Music lovers, rejoice! Noah Kahan teamed up with Mastercard to debut his official music video for his latest single, “The Great Divide,” during a 2026 GRAMMY Awards commercial break in Los Angeles, California, on Feb. 1.

Not only did fans get a look at the emotional music video ahead of his forthcoming album, dropping Friday, April 24, but now they’re getting the chance to experience the music live – both through Mastercard Priceless Experiences with Kahan and on The Great Divide Tour kicking off Thursday, June 11.

To celebrate, Mastercard launched a sweepstakes, encouraging eligible cardholders to find as many Easter Eggs as possible in the music video for a chance to attend an intimate album listening party with Kahan in Nashville, Tennessee, or a Priceless Experience to his summer tour inspired by The Mastercard Collection, a global suite of elevated dining, entertainment, and travel benefits. Be sure to check out priceless.com/noahkahansweeps today for more – the sweepstakes ends Feb. 11.

“’The Great Divide’ has taken on a life of its own because of the fans,” he said in a press release.

“This partnership with Mastercard felt like a natural way to honor that connection and turn it into something we can experience together. From the video to the moments we’re creating, it’s all about celebrating the community that’s been there from the start,” the songwriter added.

And Kahan is just as excited about what’s ahead.

On the GRAMMYs red carpet, the hitmaker told ET’s Kevin Frazier, “It’s gonna bring a lot of really, really cool opportunities to fans to get closer to the music process.”

This includes hearing more about what inspired the heartfelt track.

“The song is about two people who are friends, but there’s a lot of distance between them. … I’m really happy to see people connecting with it and finding their own people in their lives that they wish they could reach out to as well,” he told ET.

“I’ve worked really hard to make this music as emotional as possible and have as much representation of where I am in my life and I hope they feel that too, he continued.

And even if you don’t snag one of the sweepstakes prizes, you can still join the fun. Mastercard is giving World Elite and World Legend Mastercard (TM) cardholders special access through The Mastercard Collection to Preferred and VIP tickets for Kahan’s summer tour beginning Feb. 12.

For official rules and to enter the sweepstakes, ending on Wednesday, Feb. 11, 2026, visit priceless.com/noahkahansweeps. No purchase is necessary to participate. Open to Mastercard cardholders prior to 2/2/26 who are permanent legal residents of 50 US/DC & legal age of majority.

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Roomies, Victoria Woods is not letting up and has continued goin’ OFF after her sister GloRilla dropped a few spicy reposts in response to Victoria claiming that she neglects their family.

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GloRilla Dropped A Few Spicy Reposts In Response To Her Sister

After Victoria Woods doubled down on her claims about her sister, Glo appeared to be in a lighthearted mood and began sharing reports via her Facebook page “Gloria Woods.” Furthermore, she initially reported a photo of herself smiling at a red carpet appearance. Additionally, the caption read, “If I send u dis, jus kno I can’t help u “

Afterward, Glo reposted an apparent photo of her sister, which had the caption, “If I send you this just know I’m finna beg”

Then, Glo shared a post, writing, “Indeed.com.”

Afterward, Glo reposted apparent text messages with her cousin alongside a post of the family member sharing how the rapper has always been there for her.

Then, Glo ended the night by updating her profile photo to an apparent AI photo of her sister in a Fedex uniform.

Victoria Woods Is Still Poppin’ OFF Online

Victoria Woods caught her sister’s repost and profile picture update and clapped back with, “Our momma work at fedex h*e not me.”

Afterward, Victoria continued going off on her sister, writing, “And another thing B***H while you trying to get my page took GLORIA.” Then she followed up with another post, writing, “And I’m done with this s**t keep making her feel like shes right ion gaf about what nobody has too say..we all struggle in that house so for you to make it out and forget about us is diabolical“

Since then, Victoria has been posting screenshots of her Cash App and sending thank yous to those who have been sending her money.

More On Victoria Woods Accusing GloRilla Of Neglecting Their Family

As The Shade Room previously reported, earlier this week, Victoria took to Facebook, writing, “I’ll Really Go Live And Expose Yall Favorite Rapper Same Mom, Same Dad, 10 Siblings Yall Think she this upright ass person when she really not ain’t fwu since she got on and I’m constantly getting acknowledgment for being her sister and she ain’t fwu at all Gloria Woods call my bluff it’s been 4years why the media haven’t seen your siblings? And don’t say cause you protecting us cause we still in Memphis it’s cause you talk about our struggles and you don’t fw  na let’s clock it.”

Subsequently, Victoria added, “And our parents are not straight!! Our dad just borrowed 100$ from our mom yall think yall know shit but don’t !! I had to give my mom 1800$ on a 2400$ rent cause Yall favorite rapper blocked her !! Im tired of being quiet”

Afterward, Glo appeared to clap back at her sister’s claims by sharing apparent texts from her mom thanking her for her support.

In response, Victoria appeared to call cap on the texts.

Furthermore, Victoria went live and even called out Yo Gotti, too.

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After The Evil Dead’s commercial success, Sam Raimi was eager to work on another project with Bruce Campbell, with help from the Coen brothers, in the form of 1985’s Crimewave. While this sounds like the best movie you’ve probably never heard of, it’s best to approach this one with guarded enthusiasm because what sounds awesome on paper doesn’t quite work on screen as intended. It’s not that the script isn’t funny, or that the setpieces aren’t ambitious, but rather that Raimi wasn’t allowed to edit the film due to studio interference. The end result is a movie that feels disjointed and incomplete despite the talent involved.

Had Raimi and the Coen brothers conceptualized the film later in their careers, when they had more clout and creative leverage, Crimewave could have been a masterpiece of subversive comedy. All the elements that draw you to it are present, but everything feels cobbled together and without a clear sense of direction. At the end of the day, that’s pretty much what you should expect when getting into a dark, neo-noir crime comedy inspired by Hitchcock, filtered through B-movie production values that lean fully into slapstick humor, as if you were watching a Laurel and Hardy bit stretched to feature length.

Still, if you’re a fan of the filmmakers, it’s a fascinating creative misstep to witness. If nothing else, it lets you check off one of their more obscure titles, a movie that never really had a chance to thrive upon release, but is now adored as the cult classic it was always destined to be.

A Glorious Mess Of Intent Vs Execution

Crimewave tells its primary story in flashbacks, leading up to the execution of Victor Ajax (Reed Birney), who finds himself strapped into an electric chair as midnight approaches. You’re also treated to a smash cut of a group of nuns crammed into a sedan, barreling toward the prison for reasons that won’t be explained until much later. Victor insists that he’s innocent, and hopes he can convince the executioner to spare him by recounting what really happened before he was apprehended and incarcerated.

Victor’s flashbacks tell the story behind the murders he’s been accused of committing, but given how convoluted everything becomes, it’s no wonder he’s minutes away from getting zapped out of his mortal coil. According to Victor, he worked as a technician for Ernest Trend (Edward R. Pressman), the co-owner of Trend-Odegard Security. While installing security cameras in his boss’s apartment building, Victor is sent off to track down his dream girl, Nancy (Sheree J. Wilson), who just so happens to live in the same building. What Victor doesn’t realize is that this errand is a deliberate distraction, as he’s supposed to be heading back to the shop across the street, completely unaware of what Mr. Trend already knows.

Mr. Trend has just learned that his business partner, Mr. Odegard, is trying to sell the company out from under him. In response, he hires exterminators Faron (Paul L. Smith) and Arthur (Brion James) to kill Odegard at the shop. Meanwhile, Victor attempts to charm Nancy, who is openly disinterested in him, but infatuated with Renaldo The Heel (Bruce Campbell), a sleazy rival who plans on buying the company from Odegard. Through this love triangle, the machinations of Mr. Trend, and the exterminators’ willingness to wipe out anyone in their path to make sure the sale doesn’t go through, Victor finds himself in the middle of a murder spree that becomes increasingly slapstick in execution, but incriminating all the same.

As bedlam unfolds according to Victor’s recounting of events, we gradually piece together what really happened that night. Whether or not he’s telling the truth, however, is left for the judge and executioner to decide as the clock ticks closer to midnight.

Could Have Been Brilliant, But We Got This Instead

The most disappointing aspect of Crimewave is that it contains all the raw elements you’d expect from a Sam Raimi film written by the Coen brothers. Bruce Campbell is reliably Bruce Campbell, and the slapstick is pushed so far into absurdity that it feels like an early preview of what the Coens would later refine in films like Raising Arizona and O Brother, Where Art Thou? Unfortunately, Raimi simply didn’t have the authority he needed to fully realize the project on his own terms, and the resulting studio interference hurt Crimewave far more than it helped.

While Crimewave remains a fun watch thanks to its cast, oddball story beats, and occasionally elaborate setpieces, its individual parts never quite line up to form a satisfying whole. The silver lining is that its failure directly inspired Raimi to double down on Evil Dead II after recovering from this production. In that sense, Crimewave became a necessary stepping stone that pushed the franchise we know and love into bolder, more unrestrained territory.

Had Crimewave been conceived in the 90s, 2000s, or later, the final product would likely have been far more cohesive. By that point, Raimi and the Coen brothers would have had enough creative control to fully embrace the absurdity baked into the screenplay. Even so, it’s still a Sam Raimi film written by the Coen brothers, which means you can expect a healthy dose of offbeat, dark humor that reflects the sensibilities they’ve consistently delivered throughout their careers. It just happens, in this case, to miss the mark more often than it hits, making for a messy but undeniably interesting watch.

As of this writing, Crimewave is streaming for free on Tubi.

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Star Trek’s Starfleet Academy dropped an episode centered entirely around the commander of Deep Space Nine, Captain Benjamin Sisko. It’s titled “Series Acclimation Mil” and the plot involves Cirroc Lofton returning as Jake, in hologram form, and it ends with a voiceover that sounds like a cameo from Sisko himself, Avery Brooks. It’s not. It’s a lie.

Avery Brooks did not participate in this episode of Starfleet Academy and has, in fact, retired from acting in general and Star Trek specifically. He has no intention of returning, let alone for a show like this.

The voice you heard at the end of Starfleet Academy was Avery Brooks’s voice, but it wasn’t something he recorded for the series. Instead, the show’s producers stole Avery’s voice off a spoken word album he once did, and they’re now passing it off as the return of the Sisko.

Here’s what Avery Brooks said in the stolen dialogue: “Divine laws are simpler than human ones, which is why it takes a lifetime to be able to understand them. Only love can understand them. Only love can interpret these words as they were meant to be interpreted.”

If you watched the episode, you probably thought that dialogue sounded weird, out of place, and didn’t obviously fit exactly what was going on in the show. Now you know why. It wasn’t meant for the show.

Avery Brooks Was A Not Part Of This And Likely Did Not Speak With Producers At All

The show’s producers are trying to make it seem like the theft of Avery’s voice was done with his blessing, but that doesn’t seem to be strictly true. Alex Kurtzman claims, “I had a very beautiful interaction with Avery.” Who knows what that means? It could have been an email or a call from his lawyer.

The rest of what the Starfleet Academy team is telling the media suggests that Cirroc Lofton spoke with Brooks about it for them. Lofton and Brooks have maintained a close relationship over the years since the end of DS9, with Brooks becoming something of a surrogate father to Lofton.

Other than whatever private discussions Cirroc may have had with him, Avery Brooks had nothing to do with Starfleet Academy. Writer Tawny Newsome says Brooks was “aware of the project.” Being “aware” the show exists is the full extent of Brooks’s involvement, according to the show’s creative team.

Aside from stealing Avery Brooks’s voice to capitalize on his legacy, most of the episode was terrible and involved an annoying girl reducing his role as the Emissary to some sort of superhero trope that would spawn a legion of Emissaries, or something equally ridiculous. It was dumb and childish, but didn’t trample on the excellence of Deep Space Nine, which is a win.

Cirroc Lofton Is Still Excellent As Jake Sisko

If there’s a positive in the episode, it’s Cirroc Lofton, who was dignified and insightful. I have a hard time believing all of his dialogue was written by the Starfleet Academy crew; much of it sounded very different from the usual dreck they spew, and I found myself wondering if he’d come up with some of it himself.

We learn that Jake Sisko never published the novel he was writing. The reason given is some strange justification about how not publishing it made him feel close to his father. That’s a shame, since there’s nothing Ben Sisko would have liked more than to see Jake publish his book.

However, Lofton delivers the best performance we’ve seen from anyone on Starfleet Academy so far while focusing his discussion of Benjamin Sisko on Sisko’s role as a great father. That was always a key to the character, and one of the most beautiful and unique things about Deep Space Nine.

Cirroc Lofton proved he’s grown into the kind of man that both Ben Sisko and Avery Brooks would be proud of. Unfortunately, the episode itself ruined it by robbing Avery Brooks of his voice and using it to trick viewers into putting up with their streaming service.

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