangerous and that even the best spy could die. Bringing him back feels very much like an empty fan service, even though Colin Firth is spectacular and charismatic. The explanation itself stretches credibility even within the fantastical world of Kingsman. In doing so, the film kept it small and went back to Harry, instead of expanding the universe and putting the focus on new characters like the Statesman agents, who are practically window dressing in the film.
Halloween H20 appeared to provide a definitive ending to Laurie Strode’s (Jamie Lee Curtis) story. After years of trauma and fear, Laurie finally confronted Michael Myers and decapitated him in a brutal final showdown. Released just four years later, Halloween: Resurrection immediately undoes this by revealing that Michael had secretly switched places with a paramedic before the decapitation. Laurie had unknowingly killed an innocent man while Michael escaped unharmed, allowing the killer to continue his rampage.
H20‘s ending was celebrated because it gave the franchise a rare sense of closure. So naturally, fans hated this retcon because it invalidated one of the most satisfying endings in slasher history. Laurie’s victory was meaningful because she finally overcame the monster that had haunted her life. By introducing a last-minute body-switch explanation, the sequel effectively tells audiences that the emotional payoff they celebrated never actually happened. Nevertheless, the film shows that the Halloween franchise is everlasting. This is evidenced by five films, including three that continued Laurie’s story, released after this one.
For decades, Ernst Stavro Blofeld is portrayed as the ultimate James Bond’s nemesis. After losing the rights to the character for several years, Spectre brings the adversary to face off against Daniel Craig‘s Bond. However, the new backstory reveals that Blofeld (Christoph Waltz) and Bond grew up together after Bond was taken in by Blofeld’s father. Blofeld became jealous of the attention Bond received and spent years building a global criminal empire. Taking a page from Fast & Furious villains, Blofeld claimed that all his previous enemies are part of his organization.
But that sounds like a stretch, right? What are the odds of Britain’s greatest spy and the world’s most dangerous man being foster brothers? In previous iterations, Blofeld was frightening because he represented a vast criminal threat with ambitions beyond Bond himself. Turning him into a jealous surrogate brother reduces his mystique and makes his motivations petty. Skyfall was acclaimed because it explored Bond’s personal side, but Spectre took it too far, making it downright ridiculous. Instead of being personal for Bond, this somewhat mirrors Austin Powers and Dr. Evil’s story, in which they are secretly twin brothers.
The writers of the Fast & Furious franchise are like The Avengers travelling in time. They have moved timelines to work around Han’s (Sung Kang) death in The Fast and the Furious: Tokyo Drift. As the breakout character of the spin-off, Han was brought back until his death seemed certain in the post-credit scene of the sixth film. Apart from revealing that Dom has an actual brother, one of the most surprising moments in F9: The Fast Saga is that Han is actually alive, thanks to the help of Mr. Nobody (Kurt Russell).
As one of the fan-favorite characters, many fans are happy to see Han return. But the problem is that the explanation requires audiences to disregard years of established continuity and emotional investment. Han’s death shaped major storylines, particularly Deckard Shaw’s (Jason Statham) redemption arc. Once Han is revealed to be alive, many of those emotional beats lose their impact. The retcon highlights a growing problem in the franchise where death becomes increasingly meaningless because any character can potentially return. Up next, Gisele (Gal Gadot) is slated to return in Fast Forever, even though her death set up Han’s journey in Japan. It’s so confusing.
Perhaps no modern blockbuster retcon generated more backlash than the revelation that Emperor Palpatine (Ian McDiarmid) somehow survived his apparent death in Star Wars: The Rise of Skywalker. This reveal undermines Anakin & Luke Skywalker’s story from the previous six films. Palpatine is said to be a clone created by Sith cultists, and shares a lineage with Rey (Daisy Ridley). The movie couldn’t even muster a proper explanation, as Oscar Isaac‘s Poe said it best: somehow Palpatine returned.
The retcon is widely criticized because it shows that the sequel trilogy was made without a clear plan in mind. The previous films never properly set up Palpatine’s return. But after the fan backlash for Star Wars: The Last Jedi, the folks at Disney and Lucasfilm thought they needed to course correct and win back those fans who had blown things out of proportion. They opted for the safe route: bring back J.J. Abrams and reinforce nostalgia by bringing back Palpatine, instead of developing Kylo Ren (Adam Driver) further to threaten Rey and the new rebellion. Star Wars never fully recovered after this mess. The franchise resorted exclusively to making shows set in past timelines and never explored post-Rise of Skywalker storylines. This hopefully will change with next year’s Star Wars: Starfighter.
Jersey Shore’s Jenni ‘JWoww’ Farley is taking aim at people who criticized her for not inviting them to her wedding to Zack Carpinello.
Taking to her Instagram on Thursday, June 25, Farley, 41, doubled-down on her decision to leave some people off the guest list, telling them via a video: “You proved my point.”
“I’m doing this once because it’s so infuriating that while I am trying to enjoy being a wife to my husband, I am now getting caught up in retweets and tabloids about who was invited and who wasn’t invited, and who retweeted it, and who commented under it,” she said.
Farley continued, “And I’m just sitting here being like, ‘If you were a true friend, if you were a true family member, none of this would be public right now, you would have came to me.’ But you can’t come to me, because then you can’t play victim to your own fake-ass narrative, because the reality is less than 50 people were in it, and these 50 people would f**king go to jail for me. That is the fact.”
The Jersey Shore: Family Vacation star went on to explain that the guest list for the surprise wedding was limited. She added that the couple knew these people would attempt to attend or if they were unable to make the event, they would still be happy for her.
“Not only would they be happy, they would not sh*t talk if they even weren’t invited,” she said.
Farley suggested that those complaining only had themselves to blame for the situation and added that running to the tabloids and putting her on blast via social media “proved” her point that she was right to not invite them in the first place.
“You’re in it for the wrong reason, you’re not in it to show love, you’re not in it for the most beautiful part of my life, which is getting married to the person I could not love more, while my children are by my side,” she said.

Jenni ‘JWoww’ Farley. (Photo by Manny Carabel/Getty Images for MTV)
She continued, “You’re in it for the f**king drama, and it’s a f**king joke. So I’m saying this once, and I’m saying it with my whole chest. You get what you deserve, and when you continue to play victim to your own narrative, and you continue with this bullsh*t, you will never succeed in life.”
Farley and Carpinello surprised their friends and family by tying the knot in a secret wedding ceremony on Wednesday, June 24.
“After all these years together, being able to celebrate our love surrounded by the people who have supported us throughout our journey meant everything,” the couple said in an exclusive statement to Us Weekly. “The day was filled with laughter, happy tears and so much gratitude. We couldn’t be more excited for this next chapter of our lives.”
Guests arrived at Madison Modern Social in Old Bridge, New Jersey, expecting a film premiere of Farley’s new movie, Nanny Cam, only to discover the venue had been transformed with deep red décor and elegant floral arrangements inspired by a modern-day Beauty and the Beast fairytale.
Old Bridge Mayor Debbie Walker officiated the ceremony, which also featured meaningful roles for Farley’s two children. Farley shares daughter Meilani, 11, and son Greyson, 10, with ex-husband Roger Mathews, whom she split from in 2019.
Love Island USA‘s Corbin Mims made it clear that his mind isn’t on Kenzie Annis days after they had sex in the villa.
During the Thursday, June 25, episode of the Peacock show, Corbin told the guys he “hasn’t thought” of Kenzie at all since making the move to Casa Amor. Kenzie, for her part, is just as focused on finding someone new.
The reaction from Corbin comes after the Sunday, June 21, episode briefly showed Kenzie and Corbin in bed before Trinity Tatum said the next morning that she heard someone performing “French fries,” which sounded “too wet” to just be a kiss.
In a confessional, Kenzie confirmed she shared a heated exchange with Corbin. “I was definitely getting some French fries. Feeling good,” she gushed. “We were probably doing a bit much honestly but I feel a strong connection with Corbin. We probably got a little bit carried away.”
Based on the footage, French fries sex means manual sex acts such as a hand job.
Love Island USA originally premiered in the U.K. in 2002 before it expanded worldwide with various spinoffs, including Love Island USA on Peacock. The series follows a different group of singles every season who have to pair off in order to stay in the show’s luxury villa.
The contestants — referred to as Islanders — live in isolation in a villa and are under constant video surveillance. They must be coupled up to remain on the show and stand a chance at receiving the$100,000 prize.
While finding a connection that you want to explore more intimately isn’t out of the question, season 7 of Love Island USA seemed to set some sort of record with the amount of times Islanders were caught hooking up — until season 8.

From Hannah Fields and Pepe Garcia to Huda Mustafa and Jeremiah Brown, the reality stars found ways around having to address their sexual encounters for all of America to hear.
“We had a code name for intimacy,” Hannah exclusively told Us Weekly in June 2025. “We would say, ‘How was your journey? What was this journey like?’ Huda [started it when she] said something like, ‘Oh, I had a journey. My journey went all the way.’”
Season 8 escalated the sex that took place in the villa with multiple couples going all the way while sharing a bedroom in the villa. The potential has only escalated with Casa Amor being introduced halfway into Sunday’s episode.
New episodes of Love Island USA are released six days a week — except for Wednesdays — on Peacock.
Join Us Weekly and Bracketology.tv in our first-ever Love Island USA fantasy league! This is your chance to predict who you think will win Season 8 and rank the Islanders weekly based on how confident you are that they will survive the next elimination. You will be playing against our editors, get access to exclusive content and have the chance to win fun prizes. Sign up for free today!
Footage of Tom Sandoval’s heated altercation with Victoria Lee Robinson and her dad, Will Robinson, has emerged.
The video, which was shared via Reddit and reportedly first posted by Will in a Facebook group on Thursday, June 25, shows Sandoval, 44, pushing Will after the Vanderpump Rules star accused Victoria, 33, of recording him without permission during an argument.
Initially, Sandoval can be seen arguing with Victoria and Will, who were sitting around a fire pit at their home.
Sandoval becomes increasingly animated with his hand gestures in the footage as he voices his strong disagreement after Will accuses Sandoval of saying something he insists he never said.
In the midst of the argument, Sandoval approaches Victoria and furiously asks, “Are you recording me right now?”
The footage then shows Sandoval appearing to wrestle her phone or recording device away from her, causing Victoria’s father to intervene to attempt to pull Sandoval away from his daughter.
“What the f**k?” Sandoval says as he shoves Will, who falls backwards over the fire pit.
Sandoval moves inside the home, with Will getting up and chasing him inside. The heated argument continued inside away from the camera’s vision.
Us Weekly has reached out to Sandoval for comment.
According to court documents obtained by Us Weekly on Thursday, Sandoval claimed he was subject to “verbal and physical abuse” by Victoria and Will after a night out on June 3.

Tom Sandoval and Victoria Lee Robinson. (Photo by Amanda Edwards/Getty Images)
In a statement to the court, Sandoval alleged that Will physically attacked him while he argued with Victoria about whether she was recording him without permission.
“[Will] grabbed my arms and shoulders and wrapped his arms around me. Feeling trapped and violated, I pushed him away from me in order to protect myself and create distance, which caused him to fall,” Sandoval wrote to the court. “[Will] was the first person to put his hands on me. At no point did I pursue [Will].”
He went on, “After he grabbed me, I retreated into the residence and locked myself in the spare bedroom to remove myself from the confrontation. While I was barricaded inside the spare room, [Will] followed me, threatened me and punched a large hole approximately 12 x 12 inches in the spare bedroom door, where I had taken shelter.”
Sandoval accused Victoria of entering the room without his permission to “hit my face and temple area towards my hairline.” The reality star recalled that the pain was so intense that his vision was blurred and he allegedly continued to suffer medical side effects for weeks.
Sandoval called authorities, leading to Victoria’s arrest. She was released the same day on bond.
The filing noted that Sandoval has been living with his girlfriend and her dad. Sandoval stated in the documents that he wants the pair out of his house.
A source exclusively told Us earlier on Thursday that Sandoval and Victoria have since called time on their romance.
“They are broken up,” the insider told Us. “Tom has endured this abuse for many months. For the most part, Tom has been supporting Victoria and her dad as Tom has been paying the rent and utilities. Victoria’s dad has been living in the house for free. He put up with far too much for too long.”
Sandoval and Victoria have been together since 2024, after he famously cheated on now-ex-girlfriend Ariana Madix with their Vanderpump Rules costar Rachel “Raquel” Leviss.
If you or someone you know is experiencing domestic violence, please call the National Domestic Violence Hotline at 1-800-799-7233 for confidential support.
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