Entertainment
Inside Kanye West’s Failed UK Comeback Plan
A high-stakes plan to bring Kanye West back to the UK has collapsed in dramatic fashion, leaving behind financial losses, public backlash, and a canceled festival.
What was meant to be a carefully orchestrated return quickly unraveled, exposing miscalculations, mounting criticism, and a gamble that ultimately failed under intense scrutiny from both officials and the public.
The Ambitious Kanye West Comeback Plan
Behind the scenes, the effort to reintroduce Kanye West to UK audiences was anything but casual.
Industry giant Live Nation reportedly poured time, money, and resources into securing his return, even traveling internationally to court the controversial star.
According to a source who spoke to the Daily Mail, “Live Nation put together a big package of multiple shows across the globe including Wireless.”
The ambition was clear: not just a single performance, but a global comeback narrative centered around one of music’s most polarizing figures.
However, warning signs were already present early in the process.
The same source revealed that concerns had been raised about the optics of hosting the rapper in North London.
“They were advised that it would be mad to put him on stage in Haringey, so close to a large Jewish community in north London, and they didn’t listen,” the source shared.
Despite those warnings, planning continued. Critics were later unimpressed with claims that consultations had been thorough.
The insider said, “They are now saying that they asked ‘stakeholders, ‘ but this is simply ludicrous.”
Kanye West Deal Raises Early Red Flags
Even before the Wireless Festival announcement, securing venues proved difficult.
Attempts to stage performances at major stadiums were unsuccessful.
The insider noted, “Before they signed a deal with Wireless they had asked about putting a show on at the Tottenham Hotspur and West Ham grounds and both turned them down absolutely flat.”
That rejection alone hinted at the controversy surrounding West’s return.
The source said, “That should at least have shown them what a problem there was. Then there was an exploration of asking Twickenham but it was felt to be the wrong crowd for Kanye.”
Still, negotiations pushed forward, culminating in a massive payday.
“He asked for and got $15million to play those three nights at Wireless. At that late point they still hadn’t secured a headline act,” the insider added.
From a business perspective, the gamble was enormous and increasingly fragile.
Kanye West Ban Sparks Immediate Fallout
Everything changed when UK officials stepped in. Home Secretary Shabana Mahmood blocked Kanye West’s entry, citing concerns that his presence would “not be conducive to the public good.”
The consequences were swift. Within moments of the ban becoming public, the Wireless Festival, set to take place in Finsbury Park, was canceled outright.
Promotional materials vanished almost instantly, leaving only a brief notice stating the “festival has been forced to cancel.”
Fans were promised refunds, but frustration quickly surfaced. Many questioned why organizers failed to prepare alternatives, especially given the risks tied to booking such a controversial headliner.
The fallout extended beyond disappointed ticket holders. Political and advocacy voices also weighed in.
Sir Keir Starmer argued that West “should never have been invited,” while support for the government’s decision came from groups like The Campaign Against Antisemitism.
Karen Pollock, CEO of the Holocaust Educational Trust, strongly criticized those defending the artist.
“No other community would be told to ‘forgive’ or ‘talk’ – the disgusting racism would be recognized for what it is,” she said.
Financial Fallout And Industry Backlash
The collapse of the event has triggered serious financial concerns. Live Nation now faces the possibility of staggering losses, with some estimates reaching $30 million.
Although contracts may allow the company to recover part of the $15 million fee, doubts remain.
As one source bluntly put it, “Live Nation should be able to get all $15million back as their contracts say that it is the responsibility of the artist to get a visa. Because the decision was made by the Home Secretary they believe that they can get their money back.”
Still, optimism appears limited. “They think it’s not as big a disaster as it could have been but, good luck getting Kanye to pay you back,” the source continued.
The damage goes beyond finances. Industry insiders have described the situation as a major misstep.
Another insider said, “This is one of the biggest mess-ups that they have made since Covid, and I am including the Ticketmaster disaster which has led to them being sued in that.”
Criticism of the company’s judgment has been sharp. The source continued, “This shows how arrogant and out of touch they are. They thought that they would get away with it and that everyone would roll over. That didn’t happen which is why Kanye released a new apology, but it was too little too late.”
The source also questioned the artist’s pattern of behavior, adding, “Kanye has just been cynically doing what he always does which is cause outrageous offence, go away for a year, and then come back with an album and apology. That playbook no longer flies.”
A Comeback That Could Not Be Saved
Kanye West’s attempted return was already under scrutiny due to his past controversies, including offensive remarks and public backlash. Although he had issued an apology earlier in the year and expressed a desire to demonstrate change, it wasn’t enough to shift public sentiment.
He had even suggested he wanted to show “change through his actions” and engage directly with Jewish communities in London ahead of the planned shows.
However, for many critics, the timing and sincerity of those efforts were questionable. The broader response suggested that reputational damage, combined with political pressure, proved too significant to overcome.
Wireless organizers attempted to defend their decision-making process after the cancellation. In a statement, a spokesperson said, “As with every Wireless Festival, multiple stakeholders were consulted in advance of booking YE and no concerns were highlighted at the time.”
However, by then, the damage was done. The festival’s future now hangs in the balance, with reports suggesting it could “go dark” in 2026 if a new headliner cannot be secured.
What began as a bold attempt to revive Kanye West’s presence in the UK has instead become a cautionary tale, one that highlights the risks of betting big on controversy in an increasingly scrutinized entertainment landscape.
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By Jennifer Asencio
| Published
Basketball season is winding down and at the time of this writing is in the first round of its playoff tournament. Before that could begin, there was also a play-in tournament meant to fill out the rest of the playoff brackets through one-game matches whose winners would continue to the next round. The games have been frenetic, with most of them decided in the last minutes. Basically, basketball is hurtling down the canyon, about to drop the torpedo into the Death Star.
Imagine you are watching Luke Skywalker just about to use the force to make his shot, when all of a sudden the streaming service you are watching it on interrupts the action for “technical difficulties.” That is exactly what happened to basketball fans on not one but two streaming services.
Peacock and Amazon Prime are splitting the duty of airing the NBA postseason. Amazon Prime aired the play-in tournament, while the two networks are swapping the playoff games back and forth. During three different games, both within the final minute of very close matches, both streamers suffered technical difficulties that interrupted the broadcast.
Technical Interruptions Interfere With Gameplay
On April 14, 2026, the Orlando Magic and Charlotte Hornets were in a match-up for all the marbles. The winner would go on to the next round of the play-in tournament, while the loser went home. With 30 seconds left in the game, the score was 123-120, which, if you know basketball, means the Hornets only needed one shot from the right part of the court to tie the game, and they had the ball. Suddenly, Prime, which aired that game, put up a “technical difficulties” card, during which the Hornets did score another basket, making the score 123-122 while no one could see on television. The contentious game ended with the Magic winning, 127-126, but fans only got to see it because the teams called a time-out while Prime fixed its issue.
A week later, on April 20, 2026, the New York Knicks played the Atlanta Hawks on Peacock. The game ended with the Knicks losing 107-106, but once again, the final minute was interrupted by a “technical difficulties” card. This time, the difficulties were offset by a time out and viewers didn’t miss any of the action, but the Knicks-Hawks game wasn’t the only difficulty Peacock had that night.
Also playing that night after the Knicks-Hawks game were the Denver Nuggets and the Minnesota Timberwolves. For most of the game, the teams traded the lead, ending halftime tied. But in the last quarter (12 minutes of active game time), the ‘Wolves started a major comeback. In the final minute, it was anyone’s game, with both teams bringing their best play to the match … and then technical difficulties struck again.
To the credit of the NBA teams playing these games, all three called time-outs when the technical difficulties overtook the broadcast. Often, interruptions like this cause viewers to miss the action, and the broadcast usually just resumes when it is fixed rather than showing viewers what they missed. The rules of basketball serendipitously offset this with time-outs and frequent breaks for players who are literally running at full speed for minutes at a time, but a lot of live broadcasts do not have breaks like that.
The Streaming Blob Absorption Conundrum
Paramount+ also suffers issues with its streaming services often lagging, and the live TV function on that service is also often inaccessible. Survivor 50 fans lost 15 minutes of the premiere episode because the live TV feature was frozen for many viewers as numerous people tried to watch the show. MLB.TV bills itself as the home of all things baseball, but it also lags and freezes during live broadcasts of games.
With more live broadcasts getting absorbed by the streaming blob, interruptions like this mark an infuriating turn. It is bad enough that many services have interruptions to movies or demand high prices to eliminate commercials from their content. As streaming services become ubiquitous, they are also demonstrating that they can’t handle the load brought on by live television events.
The Balkanization of streaming services has made subscribing to them similar to subscribing to each cable channel individually (can you imagine having to pay separately for CNN, TNT, AMC, USA, and TBS, on top of premium channels like ESPN, HBO or Showtime?). As it is, to watch post-season basketball out of market requires two different premium streaming services (the Peacock games are also aired on NBC, but only regionally). Watching the NFL postseason this past winter required four. Watching the Oscars is going to require a YouTube subscription starting in 2028.
Past Is Prologue, But We Still Haven’t Learned
Interruptions in the middle of live events are so unpardonable from any channel that it was made official policy to show the entirety of a game and preempt the shows following after the infamous “Heidi Bowl” incident in 1968. During this New York Jets NFL home game, the then-Oakland Raiders were dominating the field of play, so the network decided to switch to a made-for-TV version of the German folk story “Heidi.” The Jets came back to win the game in an exciting upset that only fans in the stadium got to see. While this was a bad network decision and not a technical difficulty, it set a precedent for live broadcasting that existed all the way until the Prime-Peacock NBA postseason broadcasts.
What streaming customers are getting isn’t as consistent as what we got from comparable cable channels. The more broadcasting, live or not, that moves over to streaming, the more the services are going to have to address these problems. Streaming was supposed to be a superior alternative to television. Instead, as the NBA playoffs debacle has demonstrated, they are becoming more of a monster than cable and can’t even provide the same level of service.
Here’s a rundown of Us Weekly‘s top stories making headlines in celebrity news, sports and entertainment on April 28, 2026. Here are key takeaways:
• Taylor Frankie Paul reconnects with Doug Mason: The Secret Lives of Mormon Wives star is “trying to make it work” with Bachelorette contestant Doug Mason, sources told Us Weekly. The pair reconnected after her season of the dating show was pulled by ABC following an alleged February domestic violence dispute with ex Dakota Mortensen.
• Steven McBee Jr. and Allie Eklund discussed engagement before split: The McBee Dynasty star and Eklund had talked about getting engaged this year before McBee publicly accused her of cheating at the Stagecoach Festival on April 27. Eklund denied the allegations and shared screenshots of messages in which McBee allegedly called her a “hooker.”
• Taylor Swift wears Travis Kelce’s birthstone: Swift stepped out in New York City on April 27 wearing opal jewelry honoring her fiancé Kelce. Opal is Kelce’s birthstone and inspired her Life of a Showgirl song “Opalite.”
Edited by Samantha Benitz. Story produced with AI assistance
Billie Eilish is publicly addressing speculation that she and brother Finneas had a “falling out.”
“I heard somebody say, ‘Did you guys hear Finneas and Billie had a falling-out?’” Eilish, 24, told Elle in a joint interview with her sibling and collaborator, 28, published on Tuesday, April 28.
“Finneas and I have never and will never have a falling-out, ever in our lives,” she continued. “We’ll get in the biggest f***ing fight you’ve ever heard of in your life, and five minutes later, we’re back, laughing and making music. It’s sibling s***. There’s nothing else in the world like sibling relationships.”
Eilish added, “If I never saw Finneas at all, I might literally never make a song again.”
Rumors of a feud between the famous siblings arose after Finneas (real name Finneas Baird O’Connell) skipped Eilish’s Hit Me Hard and Soft Tour, which ran from September 2024 to November 2025.
Billie Eilish took home the prize for Song of the Year at the 2026 Grammy Awards — and the hitmaker didn’t hold back in her impassioned acceptance speech. “Thank you so much. I can’t believe this,” Eilish, 24, said to the crowd while accepting the trophy alongside her brother, Finneas O’Connell, for their work on […]
“It was a few years in the making,” Eilish said of the decision for Finneas to skip the shows, a mutual choice between the pair. “We got so busy that we would only see each other right before going onstage. Finneas and Andrew [Eilish’s touring drummer], who were the only band members I had back in the day, performed on some sort of platform that was hard to leave. Finneas was stuck in a tower — like Rapunzel! He never said it, but I was feeling like, ‘You have more to be doing than being my band member in the back.’”
Finneas added, “It’s basically true that I don’t like touring, but I love the show part of it. And I love being around Billie. This past year, when she would be on tour for months, I missed her a lot.”
In the trailer for the Hit Me Hard and Soft: The Tour (Live in 3D) movie, Eilish cried as she read a note from Finneas wishing her good luck before she went out on the road.
Billie Eilish accused Variety of outing her over the weekend after she discussed her sexuality in a cover story for the magazine. “Thanks variety for my award and for also outing me on a red carpet at 11 am instead of talking about anything else that matters,” Eilish, 21, wrote via Instagram on Sunday, December […]
“Almost 7 years ago to the day we started your first headline tour of North America,” Finneas wrote to his younger sister. “It’s been the joy of my life to travel the world with you three times over and watch you hold every person who comes to your shows in the palm of your hand. Good luck tonight but you don’t need it, no one does it like you. Can’t wait to see you soon. Love, Pinch.”
Eilish said to the camera, “It’s gonna be my first show ever without him.”
Finneas and Eilish have been collaborating since her 2015 breakout single, “Ocean Eyes.” The siblings have gone on to win 10 Grammys together, including their most recent Song of the Year win for Eilish’s song “Wildflower.” They became the first three-time winners in the history of the category following their previous wins for “Bad Guy” in 2020 and “What Was I Made For?” in 2024.
In addition to working with Eilish, Finneas embarked on a solo career in 2019 with his debut EP, Blood Harmony. He later released the albums Optimist (2021) and For Cryin’ Out Loud! (2024). He also released The Dream, a record with fellow singer-songwriter Ashe under the group name The Favors, in 2025.
By Chris Snellgrove
| Published
Gene Roddenberry is rightfully considered one of the most visionary creators in television history. He brought us Star Trek: The Original Series, kickstarting a franchise that has lasted over 60 years through various movies and spinoff shows. Through the medium of sci-fi, Roddenberry explored major issues ranging from Civil Rights to Cold War tension. In fact, he put almost everything into the first Star Trek show except for himself.
Unlike his wife, Majel Barrett Roddenberry, Gene Roddenberry never gave himself a major role in any Star Trek project. This is why you never see his face onscreen at any point. However, what most fans don’t realize is that Roddenberry secretly made a single, uncredited appearance in one episode of Star Trek: The Original Series. In “Charlie X,” the second episode ever broadcast on TV, he served as the voice of the galley chef aboard the Starship Enterprise.
Talking Turkey With Captain Kirk
“Charlie X” is an episode of Star Trek: The Original Series that would arguably be more at home in The Twilight Zone. The Enterprise rescues a 17 year old who is the sole survivor of a crashed ship. The boy soon exhibits extreme powers of telepathy and transmutation, which take a sinister turn when he does things like make people who annoy him disappear from reality. Captain Kirk and his crew are unable to contain the boy, but the godlike aliens who gave Charlie his powers eventually show up and take custody of the dangerous young man.
Based on that description, you’re probably wondering why the heck the Enterprise galley chef even pops up in the episode. “Charlie X” takes place on Thanksgiving, and Captain Kirk wants his crew (who are almost entirely human) to get into the holiday spirit. Earlier in the episode, he tells Charlie that if the crew “has to eat synthetic meat loaf, I want it to look like turkey.” Later, the galley chef talks to Kirk over the ship’s intercom and tells him that even though he put meatloaf in the oven, it has been replaced with actual turkey meat. Charlie laughs, effectively cutting off their conversation.
Making Way For A Woman At Warp
It’s a very short interaction, one that is meant to subtly underscore Charlie’s reality-warping powers. We see the chef at one point, who is played by an unknown actor who doesn’t speak. When the chef speaks over the intercom with Kirk, he is voiced by Gene Roddenberry, making his one and only appearance in a Star Trek episode. William Shatner may have actually acknowledged this cameo on screen, calling the man “chief” instead of “chef.”
The fact that this is Gene Roddenberry’s only onscreen appearance in Star Trek is ironic because his wife became a mainstay actor throughout the franchise. Majel Barrett Rodenberry played Number One in the original pilot episode and Nurse Chapel in The Original Series. She also voiced the ship’s computer in The Original Series and The Next Generation and many other roles (including Spock’s mother, Amanda Grayson) in The Animated Series. For fans of the Golden Age of Star Trek, though, Majel will always be best known as Lwaxana Troi, mother to beloved TNG character Deanna Troi.
Gene Avoided The Screen
As for Gene Roddenberry, he never appeared onscreen in any future Star Trek shows or movies. However, later creators did their best to retroactively make him a part of franchise history. In reference books like the Star Trek Encyclopedia and the Star Trek Chronology, you can see a Photoshopped image of Roddenberry in an older-style Original Series uniform under the listing for Robert April. April is the very first Captain of the Enterprise (before Captain Pike took command) and is played by Adrian Holmes in Strange New Worlds.
We may never know exactly why Gene Roddenberry voiced the lowly, one-off character of the chef in “Charlie X.” In the early days of the show, it might have simply been easier to have him voice the character in the one scene than to hire an entirely new actor. At any rate, this has always been one of the best early episodes of Star Trek: The Original Series. But the fact that it represents Roddenberry’s one and only appearance in any version of Trek makes this episode a bona fide part of franchise history.
Criminal Minds star Paget Brewster is recalling her brief departure from the show after being fired and subsequently brought back.
“I think it was season six or seven or something,” Brewster, 57, said during the Monday, April 27, episode of Kristin Davis’ “Are You a Charlotte?” podcast.
The actress, who has portrayed Emily Prentiss since season 2 of the CBS crime drama, explained that Criminal Minds did a backdoor pilot for another series, meaning that the episode served as an introduction to a spin-off series and helped determine whether the spin-off would move forward.
“Apparently, this is what I heard, when Les Moonves — who is the now famously ousted president of CBS — when he got the pilot inside of our episode, it was the first time he’d watched the show [in a while],” Brewster claimed. “We think he saw the show for the first time in years and just said, ‘Oh, I don’t like those women. Get rid of those women.’ And so, A.J. Cook and I were fired.”
Criminal Minds: Evolution didn’t just bring back Matthew Gray Gubler‘s Reid — but several other OG characters — for Will’s funeral. During the Thursday, May 22, episode of the Paramount+ show, JJ (A. J. Cook) prepared for late husband Will’s (Josh Stewart) funeral with help from Penelope Garcia (Kirsten Vangsness) and Emily Prentiss (Paget Brewster). […]
Moonves, 76, resigned from his position as chairman and CEO of the network in 2018 after allegations of sexual harassment, sexual assault and abuse.
Cook, 47, who plays Jennifer “JJ” Jareau on Criminal Minds, briefly left the series after season 5 in 2010, along with Brewster. The latter returned for several episodes in season 6 after her “agent went in and had a big fight” with CBS, Brewster alleged. Meanwhile, Cook returned as a main cast member in season 7.
Brewster claimed that although she was also asked to return full-time, she opted to leave the show after season 7 in 2012 because she was “so mad” at the network. She then ventured into comedy, including roles in the shows Grandfathered, Community and Another Period.
Eventually, Brewster reconsidered her decision to step away from Criminal Minds.
“I really did hold on to that anger for too long,” she recalled. “It was an unhealthy thing to hold onto. Because A.J. and I were like, ‘We were early, we knew our lines, we never got into fights.’ We were really angry. I held onto the anger for too long, and after four years, I finally thought, ‘Why am I not [on the show]? I love everyone there. I just don’t like Les Moonves, and I never have to see him because he doesn’t care about this show.’”
Brewster returned to the show during season 12 in 2016 following former costar Thomas Gibson’s firing for an altercation with a producer. Gibson, 63, played Aaron Hotchner, the chief of the FBI’s Behavioral Analysis Unit. Brewster’s character replaced Gibson’s in the role.
Criminal Minds is back with a revival on Paramount+ — but fans have watched the cast change on and off screen since the procedural first debuted. In 2005, viewers were introduced to a group of criminal profilers who work for the FBI as members of its Behavioral Analysis Unit. The crime drama, which was created by […]
Before agreeing to return to the show, Brewster said she argued for equal pay.
“I fought to try to get my episodic fee close to what the men were making ‘cause we were always paid less,” she explained. “I was like, ‘Well, I kind of have them over a barrel. They need me more than I need this show.’ So, I got my episode fee way up from what it was. Then, when the other female cast members, their contracts were up, so I said, ‘This is what I got. Go get more.’ … So then, they went in and they got big raises.”
Though Criminal Minds — which follows the Behavior Analysis Unit (BAU) as its team of profilers catch serial killers — was initially canceled after season 15 in 2020, the series was revived as Criminal Minds: Evolution in 2022. Brewster is among the cast members who returned for the revival.
Criminal Minds season 19 premieres on Paramount+ on May 28.
Entertainment
The Best Sci-Fi Movie of 2026 Officially Overtakes Steven Spielberg’s Underrated Video Game Movie
The wins just keep on coming for directors Phil Lord and Christopher Miller‘s Project Hail Mary, their first movie in over a decade. Starring Ryan Gosling, the sci-fi epic is based on a bestselling novel by Andy Weir, who also wrote the source material for Ridley Scott‘s The Martian. Project Hail Mary has had a phenomenal box-office run over the last month and a half, and will overtake The Martian this weekend. It opened to near-unanimous praise from critics and audiences and is now on track to reach the $700 million mark worldwide by the end of its theatrical run, which was extended by Amazon following the encouraging audience response.
This past weekend — its sixth — the movie passed the $300 million mark domestically and the $600 million mark worldwide, against a reported budget of more than $200 million. The movie has received some of the most enthusiastic reviews of any tent-pole this year and is poised to do stupendously well during the awards season. It should pose stiff competition to The Odyssey and Dune: Part Three, as The Academy tends to unofficially reserve a couple of spots for mainstream blockbusters. With a “Certified Fresh” 94% critics’ score and a “Verified Hot” 96% audience score on the review aggregator website Rotten Tomatoes, Project Hail Mary is certainly going to be tough to beat.
Here’s How Much ‘Project Hail Mary’ Has Grossed at the Box Office
It helps that the film has overtaken a handful of past sci-fi hits during its run. It recently passed the $292 million domestic haul of Christopher Nolan‘s landmark sci-fi blockbuster Inception. With $613 million worldwide, Project Hail Mary has also surpassed the $607 million haul of Steven Spielberg‘s sleeper hit 2018 movie Ready Player One, which was based on a bestselling novel as well. Ready Player One was described as Charlie and the Chocolate Factory meets The Matrix; it proved to be exceptionally successful in China and was produced on a reported budget of $180 million. Ready Player One remains Spielberg’s most recent sci-fi movie. He’s set to return to the genre this year with Disclosure Day. You can watch Project Hail Mary in theaters and stay tuned to Collider for more updates.
- Release Date
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March 15, 2026
- Runtime
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157 minutes
- Director
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Christopher Miller, Phil Lord
- Writers
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Drew Goddard, Andy Weir
- Producers
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Aditya Sood, Amy Pascal, Andy Weir, Christopher Miller, Phil Lord, Rachel O’Connor, Ryan Gosling
Editor’s note: The below recap contains spoilers for Daredevil: Born Again Season 2 Episode 7.Daredevil: Born Again Season 2 has been widely praised by critics and fans alike, but now the hit MCU series is barreling towards a dramatic conclusion. It’s comforting to know that the revival of the adored Netflix series will return with Season 3 (which is already filming in New York), but the year-long wait is bound to feel like a shard of glass to the head for the successful series’ devoted fans. So far, the second season of the Disney+ reboot has reunited Matt Murdock (Charlie Cox), as well as his friends and enemies, with plenty of familiar faces, with flashbacks to Matt’s long-dead companion Foggy Nelson (Elden Henson), Wilson Fisk’s (Vincent D’Onofrio) even longer-dead friend James Wesley (Toby Leonard Moore), and, of course, the arrival of legendary private detective Jessica Jones (Krysten Ritter) in the present day.
The last episode saw Daredevil reunite with his Defenders teammate, but not everything was a celebration. Fisk has become entirely unpredictable and erratic since the death of Vanessa (Ayelet Zurer), and while his clear decline in support from his allies would usually be a good thing for our heroes, in this case, it just adds more fuel to Fisk’s internal turmoil. However, Fisk may be tempting his longtime rival a bit too far now that he has Karen Page (Deborah Ann Woll) in his clutches.
Mr. Charles Drops a Bunch of Jessica Jones Lore in ‘Daredevil: Born Again’ Season 2 Episode 7
Karen has been on the run from Fisk’s goons for quite a while now, but her luck was bound to run out eventually. The still-grieving mayor even pays a visit to Karen’s cell after she’s done being processed, which is bound to lead to a tense conversation between the two diametrically opposed foes. Karen is the one who killed Fisk’s closest companion, Wesley, all the way back in Daredevil Season 1, after all. Their conversation (including a moment where Fisk audibly and very humorously yells, “HA!”) strongly implies Fisk would kill Karen in an instant if he could, but that may prompt some legal consequences.
Meanwhile, Jessica Jones has a lot of questions for Mr. Charles (Matthew Lillard), the shadowy government operative who has been having a love-hate relationship with Fisk. Surprisingly, Jessica and Charles appear to have a history, with Charles being the person Jessica suspects of sending those armed thugs to her home. Just when it looks like everyone’s favorite detective is about to punch Charles’ lights out, the new season’s best original character so far decides to reveal a truckload of information for fans of both Jessica and another widely beloved Defender.
The actress also reveals what she definitely won’t miss about playing Vanessa.
For anyone wondering why Jessica doesn’t just swoop into City Hall and take down Fisk herself, Mr. Charles has some answers. Apparently, Jessica’s powers of super-strength and limited flight have been weakening for some time now, which could explain why she hung up her detective work to raise her daughter, Danielle (Annabelle Ivlev/Isabela Ivlev). Speaking of, Charles all but confirms what many fans have suspected with Daredevil: Born Again‘s first official mention of Luke Cage (Mike Colter), Harlem’s unbreakable hero who has been MIA since his brief appearance in Season 3 of Netflix‘s Jessica Jones series. Jessica’s immediate concern for Luke’s safety provides further evidence that he’s Danielle’s father, but Charles claims that Luke is currently “overseas,” suggesting the U.S. government has its eyes on him.
Matt Murdock Returns to the Spotlight in ‘Daredevil: Born Again’ Season 2 Episode 7
One criticism leveraged at Daredevil: Born Again Season 1 revolved around the series’ titular hero spending too much time as a lawyer, and not enough as the crime-fighting Man Without Fear. That being said, Matt’s alter-ego is a tremendously important part of his character, and has been since the beloved Netflix series. Since Matt Murdock was legally declared missing after the events of Born Again Season 1’s finale, he hasn’t had much of a chance to dust off his lawyer suit until now.
Karen is briefly able to speak to Matt thanks to another familiar face from the Netflix era, Detective Sergeant Brett Mahoney (Royce Johnson), but Matt knows he can’t punch his way out of proving Karen’s innocence. When Karen arrives for her first day of the trial, Matt Murdock officially reappears in the public eye to defend the woman he loves. Matt’s disappearance after being hailed as a hero for saving Fisk’s life, as well as Fisk’s caution in revealing Matt’s identity as Daredevil, means that Matt will have a significant leg up in the court of public opinion.
That likely hasn’t gone unnoticed by Fisk, as he sends the AVTF to take care of the troublesome lawyer in a parking garage. Fisk’s goons do manage to get the jump on the fearless hero, leaving him seriously injured and in need of assistance. Thankfully, later in the episode, when Matt returns to church to pray for the first time in a while, Jessica finds him, hopefully to provide some backup for the final battle of Season 2.
Fisk’s Goons Attempt To Clean House in ‘Daredevil: Born Again’ Season 2 Episode 7
With Fisk still reeling from the loss of his beloved wife, Daredevil: Born Again takes some time to focus on the mayor’s underlings as they try to salvage what’s left of his political empire. Part of that involves taking care of some of Fisk’s detractors, such as the governor who pulled her support. Thankfully, Bullseye (Wilson Bethel), who has escaped Matt and Karen’s custody, intervenes just in time to save her, once again showing that the deadly assassin is staying true to his promise to do good (as long as it involves helping take down Fisk).
Heather Glenn (Margarita Levieva) is conducting another one of her definitely illegal psychiatric evaluations, this time with Karen. As Matt’s ex, Heather seems to have some deep-seated anger towards Karen, as she starts the interrogation by bringing up Karen’s murder of Wesley. It’s a paltry attempt to smear Karen as a psychopath, but the only violent maniac in the room is very clearly Heather, since she soon begins physically assaulting Karen, all while a hallucination of Muse (Hunter Doohan) watches menacingly in the background.
Meanwhile, Daniel Blake (Michael Gandolfini) finally confronts BB Urich (Genneya Walton) about the Fisk propaganda videos she’s been making, and even leads her to what she quickly figures out is a setup to make her disappear. After BB pleads with Daniel, he ultimately decides against having her killed, which proves to be a fatal error. The end of Episode 7 sees Buck (Arty Froushan), who grew close to Daniel and even saw him as a successor of sorts, confronting Daniel. Just when it seems Buck might have a change of heart, he commits one of the most shocking acts of Season 2 and executes Daniel, cutting off his potential redemption arc before it’s even had the opportunity to begin.
The first seven episodes of Daredevil: Born Again Season 2 are streaming now on Disney+.
- Release Date
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March 4, 2025
- Network
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Disney+
- Showrunner
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Dario Scardapane
- Directors
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Aaron Moorhead, Justin Benson, David Boyd, Jeffrey Nachmanoff
- Writers
-
Jesse Wigutow, Jill Blankenship, Thomas Wong, David Feige, Grainne Godfree
Pros & Cons
- Matt Murdock entering a legal setting is a refreshing change of pace.
- Daniel’s act of redemption is a fantastic ending for the character.
- A Luke Cage mention!
- Jessica’s story still feels largely disconnected from Matt’s.
Out of all the exciting projects in the works at HBO right now, perhaps nothing has as much potential for viewership as the new Harry Potter show. After spending much of 2025 in production, HBO confirmed earlier this year that the first episode of the series will premiere at Christmas, setting it up to be one of the biggest shows of 2026. Plenty of big names have been cast in HBO’s new Harry Potter show, but one of the more intriguing up-and-comers to join the ensemble has been Paapa Essiedu, who has been tapped to play Severus Snape. Some fans have criticized this casting, proclaiming that Essiedu is not the right choice to take over the role from the great Alan Rickman. While it’s fair to be apprehensive of any new coming cast member, it’s not fair to assume Essiedu can’t do a great job playing Snape simply because of the color of his skin — the best thing to do is reserve judgment until the show is streaming later this year.
Just because Essiedu has been tasked with playing Snape doesn’t mean he’s boxing himself into a corner, though. News broke this week that Essiedu is one of the exciting new additions to Amazon MGM’s mysterious new thriller film in the works, tentatively titled Tyrant. Essiedu is one of several exciting new additions to Tyrant that were announced just yesterday, which also include Omar Apollo, Nara Smith, and even Hudson Williams. Williams is fresh off his breakout role in the 2025 HBO sensation Heated Rivalry, with both he and his co-star Connor Storie landing some big roles in the last few months.
Who Else Stars in ‘Tyrant’?
While the new additions to Tyrant are certainly exciting, what might be more so is the original trio of stars who were first attached to star in the film. The first announced cast members include Julia Garner (The Fantastic Four: First Steps), Demi Moore (Landman), and Charlize Theron, who can currently be seen in the Netflix #1 blockbuster Apex. Plot details about Tyrant are being kept under wraps right now, but it’s reportedly going to be a thriller with DNA from films like Whiplash (starring J.K. Simmons) and The Wolf of Wall Street (starring Leonardo DiCaprio). There’s no word yet on whether the film will be released straight to streaming or in theaters, but it is now in production. David Weil is directing from a script he wrote.
Stay tuned to Collider for more updates on Tyrant and coverage of all the hottest projects in the works.
- Release Date
-
2026 – 2026
- Showrunner
-
Francisca Gardiner
- Directors
-
Mark Mylod
We might be many months removed from Halloween, but that hasn’t stopped people in their millions from tuning into one of the best horror shows of all time on MGM. Of course, the show in question is From, the sci-fi horror experience headlined by Harold Perrineau as Sheriff Boyd Stevens. On April 19, From returned for its fourth season with the episode “Arrival,” which impressed both critics and audiences. The episode earned an 8.4/10 rating on IMDb, the highest of any episode in the series so far.
Prior to the debut of Season 4, it was announced that From had been renewed for a fifth season, expected to air in 2027. However, this announcement proved bittersweet, as it was also confirmed that the fifth season would be the show’s last. In a joint statement from showrunner John Pinkner, creator John Griffin, and director Jack Bender, they said that Season 5 would allow fans to “get the chance to see our story to its conclusion. Which means questions will be answered. Answers will be questioned. And there will surely be a cascade of tears and terrors in between.” In a separate interview, Griffin admitted this did not come as a shock, saying, “In full transparency, five seasons was always the goal, but we always wanted to let the story tell us when it was time to end.”
There has been an outpouring of frustration and gratitude alike from fans around the world since this announcement, with most ready to settle in and enjoy Season 4, knowing there isn’t much of their favorite horror show left to come. But what about Perrineau, the show’s star, who has taken the lead role and flourished? In a recent reply on social media to someone questioning MGM’s decision to cancel their most-watched program, Perrineau said, “We want to bring the best version possible to the screen. 5 seasons does that for us.“
‘From’ Reigns Supreme on MGM
A smash hit with critics, From‘s return has also proved once again popular on American streaming. At the time of writing, the show is the most-streamed title on MGM across all Amazon channels in the U.S. This is made all the more impressive when considering the show’s tough competition, which includes thriller series The Institute, the Chris Pratt and Rebecca Ferguson-led Mercy, and the 2025 blockbuster Mission: Impossible — The Final Reckoning.
From Season 4 is streaming now on MGM+. Stay tuned to Collider for more updates.
- Release Date
-
February 20, 2022
- Network
-
Epix, MGM+
- Directors
-
Jack Bender, Brad Turner, Alexandra La Roche, Bruce McDonald, Jeff Renfroe
- Writers
-
Vivian Lee, Kristen Layden, Brigitte Hales, Jeff Pinkner, John Griffin
Entertainment
Born Again’s Michael Gandolfini Teases How Daniel’s Shocking Choice Could Fuel Season 3
Editor’s Note: The following contains spoilers for Daredevil: Born Again, Season 2, Episode 7
Summary
Ahead of Daredevil: Born Again’s Season 2 finale next week, the Marvel series finally closes in on one of its most slippery and quietly tragic players in Episode 7’s “The Hateful Darkness.” Since the revival’s first season on Disney+, Michael Gandolfini’s Daniel Blake has spent so much of his time trying to prove who he can be inside Wilson Fisk’s (Vincent D’Onofrio) orbit while drifting further into a machine he never fully understood until it was too late.
By the end of the hour and after Karen’s (Deborah Ann Woll) trial, Daniel’s panicked attempt to get BB (Genneya Walton) out of danger amid Fisk’s political grip tightening finds the show hits a brutal stop when Buck kills him outright. That final stretch is what makes Daniel’s death hit so hard. While he saves BB’s life and is a hero at the end of it, his fate doesn’t let him off the hook. Though scared and guilty, he is finally honest about how deep he’s fallen, which is exactly what Gandolfini tells Collider clicked for him in Daniel’s final turn.
In a conversation about “The Hateful Darkness,” the key moment for the 26-year-old is when Daniel admits, “It’s not just Fisk and Buck. It’s me too. I went out, and I buried a body with Buck, and I wish I didn’t know I did that.” For Gandolfini, that’s the edge of the character, the moment Daniel fully understands he’s gone too far. In what will no doubt feel like a jolt to audiences, Daniel spends his last scenes trying to protect BB, telling her to get out while he still can, but Born Again never gives him a neat goodbye or some big redemption beat.
Gandolfini says that messiness was part of what made the death work, explaining how Daniel dies “in the middle of all of the stuff,” without any parts of his life being resolved. In the penultimate episode of the season, that unfinished feeling is exactly the point for Daredevil: Born Again, as Daniel doesn’t die a martyr or a mastermind — just as someone who got pulled too close to Fisk’s darkness. In an exclusive interview with Collider, Gandolfini breaks it down and suggests what’s next for the show after his character’s tragic death.
Gandolfini Says Marvel Let Him Build a Character “From the Ground Up” for ‘Daredevil: Born Again’
Without the constraints of comic canon, Gandolfini says he could explore a messier, more human performance.
COLLIDER: I know the show has a really great way of mixing the chaos of vigilante justice and City Hall politics, and it’s all part of the same ecosystem, but I’m so curious, what was the most fun about playing in this Marvel playground that puts those two together?
MICHAEL GANDOLFINI: For me, Marvel has been so unbelievably kind and amazing to me. When we first started conversations, I said I really wanted to play a real person. I really care most about moral problems or relational problems in relationships, and they were so amazing in staying committed to that. Often, because it’s these amazing heroes that people want to see, sometimes the other stuff can get lost, and you can lose some of the human relationships and things like that, but Daredevil specifically is amazing at staying really strong to the core, whether it’s Matt and Foggy’s friendship or Ben Urich and Karen. There are people, these humans, that don’t have these powers, who make as big of an impact on the show and on the world. So I was just so grateful that I got to have such a real arc and got to work with the great actors and really have an effect on the show. I was just so stoked and excited to be a part of that. It makes the action stuff more fun. I haven’t seen any of it, so when I see it, it’s like, “Oh, this is so cool!”
The character is one that they built from the ground up. He’s not been in the comic books at all. Was that also liberating for you that you got to play with that character and then also talk to the writers about where you want to go with him?
GANDOLFINI: 100%. There’s no box, right? I think sometimes if you’re a lead in a film or a superhero, or playing someone with IP, you are boxed into some sort of constraint. You have to show an arc. You have to be the moral arc. I watched this great interview with Christian Bale recently. He was saying that when he was in Batman, he was talking with [Christopher] Nolan, and he was watching Heath Ledger‘s unbelievable performance, and he was like, “Oh God, am I boring? I can only be the good guy. I stand for the good.” And it’s hard sometimes when you have those constraints. Daniel doesn’t. I can go anywhere I want, I can try anything I want. He can be bad, he can be good, he can be dirty, clean. He can sort of be human, be extra human because there are no constraints, and that is so fun and so liberating.
Gandolfini Pinpoints the Moment Daniel Knows He’s Gone Too Far in ‘Born Again’
He points to one chilling confession as the moment Daniel realizes just how far he’s fallen.
Daniel does start the season trying to prove himself as this loyal operator, but by Episode 7, we can see he’s also very terrified of the machine that he’s helped build. Was there a specific moment where you felt he realized, “I’ve gone too far?”
GANDOLFINI: It’s a great question. There’s a great line that always really spoke to me. He looks at BB, and he says, “It’s not just Fisk and Buck. It’s me too. I went out, and I buried a body with Buck, and I wish I didn’t know I did that.” I think that right there, in that moment, I think it’s right at the edge. “I wish I didn’t know I did that.” That’s when he feels he’s gone too far. But I also think that if you ask Daniel, in the afterlife, “Would you have done anything different?” I don’t know if he would have. I think he was at peace with every decision he made, even the bad ones.
He does spend so much of the season trying to impress Fisk and also becoming this sort of pal to Buck, and sees how power works through the two of them. Did you approach those scenes as Daniel trying to emulate them or as someone realizing he could actually never really become them because there is such a different relationship between the two of them?
GANDOLFINI: That’s such a good question. Yeah, he does try to emulate. I think he’s a big chameleon. Whoever’s in front of him, he’s going to become that person. He’s going to morph into their morals, and he’s going to support that side of them. So, when it’s BB, he’s like, “Okay, I’m with BB, I’m aligned with BB. I agree. I’m with you.” When it’s Buck, it’s the same.
The writing really is quite amazing because he loves them both. So in many ways, by Episodes 5, 6, and 7, every scene is either about loving Buck or about loving BB, and he loves them both. It’s not clear. And both are problematic. Both can help him or hurt him. So that’s why I think it’s very gray. It’s not so cut and dry. That’s why when BB says, “Buck’s a bad guy,” whether he’s scared of Buck or not doesn’t really matter. He knows who Buck is.
Gandolfini Says Daniel’s Death Worked Because It Was So Messy
With no real closure for BB, Fisk, or his family, Daniel dies with every important relationship left unfinished.
I am sad that we don’t have that relationship anymore between Daniel and BB, because I loved where it was going, and I was like, “Oh, look at the two of them. They’re starting to connect.” That was tragic. That’s the part where I think a lot of fans are going to react to that, because they’re starting to see another layer of Daniel open up. What was it like working with Genneya [Waltong] in those last scenes? It was a very terrifying moment for us, as an audience, wondering what was going to happen next to your character.
GANDOLFINI: It was so interesting. Look, when me and her go to Daniel’s mom’s house, we talked a lot, and we really worked on it, and it just was so natural. She’s so talented, and working off her was such a gift. He’s so stressed, and she’s so strong. She’s so rooted in reality, and he’s so kind of crazed. It was just this beautiful thing. Our last scene together, it still wasn’t 100% clear if I was going to die or not. That was not really 100% written in stone yet when we finished Season 2. That was decided in post. So our goodbye kind of didn’t feel like goodbye. I think that it’s played sort of like where he says, “Get on the train. Don’t come back.” It’s a sweet scene, but there’s no leaning into that it’s the last time they’re going to see each other. You really don’t feel that, and I think that’s what makes his death so shocking. Because there is so much real unfinished business. It’s not like him, and her get a good goodbye.
The last scene with his mom, he says, “Everything’s fine. I love you. Everything’s okay. Don’t worry.” His last scene with Fisk is at the funeral. You don’t even see a goodbye. His last scene with Buck. He and Sheila, their last scene’s at the boxing match. All these people don’t have any closed loops, and so when he dies, it’s just like, wow, he’s just hanging there, and I think that it’s painful.
The actress also reveals what she definitely won’t miss about playing Vanessa.
It’s very painful, but BB survived Daniel and all the things that have happened. In some ways, I did find that she’s carrying the truth of who he was at his worst and at his best. Do you think Daniel understands in the end that the real consequence of loving her is leaving her now with that weight that she has to make sure his name doesn’t also go down in vain?
GANDOLFINI: It’s a good question. I think that he would just want BB to be safe. I think he would just want her to be okay, you know? But it’s such a brilliant and amazing thing for Genneya. We were talking about it. She is now at the epicenter of this thing, with her uncle dying and now Daniel dying. She’s been scorned so many times. She has seen the direct effects of Fisk’s brutality, and so I can’t wait to see. I don’t know anything about Season 3, so I don’t know where it’s going, but I really hope they take advantage of that because that is something that really has kind of a fire lit under her now with his death. I don’t know where she is or where she’s going, but I can’t wait to tune in on Season 3 and find out.
You said before that you didn’t know that that was coming in the script until later on. What was your reaction when they told you, “This is how we’re going to actually go with the direction,” and do you see that now as a redemption arc for Daniel?
GANDOLFINI: Totally. It manifested itself really appropriately. I filmed scenes in Episode 8, and they just felt very weird. There were a lot of conversations about it. I was just like, “I don’t understand his place. Where is he going? He’s scorned Fisk and Buck. What’s his next chapter?” It felt really weird. It didn’t feel right. So when I got the call a couple of months later, and they said, “Hey, we decided, actually, he dies there,” it was like, yeah, that’s right. It actually felt like a relief because it felt very appropriate, because that’s what needed to happen, not only for the arc of the show, but also personally. It just felt like the right thing.
The fact that I didn’t know made it so much better because if Dario [Scardapane] had thought, “Daniel dies in [Episode] 7,” he might have tied up some of those loose ends. The script metaphorically would have been “tighter” or whatever, but because it’s messy, because he dies in the middle of all of the stuff, it’s quite shocking. So, it just felt so right. I remember telling them, “Look, I’m happy to fight. If I thought this wasn’t right, I’d fight, but this is right. This is right.”
Gandolfini Hopes BB Carries Daniel’s Death Into ‘Daredevil: Born Again’ Season 3
He says BB is now perfectly positioned to push back after witnessing the human cost of Fisk’s brutality.
I’m sure the entire season, it was shenanigans behind the scenes with you and Arty [Froushan], and even Vincent [D’Onofrio], too. What was that dynamic like, especially getting to the end? Because I don’t think there are conflicted feelings for Buck’s character when he’s pulling that trigger, because he’s a very cold person. He will just do the job that he needs to do. I’m wondering what that dynamic was like because you and Arty have great chemistry, so that was fun to see on screen.
GANDOLFINI: Totally. We have the best time. We went upstate for that episode, and we stayed in a hotel together, and he kept complaining about my snoring, and he’s got the earbuds and the eye mask and the whole thing. We had the best time. I love him so much. We had so much fun together. I was the one who called him, and I said, “You kill me.” And he was distraught. He was like, “No.” And I was like, “Yeah. They added a thing.” And he was like, “I can’t believe that.”
I don’t know what happens, but I do think that was hard for Buck. I think it’s harder for him than normal. I do think he really likes Daniel. He says throughout the season, there’s more to him than you think. What Episode 5 is, I think, is a little misconstrued. Episode 5 isn’t to scare him. It’s to show him, “We want to invite you into our thing. It’s scary, and it’s dark, but if you do your job right, if you do your job…” That’s what that monologue’s about when he’s talking about Helmand and killing the people in Afghanistan. I say, “Well, what did you do?” And he said, “I followed orders.” So Buck is saying, “Come join us. Just follow orders. There’s no moral attachment to killing someone. There’s no moral attachment to burying a body. It’s just following orders.” And I think he wants Daniel to sign up for that.
I do think Daniel’s death comes at the exact moment when he makes this very clear moral choice, and that is the heart of the show, seeing from the eyes of this person who was so enamored with the world of Fisk, and then they start to see all the things that are coming up. What do you think the show is saying now, with the end of what we see with Daniel, especially now that BB’s in a position to carry that forward for Season 3? I know you don’t know what’s going to happen for Season 3, but I’m curious what your character will unleash for Season 3.
GANDOLFINI: I hope that BB goes on a vengeance. I thought that her and Karen, there was one scene with Genneya and Deborah [Ann Woll] that was so magnetic. They have great chemistry, so I really want to see them together more, kind of teaming up.
I’m so excited to see where Vincent and Charlie [Cox] go, where they are. Because I don’t know anything, and I’m a fan, so I’m really excited. Obviously, Wilson’s having such a moment. Bullseye is such a great, fun, amazing character. He’s doing such good work, so what’s going to happen with him? I can’t wait to see it.
Daredevil: Born Again streams its Season 2 finale on Tuesday, May 5, on Disney+.
Daredevil: Born Again
- Release Date
-
March 4, 2025
- Network
-
Disney+
- Showrunner
-
Dario Scardapane
- Directors
-
Aaron Moorhead, Justin Benson, David Boyd, Jeffrey Nachmanoff
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