James Gunn’s Raunchy, R-Rated Superhero Comedy With Office Star Delivers Swift And Brutal Justice 

By Robert Scucci
| Published 20 seconds ago

Any grown man will tell you that some of the best moments of his childhood involved playing superheroes with his friends. If you could use your imagination, throw some sort of mask over your eyes, and maybe even arm yourself with the lid from a trash can, you were all set. It goes without saying that every friend group had one sociopath who wanted to be the villain, which is why the trash can lid came in handy. You didn’t have much time before they started throwing rocks, which more often than not resulted in parents getting involved.

If you’re wondering what it might look like if a grown adult decided to play dress-up and start fighting crooks after punching out from his day job, you pretty much get 2010’s Super, starring none other than Rainn Wilson as Frank Darbo, or, as he would like to be known, The Crimson Bolt.

Thinking about how kids playing superheroes is pretty much universal (my 5-year-old son has the capes in his toy chest to prove it), Super feels almost like wish fulfillment for those kids after they grow up. Except our hero is so misguided in his vigilantism that the best we’re going to get from him is “Shut up, crime!” before humiliating himself in most situations.

From Loser To Super

When we’re first introduced to Frank Darbo (Rainn Wilson) in Super, it’s well established that he’s not exactly a prize catch. He’s deeply religious, works as a short-order cook, and lets everybody walk all over him. This includes his wife Sarah (Liv Tyler), a reformed drug addict who quickly shifts her attention to a ruthless drug dealer named Jacques (Kevin Bacon). Absolutely heartbroken, and worried sick that his wife will relapse in her new lover’s company, Frank decides it’s time to take matters into his own hands after the religious superhero from the local TV station known as The Holy Avenger (Nathan Fillion) pays him a visit in a dream.

Now calling himself The Crimson Bolt, Frank heads to the comic book store to do some research, where he meets Libby (Elliot Page), a nerd of the highest order who wants to help him fully embrace his alter ego. When he’s not working or researching, Frank is field-testing his Crimson Bolt suit by hiding behind dumpsters and waiting for crime to happen.

At first, we bear witness to some truly vulgar displays of power, if you could call it power because he has none. Frank gets into fights with people who cut him in line, and most of his crime fighting leaves both him and everybody else worse off after he intervenes. Once he starts building a reputation as a force for good, though, everybody catches on. Jacques and his goons realize he’s out for revenge because that’s what kicked off this entire crusade in the first place. Meanwhile, Libby wants in on the action. She knows Frank is running around as The Crimson Bolt and decides she should call herself Boltie and become his sidekick.

Together, The Crimson Bolt and Boltie are a force to be reckoned with. But is Frank’s gumption, and his sudden interest in building pipe bombs, enough to take down Jacques? And will The Holy Avenger support this kind of behavior? Only time will tell, but rest assured plenty of people get their asses kicked in Super.

Deserves Its Cult Status, But Don’t Compare It To Kickass

What’s most baffling to me is how Super only garnered a 50 percent critics score on Rotten Tomatoes. For a dark comedy, it checks all the boxes. It has a conflicted protagonist who channels serious Dwight Schrute energy when he’s pushed into an awkward situation, and Kevin Bacon looks like he’s having an absolute blast playing the bad guy.

One possibility is that the James Gunn film was constantly compared to Mark Millar’s Kick-Ass, which came out the same year. It could be that audiences only had so much bandwidth for superhero comedies, and when push came to shove, Kick-Ass simply ended up being the more popular movie. Commenting on the similarities between the films, Millar chalked the whole thing up to parallel thinking. The reality is they were both working on similar ideas at roughly the same time, but the end result is two very different movies.

If I’m being honest, I think Super is the superior movie, mostly because nobody has any enhanced abilities. It’s a spiritual journey that one man goes through after his whole world falls apart, and his naivety about how the world works is what sells most of the humor. If anything, you should watch both films as a double feature because they’re cut from the same cloth while operating in completely different lanes.

As of this writing, Super is streaming for free on Tubi.